Even in the Quietest Moments... | ||||
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Studio album by | ||||
Released | 8 April 1977 [1] | |||
Recorded | November 1976 – January 1977 | |||
Studio |
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Genre | ||||
Length | 43:27 | |||
Label | A&M | |||
Producer | Supertramp | |||
Supertramp chronology | ||||
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Singles from Even in the Quietest Moments... | ||||
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Even in the Quietest Moments... is the fifth album by the English rock band Supertramp, released in April 1977. It was recorded mainly at Caribou Ranch in Colorado with overdubs, vocals, and mixing completed at the Record Plant in Los Angeles. This was Supertramp's first album to use engineer Peter Henderson, who would work with the band for their next three albums as well.
Even in the Quietest Moments… reached number 16 on the Billboard Pop Albums Chart in 1977 and within a few months of release became Supertramp's first Gold (500,000 copies or more)–selling album in the US. In addition, "Give a Little Bit" became a US Top 20 single and reached number 29 on the UK Singles Chart. [4] While "Give a Little Bit" was the big hit, both "Fool's Overture" and the title track also received a fair amount of FM album-rock play.
In 1978, Even in the Quietest Moments… was ranked 63rd in The World Critic Lists, which recognised the 200 greatest albums of all time as voted for by notable rock critics and DJs. [5]
I think it was Roger who wanted to get out of Los Angeles to do a record. At the time, the sky was the limit, so we decided to record at the Caribou Ranch, on a mountaintop outside of Denver. What we didn't realize was that the thin air in the mountains makes your voice go weird. It also made it hard for John [Helliwell] to play the sax. So we ended up finishing it back in L.A. at the Record Plant. – Rick Davies, Retrospectacle – The Supertramp Anthology CD booklet (2005)
Though all the songs are credited as being written jointly by Rick Davies and Roger Hodgson, Davies wrote "Lover Boy", "Downstream", and "From Now On" by himself, and Hodgson in turn wrote "Give a Little Bit", "Even in the Quietest Moments", "Babaji", and "Fool's Overture" unaided. [6]
Davies said of "Lover Boy" that "I was inspired by advertisements in men's magazines telling you how to pick up women. You know, you send away for it and it's guaranteed not to fail. If you haven't slept with at least five women in two weeks, you can get your money back." Bob Siebenberg recounted that "Rick had been working on 'Lover Boy' for quite a while and finally came up with the long middle section. I just heard that as a really slow, really solid sort of beat, just to give the song dynamics underneath it all, because the song itself is really powerful and it needed something really solid underneath it." [6]
Most of "Even in the Quietest Moments" was written during the soundcheck for a show at the Tivoli Gardens in Copenhagen. Davies and Hodgson worked out the various parts of the song with Hodgson using an Oberheim and a Solina string synthesiser and Davies at the drum kit. [7] Davies commented on the music: "It starts off in a very standard melody thing and then it notches onto a sort of one chord progression or perhaps we should call it a digression. It's a thing where there's hundreds of sounds coming in and going out, a whole collage thing." [6] Hodgson said of the lyrics: "It's kind of a dual love song – it could be to a girl or it could be to God." [6] Gary Graff of Billboard rated "Even in the Quietest Moments" as Supertramp's fourth-best song. [8]
"Downstream" is performed solely by Davies on vocal and piano, which were recorded together in one take. Siebenberg has described the song as his favourite on the album "because it's so personal and so pure". [6]
Graff rated "From Now On" as Supertramp's eighth-best song, highlighting John Helliwell's saxophone solo and the call-and-response singalong at the end. [8]
"Fool's Overture" had the working title of "The String Machine Epic", and according to John Helliwell: "It came primarily from a few melodies Roger worked out on the string machine thing we use on stage." [6] Written and sung by guitarist/keyboardist Roger Hodgson – who took five years to compose it – [9] the song is a collage of progressive instrumentation and sound samples. Hodgson stated that the song's lyrics are essentially meaningless, explaining: "I like being vague and yet saying enough to set people's imaginations running riot." [6] He also said:
It was very magical the way it came together. It was actually three separate pieces of music that I had for a few years and then one day they all just came together in what I think is a magnificent, kind of epic piece of music. [10]
First are excerpts of Winston Churchill's famous 4 June 1940 House of Commons speech regarding Britain's involvement in the Second World War ("Never Surrender"), followed by sounds of police cars and bells from London's Big Ben clock tower. The flageolet-sounding instrument plays an excerpt from Gustav Holst's "Venus", from his orchestral suite The Planets . [11] There is also a reading of the first verse of William Blake's poem "And did those feet in ancient time" (more commonly known as "Jerusalem"), ended by a short sample of the band's song "Dreamer". [11] Ultimate Classic Rock critic Nick DeRiso rated it as Supertramp's seventh-best song. [11] Hodgson rated it as one of the 10 best songs he has written. [10]
The front cover is a photo of an actual snow-covered piano and bench with a scenic mountain peak backdrop—an actual, but gutted, grand piano was brought to the Eldora Mountain Resort (a ski area near Caribou Ranch Studios)—which was left overnight and photographed after a fresh snowfall. [12] The sheet music on the piano, though titled "Fool's Overture", is actually "The Star-Spangled Banner".
A remastered CD version of the album with full original artwork, lyrics, and credits restored (including the inner sleeve picture of the band absent from the original CD) was released on 11 June 2002 on A&M Records in the US.
Review scores | |
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Source | Rating |
AllMusic | [13] |
Christgau's Record Guide | C+ [14] |
The Encyclopedia of Popular Music | [15] |
MusicHound Rock | [16] |
The Rolling Stone Album Guide | [17] |
In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau remarked that, unlike most progressive rock, which is "pretentious background schlock that's all too hard to ignore", the album is "modest background schlock that sounds good when it slips into the ear." [14]
AllMusic gave a mixed retrospective review of the album, calling it "elegant yet mildly absurd, witty but kind of obscure", but adding that it "places a greater emphasis on melody and gentle textures than any previous Supertramp release". It criticised the album as not being "full formed", but marked "Give a Little Bit", "Lover Boy", "Fool's Overture", and "From Now On" as worthy of praise. [13]
All songs credited to Rick Davies and Roger Hodgson. Listed below are the actual writers, also lead singers of their songs.
No. | Title | Writer(s) | Length |
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1. | "Give a Little Bit" | Roger Hodgson | 4:08 |
2. | "Lover Boy" | Rick Davies | 6:49 |
3. | "Even in the Quietest Moments" | Hodgson | 6:26 |
4. | "Downstream" | Davies | 4:00 |
Total length: | 21:23 |
No. | Title | Writer(s) | Length |
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5. | "Babaji" | Hodgson | 4:51 |
6. | "From Now On" | Davies | 6:21 |
7. | "Fool's Overture" | Hodgson | 10:52 |
Total length: | 22:04 |
The 1997 and 2002 A&M Records reissues were mastered from the original master tapes by Greg Calbi and Jay Messina at Sterling Sound, New York, in 1997 and 2002. The reissues were supervised by Bill Levenson with art direction by Vartan and design by Mike Diehl, with production coordination by Beth Stempel.
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Canada (Music Canada) [35] | Platinum | 100,000^ |
France (SNEP) [36] | Platinum | 400,000* |
Germany (BVMI) [37] | Gold | 250,000^ |
Netherlands (NVPI) [38] | 2× Gold | 100,000^ |
Norway | — | 20,000 [39] |
Switzerland (IFPI Switzerland) [40] | Platinum | 50,000^ |
United Kingdom (BPI) [41] | Silver | 60,000^ |
United States (RIAA) [42] | Gold | 500,000^ |
* Sales figures based on certification alone. |
Supertramp were a British rock band that formed in London in 1970. They experienced their greatest global success in 1979 with their sixth album Breakfast in America. Marked by the individual songwriting of founders Roger Hodgson and Rick Davies, the group were distinguished for blending progressive rock and pop styles as well as for a sound that relied heavily on Wurlitzer electric piano. The group's lineup changed numerous times throughout their career, with Davies being the only constant member throughout its history. The classic lineup, which lasted ten years from 1973 to 1983, comprised Davies, Hodgson, Dougie Thomson (bass), Bob Siebenberg (drums) and John Helliwell (saxophone).
Breakfast in America is the sixth studio album by the English rock band Supertramp, released by A&M Records on 16 March 1979. It was recorded in 1978 at The Village Recorder in Los Angeles. It spawned three US Billboard hit singles: "The Logical Song", "Goodbye Stranger", and "Take the Long Way Home". In the UK, "The Logical Song" and the title track were both top 10 hits, the only two the group had in their native country.
Crime of the Century is the third studio album by the English rock band Supertramp, released in October 1974 on A&M Records. Crime of the Century was Supertramp's commercial breakthrough in many countries, most notably in the UK, Canada and Germany where it peaked in the Top 5 while also making the Top 20 in Australia and France. It was an improvement over their previous sales in the US, but still only peaked at No. 38, with the US hit being "Bloody Well Right". "School" was another popular track, particularly on album rock-oriented radio stations. The album was eventually certified Gold in the US in 1977 after the release of Even in the Quietest Moments.... In Canada, it was eventually certified Diamond. The album was Supertramp's first to feature drummer Bob Siebenberg, saxophone and clarinet player and vocalist John Helliwell, bassist Dougie Thomson, and co-producer Ken Scott. The album has received critical acclaim, including its inclusion in Rolling Stone's "50 Greatest Prog Rock Albums of All Time".
Crisis? What Crisis? is the fourth album by the English rock band Supertramp, released in 1975. It was recorded in Los Angeles and London – Supertramp's first album to have recording done in the US.
Paris is a live album by the English rock band Supertramp, released in 1980. It was recorded on Supertramp's Breakfast in America tour in Paris, France, with most of the tracks taken from a 29 November 1979 show at the Pavillon de Paris, a venue which was once a slaughterhouse. The album was originally going to be called Roadworks. Paris reached number 8 on the Billboard 200 in late 1980 and went Gold immediately, while the live version of "Dreamer" hit the US Top 20.
...Famous Last Words... is the seventh studio album by English rock band Supertramp, released in October 1982. It was the studio follow-up to 1979's Breakfast in America and the last album with vocalist/keyboardist/guitarist Roger Hodgson, who left the group to pursue a solo career. Thus, it was the final album to be released by the classic lineup of the band.
Slow Motion is the eleventh and final studio album by the English rock band Supertramp, released in April 2002.
Charles Roger Pomfret Hodgson is an English singer, musician and songwriter, best known as the former co-frontman and founding member of the progressive rock band Supertramp. Hodgson composed and sang the majority of the band’s hits, including "Dreamer", "Give a Little Bit", "Take the Long Way Home", "The Logical Song", "It's Raining Again", and "Breakfast in America".
The Autobiography of Supertramp is the first compilation album by the English rock band Supertramp, released in 1986.
"Breakfast in America" is the title track from English rock band Supertramp's 1979 album of the same name. Credited to Rick Davies and Roger Hodgson, it was a top-ten hit in the UK and a live version of the song reached No. 62 on the Billboard Hot 100 in January 1981. The lyrics tell about a person, presumably British, who dreams of visiting the United States.
"Take the Long Way Home" is the third US single and sixth track of English rock band Supertramp's 1979 album Breakfast in America. It was the last song written for the album, being penned during the nine-month recording cycle. In 1980, the live version from Paris became a minor hit in various European countries.
"Dreamer" is a hit single from British band Supertramp's 1974 album Crime of the Century. It peaked at number 13 on the UK Singles Chart in February 1975. In 1980, it appeared on the band's live album Paris. This live version was also released as a single and hit number 15 on the US charts, number 36 in the Dutch Top 40, and number one on the Canadian Singles Chart. When "Dreamer" had been released in 1974, its B-side "Bloody Well Right" was more popular in North America leading it to chart instead, at No. 35 in the US and No. 49 in Canada, with "Dreamer" only charting in Canada, that being at No. 75. "Dreamer" also appeared on Roger Hodgson's album, Classics Live, recorded on tour in 2010.
"Goodbye Stranger" is a song by the English rock band Supertramp; it was written by Rick Davies. The song first appeared on their sixth studio album, Breakfast in America (1979). The lyrics present an "optimistic view from a drifter."
"Give a Little Bit" is the opening song on Supertramp's 1977 album Even in the Quietest Moments... The song was released as a single that same year and became an international hit for the band, peaking at number 15 on the Billboard Pop Singles chart. It was a chart hit in the band's native UK, reaching number 29 on the UK Singles Chart. The single was re-released in 1992 to raise funds for the ITV Telethon Charity event, but failed to chart.
"My Kind of Lady" was the second single from Supertramp's 1982 album …Famous Last Words…. The song is a '50's-style mid-tempo love ballad; it peaked at #16 on the USA Billboard Adult Contemporary and #31 on the USA Billboard pop singles charts. The lead and backing vocals were all sung by Davies, who harmonizes with himself by switching between his natural voice and a falsetto vocal. The echo-treated and natural sounding voice was sung in Davies' baritone. The falsetto passages were double tracked and mixed with a phaser. Despite being released as a single, the track was not performed live.
It Was the Best of Times is the third live album by the English rock band Supertramp, released in April 1999. The album title makes use of the opening line from A Tale of Two Cities by Charles Dickens.
The Very Best of Supertramp 2 is a best of album by the English rock band Supertramp originally released by A&M Records in November 1992.
The Very Best of Supertramp is a greatest hits album by the English rock band Supertramp, originally released by A&M Records in June 1990.
"Bloody Well Right" is a song by English rock band Supertramp from their 1974 album Crime of the Century. It appeared as the B-side of the single "Dreamer" in 1974. Listeners in the United States preferred it to the A-side, and "Bloody Well Right" became their breakthrough hit in the country, peaking at number 35 on the Billboard Hot 100.
"Babaji" is a song by British rock band Supertramp, written by Roger Hodgson and also credited to other band member Rick Davies. First released on their 1977 album Even in the Quietest Moments..., it was subsequently released in Europe and in Australia as the follow-up single to "Give a Little Bit".