Fontomfrom

Last updated
Fontomfrom
Fontomfrom-Orchester EthnM Berlin.jpg
Fontomfrom ensemble; Department of Music Ethnology, Ethnological Museum of Berlin in Berlin of Germany.
Classification Hourglass-Shaped Drum
Inventor(s) Bono people
Builders
Bono people

Fontomfrom is a Bono type of hourglass-shaped drum mostly used by an ensemble of Bono people to communicate Bono monarchy royal messages in a Bono people ethnic group setting. The Fontomfrom ensemble provides music for ceremonies honoring Bono chiefs and Bono monarchy royal processions. The Fontomfrom is also used to recite proverbs or replicate patterns of speech at most Bono monarchy royal gatherings or a Bono monarchy royal durbar. [1]

The Fontomfrom evolved from the popular hourglass-shaped drum (talking drum) of the 7th century. Shortly after the evolution, a few more non-hourglass shapes such as the Dunan, Sangban, Kenkeni and Ngoma drums were produced. [2] [3]

Prior to the Fontomfrom becoming the ensemble that it is today, it was first introduced into Bonoman by Bonohene Akumfi Ameyaw I and Bonohemaa Owusuaa Abrafi circa 1320s, from North Africa. As they love dancing and music, they introduced this drum to entertain themselves. [2] Since its procurement, the single, large Fontomfrom drum has grown to become an ensemble of several drums. [4]

Related Research Articles

<i>Taiko</i> Japanese percussion instruments

Taiko are a broad range of Japanese percussion instruments. In Japanese, the term taiko refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called wadaiko and to the form of ensemble taiko drumming more specifically called kumi-daiko. The process of constructing taiko varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method.

<span class="mw-page-title-main">Steve Reich</span> American composer (born 1936)

Stephen Michael Reich is an American composer who is known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow.

<span class="mw-page-title-main">U2</span> Irish rock band

U2 are an Irish rock band formed in Dublin in 1976. The group consists of Bono, the Edge, Adam Clayton, and Larry Mullen Jr.. Initially rooted in post-punk, U2's musical style has evolved throughout their career, yet has maintained an anthemic quality built on Bono's expressive vocals and the Edge's chiming, effects-based guitar sounds. Bono's lyrics, often embellished with spiritual imagery, focus on personal and sociopolitical themes. Popular for their live performances, the group have staged several elaborate tours over their career.

<span class="mw-page-title-main">Harrison Birtwistle</span> English composer (1934–2022)

Sir Harrison Birtwistle was an English composer of contemporary classical music best known for his operas, often based on mythological subjects. Among his many compositions, his better known works include The Triumph of Time (1972) and the operas The Mask of Orpheus (1986), Gawain (1991), and The Minotaur (2008). The last of these was ranked by music critics at The Guardian in 2019 as the third-best piece of the 21st century. Even his compositions that were not written for the stage often showed a theatrical approach. A performance of his saxophone concerto Panic during the BBC's Last Night of the Proms caused "national notoriety". He received many international awards and honorary degrees.

There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent.

<i>Pop</i> (U2 album) 1997 studio album by U2

Pop is the ninth studio album by Irish rock band U2. It was produced by Flood, Howie B, and Steve Osborne, and was released on 3 March 1997 on Island Records. The album was a continuation of the band's 1990s musical reinvention, as they incorporated alternative rock, techno, dance, and electronica influences into their sound. Pop employed a variety of production techniques that were relatively new to U2, including sampling, loops, programmed drum machines, and sequencing.

Gagaku is a type of Japanese classical music that was historically used for imperial court music and dances. Gagaku was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794–1185) around the 10th century. Today, it is performed by the Board of Ceremonies in the Tokyo Imperial Palace.

<span class="mw-page-title-main">Thomas Adès</span> British composer, pianist and conductor

Thomas Joseph Edmund Adès is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: The Tempest (2004), Violin Concerto (2005), Tevot (2007), In Seven Days (2008), and Polaris (2010).

<span class="mw-page-title-main">Music of Myanmar</span>

The music of Myanmar shares many similarities with other musical styles in the region. Traditional music is melodic, having its own unique form of harmony, often composed with a 4
4
(na-yi-se), a 2
4
(wa-let-se) or a 8
16
time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song. Harmony in Mahagita is known as twe-lone, which is similar to a chord in western music. For example, C is combined with F or G.

The music of the Marshall Islands has a long history. The Marshall Islands are an independent island chain, geographically and culturally part of the Micronesian area. It was part of the Trust Territory of the Pacific Islands, governed by the United States, until independence in 1986.

<i>Samul nori</i> Genre of percussion music from Korea

Samul nori (Korean: 사물놀이) is a genre of percussion music that originated in Korea. The word samul means "four objects", while nori means "play". Samul nori is performed with four traditional Korean musical instruments: Kkwaenggwari, a small gong; Jing, a larger gong; Janggu, an hourglass-shaped drum; and Buk, a barrel drum similar to the bass drum.

<span class="mw-page-title-main">Bono people</span> Ethnic group in Ghana and Ivory Coast

The Bono, also called the Brong and the Abron, are an Akan people of West Africa. Bonos are normally tagged Akan piesie or Akandifo of which Akan is a derivative name. Bono is the genesis and cradle of Akans. Bono is one of the largest ethnic group of Akan and are matrilineal people. Bono people speak the Bono Twi of Akan language. Twi language, thus the dialect of Bono is a derivative of a Bono King Nana Twi. In the late fifteenth century, the Bono people founded the Gyaaman kingdom as extension of Bono state in what is now Ghana and Côte d'Ivoire.

<i>Pungmul</i> Korean folk music tradition

Pungmul is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. Pungmul is rooted in the dure farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Based on 1980s research, this kind of music was extensively studied in Chindo Island.

<span class="mw-page-title-main">Talking drum</span> Hourglass-shaped West African drum

The talking drum is an hourglass-shaped drum from West Africa, whose pitch can be regulated to mimic the tone and prosody of human speech. It has two drumheads connected by leather tension cords, which allow the player to change the pitch of the drum by scraping the cords between their arm and body.

<span class="mw-page-title-main">Janggu</span> Korean traditional drum

The janggu or sometimes called seyogo is the most representative drum in traditional Korean music. It consists of an hourglass-shaped body with two heads made from animal skin. The two heads produce sounds of different pitch and timbre, which when played together are believed to represent the harmonious joining of Um and Yang. The janggu is one of the four components of samul nori (사물놀이), alongside the buk (북), jing (징) and kkwaenggwari (꽹과리).

<span class="mw-page-title-main">Sub-Saharan African music traditions</span> Traditional sound-based art forms developed by sub-Saharan African peoples

In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.

Čalgija or Chalgiya is a Bulgarian music genre, which also is a subgenre of the old urban traditional folk music of Bulgaria.

<span class="mw-page-title-main">Atumpan (drum)</span>

The Atumpan is a type of Asante talking drum. Played in pairs, these drums provide the bass part in Adowa dance ensembles. These drums are also found in Fontomfrom ensembles.

<span class="mw-page-title-main">Pin (harp)</span> Cambodian harp

The pin is a Cambodian arched harp, one of the most historically important instruments in Cambodian music. The instrument went extinct c. 16th century, and is now being restored in modern times. Its historical importance is emphasized by the very name for Cambodian classical music, pinpeat. After the pin was no longer being used, Cambodians continued to use the instrument's name for classical music into the present era. When the pin was no longer being used, the tonal range of other instruments was expanded, possibly to compensate. Burmese saung gauk and roneats had more keys for the chromatic scale and the number of gongs in the kong von thom and kong toch "more than doubled in number since the musician depicted on the Angkorian carvings."

<span class="mw-page-title-main">Tifa (drum)</span> Indonesian traditional drum musical instruments

The tifa, tiwa or tiva is a single-headed goblet drum used throughout the Maluku Islands of Eastern Indonesia, where it is traditionally the "dominant instrument" in Maluku province music. The term tifa has been used outside of the Maluku Islands, including on the island of Java and on the island of New Guinea, in Indonesia's Papua province.

References

  1. "ASHANTI FONTOMFROM DRUM ENSEMBLE SET". djembedirect.com/. Djembe Direct. Archived from the original on 4 March 2016. Retrieved 19 March 2015.
  2. 1 2 The Akan of Ghana: Their Ancient Beliefs. Faber & Faber. 1958.
  3. "The History of the Drum – Early History". makedrums.com/. Make drums. 18 October 2011. Retrieved 19 March 2015.
  4. Kaminski, Joseph S. (2014-12-01). "Sound Barrage: Threshold to Asante Sacred Experience through Music". International Review of the Aesthetics and Sociology of Music. 45 (2) (published 27 October 2014): 345–371. ISSN   0351-5796 . Retrieved 27 September 2017 via International Review of the Aesthetics and Sociology of Music, JSTOR Arts & Sciences III Collection.