Alkayida (also spelt Ashanti Twi : Alkaida), also known as Akayida, is a Ghanaian dance with an emphasis on side to side moves, incorporating upper and body gestures, and encouraging group routines as well as individual competition. [1] Alkayida dance is intensively relaxed, intensively free-form, intensively involves footwork, and incorporates vast arrays of hip-life dance moves. [1] It involves the swaying of the body along with hand and shoulder movements in a certain pattern. According to hiplife artist Guru who had a key role in popularizing the dance, the name of the dance should be written "Akayida" [2]
The dance, spelt Alkayida, began as a slower dance with moves that seemed to be replicating the extremist group and more recently, the dance and rhythms have picked up pace and delivered colourful choreography and the “Alkayida”—often misspelled “Al Qaeda”—not only vies in unseating the azonto, but it inadvertently embeds the Ghanaian hip-life culture levity into the name of the terrorist group Al-Qaeda. [3]
The Alkayida dance craze has been associated with hip-life music icon Guru after he popularized the term in his hit song "Akayida (Boys Abrɛ)". [4] "Brɛ" in the Ashanti language means "tired". [4] In Guru’s song titled Alkayida, the response to the word Akayida is "boys abrɛ", and this catch phrase has gradually crawled its way into the vocabulary of the Akan youth. [4]
Asamoah Gyan and the Black Stars squad were scheduled to showcase the "Alkayida" dance on the global stage at the 2014 World Cup. [1] Gyan and the rest of the team danced after scoring a goal in the Germany vs. Ghana group stage match. It was, however, an Azonto dance and not Alkayida.
During 2014, Panamanian dancehall deejay Japanese alongside Honduran dancehall artist AlBeezy released the song "La Caída" ( [lakaˈiða] , "The Tumble"), using a similar instrumental to Guru's track but with unrelated lyrics (a common practice among Panamanian dancehall songs, which are often modeled after existing Jamaican dancehall songs. This is sometimes discouraged and deemed plagiarism), and featuring the same dance moves. This gave the dance a brief, minor raise of popularity in Panama and, to a much lesser extent, Guru's music and Azonto music overall.
There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent.
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Asamoah Gyan is a Ghanaian former professional footballer who played as a striker. He is a former captain of the Ghana national team.
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Azonto is a dance and music genre from Ghana. Ghana News Agency cites their study which found out the dance is connected to the traditional Ga dance Kpanlogo, associated with the coastal towns in the country such as Chorkor, James Town, Teshie, Nungua and Tema, in the Greater Accra Region.
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Albert Serebo Ayeh-Hanson, known by his stage name Ball J or Ball J Beat, is a Ghanaian rapper, sound engineer, record producer and entrepreneur from Accra. He spent most of his formative years in the U.S State of California. Ball J is the CEO and founder of Nu Afrika Records. He is currently signed to Platinum Management, an American record label and the brand ambassador to Roca Bella Brands.
Maradona Yeboah Adjei, also known by his stage names Guru and Gurunkz, is a Ghanaian rapper and fashion designer. He is known for his contemporary hip-hop rap style that combines English and Ghanaian indigenous languages. Guru's breakthrough was in 2011, when his hit song "Lapaz Toyota" appeared on the Ghanaian music charts.
Nana Yaw Nkrumah born in Accra, professionally known as Dr Ray Beat is a Ghanaian record producer and sound engineer, who produces music ranging from Afrobeat, Hip hop, Hiplife, Azonto, Dancehall and Afropop. He also produced for Guru, Kwaw Kese, Kofi Kinaata and more.
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Afrobeats, not to be confused with Afrobeat or Afroswing, is an umbrella term to describe popular music from West Africa and the diaspora that initially developed in Nigeria, Ghana, and the UK in the 2000s and 2010s. Afrobeats is less of a style per se, and more of a descriptor for the fusion of sounds flowing out of Nigeria and Ghana. Genres such as hiplife, jùjú music, highlife, azonto music, and naija beats, among others, were amalgamated under the "Afrobeats" umbrella.