Darmstadt is a city in the state of Hesse in Germany, located in the southern part of the Rhine-Main-Area. Darmstadt has around 160,000 inhabitants, making it the fourth largest city in the state of Hesse after Frankfurt am Main, Wiesbaden, and Kassel.
Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.
Jugendstil was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal Jugend, founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration.
The Deutscher Werkbund is a German association of artists, architects, designers and industrialists established in 1907. The Werkbund became an important element in the development of modern architecture and industrial design, particularly in the later creation of the Bauhaus school of design. Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets. The Werkbund was less an artistic movement than a state-sponsored effort to integrate traditional crafts and industrial mass production techniques, to put Germany on a competitive footing with England and the United States. Its motto Vom Sofakissen zum Städtebau indicates its range of interest.
Otto Koloman Wagner was an Austrian architect, furniture designer and urban planner. He was a leading member of the Vienna Secession movement of architecture, founded in 1897, and the broader Art Nouveau movement. Many of his works are found in his native city of Vienna, and illustrate the rapid evolution of architecture during the period. His early works were inspired by classical architecture. By mid-1890s, he had already designed several buildings in what became known as the Vienna Secession style. Beginning in 1898, with his designs of Vienna Metro stations, his style became floral and Art Nouveau, with decoration by Koloman Moser. His later works, 1906 until his death in 1918, had geometric forms and minimal ornament, clearly expressing their function. They are considered predecessors to modern architecture.
Peter Behrens was a leading German architect, graphic and industrial designer, best known for his early pioneering AEG Turbine Hall in Berlin in 1909. He had a long career, designing objects, typefaces, and important buildings in a range of styles from the 1900s to the 1930s. He was a founding member of the German Werkbund in 1907, when he also began designing for AEG, pioneered corporate design, graphic design, producing typefaces, objects, and buildings for the company. In the next few years, he became a successful architect, a leader of the rationalist / classical German Reform Movement of the 1910s. After WW1 he turned to Brick Expressionism, designing the remarkable Hoechst Administration Building outside Frankfurt, and from the mid-1920s increasingly to New Objectivity. He was also an educator, heading the architecture school at Academy of Fine Arts Vienna from 1922 to 1936. As a well known architect he produced design across Germany, in other European countries, Russia and England. Several of the leading names of European modernism worked for him when they were starting out in the 1910s, including Ludwig Mies van der Rohe, Le Corbusier and Walter Gropius.
The Vienna Secession is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession exhibitions hall designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called Ver Sacrum, which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.
In art history, secession refers to a historic break between a group of avant-garde artists and conservative European standard-bearers of academic and official art in the late 19th and early 20th century. The name was first suggested by Georg Hirth (1841–1916), the editor and publisher of the influential German art magazine Jugend (Youth), which also went on to lend its name to the Jugendstil. His word choice emphasized the tumultuous rejection of legacy art while it was being reimagined.
Joseph Maria Olbrich was an Austrian architect and one of the Vienna Secession founders.
Worpswede is a municipality in the district of Osterholz, in Lower Saxony, Germany. It is situated in the Teufelsmoor, northeast of Bremen. The small town itself is located near the Weyerberg hill. It has been the home to an artistic community since the end of the 19th century.
Josef Hoffmann was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte. His most famous architectural work is the Stoclet Palace, in Brussels, (1905–1911) a pioneering work of Modern Architecture, Art Deco and peak of Vienna Secession architecture.
Darmstadt Hauptbahnhof is the main railway station in the German city Darmstadt. After Frankfurt Hbf and Wiesbaden Hbf, it is the third largest station in the state of Hesse with 35,000 passengers and 220 trains per day.
Richard Riemerschmid was a German architect, painter, designer and city planner from Munich. He was a major figure in Jugendstil, the German form of Art Nouveau, and a founder of architecture in the style. A founder member of both the Vereinigte Werkstätte für Kunst im Handwerk and the Deutscher Werkbund and the director of art and design institutions in Munich and Cologne, he prized craftsmanship but also pioneered machine production of artistically designed objects.
Waechtersbach ceramics is a German ceramics manufacturer in Brachttal near Wächtersbach, which was founded in 1832 by the Prince Adolf of Ysenburg and Büdingen of Isenburg-Wächtersbach. It is a registered company since 4 July 2003.
Alfred Messel was a German architect at the turning point to the 20th century, creating a new style for buildings which bridged the transition from historicism to modernism. Messel was able to combine the structure, decoration, and function of his buildings, which ranged from department stores, museums, office buildings, mansions, and social housing to soup kitchens, into a coherent, harmonious whole. As an urban architect striving for excellence he was in many respects ahead of his time. His best known works, the Wertheim department stores and the Pergamon Museum in Berlin, reflect a new concept of self-confident metropolitan architecture. His architectural drawings and construction plans are preserved at the Architecture Museum of Technische Universität Berlin.
Furniture created in the Art Nouveau style was prominent from the beginning of the 1890s to the beginning of the First World War in 1914. It characteristically used forms based on nature, such as vines, flowers and water lilies, and featured curving and undulating lines, sometimes known as the whiplash line, both in the form and the decoration. Other common characteristics were asymmetry and polychromy, achieved by inlaying different colored woods.
The Russian Chapel in Darmstadt, formally, the St. Mary Magdalene Chapel, is a historic Russian Orthodox church at Mathildenhöhe in Darmstadt, Germany.
Ester Laura Matilda Claesson was a Swedish landscaping pioneer and is considered the first female landscape architect in Sweden.
Fritz Osswald was a Swiss painter, member of the Munich Secession and of the Darmstadt Artists' Colony.
Albin Camillo Müller, also known as Albinmüller, was a German architect and designer active in Darmstadt. In 1906 he was appointed to the Darmstadt Artists' Colony, where he became the lead architect after Joseph Maria Olbrich's death (1908). In 1907 he was appointed a professor, and from 1907 to 1911 taught Applied Arts. In 1918 along with Kasimir Edschmid, Albinmüller was appointed the President of the newly created Art Council in Darmstadt. In 1926, Müller was appointed architect of the Deutsche Theaterausstellung in Magdeburg. In 1934 he turned to landscape painting and also worked as a writer.
