Even in the Quietest Moments...

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Even in the Quietest Moments...
Supertramp - Even in the Quietest Moments.jpg
Studio album by
Released8 April 1977 [1]
RecordedNovember 1976 – January 1977
Studio
Genre
Length43:27
Label A&M
Producer Supertramp
Supertramp chronology
Crisis? What Crisis?
(1975)
Even in the Quietest Moments...
(1977)
Breakfast in America
(1979)
Singles from Even in the Quietest Moments...
  1. "Give a Little Bit"
    Released: 27 May 1977
  2. "Babaji"
    Released: 11 November 1977

Even in the Quietest Moments... is the fifth album by the English rock band Supertramp, released in April 1977. It was recorded mainly at Caribou Ranch Studios in Colorado with overdubs, vocals, and mixing completed at The Record Plant in Los Angeles. This was Supertramp's first album to use engineer Peter Henderson, who would work with the band for their next three albums as well.

Contents

Even in the Quietest Moments… reached number 16 on the Billboard Pop Albums Chart in 1977 and within a few months of release became Supertramp's first Gold (500,000 copies or more) selling album in the US. In addition, "Give a Little Bit" became a US Top 20 single and reached number 29 on the UK Singles Chart. [3] While "Give a Little Bit" was the big hit, both "Fool's Overture" and the title track also got a fair amount of FM album-rock play.

In 1978, Even in the Quietest Moments… was ranked 63rd in The World Critic Lists, which recognised the 200 greatest albums of all time as voted for by notable rock critics and DJs. [4]

Background and recording

I think it was Roger who wanted to get out of Los Angeles to do a record. At the time, the sky was the limit, so we decided to record at the Caribou Ranch, on a mountaintop outside of Denver. What we didn't realize was that the thin air in the mountains makes your voice go weird. It also made it hard for John to play the sax. So we ended up finishing it back in L.A. at the Record Plant. – Rick Davies, Retrospectacle – The Supertramp Anthology CD booklet (2005)

Though all the songs are credited as being written jointly by Rick Davies and Roger Hodgson, Davies wrote "Lover Boy", "Downstream", and "From Now On" by himself, and Hodgson in turn wrote "Give a Little Bit", "Even in the Quietest Moments", "Babaji", and "Fool's Overture" unaided. [5]

Davies said of "Lover Boy" that "I was inspired by advertisements in men's magazines telling you how to pick up women. You know, you send away for it and it's guaranteed not to fail. If you haven't slept with at least five women in two weeks, you can get your money back." Bob Siebenberg recounted that "Rick had been working on 'Lover Boy' for quite a while and finally came up with the long middle section. I just heard that as a really slow, really solid sort of beat, just to give the song dynamics underneath it all, because the song itself is really powerful and it needed something really solid underneath it." [5]

Most of "Even in the Quietest Moments" was written during the sound check for a show at the Tivoli Gardens (in Copenhagen). Davies and Hodgson worked out the various parts of the song with Hodgson using an Oberheim and a Solina string synthesiser and Davies at the drum kit. [6] Davies commented on the music: "It starts off in a very standard melody thing and then it notches onto a sort of one chord progression or perhaps we should call it a digression. It's a thing where there's hundreds of sounds coming in and going out, a whole collage thing." [5] Hodgson said of the lyrics: "It's kind of a dual love song – it could be to a girl or it could be to God." [5] Gary Graff of Billboard rated "Even in the Quietest Moments" as Supertramp's 4th best song. [7]

"Downstream" is performed solely by Davies on vocal and piano, which were recorded together in one take. Siebenberg has described the song as his favourite on the album "because it's so personal and so pure." [5]

Graff rated "From Now On" as Supertramp's 8th best song, highlighting John Helliwell’s saxophone solo and the call-and-response singalong at the end. [7]

"Fool's Overture" had the working title of "The String Machine Epic", and according to John Helliwell: "It came primarily from a few melodies Roger worked out on the string machine thing we use on stage." [5] Hodgson stated the song's lyrics are essentially meaningless, explaining: "I like being vague and yet saying enough to set people's imaginations running riot." [5] Written and sung by guitarist/keyboardist Roger Hodgson - who took five years to compose it - [8] the song is a collage of progressive instrumentation and sound samples. Hodgson said:

It was very magical the way it came together. It was actually three separate pieces of music that I had for a few years and then one day they all just came together in what I think is a magnificent, kind of epic piece of music. [9]

First are excerpts of Winston Churchill's famous 4 June 1940 House of Commons speech regarding Britain's involvement in World War II ("Never Surrender"), followed by sounds of police cars and bells from London's Big Ben clock tower. The flageolet-sounding instrument plays an excerpt from Gustav Holst's "Venus", from his orchestral suite The Planets . [10] There is also a reading of the first verse of William Blake's poem "And did those feet in ancient time" (more commonly known as "Jerusalem"), ended by a short sample of the band's song "Dreamer". [10] Ultimate Classic Rock critic Nick DeRiso rated it as Supertramp's 7th best song." [10] Hodgson rated it as one of the 10 best song he has written. [9]

Artwork

The front cover is a photo of an actual snow-covered piano and bench with a scenic mountain peak backdrop—an actual, but gutted, grand piano was brought to the Eldora Mountain Resort (a ski area near Caribou Ranch Studios)—which was left overnight and photographed after a fresh snow. [11] The sheet music on the piano, though titled "Fool's Overture", is actually "The Star-Spangled Banner".

A remastered CD version of the album with full original artwork, lyrics, and credits restored (including the inner sleeve picture of the band absent from the original CD) was released on 11 June 2002 on A&M Records in the US.

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [12]
Christgau's Record Guide C+ [13]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [14]
MusicHound Rock Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [15]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [16]

In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau remarked that, unlike most progressive rock, which is "pretentious background schlock that's all too hard to ignore", the album is "modest background schlock that sounds good when it slips into the ear." [13]

AllMusic gave a mixed retrospective review of the album, calling it "elegant yet mildly absurd, witty but kind of obscure," but adding that it "places a greater emphasis on melody and gentle textures than any previous Supertramp release." They criticised the album as not being "full formed," but marked "Give a Little Bit," "Lover Boy," "Fool's Overture," and "From Now On" as worthy of praise. [12]

Track listing

All songs credited to Rick Davies and Roger Hodgson. Listed below are the actual writers, also lead singers of their songs.

Side one
No.TitleWriter(s)Length
1."Give a Little Bit"Roger Hodgson4:08
2."Lover Boy"Rick Davies6:49
3."Even in the Quietest Moments"Hodgson6:26
4."Downstream"Davies4:00
Total length:21:23
Side two
No.TitleWriter(s)Length
5."Babaji"Hodgson4:51
6."From Now On"Davies6:21
7."Fool's Overture"Hodgson10:52
Total length:22:04

1997 and 2002 A&M reissue

The 1997 and 2002 A&M Records reissues were mastered from the original master tapes by Greg Calbi and Jay Messina at Sterling Sound, New York, in 1997 and 2002. The reissues were supervised by Bill Levenson with art direction by Vartan and design by Mike Diehl, with production coordination by Beth Stempel.

Personnel

Supertramp

Production

Charts

Certifications and sales

RegionCertification Certified units/sales
Canada (Music Canada) [34] Platinum100,000^
France (SNEP) [35] Platinum400,000*
Germany (BVMI) [36] Gold250,000^
Netherlands (NVPI) [37] 2× Gold100,000^
Norway20,000 [38]
Switzerland (IFPI Switzerland) [39] Platinum50,000^
United Kingdom (BPI) [40] Silver60,000^
United States (RIAA) [41] Gold500,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Supertramp</span> British rock band

Supertramp were a British rock band that formed in London in 1970. They experienced their greatest global success in 1979 with their sixth album Breakfast in America. Marked by the individual songwriting of founders Roger Hodgson and Rick Davies, the group were distinguished for blending progressive rock and pop styles as well as for a sound that relied heavily on Wurlitzer electric piano. The group's lineup changed numerous times throughout their career, with Davies being the only constant member throughout its history. The classic lineup, which lasted ten years from 1973 to 1983, comprised Davies, Hodgson, Dougie Thomson (bass), Bob Siebenberg (drums) and John Helliwell (saxophone).

<i>Breakfast in America</i> 1979 studio album by Supertramp

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<i>Crime of the Century</i> (album) 1974 studio album by Supertramp

Crime of the Century is the third studio album by the English rock band Supertramp, released in October 1974 on A&M Records. Crime of the Century was Supertramp's commercial breakthrough in many countries, most notably in the UK, Canada and Germany where it peaked in the Top 5 while also making the Top 20 in Australia and France. It was an improvement over their previous sales in the US, but still only peaked at No. 38, with the US hit being "Bloody Well Right". "School" was another popular track, particularly at album rock-oriented radio stations. The album was eventually certified Gold in the US in 1977 after the release of Even in the Quietest Moments.... In Canada, it was eventually certified Diamond. The album was Supertramp's first to feature drummer Bob Siebenberg, saxophone and clarinet player and vocalist John Helliwell, bassist Dougie Thomson, and co-producer Ken Scott. The album has received critical acclaim, including its inclusion in Rolling Stone's "50 Greatest Prog Rock Albums of All Time".

<i>Crisis? What Crisis?</i> 1975 studio album by Supertramp

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<i>Paris</i> (Supertramp album) 1980 live album by Supertramp

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<i>...Famous Last Words...</i> 1982 studio album by Supertramp

...Famous Last Words... is the seventh studio album by English rock band Supertramp, released in October 1982. It was the studio follow-up to 1979's Breakfast in America and the last album with vocalist/keyboardist/guitarist Roger Hodgson, who left the group to pursue a solo career. Thus, it was the final album to be released by the classic lineup of the band.

<i>Brother Where You Bound</i> 1985 studio album by Supertramp

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<span class="mw-page-title-main">Dreamer (Supertramp song)</span> 1974 single from Supertramp

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<span class="mw-page-title-main">Give a Little Bit</span> 1977 single by Supertramp

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<span class="mw-page-title-main">It's Raining Again</span> 1982 single by Supertramp

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<span class="mw-page-title-main">School (Supertramp song)</span> 1983 single by Supertramp

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<span class="mw-page-title-main">Babaji (song)</span> 1977 single by Supertramp

"Babaji" is a song by English rock band Supertramp, written by Roger Hodgson and also credited to other band member Rick Davies. First released on their 1977 album Even in the Quietest Moments..., it was subsequently released in Europe and in Australia as the follow-up single to "Give a Little Bit".

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