"Femme Fatale" | ||||
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Single by the Velvet Underground and Nico | ||||
from the album The Velvet Underground & Nico | ||||
A-side | "Sunday Morning" | |||
Released |
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Recorded | April 1966 | |||
Studio | Scepter, [1] New York City | |||
Genre | Pop [2] | |||
Length | 2:35 | |||
Label | Verve | |||
Songwriter(s) | Lou Reed | |||
Producer(s) | Andy Warhol | |||
The Velvet Underground and Nico singles chronology | ||||
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"Femme Fatale" is a song by American rock band the Velvet Underground from their 1967 debut album The Velvet Underground & Nico , with lead vocals by Nico. [1]
The song was composed in the key of C major. [3] At the request of Andy Warhol, band frontman Lou Reed wrote the song about Warhol superstar Edie Sedgwick. According to Reed, Warhol said when asked what he should write about her: "Oh, don't you think she's a femme fatale , Lou?", with consequence, Reed wrote "Femme Fatale". [4] [5]
The song was recorded with vocals by Nico. [1] Guitarist Sterling Morrison said of the song:
"Femme Fatale"—she [Nico] always hated that.[nasal voice] Nico, whose native language is minority French, would say "The name of this song is 'Fahm Fatahl'." Lou and I would sing it our way. Nico hated that. I said, "Nico, hey, it's my title, I'll pronounce it my way". [6]
"Femme Fatale" was recorded at the Scepter Studios in New York in April 1966 while the studio was still under construction. [1] [7] It was released as a B-Side to "Sunday Morning" in December 1966. [8] The following year it was included in their debut album The Velvet Underground & Nico . A 1969 live recording of the song was included in Bootleg Series Volume 1: The Quine Tapes released in 2001. [1]
AllMusic critic Mark Deming thought that "Femme Fatale" was among the four best songs on the album. [9] American music journalist Stephen Davis called "Femme Fatale" a beautiful song that portrays the vivid, conflicted and emotional undercurrents of 1966. [10]
The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground and German singer Nico, released in March 1967 through Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour. The album features experimental performance sensibilities and controversial lyrical topics, including drug abuse, prostitution, sadomasochism and sexual deviancy. It sold poorly and was mostly ignored by contemporary critics, but later became regarded as one of the most influential albums in the history of rock and pop music.
The Velvet Underground is the eponymous third studio album by American rock band the Velvet Underground. Released in March 1969, it was their first record with Doug Yule, who was a replacement for John Cale. Recorded in 1968 at TTG Studios in Hollywood, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. In 2003, Rolling Stone ranked The Velvet Underground at number 314 in its list of the 500 greatest albums of all time, which was later moved up to number 143 in the 2020 edition of the list.
Peel Slowly and See is a five-disc box set of material by the Velvet Underground. It was released in September 1995 by Polydor.
Holmes Sterling Morrison Jr. was an American guitarist, best known as one of the founding members of the rock group the Velvet Underground, usually playing electric guitar, occasionally bass guitar, and singing backing vocals.
Chelsea Girl is the debut solo album and second studio album by German singer Nico. It was released in October 1967 by Verve Records and was recorded following Nico's collaboration with the Velvet Underground on their 1967 debut studio album. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, in which Nico starred.
The Very Best of The Velvet Underground is a compilation album by The Velvet Underground. It was released in Europe on March 31, 2003, by Polydor, the record label that oversees the band's Universal Music Group back catalog.
Live MCMXCIII is a live album by the Velvet Underground. It was released simultaneously in single and double CD/cassette formats on October 26, 1993, by Sire Records, then DVD format on January 24, 2006. The single CD is an abridged version of the double CD edition, featuring tracks 2, 13–16, 5, 6, 9, 18, and 20–23 in that order. There are no different takes of songs across the multiple editions although the actual track times differ by a few seconds between releases.
1969: The Velvet Underground Live is a live album by the Velvet Underground. It was originally released as a double album in September 1974 by Mercury Records. The September 1988 CD re-release was issued as two separate single CD volumes, with one extra track per disc. Since many of the band's studio albums were out of print in the United States from the early 1970s through the mid-1980s, 1969 was one of the more popular albums by the band, and is a fan favorite. Spin magazine's Alternative Record Guide included it in the top 100 alternative albums of all time in 1995. The owner of the pantyhose-clad posterior on the album cover eludes fans.
Gold is a two-CD compilation album by the Velvet Underground. It was released for the North American market on June 14, 2005, by Polydor, the record label that oversees the band's Universal Music Group back catalogue.
The Best of The Velvet Underground: Words and Music of Lou Reed is a compilation album by The Velvet Underground. It was released in October 1989 by Verve Records.
"Heroin" is a song by the Velvet Underground, released on their 1967 debut album The Velvet Underground & Nico. Written by Lou Reed in 1964, the song, which overtly depicts heroin use and abuse, is one of the band's most celebrated compositions. Critic Mark Deming of Allmusic writes, "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners."
"The Black Angel's Death Song" is a song by the Velvet Underground, from their 1967 debut album The Velvet Underground & Nico. It was written by Lou Reed and John Cale. In a footnote to the lyrics, Lou Reed wrote: "The idea here was to string words together for the sheer fun of their sound, not any particular meaning."
"Sunday Morning" is a song by the Velvet Underground. It is the opening track on their 1967 debut album The Velvet Underground & Nico. It was also released as a single in 1966. This songs is written in the key of F major.
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released on the group's 1967 debut studio album, The Velvet Underground & Nico.
"I'll Be Your Mirror" is a song by the Velvet Underground and Nico. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with "All Tomorrow's Parties" in 1966.
"There She Goes Again" is a song by The Velvet Underground. It first appeared on their 1967 debut album, The Velvet Underground & Nico. The syncopated guitar riff is taken from the 1962 Marvin Gaye song "Hitch Hike". Guitarist Sterling Morrison has stated:
Metronomically, we were a pretty accurate band. If we were speeding up or slowing down, it was by design. If you listen to the solo break on "There She Goes Again," it slows down—slower and slower and slower. And then when it comes back into the "bye-bye-byes" it's double the original tempo, a tremendous leap to twice the speed.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the 1967 album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism, bondage and submission.
"Here She Comes Now" is a song released by the American rock band the Velvet Underground in January 1968, from their second studio album White Light/White Heat. As the shortest song on the album, the performance and mix of the song are both considered simple and traditional, making it somewhat distinct from the other five songs on the album, all of which contain some degree of experimental or avant-garde elements in terms of sound.
The Velvet Underground was an American rock band formed in New York City in 1964. The original line-up consisted of singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. MacLise was replaced by Moe Tucker in 1965, who played on most of the band's recordings. Their integration of rock and the avant-garde achieved little commercial success during the group's existence, but they are now recognized as one of the most influential bands in rock, underground, experimental, and alternative music. The group's provocative subject matter, musical experiments, and often nihilistic attitudes also proved influential in the development of punk rock and new wave music.
Andy Warhol's Velvet Underground featuring Nico is a compilation album of the Velvet Underground released by MGM Records in 1971 that features selections from the band's first three studio albums. Originally released as a double LP, the cover artwork and inside gatefold sleeve feature imitations of Andy Warhol's paintings of Coca-Cola bottles, but are credited to other artists on the back sleeve of the album. The album was released in the UK to capitalise on the interest from Warhol's Pork.
Andy said I should write a song about Edie Sedgwick. I said 'Like what?' and he said 'Oh, don't you think she's a femme fatale, Lou?' So I wrote 'Femme Fatale' and we gave it to Nico. (Lou Reed)