Female Half-Length Nude with Hat

Last updated
Female Half-Length Nude with Hat
Kirchner - Weiblicher Akt mit Hut.jpg
Artist Ernst Ludwig Kirchner
Year1910
MediumOil on canvas
Dimensions76 cm× 70 cm(30 in× 28 in)
Location Museum Ludwig, Cologne

Female Half-Length Nude with Hat is an oil-on-canvas painting by German artist Ernst Ludwig Kirchner, executed in 1911. It his held at the Museum Ludwig in Cologne. [1]

Contents

History and description

The painting has the dimensions of 76 by 70 cm. It bears the inventory number WRM 2752 (WRM = Wallraf-Richartz-Museum). Kirchner's signature is on the top left: EL Kirchner II.

Kirchner's half-nude painting shows Doris Große, known as Dodo, with whom he was together from 1909 to 1911, when he moved from Dresden to Berlin. Doris Große was a milliner and was a designer of extravagant hats for women. The painting depicts her partially undressed, wearing a hat, and with an absent look. In addition to influences from French Fauvism, in which the motif of a beautiful woman with a hat often appeared, the sparse lines of the drawing and the restrained color scheme are elements taken from non-European art. In contrast to comparable depictions of passive sensuality in paintings of the female nude by Henri Matisse, the woman in Kirchner's painting has a more tense and conscious posture, as he knew from the depictions of the Indian wall paintings in Ajanta. He also abandoned the two-dimensionality he had previously practiced in favor of a more plastic visual effect. [2] [3]

Painted on the reverse of this canvas is the unfinished Fränzi in Wiesen from 1910, which depicts the muse and popular model for the Brücke artists, Lina Franziska Fehrmann, known as Fränzi.

Provenance

The painting originally belonged to the Adolphe Baseler collection in Paris, then it was acquired by the American art dealer Sam Salz, who was then living in Paris. In 1924, it came to the collection of the lawyer Josef Haubrich in Cologne, where it survived the Nazi regimen and, like the entire Haubrich collection, was donated to the Wallraf-Richartz Museum in Cologne in 1946. It remained there until 1976. Since then it has been exhibited in the Museum Ludwig, founded in 1976. Since 1922, the painting has been shown in numerous international exhibitions as an outstanding work by Kirchner. [4]

Related Research Articles

<span class="mw-page-title-main">Lovis Corinth</span> German painter

Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.

<span class="mw-page-title-main">Ernst Ludwig Kirchner</span> German expressionist painter (1880–1938)

Ernst Ludwig Kirchner was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. His work was branded as "degenerate" by the Nazis in 1933, and in 1937 more than 600 of his works were sold or destroyed.

<span class="mw-page-title-main">Erich Heckel</span> German artist

Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.

<span class="mw-page-title-main">Wallraf–Richartz Museum</span> Museum in Cologne, Germany

The Wallraf–Richartz Museum is an art museum in Cologne, Germany, with a collection of fine art from the medieval period to the early twentieth century. It is one of the three major museums in Cologne.

<span class="mw-page-title-main">Museum Ludwig</span> Museum in Cologne, Germany

Museum Ludwig, located in Cologne, Germany, houses a collection of modern art. It includes works from Pop Art, Abstract and Surrealism, and has one of the largest Picasso collections in Europe. It holds many works by Andy Warhol and Roy Lichtenstein.

<span class="mw-page-title-main">Otto Mueller</span> German artist (1874–1930)

Otto Müller was a German painter and printmaker of the Die Brücke expressionist movement.

<span class="mw-page-title-main">Karl Hofer</span> German painter

Karl Christian Ludwig Hofer or Carl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.

100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. He chose 20 thematic groups, such as war, the Adoration, the language of colour, the hunt, and bathing, picking five paintings from each. The selection ranges from 12th-century China through the 1950s, with an emphasis on European paintings. He deliberately avoided especially famous paintings, such as Leonardo da Vinci's Mona Lisa or John Constable's The Haywain. The series is available on VHS and DVD.

<span class="mw-page-title-main">Master of the Saint Bartholomew Altarpiece</span> Early Netherlandish painter active in Germany

The Master of the Saint Bartholomew Altarpiece was an Early Netherlandish painter active in Germany, mostly Cologne, between 1475/1480 and 1510. Despite his anonymity, he is one of the most recognizable artists of the early Renaissance period in German art.

<i>Five Bathing Women at a Lake</i> Painting by Ernst Ludwig Kirchner

Five Bathing at a Lake is a 1911 oil-on-canvas painting by the Expressionist German painter Ernst Ludwig Kirchner. It depicts five nude women, in different poses, near a lake, four of them with their feet already in the water. The painting is in the Brücke Museum in Berlin.

<i>Juno and Argus</i> 1610 painting by Peter Paul Rubens

Juno and Argus is a 1610 painting by Peter Paul Rubens, depicting Juno and Argus. It is now in the Wallraf-Richartz Museum in Cologne.

<i>Berlin Street Scene</i> Painting by Ernst Ludwig Kirchner

Berlin Street Scene is a 1913 painting from the cycle Street scenes, by the German expressionist artist Ernst Ludwig Kirchner. The cycle, created by Kirchner between 1913 and 1915, often depicts "Kokotten" (prostitutes) with their clients, and is regarded as one of the most important works of German Expressionism.

<i>Self-Portrait as a Soldier</i> Painting by Ernst Ludwig Kirchner

Self-Portrait as a Soldier, or Selbstbildnis als Soldat, is an Expressionist oil-on-canvas painting by the German artist Ernst Ludwig Kirchner. Kirchner created this self-depiction in 1915, following his medical discharge from military service during the First World War. The artwork measures 69 centimetres in height by 61 centimetres in width. The painting was first exhibited in the 'Städtische Galerie' in Germany between 1916 and 1919 and currently resides at the Allen Memorial Art Museum in Ohio USA. Critical interpretations of the painting attribute its stark Expressionist style and myriad of symbolic elements to the socio-political turbulence of Germany during the First World War. Self Portrait as a Soldier may be viewed as testimony to Kirchner's volatile mental and physical health and as a critique of the chaotic instability of Germany during the early 20th century.

Alexander Vömel, or Voemel, was a German gallery owner and Nazi party member who took over the gallery of the Jewish art dealer Alfred Flechtheim when it was Aryanized in 1933.

Max Creutz was a German art historian and curator of the Museum für Angewandte Kunst Köln and the Kaiser-Wilhelm-Museum in Krefeld where he worked from 1922 until his death. In Cologne, in 1914 he was instrumental in the first exhibition of the Deutscher Werkbund, Deutsche Werkbundausstellung. In Krefeld, he succeeded in acquiring modern art exhibits, including works by Max Ernst, Wassily Kandinsky, and Alexej von Jawlensky. He included a substantial collection of art, crafts and design from the Bauhaus.

<i>Alpine Kitchen</i> Painting by Ernst Ludwig Kirchner

Alpine Kitchen is an oil painting on canvas by German artist Ernst Ludwig Kirchner, executed in 1918. It was made when the painter was temporarily living in a mountain hut in the Alps, at 1900 meters of height, above Davos. The house still exists almost in his original form. The painting came from Kirchner's estate and today belongs to the collection of the Thyssen-Bornemisza Museum in Madrid.

<span class="mw-page-title-main">Master of the Legend of Saint Bruno</span> German 15th-century painter

The Master of the Legend of Saint Bruno is the "notname" of an anonymous Gothic painter who was active in Cologne in the late 15th century. He is best known for the cycle of paintings on canvas produced for Cologne Charterhouse after which he is named.

<i>Portrait of Erna Schilling</i> Painting by Ernst Ludwig Kirchner

Portrait of Erna Schilling, also known as Sick Woman or Woman with an Hat, is an oil-on-canvas painting executed in 1913 by the German Expressionist artist Ernst Ludwig Kirchner. It depicts the nightclub dancer Erna Schilling, from Berlin, who after Kirchner's move from Dresden to Berlin in 1911, became his friend and model. The portrait shows Kirchner's signature on the top left: EL Kirchner. It has been in the collection of the National Gallery, in Berlin, since 1989.

<i>Archers</i> (Kirchner) Painting by Ernst Ludwig Kirchner

Archers is an oil-on-canvas painting by German painter Ernst Ludwig Kirchner, created in 1935–1937, at his Swiss home town of Davos. It belongs to his last phase, in which he abandoned the Expressionism of his earlier work. The painting depicts three people engaged in the sport of archery. On the back it bears the signature EL Kirchner. The painting is part of the collection of the Kirchner Museum Davos.

<i>The Bridge near Wiesen</i> 1926 painting by Ernst Ludwig Kirchner

The Bridge near Wiesen, also known as The Bridge at Wiesen, is an oil-on-canvas painting by the German painter Ernst Ludwig Kirchner, from 1926. It depicts the Wiesen Viaduct, south of Davos, in Switzerland. It is signed on the bottom right of the center and is dated '26' on the back. The painting is held at the Kirchner Museum Davos.

References

  1. Ernst Ludwig Kirchner, Ludwig Museum
  2. Donald E. Gordon, Ernst Ludwig Kirchner. Mit kritischem Katalog sämtlicher Gemälde, Munich, 1968 (German)
  3. Hyang-Sook Kim, "Das „physische Schönheitsideal“ der Frau", in Die Frauendarstellungen im Werk von Ernst Ludwig Kirchner: verborgene Selbstbekenntnisse des Malers, Tectum, Marburg, 2002 (German)
  4. Catalogue of the Exhibition of the Berliner Nationalgalerie, Ernst Ludwig Kirchner, Berlin 1979 (German)