"Don't Answer Me" | ||||
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Single by The Alan Parsons Project | ||||
from the album Ammonia Avenue | ||||
B-side | "Don't Let It Show" "You Don't Believe" (Europe) | |||
Released | February 1984 | |||
Recorded | 1983 | |||
Genre | New wave, jangle pop | |||
Length | 4:09 | |||
Label | Arista | |||
Songwriter(s) | Alan Parsons, Eric Woolfson | |||
Producer(s) | Alan Parsons | |||
The Alan Parsons Project singles chronology | ||||
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Music video | ||||
"Don't Answer Me" on YouTube |
"Don't Answer Me" is a 1984 song by the Alan Parsons Project from the album Ammonia Avenue . It reached number 15 on the Billboard charts in the United States and was the final Billboard Top 20 hit for the group. It also reached number 58 in the United Kingdom, the group's highest chart placing in their native country. [1] The music video was rendered in comic book style, with art and animation by Michael Kaluta.
Instead of the art rock and progressive rock sounds for which Alan Parsons was well-known, Parsons crafted "Don't Answer Me" in the style of Phil Spector and his Wall of Sound technique. Eric Woolfson, the co-writer, handled lead vocals on the single, with Mel Collins providing a saxophone solo with a "soothing yet destitute wail". [2]
The music video was filmed at the Broadcast Arts animation studio, with Kaluta acting as lead designer and animator from a script by D.J. Webster. The video took 23 days to film, using a 40-man animation team, and combined traditional cel animation (in the rendering of the figures), stop-motion animation (for the majority of the movements), and even claymation. The final cost topped $50,000. [3]
The video is presented as a story in the fictional comic book series, The Adventures of Nick and Sugar, set in 1930s Florida. The story starts at the Flamingo Bar, where Sugar is on a date with the thuggish "Muscles" Malone. Sugar was once Nick's girl, and Nick drinks heavily (emptying a bottle of Johnnie Walker Red) as he watches Malone manhandle Sugar. After finishing the bottle, Nick leaves the bar and drives to the Burgers'N'Shakes drive-in, passing a billboard with the Ammonia Avenue album cover displayed. While admitting his heartbreak to Leslie, the carhop, a black sedan carrying Malone and Sugar pulls up next to Nick's convertible. When Sugar resists Malone's demand for a kiss, Malone moves to slap Sugar. An enraged Nick pulls Malone from his car and starts brawling with the much-larger thug. Malone appears to have beaten Nick, but Nick summons one last powerful uppercut and knocks Malone clear off the planet, sending him into the left eye of the Man in the Moon. Nick and Sugar embrace, deeply in love; as they embrace, the view quickly cuts to a still picture drawing of the band featuring Woolfson and Parsons at keyboards, dressed in 1930s cocktail lounge outfits, performing the song. Nick and Sugar drive away together, with Nick pausing to wipe Malone out of the Man in the Moon's eye with his handkerchief. [4]
The video was nominated for Most Experimental Video at the first-ever 1984 MTV Video Music Awards, but lost to Herbie Hancock's "Rockit".
The video became well-known in Ireland (though the song did not chart) through weekly airings on the Sunday afternoon MT USA show hosted from New York by Vincent Hanley. [5]
Parsons and his "Alan Parsons Live Project" band perform the song in concert, with live versions released on the albums Alan Parsons Live with Gary Howard and Chris Thompson on vocals, Eye 2 Eye: Live In Madrid , LiveSpan, Alan Parsons Symphonic Project, Live in Colombia , The NeverEnding Show: Live in the Netherlands and One Note Symphony: Live in Tel Aviv, the latter with Parsons on lead vocals.
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The Alan Parsons Project were a British rock band formed in London in 1975. Its core membership consisted of producer, audio engineer, musician and composer Alan Parsons, and singer, songwriter and pianist Eric Woolfson. They shared writing credits on almost all of their songs, with Parsons producing or co-producing all of the recordings, while being accompanied by various session musicians, some relatively consistent.
Tales of Mystery and Imagination (Edgar Allan Poe) is the debut studio album by British rock band the Alan Parsons Project. It was released on 25 June 1976 in the United Kingdom and Ireland by Charisma Records and 20th Century Records in the rest of the world. The lyrical and musical themes of the album, which are retellings of horror stories and poetry by Edgar Allan Poe, attracted a cult audience. The title of the album is taken from the title of a collection of Poe's macabre stories of the same name.
Ammonia Avenue is the seventh studio album by the British progressive rock band the Alan Parsons Project, released in February 1984 by Arista Records. The Phil Spector-influenced "Don't Answer Me" was the album's lead single, and reached the Top 15 on the US Billboard Hot 100 and Mainstream Rock Tracks charts, as well as the fourth position on the Adult Contemporary chart. The single also reached the Top 20 in several countries and represents the last big hit for the Alan Parsons Project. "Prime Time" was a follow-up release that fared well in the Top 40, reaching No. 34. "You Don't Believe" was the first single in November 1983, reaching #54 on the Billboard Hot 100 and "Since the Last Goodbye" was a minor hit.
I Robot is the second studio album by British rock band the Alan Parsons Project, released on 8 July 1977 by Arista Records. The album draws conceptually on author Isaac Asimov's science fiction Robot stories, exploring philosophical themes regarding artificial intelligence.
Eye in the Sky is the sixth studio album by British rock band the Alan Parsons Project, released in May 1982 by Arista Records. At the 25th Annual Grammy Awards in 1983, Eye in the Sky was nominated for the Grammy Award for Best Engineered Album. In 2019, the album won the Grammy Award for Best Immersive Audio Album at the 61st Annual Grammy Awards.
Pyramid is the third album by progressive rock band The Alan Parsons Project, released in May 1978. It is a concept album centred on the pyramids of Giza. At the time the album was conceived, interest in pyramid power and Tutankhamun was widespread in the US and the UK. Pyramid was nominated for the 1978 Grammy Award for Best Engineered Album, Non-Classical.
Eve is the fourth studio album by British rock band the Alan Parsons Project, released in September 1979 by Arista Records. The album's focus is on the strength and characteristics of women, and the problems they face in the world of men. It had originally been intended to focus on "great women in history", but evolved into a wider concept. The album name was the same as Eric Woolfson's mother-in-law.
The Turn of a Friendly Card is the fifth studio album by the British progressive rock band the Alan Parsons Project, released in 1980 by Arista Records. The title piece, which appears on side 2 of the LP, is a 16-minute suite broken up into five tracks. The Turn of a Friendly Card spawned the hits "Games People Play" and "Time", the latter of which was Eric Woolfson's first lead vocal appearance. An edited version of the title piece combining the opening and ending parts of the suite was also released as a single along with an official video.
Stereotomy is the ninth studio album by the Alan Parsons Project, released in 1985.
Vulture Culture is the eighth studio album by the Alan Parsons Project, released in March 1985 via the Arista label.
Gaudi is the tenth album by The Alan Parsons Project, released in 1987. Gaudi refers to Antoni Gaudí, the Spanish architect, and the opening track references what is probably Gaudí's best known building, the Sagrada Família.
"White Lines (Don't Don't Do It)" is a song by American hip hop recording artist Melle Mel, released as a 12" in 1983 on Sugar Hill Records. The song, which warns against the dangers of cocaine, addiction, and drug smuggling, is one of Melle Mel's signature tracks. The bassline is taken from a performance of the Sugar Hill house band (featuring bassist Doug Wimbish) covering "Cavern", a single by the New York City band Liquid Liquid.
"If You Don't Know Me by Now" is a song written by Kenny Gamble and Leon Huff, and recorded by the Philadelphia soul musical group Harold Melvin & the Blue Notes. It became their first hit after being released as a single in September 1972, topping the US R&B chart and peaking at number 3 on the US Billboard Hot 100.
"Missionary Man" is a song by British pop duo Eurythmics from their fifth studio album, Revenge (1986). The song features Jimmy Zavala on harmonica and Joniece Jamison on backing vocals.
"Don't Bring Me Down" is the ninth and final track on the English rock band the Electric Light Orchestra's 1979 album Discovery. It is their highest-charting hit in the United States.
"Eye in the Sky" is a song by British rock band the Alan Parsons Project, released as a single from their sixth studio album, Eye in the Sky (1982), in May 1982. It entered the US Billboard charts on 3 July and hit No. 3 in October 1982, No. 1 in both Canada and Spain, and No. 6 in New Zealand, becoming their most successful release. The instrumental piece entitled "Sirius" segues into "Eye in the Sky" on the original recording.
The following is the complete discography of the Alan Parsons Project. Over the years they have released 12 studio albums, 14 compilation albums, and 38 singles.
"Time" is a song released in 1981 as a single by the Alan Parsons Project. It was from their 1980 album The Turn of a Friendly Card. In the U.S., the song peaked at No. 15 on the Billboard Hot 100. On the U.S. Adult Contemporary chart, "Time" peaked at #10. In addition, "Time" spent two weeks at #14 on Cashbox, making it the group's second most successful single. Cashbox ranked it as the 94th biggest hit of 1981. Outside the US, the song peaked at #30 in Canada.
"Old and Wise" is a ballad by the Alan Parsons Project from the album Eye in the Sky, released in December 1982. The song reached number 74 in the United Kingdom, the first of the band's singles to chart in that country.
"Save Me" is a song by British-American band Fleetwood Mac from their 15th studio album, Behind the Mask, released as a single in 1990. Written and sung by Christine McVie, it was the group's last top-40 hit in the United States, where it reached No. 33. "Save Me" achieved modest success in the United Kingdom, where it peaked at No. 53. It also reached the top 10 in Canada, Finland, and the Netherlands. The song was, as the slightly shorter single edit, included in the group's 2018 compilation 50 Years – Don't Stop.
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