 |
| Dan O'Neill | |
|---|---|
 Dan O'Neill 1982 | |
| Born | April 21, 1942 |
| Nationality | American |
| Area(s) | Cartoonist, Writer, Penciller |
Notable works | Odd Bodkins |
| Awards | Yellow Kid Award, Grand Guinigi, 1975 |
| DanONeillComics.com | |
Dan O'Neill (born April 21, 1942) is an American underground cartoonist, creator of the syndicated comic strip Odd Bodkins and founder of the underground comics collective the Air Pirates. [1]
O'Neill attended the University of San Francisco, making contributions to the San Francisco Foghorn , the school newspaper.
Odd Bodkins began its run in 1964 in the San Francisco Chronicle when O'Neill was 21 years old. [2] The strip consisted of the adventures of Hugh and Fred Bird. During the course of the strip's run, it increasingly reflected O'Neill's life in and his critique of 1960s counterculture. Though he considered himself a strong writer, O'Neill said of his artwork, "I had a very weak line. Either that or palsy."[ citation needed ]
As Odd Bodkins became increasingly political, O'Neill feared that the Chronicle, which held the strip's copyright, would fire him and hire another artist. The Chronicle had axed Odd Bodkins a few times already, but it had been reinstated following reader protests. [3] O'Neill decided on an odd tactic to regain control of his strip: he would engage in copyright infringement, which he reasoned would force the paper to surrender the strip's copyright back to him for fear of being sued. O'Neill worked 28 Walt Disney characters, including Mickey Mouse and Pluto, into the strip. In late November 1970, the Chronicle fired O'Neill for the final time but did not continue to run the strip.
In 1972, during O'Neill's legal battles with Disney over Air Pirates Funnies, the Chronicle finally transferred the copyright of Odd Bodkins back to O'Neill.
O'Neill decided to become an underground comic book mogul and gathered other young artists into a collective called the Air Pirates, whose members included Bobby London, Gary Hallgren, Shary Flenniken and Ted Richards. Their two-issue series Air Pirates Funnies included parodies of Mickey Mouse and other copyrighted characters, which led to a famous lawsuit by The Walt Disney Company. O'Neill took the lead in fighting the suit, promoting it as a free-speech case in his "Mouse Liberation Front" campaign. He and Richards were the last Air Pirates to settle with Disney after a long, highly publicized and expensive legal battle. Although criticized for engaging in a legal conflict that seemed pointless, O'Neill had no regrets taking this stand on principle, saying, "Doing something stupid once is just plain stupid. Doing something stupid twice is a philosophy." [4]
In the midst of the Disney lawsuit, O'Neill traveled to Ireland and later to Wounded Knee, South Dakota, where he pioneered the genre of comic strip journalism with The Penny-Ante Republican, a four-page, single-sheet comic which sold for one cent, and which told stories of O'Neill's experiences with the Irish Republican Army and the American Indian Movement. For this work, the 11th international Congress of Cartoonists and Animators would present him with the Yellow Kid Award in 1975.
O'Neill later drew a short-lived, full color strip for the National Lampoon about the adventures of the Bat-winged Hamburger Snatcher, and returned to the Chronicle with a weekly strip, titled simply O'Neill, which ran from 1980 to 1985. The final year of O'Neill was reprinted in Comics Revue .
Dan O'Neill was one of twenty-two artists and writers featured in the documentary Comic Book Confidential. He was interviewed while playing pool next to two scantily clad women. He describes his career as "if you're going down in flames you might as well hit something big."
In 2008, he appeared in the documentary film RiP!: A Remix Manifesto , which discussed the negative effects of copyright laws. O'Neill stated that he made fun of Disney in large part because they were the worst at using lawsuits to stifle parodies, spoofs, and other fair use commentaries.
O'Neill currently lives in Nevada City, California, where he continues to draw Odd Bodkins and is a director in the Original Sixteen to One gold mine. [7] [8]
Mickey Mouse is an American cartoon character co-created in 1928 by Walt Disney and Ub Iwerks. The longtime icon and mascot of The Walt Disney Company, Mickey is an anthropomorphic mouse who typically wears red shorts, large yellow shoes, and white gloves. Inspired by such silent film personalities as Charlie Chaplin and Douglas Fairbanks, Mickey is traditionally characterized as a sympathetic underdog who gets by on pluck and ingenuity in the face of challenges bigger than himself. The character's depiction as a small mouse is personified through his diminutive stature and falsetto voice, the latter of which was originally provided by Disney. Mickey is one of the world's most recognizable and universally acclaimed fictional characters of all time.
Arthur Floyd Gottfredson was an American cartoonist best known for his defining work on the Mickey Mouse comic strip, which he worked on from 1930 until his retirement in 1975. His contribution to Mickey Mouse comics is comparable to Carl Barks's on the Donald Duck comics. 17 years after his death, his memory was honored with the Disney Legends award in 2003 and induction into the Comic Book Hall of Fame in 2006.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Ronald Joseph Goulart ( ) was an American popular culture historian and mystery, fantasy and science fiction author.
Last Gasp is a San Francisco–based book publisher with a lowbrow art and counterculture focus. Owned and operated by Ron Turner, for most of its existence Last Gasp was a publisher, distributor, and wholesaler of underground comix and books of all types.
Dan Spiegle was an American comics artist and cartoonist best known for comics based on movie and television characters across a variety of companies, including Dell Comics, DC Comics, and Marvel Comics.
Shary Flenniken is an American editor-writer-illustrator and underground cartoonist. After joining the burgeoning underground comics movement in the early 1970s, she became a prominent contributor to National Lampoon and was one of the editors of the magazine for two years.
Robert London is an American underground comix and mainstream comics artist. His style evokes the work of early American cartoonists like George Herriman and Elzie Crisler Segar.
Gary Hallgren is an American illustrator and underground cartoonist. Illustrations by Hallgren have been "commissioned by publications such as The New York Times, Men's Health, The Wall Street Journal, Mad, and Entertainment Weekly, among others."
Dirty Duck is a fictional character created by underground comix artist Bobby London. The style of the strip is an homage to George Herriman's Krazy Kat.
Eternity Comics was an American comic book publisher active from 1986 to 1994, first as an independent publisher, then as an imprint of Malibu Comics. Eternity published creator-owned comics of an offbeat, independent flavor, as well as some licensed properties. One of its most notable titles was Ex-Mutants. Eternity was also notable for reprinting foreign titles, and introducing Cat Claw, The Jackaroo, and the Southern Squadron to the U.S. market.
The Air Pirates were a group of cartoonists who created two issues of an underground comic called Air Pirates Funnies in 1971, leading to a famous lawsuit by Walt Disney Productions. Founded by Dan O'Neill, the group also included Bobby London, Shary Flenniken, Gary Hallgren, and Ted Richards.
The Uncensored Mouse was a 1989 comic book series published by Malibu Graphics' Eternity Comics line. The series reprinted Mickey Mouse comic strip stories from 1930, including the first two sequences, "Lost on a Desert Island" and "Mickey Mouse in Death Valley". Only two issues were published. While these early sequences had been reprinted in Italy in the 1970s, The Uncensored Mouse was the first English-language reprint since the strip's newspaper run.
Wingate Chase Craig was an American writer-cartoonist who worked principally on comic strips and comic books. From the mid-1940s to mid-1970s he was a prolific editor and scripter for Western Publishing's Dell and Gold Key Comics, including the popular Disney comics line.
B. K. (Bob) Taylor is an American illustrator, cartoonist, writer, production designer, costume designer, puppeteer, and musician known for his work on the Odd Rods collector stickers of the late 1960s, his covers for Sick magazine, his comics in National Lampoon, and for his work as a staff writer on ABC’S popular sitcom, Home Improvement. He lives in Metro Detroit and continues to work as an illustrator and writer, performing occasionally in a local rock band.
Theodore Richards was an American web designer and cartoonist, best known for his underground comix.
The Collective Unconscience of Odd Bodkins is a 1973 collection of the newspaper comic strip Odd Bodkins by American cartoonist Dan O'Neill. The strips contained in the book were originally syndicated by the San Francisco Chronicle between 1969 and 1970, when the strip was terminated.
Chronicle Features was the syndication arm of the San Francisco Chronicle. Syndicating comic strips, newspaper columns, and editorial features, it operated from 1962 to c. 1998. The syndicate was known for the offbeat comic strips it championed, such as Gary Larson's The Far Side, Dan Piraro's Bizarro, and the editorial cartoons of Ted Rall. The service was acquired by Universal Press Syndicate in 1997 and went defunct soon after.
Company & Sons was an early underground comix publisher based in San Francisco, ran by John Bagley. The company operated from 1970 to 1973, publishing a total of 15 titles, all but one of them consisting of a single issue.
Willy Murphy was an American underground cartoonist. Murphy's humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, "a mid-30s beanpole with wry observations about his own life and the community around him." Murphy's solo title was called Flamed-Out Funnies; in addition, he contributed to such seminal underground anthologies as Arcade, Bijou Funnies, and San Francisco Comic Book, as well as the National Lampoon.
| International | |
|---|---|
| National | |
| Other | |
