"Cool, Cool Water" | ||||
---|---|---|---|---|
Single by the Beach Boys | ||||
from the album Sunflower | ||||
B-side | "Forever" | |||
Released | March 1971 | |||
Recorded | October 26, 1967 – July 7, 1970 [1] | |||
Studio | Beach Boys, Los Angeles | |||
Length |
| |||
Label | Brother/Reprise | |||
Songwriter(s) | Brian Wilson, Mike Love | |||
Producer(s) | The Beach Boys | |||
The Beach Boys singles chronology | ||||
| ||||
Licensed audio | ||||
"Cool, Cool Water" on YouTube |
"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower . It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971. [2]
The song evolved from "Love to Say Dada", an unfinished composition from the band's cancelled Smile album. Earlier versions of "Cool, Cool Water" were recorded during sessions for the 1967 albums Smiley Smile and Wild Honey . At the insistence of A&R man Lenny Waronker, the song was completed for Sunflower, with Moog synthesizer contributions from Beaver & Krause.
Brian Wilson described "Cool, Cool Water" as "one of my very, very favorite songs that we ever did." [3]
Engineer Stephen Desper stated that Brian Wilson had been obsessed with the riff of "Cool, Cool Water" for years prior to its release, [4] and that the song had evolved from an earlier composition, "I Love to Say Dada". [5] Wilson was quoted in the liner notes of a 2000 CD reissue:
I'm proud of "Cool, Cool Water" because that was a divinely inspired song. I had just moved into a new house on Bellagio Road in Bel Air, in March of 1967, and the first day I moved in, there was a piano there, and I went to the piano and wrote "Cool, Cool Water". I sat and wrote the gist of it, the basic song. It was finished much later of course. [6]
The recording sessions for "Cool, Cool Water" were held in June and October 1967, during the making of the Smiley Smile and Wild Honey albums. [7] The song was listed as part of a proposed Wild Honey track listing dated October 13, 1967. It was ultimately excluded from the album. [8]
In 1969, Lenny Waronker, then an A&R executive at Warner Music, heard the unfinished tape, and convinced Wilson to finish the track for Sunflower. Waronker was impressed with the song's inspired simplicity and stated "If I ever get the opportunity to produce Brian, I'd encourage him to do something that combined the vividness of 'Good Vibrations' with the non-commercial gentleness of 'Cool, Cool Water'." [6] [nb 1]
A revised version of "Cool, Cool Water" was released on the band's 1970 album Sunflower , featuring new lyrics by Mike Love and an altered arrangement.[ citation needed ] Desper commented on Carl Wilson's role in the completion of "Cool, Cool Water" in a 2012 post,
There was no final version. When Brian became ill, Carl took over and salvaged a few tracks ... Almost all of CCW, the Sunflower version, was by Carl's production. ... Carl and the entire group was under a lot of pressure to record. Carl took what Brian had done (which was very little) and made it into the Sunflower CCW. That production was almost entirely original. [4]
Wilson later said: "In 'Cool, Cool Water' there's a chant I wish we hadn't used. It fits all right, but there's just something I don't think is quite right with it." [9] The chant also features as the intro to the Brian Wilson Presents Smile version of "Love to Say Dada" (renamed "In Blue Hawaii").
Sourced from Craig Slowinski. [1]
Sunflower is the 16th studio album by the American rock band the Beach Boys, released on August 31, 1970 on Reprise Records, their first for the label. It received favorable reviews, but sold poorly, reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. "Add Some Music to Your Day" was the only single that charted in the US, peaking at number 64. In the UK, the album peaked at number 29.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
Carl and the Passions – "So Tough" is the 18th studio album by American rock band the Beach Boys, released May 15, 1972 on Brother/Reprise. The album is a significant musical departure for the band and is the first to feature the Flames' Blondie Chaplin and Ricky Fataar as additions to their official line-up. It sold poorly and was met with lukewarm reviews, but later gained stature as a cult favorite among fans.
"Heroes and Villains" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson envisioned the song as an Old West-themed musical comedy that would surpass the recording and artistic achievements of "Good Vibrations". The single was Brother Records' first release. While it failed to meet critical and commercial expectations, it was a hit record, peaking at number 12 in the U.S. and number 8 in the UK.
Ten Years of Harmony is an official double album compilation album released by the Beach Boys in 1981, and spanning their entire Brother Records-era up to that point (1970–80), including some unreleased or rare material. Although the song "Darlin'" had originally been recorded in 1967 while the group was signed to Capitol Records, the version on Ten Years of Harmony was recorded live in 1973 for the album The Beach Boys in Concert.
"Forever" is a song by American rock band the Beach Boys from their 1970 album Sunflower. It was written by Dennis Wilson and Gregg Jakobson. Dennis sang lead vocal. His brother Brian assisted with the arrangement.
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
"'Til I Die" is a song by American rock band the Beach Boys from their 1971 album Surf's Up, subsequently issued as the B-side of the single "Long Promised Road". With autobiographical lyrics about death and hopelessness, it is one of the few songs in which both the words and music were written solely by Brian Wilson. An extended mix of the original recording, created by engineer Stephen Desper, was included on the 1998 Endless Harmony Soundtrack.
"This Whole World" is a song by American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson, the song features his brother Carl on lead vocals and is credited as a Beach Boys production. Earlier in the year, it had been included on the Warner Brothers promotional sampler album The Big Ball, and as a single, fronted with "Slip On Through", but did not make the U.S. or UK pop charts.
"Wonderful" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, it was their only collaboration that resulted in a love song, telling the story of a young girl's sexual awakening and its disruption of her devotion to God and her parents.
"Disney Girls (1957)" is a song by American rock band the Beach Boys from their 1971 album Surf's Up. It was written and sung by Bruce Johnston, who also plays upright piano, Moog synthesizer, and mandolin. Johnston later rerecorded the song for his 1977 solo album, Going Public.
"Add Some Music to Your Day" is a song by American rock band the Beach Boys that was released in the US on February 23, 1970 as the lead single from their album Sunflower. It was written by Brian Wilson, Joe Knott, and Mike Love. Wilson later said that Knott "was a friend of mine who wasn't a songwriter but he contributed a couple of lines. But I can't remember which ones!"
"A Day in the Life of a Tree" is a song by American rock band the Beach Boys from their 1971 album Surf's Up. It was written by Brian Wilson and the group's manager Jack Rieley, who also performed lead vocal. The lyrics were inspired by Wilson's feelings toward environmental pollution.
"Tears in the Morning" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Bruce Johnston, it was issued as a single, with the B-side "It's About Time". The single failed to chart in the U.S., but reached the top 5 in the Netherlands.
"All I Wanna Do" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson and Mike Love, the dreamlike production quality was created through liberal use of overdubbing, reverb and delay effects. It was influential to the development of lo-fi music and pioneered sounds that became associated with the shoegaze, dream pop, and chillwave music genres.
"Marcella" is a song by the American rock band the Beach Boys from their 1972 album Carl and the Passions – "So Tough". Written by Brian Wilson, Jack Rieley, and Tandyn Almer, the lyrics were inspired by Wilson's fixation with a local massage therapist. It is the last song to feature Bruce Johnston during his original tenure in the band.
"Vegetables" is a song by American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, the song was conceived by Wilson as a tongue-in-cheek promotion of organic food. Another reported inspiration for the song was a humorous comment Wilson heard about the effect of marijuana turning him and his friends into a "vegetative" state.
"Loop de Loop (Flip Flop Flyin' in an Aeroplane)" is a song by the American rock band the Beach Boys that was written by Al Jardine, Brian Wilson, and Carl Wilson. It was originally recorded between the late 1960s and 1970s. In 1998, Jardine finished the song for its release on Endless Harmony Soundtrack.
Spring is the only album by American pop duo Spring, released in July 1972 on United Artists. It contains cover versions of popular songs as well as original material written or co-written by Brian Wilson of the Beach Boys. Although Brian is the album's only credited producer, most of the production was actually handled by his collaborator at the time, David Sandler, alongside engineer Stephen Desper.
"Love to Say Dada" is an unfinished song that was written by American musician Brian Wilson for the Beach Boys' Smile project. It referenced the drug LSD in its initials and was one of the last tracks recorded for the album. The song subsequently evolved into "Cool, Cool Water" from Sunflower (1970).
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