Grace Nono

Last updated
Grace Nono
Grace Nono (2008) (cropped).jpg
Born
Grace S. Nono

(1965-05-06) May 6, 1965 (age 58)
Butuan, Philippines
Alma mater University of the Philippines Baguio [lower-alpha 1] (BA)
University of the Philippines Diliman (MA)
Yale University (MA)
New York University (PhD)
Musical career
Genres World, OPM, folk
Occupation(s)
  • Singer
  • ethnomusicologist
  • scholar of Philippine shamanism
  • cultural worker
Website gracenono.com

Grace Nono is a Filipino singer, known for her musical style based on traditional Filipino rhythms. [1] She is also an ethnomusicologist, scholar of Philippine shamanism, and cultural worker. [2]

Contents

Early life and education

Grace Nono was born on May 6, 1965, in Butuan, Agusan, Caraga region, northeastern Mindanao, southern Philippines, years before Agusan was divided into two independent provinces. She was raised in the historic town of Bunawan, now a part of Agusan del Sur. Her mother, Ramona R. Sacote, originally from Camiguin island, was an English and mathematics teacher, writer, and school administrator during the foundational years of what is now the Agusan Del Sur State College of Agriculture and Technology. Her father, Igmedio A. Nono, originally from Nueva Ecija, was a farmer leader who promoted land reform, established cooperatives, and advocated organic farming long before it was widespread. [3]

Grace attended the East Bunawan Central School where she graduated at the top of her class in 1976. After a year at the Agusan National High School, she moved to the Philippine High School for the Arts where she majored in Theatre Arts, finishing in 1981. [4] Grace went on to complete a bachelor's degree in Humanities in 1986 from the UP College Baguio, then an extension campus of the University of the Philippines Diliman. She proceeded to do a master's degree in Area Studies focusing on the Philippines in 2004 from UP Diliman in Quezon City. In 2009, Grace began her doctoral studies in Ethnomusicology at New York University, graduating in 2014. [5] Grace received a second master's degree in Religious and Gender Studies in 2019 from Yale University. She has been a fellow of the Asian Cultural Council in New York in 2008 and in 2017–19, [6] the UCLA Asia Pacific Performance Exchange in Los Angeles in 2006, [7] the Asia-Pacific Cultural Center for UNESCO in Kyoto in 2009, [8] the Asian Institute of Management's Managing the Arts Program in Makati in 2003, and the Global Research Initiative in Florence in 2013. From 2015 to 2016, Grace was awarded a post-doctoral position at the Harvard Divinity School’s Women’s Studies in Religion Program, with residency at the Center for the Study of World Religions in Cambridge. [2]

Performance work

Grace is known for her music performances that draw from Philippine sung oral traditions. She has performed in over sixty cities and venues in over twenty countries in Asia, Europe, and North America. These performances have included solo concerts at the Cultural Center of the Philippines in Manila (1995, 2017), [9] the Metropolitan Museum of Manila (1995), [10] the House of the World's Cultures in Berlin (2005), [11] the Circulo de Bellas Artes in Madrid (2006), [12] Mercat de les Flors in Barcelona (2006), [13] the Asia Society in New York (2013, 2015), [14] [15] the Renee Weiler Hall in New York (2012), [16] the Irish Arts Center and Symphony Space in New York (2010, 2011, 2012, 2013, 2014), [17] [18] the Soul Force Sacred Music Festival in Pasadena (2019), [19] the World Exposition on Nature's Wisdom in Nagoya (2005), [20] the WOMAD-Minato Mirai in Yokohama (1996), [21] the National Museum in Singapore (2009), the Singapore Arts Festival (2003), [22] the Hong Kong Festival for the Arts (1998), the Rainforest World Music Festival in Kuching (2018), [23] Asia Society Hong Kong (2013); [24] collaborations with the Asian Fantasy Orchestra in New Delhi, Bombay, Tokyo, Nagoya, Osaka, Miyazaki (1998), [25] [26] Bangkok, Vientiane, Yangon, Hanoi and Ho Chi Minh City (2003), [27] and with the Gathering of Drummers in Prague and Bratislava (2009); various artists concerts at the Lincoln Center La Casita Festival in New York (2009), [28] the Music Village Festival in London (2002), [29] the World Music Festival in Penang (2012); [30] guest performances and presentations in Monte Carlo (2006), Paris (2002, 2006), Ithaca (2006), Boston (2014, 2016), [31] [32] Toronto (2014), [33] Vancouver (2014, 2016), [34] Huairou (1995), Nanning (2006), Shanghai (2008), Kaohsiung (2005), Seoul, Jaraseom (2008), Jakarta, Honolulu (2006, 2016), [35] Los Angeles (2006), [36] San Francisco (2008), San Diego (2002), Chicago (2002), Ann Arbor (2016), [37] Bloomington (2016), [38] Richmond (2016), [39] Blairstown (2014), [40] Fairfield (2014), [40] Quezon City, Cebu, Iloilo, Roxas, Bikol, Baguio, Sagada, Butuan, Davao, Cagayan de Oro, General Santos, Zambales, [41] Cagayan Valley, Palawan and Mindoro. [42]

Music biography

Grace began singing for audiences at the age of three when her mother often showed her off to her colleagues. At age six Grace enrolled in the East Bunawan Central School and performed Western popular tunes during school programs. At the Agusan National High School, she joined a choir that specialized in Euro-American avant garde-styled arrangements of local folk songs. When she moved to the Philippine High School for the Arts, she played guitar for the school rondalla ensemble that specialized in Spanish-influenced lowland Christian music. At the University of the Philippines-Baguio, she sang in a band called Montanosa that specialized in protest songs in the manner of American 60s folk music. Upon her college graduation from the University of the Philippines-Diliman, she joined a band that played American jazz standards. Then, as a member of the Baguio Arts Guild she fronted a punk-rock group called The Blank that performed American and British underground music. The Blank gained a sizable following in the northern city of Baguio and in the Philippines’ capital, Manila. Almost famous playing for enthusiastic crowds but confused with her musical direction, Grace decided to quit singing. "I realized … that there was a yawning divide between my reality and the mission that one teacher at the Philippine High School for the Arts had stated for me: 'to search for the Filipino cultural identity,'" she wrote in The Shared Voice. [43]

Shortly thereafter, Grace met oral traditional singers in the mountains that connected her home province of Agusan with the provinces of Davao and Bukidnon. [43] She noted in a lecture: "I could not believe my ears when I first heard their voices. I could not locate them in music I was taught in school patterned after colonial models." At that point, Grace began the process of "finding her voice" that she associated with voice decolonization. [37]

In the 1990s, Grace became one of the pillars of what was then called the “Philippine alternative music scene,” a loose movement that was picked up by the major record labels. [44] With the help of her friends Noni Buencamino, Alex Cruz, Boy Yunchengco and Dodong Viray, and in collaboration with Bob Aves, composer, arranger, record producer and musical director, Grace released several multi-awarded and high-profile solo recordings that fused popular and traditional music styles: Tao Music (Record Plant 1992, BMG Pilipinas 1993), Opo (BMG Pilipinas 1995), and Isang Buhay (BMG Pilipinas 1998). [1]

When the major record labels withdrew their support for music that did not comply with commercial trends, Grace was expected to shift to a more market driven sound in order to survive the music business. She, however, remained steadfast in her musical vision. Without corporate support, she independently co-produced other award-winning solo albums: Hulagpos: Women’s Music and Poetry (with prominent women poets Marra Pl. Lanot, Elynia Mabanglo, Luisa Igloria, among others, Arugaan ng Kalakasan 1999), [45] [46] [47] Diwa (Tao Music 2008), [48] and Dalit (Tao Music 2009). [49] Grace also went deeper in her study of oral traditional musics, learning the performance of a few traditional chants from elderly singers in different parts of the Philippines. After the name of her daughter, Tao, Grace also co-established the independent record label Tao Music that released recordings of Philippine traditional music: Maguindanao Kulintang featuring Aga Mayo Butocan (1995), Pakaradia-an: Maranao Epic Chants and Instrumental Music featuring Sindao Banisil (1996), [50] Marino: Hanunuo Mangyan Music and Chanted Poetry featuring Ulyaw Bat-ang, et al. (1998), [51] Tudbulul Lunay Mogul: T’boli Hero of Lunay, the Place of Gongs and Music featuring Mendung Sabal (2002), [52] and Kahimunan: Cultural Music of the Manobo, Higaonon and Banwaon of Agusan del Sur featuring Datu Yadup Salvador Placido, et al. (2002).

Scholarship

Grace's training prepared her for both music performance and academic work. Following years of ethnographic engagements and graduate/post graduate studies, she has written at the intersections of Ethnomusicology, Indigenous Religious Studies, and Women's and Gender Studies. She has published two award-winning books in the Philippines - Song of the Babaylan: Living Voices, Medicines, Spiritualities of Philippine Ritualist-Oralist-Healers (Institute of Spirituality in Asia, 2013), [53] edited by Carolina S. Malay, winner of the 2014 Gintong Aklat Book Award for Arts and Culture, [54] and the 2014 Jaime Cardinal Sin Catholic Book Award for Spirituality, [55] and The Shared Voice: Chanted and Spoken Narratives from the Philippines (Pasig: ANVIL Publishing and Fundacion Santiago, 2008), [56] edited by Carolina S. Malay, winner of the 2009 National Book Award for Arts. [57] She has also contributed articles to edited collections, namely: "Listen to Voices: The Tao Foundation Experience," in Intangible Cultural Heritage- NGOs’ Strategy in Achieving Sustainable Development: The Relationship between Safeguarding Intangible Cultural Heritage and Education (Korea: International Information and Networking Centre for Intangible Cultural Heritage in the Asia Pacific Region under the Auspices of UNESCO, 2018), [58] "Locating the Babaylan: Philippine Shamans and Discourses of Religion, Spirituality, Medicine and Healing," in Spirituality and Health (Quezon City: Institute of Spirituality in Asia, 2017), [59] "Audible Travels: Oral/Aural Traditional Performances and the Transnational Spread of a Philippine Indigenous Religion," in Back from the Crocodile’s Belly: Philippine Babaylan Studies and the Struggle for Indigenous Memory (California: Center for Babaylan Studies, 2013). [60]

As speaker, Grace has delivered public, conference, and class lecture-performances about voice and decolonization, Philippine oral traditions, Philippine ritualists (shamans), and the intersections of ecology, sound, medicine, and spirituality. In the last decade and a half she has spoken at the University of Michigan (2016), [37] Indiana University (2016), [61] Brandeis University (2016), [62] Harvard Center for the Study of World Religions (2016), [31] Harvard Divinity School (2015), [63] the Harvard Humanities Center (2014, 2016), [64] the Harvard Memorial Church(2015), [65] Boston College (2015), Berklee College of Music (2014), New York University (2014), Columbia University (2016), Cornell University (2006), University of Virginia (2008, 2016), [39] Institute of American Indian Arts (2008), University of California-Los Angeles (2008, 2013), Los Angeles Public Library (2013), California State University-Fullerton (2013), Sonoma State University (2010), [66] University of British Columbia (2014), [67] St. John’s Cathedral-Toronto (2014), [68] Sol Collective in Sacramento (2019), University of Hawaiʻi at Mānoa (2006, 2016), [35] Hong Kong University (2008), the Asia-Pacific Cultural Center for UNESCO in Japan (2009), the Exposition on Nature’s Wisdom-Japan (2005), the ASEAN-Korea Conference (2005), the ASEAN Peoples Assembly Conference (2005), the University of the Philippines (2004, 2005, 2012), [69] Ateneo de Manila University (2004), Miriam College (2005), De la Salle University (2009), Far Eastern University (2013), [70] Lyceum of the Philippines University (2013), St. Scholastica’s College (2005), University of Santo Tomas (2003), Institute of Spirituality in Asia (2009, 2016), and the Agusan del Sur State College of Agriculture and Technology (2011).

As a teacher, Grace has taught courses on Music and Culture, and Philippine Traditional Arts at the University of the Philippines-Diliman; Local and Oral History at Miriam College; and Women and Shamanisms at the Harvard Divinity School. [2]

Cultural work

In addition to her work as artist and scholar, Grace is a devoted volunteer worker for Philippine cultural revitalization. She, together with friends in education, arts, and grassroots cultural work established the Tao Foundation for Culture and Arts in 1994. [71] [72] The Tao Foundation has published educational materials on Philippine traditional musics; organized school tours for Cultural Masters; mounted training programs for traditional performing arts, healing arts, and arts and crafts; and sponsored the schooling of selected indigenous scholars. [72] In mid-2017, the Tao Foundation began to operate the Agusan del Sur- School of Living Traditions, a non-formal, community-based learning space where Cultural Masters transmit the knowledges and practices of indigenous languages, chants, dances, instruments-making and performance, traditional housebuilding, embroidery, grass weaving, pottery, traditional medicine, environmental regeneration, indigenous models of gender balance, inter-faith dialogue, leadership, and peace-building to the younger generations. [73]

In its over twenty years of existence, the Tao Foundation has collaborated with local, national and transnational groups (1994–present) and has received support from the National Commission for Culture and Arts (2000, 2007, 2015, 2016), the Cultural Center of the Philippines (2005), Give2Asia (2014, 2015), Sanctuary Fund (2014, 2015), Toyota Foundation (2004), UNESCO (2006), Advocates of Philippine Fair Trade (2006, 2007), and the Australia-Philippines Community Cooperation Program (2007), and the province of Agusan del Sur (2007). [72]

In addition to her work with the Tao Foundation, Grace—between 2014 and 2015—also headed the Artists Welfare Project, Inc., a national non-profit corporation established to contribute to Philippine artists’ wellbeing by 1) tapping into government agencies that provide welfare benefits to Filipino citizens; and by 2) pushing for legislation that will provide long-term solutions to Filipino artists’ vulnerable conditions. [74]

Awards

Grace has been recognized for her musical, scholarly, and cultural leadership work. She has received over forty-five awards, [75] including:

Gintong Aklat Book Awards

YearWorkAward
2014Song of the Babaylan: Living Voices, Medicines, Spiritualities of Philippine Ritualist-Oralist-HealersBest Book in Arts and Culture

Jaime Cardinal Sin Catholic Book Awards

YearWorkAward
2014Song of the Babaylan: Living Voices, Medicines, Spiritualities of Philippine Ritualist-Oralist-HealersBest Book in Spirituality

National Book Awards

YearWorkAward
2009The Shared Voice: Chanted and Spoken Narratives from the PhilippinesBest Book in Arts

University of the Philippines Alumni Association

YearAwardeeAward
2011Grace NonoDistinguished University of the Philippines Alumni Award (Ethnic Music)

TOWNS Foundation

YearAwardeeAward
2001Grace NonoThe Outstanding Women in the Nation’s Service or TOWNS Award (Music and Performing Arts)

TOYM Foundation

YearAwardeeAward
1994Grace NonoTen Outstanding Young Men or TOYM Award (Arts)

National Press Club

YearAwardeeAward
2003Grace NonoBest Ethnic Singer Award

Catholic Mass Media Awards

YearWorkAward
2002DiwaAlbum of the Year Award
1996OpoAlbum of the Year Award
1994SalidumayBest Folk Recording Award

Katha Awards

YearWorkAward
1999Hulagpos: Women’s Poetry and MusicBest World Music Album Award
Ambahan ni LuciaBest Performance of a World Music Song based on Traditional Material Award
Best World Music Song based on Traditional Material Award
Dalit ng PaslitBest Contemporary Blues Vocal Performance Award
Best Contemporary Blues Song Award
1998Isang BuhayBest World Music Album Award
Best Record Producer Award
Best Engineered Album Award
AderBest Vocal Arrangement Award
AnunganBest World Music Song Award
Best World Music Vocal Performance Award
Best Instrumental Arrangement Accompanying Vocals Award
ManamaBest Jazz Vocal Performance Award
Pakaradia-anBest Indigenous Music Album Award
1997Iduyan MoBest Instrumental Arrangement Accompanying Vocals Award
1996OpoAlbum of the Year Award
Best World Music Album Award
Best Record Producer Award
Kawayan and YayeyanBest Instrumental Arrangement Accompanying Vocals Award
AlayBest Folk Song Award
Best Folk Vocal Performance Award
Batang Lansangan and Pinoy ang DatingBest Engineered Recording Award
Bayani KaBest World Music Vocal Performance Award

Awit Awards

YearWorkAward
1996DandansoyBest Traditional Recording Award
OpoBest Album Design Award
1994Grace NonoBest New Female Artist Award
SalidumayBest Folk-Pop Recording Award

Filipino Music Video Awards

YearWorkAward
1998AnunganBest Alternative Music Video
Best Video Cinematography

Women of Distinction Awards

YearAwardeeAward
1996Grace NonoWomen of Distinction Award (Arts and Contemporary Music)

Outstanding Cuyapeno Awards

YearAwardeeAward
2002Grace NonoOutstanding Cuyapeno Award (Arts and Music)

Philippine Jaycees

YearAwardeeAward
2001Grace NonoBayaning Makabayan Achievers Award (Arts and Contemporary Music)
1999Grace NonoOutstanding Young Professional Award (Arts and Music)

Mabuhay Filipino Achievers Council

YearAwardeeAward
2000Grace NonoMabuhay Filipino Achievers Award (Music)

Notes

  1. ↑ Bachelor's degree awarded by the University of the Philippines Diliman, as UP Baguio was then an extension college of the former

Related Research Articles

<span class="mw-page-title-main">Agusan del Sur</span> Province in Caraga, Philippines

Agusan del Sur, officially the Province of Agusan del Sur, is a province in Caraga region, Mindanao, Philippines. Its capital is the municipality of Prosperidad. It is bordered on the northwest by Agusan del Norte and Misamis Oriental; east by Surigao del Sur; southeast by Davao Oriental; mid-south by Davao de Oro; southwest by Davao del Norte and, mid-west by Bukidnon. It is the fourth largest province in the country in terms of area, with the size of 3,856 sq miles.

<span class="mw-page-title-main">Lea Salonga</span> Filipina singer and actress (born 1971)

Maria Lea Carmen Imutan Salonga, known professionally as Lea Salonga, is a Filipina singer, actress, producer, and columnist. Dubbed the "Pride of the Philippines", she is best known for her roles in musical theatre, for supplying the singing voices of two Disney Princesses, and as a recording artist and television performer. Throughout her career, she has achieved numerous accolades and honors, becoming an internationally-recognized figure in music and entertainment.

<span class="mw-page-title-main">Sarah Geronimo</span> Filipino singer,actress, producer and Director (born 1988)

Sarah Asher Tua Geronimo-Guidicelli is a Filipino singer and actress. She rose to prominence after winning the television singing contest Star for a Night, earning her a recording contract with Viva Records. Recognized for her musical versatility and performances, she has established herself as an influential figure in Philippine entertainment.

<span class="mw-page-title-main">Butuan</span> Highly urbanized city in Agusan del Norte, Philippines

Butuan, officially the City of Butuan, is a 1st class highly urbanized city in the region of Caraga, Philippines. It is the de facto capital of the province of Agusan del Norte where it is geographically situated but has an administratively independent government. According to the 2020 census, it has a population of 372,910 people.

<span class="mw-page-title-main">Filipino shamans</span> Shamans of ethnic groups in the Philippines

Filipino shamans, commonly known as babaylan, were shamans of the various ethnic groups of the pre-colonial Philippine islands. These shamans specialized in communicating, appeasing, or harnessing the spirits of the dead and the spirits of nature. They were almost always women or feminized men. They were believed to have spirit guides, by which they could contact and interact with the spirits and deities and the spirit world. Their primary role were as mediums during pag-anito séance rituals. There were also various subtypes of babaylan specializing in the arts of healing and herbalism, divination, and sorcery.

<span class="mw-page-title-main">Nora Aunor</span> Filipino actress, recording artist, film producer (born 1953)

Nora Cabaltera Villamayor, popularly known as Nora Aunor, is a Filipino actress, recording artist, and film producer. Aunor has also appeared in several stage plays, television shows and concerts. She is known as Philippine cinema's "Superstar" and was conferred as a National Artist of the Philippines for Film and Broadcast Arts in 2022. The Hollywood Reporter called her "The Grand Dame of Philippine Cinema" for her performances in the movies Taklub (Trap) and Hustisya (Justice), and for her contributions to the Philippine film industry.

Buddhism is a minor religion in the Philippines. In 2016, Buddhism was practiced by around 2% of the population, according to the Permanent Mission of the Republic of the Philippines to the United Nations.

Andrea Ofilada Veneracion was a Filipino choral conductor and a recipient of the 1999 National Artist for Music award. She founded the Philippine Madrigal Singers in 1963. She was also an adjudicator in numerous international choral competitions and was an active force in choral music before her massive stroke in 2005.

<span class="mw-page-title-main">Women in the Philippines</span> Overview of the status of women in the Philippines

The role of women in the Philippines is explained based on the context of Filipino culture, standards, and mindsets. The Philippines is described to be a nation of strong women, who directly and indirectly run the family unit, businesses, government agencies and haciendas.

<span class="mw-page-title-main">Agusan image</span>

The Agusan image is a 2 kg (4.4 lb), 21-karat gold statuette, found in 1917 on the banks of the Wawa River near Esperanza, Agusan del Sur, Mindanao in the Philippines, dating to the 9th–10th centuries. The figure, approximately 178 mm (7.0 in) in height, is of a female Hindu or Buddhist deity, seated cross-legged and wearing a richly-adorned headdress and other ornaments on various parts of the body. It is now on display in the Field Museum of Natural History in Chicago.

The Arts in the Philippines are all the arts in the Philippines, from the beginning of civilization to the present. They reflect a range of artistic influences on the country's culture, including indigenous art. Philippine art consists of two branches: traditional and non-traditional art. Each branch is divided into categories and subcategories.

Clarissa Ocampo is a Filipino-American mezzo-soprano. She is best known for her album Cradle Songs and sings professionally in the United States and Asia.

Religion in pre-colonial Philippines included indigenous religious beliefs and mythologies, some of which are still practiced today, particularly by the various indigenous peoples of the Philippines. In many Filipino cultures, these beliefs were later influenced by Hinduism and Buddhism. With the arrival of Islam in the 14th century, the older religions gradually became less dominant, and after the arrival of Ferdinand Magellan in 1521 Christianity, specifically Catholicism, became the dominant religion. However, many of the indigenous religious traditions have survived in the form of Folk Catholicism and Folk Islam.

Elena Rivera Mirano is a Filipino academic in art studies, a music scholar, choir conductor and singer in the Philippines.

<span class="mw-page-title-main">Gerphil Flores</span> Musical artist

Gerphil Geraldine Flores is a German-Filipino classical crossover singer. In 2015, she joined the inaugural season of Asia's Got Talent, where she finished as second runner-up. A soprano, she was dubbed "Asia's Golden Girl."

<span class="mw-page-title-main">Angelica Amante</span> Filipino politician

Maria Angelica Rosedell Malbas Amante-Matba, is a Filipino registered nurse and politician currently serving as the governor of Agusan del Norte, a position she previously held from 1995 to 2004 and from 2013 to 2019. She was also a member of the House of Representatives of the Philippines representing Agusan del Norte's 2nd congressional district.

Lucrecia Faustino Reyes-Urtula was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.

<span class="mw-page-title-main">Alegria Ferrer</span> Filipina soprano

Alegria Ocampo Ferrer is a Filipina soprano, professor, theater actress and a musical director who is awarded an Aliw Awards Hall of Fame in the category of Female Classical and included in the Cultural Center of the Philippines (CCP) Encyclopedia of the Arts. The Aliw Awards is given to recognize excellence in Filipino talents. The CCP Encyclopedia of the Arts contains information about culture and the arts in the Philippines.

References

  1. 1 2 Sutton, Michael. "Grace Nono Biography". AllMusic . Retrieved 2011-03-15.
  2. 1 2 3 "Harvard Divinity School: Women's Studies in Religion Program". Harvard Divinity School . Retrieved 2011-03-15.
  3. ↑ Caruncho, Eric. Grace Nono, The Shared Voice: Chanted and Spoken Narratives from the Philippines. Sunday Inquirer Magazine Vol 12 (1993), p. 137
  4. ↑ "PHSA pioneers distinguish themselves in the arts". 2011-12-17. Retrieved 2017-02-13.
  5. ↑ "The Sacred Chants of Grace Nono". Manila Times . 2007-05-21. Retrieved 2017-02-11.
  6. ↑ "ACC Alumni". Archived from the original on 2017-06-20. Retrieved 2017-02-13.
  7. ↑ "APPEX 2006 Artist Bios". UCLA Center for Intercultural Performance. Retrieved 2017-02-13.
  8. ↑ "2009-10 International Partnership Programme for Safeguarding of Intangible Cultural Heritage" (PDF). Asia/Pacific Cultural Centre for UNESCO (ACCU). 2009. p. 33. Retrieved 2017-02-13.
  9. ↑ Sonata, Mater (1995-10-19). "The Amazing Grace of Grace Nono". The Manila Times.
  10. ↑ Sevilla, Gadjo (1995-07-20). "A Grace-ful Concert". The Philippine Star.
  11. ↑ "Grace Nono: Closing Concert of the Asia Pacific Weeks 2005". Haus der Kulturen der Welt. 2005-10-02. Retrieved 2006-08-26.
  12. ↑ Escenarios, Diversos (2006-12-13). "Sonidos de la Mistica". La Vanguardia. pp. 3–4.
  13. ↑ Morgades, Lourdes (2006-09-15). "El Festival Asia Abre con la Cantante Filipina Grace Nono". El Pais (in Spanish). Retrieved 2010-10-07.
  14. ↑ "Renowned Philippine Vocalist Grace Nono and Ensemble to Perform at Asia Society New York". Asia Society. 2015-10-26. Retrieved 2016-04-08.
  15. ↑ "Grace Nono Sings for the Philippines". Asia Society. 2013-11-16. Retrieved 2013-11-20.
  16. ↑ "Songs for the Beloved". Locating the Sacred Festival. 2012-09-22. Retrieved 2017-03-26.
  17. ↑ Lee, John (2013-02-05). "An Irish Christmas in NYC". The Huffington Post. Retrieved 2013-02-06.
  18. ↑ "5th Annual, The Best Yet". The Irish Echo. 2011-12-14. Retrieved 2011-12-23.
  19. ↑ "Sacred Music Festival".
  20. ↑ "Tapestry of Multicultural Music: Grace Nono and Bob Aves Group Concert". EXPO 2005-Aichi, Japan. 2005-04-07. Retrieved 2012-05-13.
  21. ↑ "World Music Comes Back to Yokohama". Japan Times. 1996-08-02.
  22. ↑ "Grace Nono, Bob Aves Represent RP in Singapore Arts Festival". The Manila Standard. 2003-10-16.
  23. ↑ "Reasons to Attend the Rainforest World Music Festival 2021 in Kuching, Sarawak". 26 July 2017.
  24. ↑ "Grace Nono Enchants Hong Kong". Asia Society. 2012-03-01. Retrieved 2017-03-26.
  25. ↑ "Asian Fantasy Orchestra Asian Tour 1998". Japan Foundation. 1998-03-13. Retrieved 2010-03-06.
  26. ↑ "Music in Numbers, The Mumbai Age". Japan Foundation. 1998-03-13. Retrieved 2010-03-06.
  27. ↑ "Grace Nono Tours with Asian Fantasy Orchestra". Philippine Star. 2003-07-09.
  28. ↑ "Lincoln Center Out of Doors Enters Final Week, Ends 8/15". Broadway World. 2010-08-10. Retrieved 2010-08-30.
  29. ↑ Maranan, Ed. "Joey Ayala and Grace Nono: Giving a Filipino Voice to World Music". Hoy! Magazine.
  30. ↑ Clewley, John (2012-06-26). "The Grace of Spiritual Music". Bangkok Post.
  31. 1 2 "Decolonizing Voice". Harvard: Center for the Study of World Religions. 2010-08-10. Retrieved 2017-01-01.
  32. ↑ "Grace Nono Lecture and Performance". Boston College Institute for Liberal Arts and the Arts and Sciences Honors Program. 2014-11-24. Retrieved 2015-02-12.
  33. ↑ "Grace Nono in Toronto, May 24". The Philippine Reporter. 2014-05-09. Retrieved 2014-05-15.
  34. ↑ "Tini(g)Tipon". Dahong Pilipino. 2016-09-21. Retrieved 2016-12-01.
  35. 1 2 "Grace Nono in Honolulu, June 6, 2016". University of Hawaiʻi at Mānoa-Center for Philippine Studies. 2016-06-06. Retrieved 2016-07-18.
  36. ↑ "At Home in this World? Malaysian, Filipino, Indonesian, Thai, Indian, and U.S. Music, Dance, and Theater". UCLA International Institute. 2006-07-21. Retrieved 2009-09-03.
  37. 1 2 3 Nono, Grace (2016-04-12). Decolonizing Voice (Speech). Center for World Performance Studies and Asian Languages and Cultures. Michigan Center for Southeast Asian Studies, Ann Arbor, Michigan, U.S.A. Retrieved 2017-03-26.
  38. ↑ "Decolonizing Voice, October 19, 2016". Indiana University-Southeast Asian and ASEAN Studies. 2016-10-19. Retrieved 2016-10-20.
  39. 1 2 "Music Series: Grace Nono (Philippines)". Richmond. International Center Commons, University of Richmond, Virginia, U.S.A. 2016-02-16. Retrieved 2016-03-01.
  40. 1 2 "Music: An Irish Christmas, A Musical Solstice Celebration, 2014". Irish Arts Center. 2014. Archived from the original on 2015-01-11. Retrieved 2014-12-31.
  41. ↑ Alcuin Valle Papa (1995-04-30). "Nature Nymph". Sunday Times Magazine.
  42. ↑ Lago, Amanda (2013-03-02). "Grace Nono-Bob Aves Group Ignite Day One of 2013 Malasimbo Fest". GMA News Online. Retrieved 2014-03-01.
  43. 1 2 The Shared Voice: Chanted and Spoken Narratives from the Philippines. Pasig, Philippines: ANVIL Publishing. 2008. p. 138. ISBN   9789712720437 . Retrieved 2017-03-26.
  44. ↑ Broughton, Simon; Ellingham, Mark; McConnachie, James; Duane, Orla (2000). Word Music (The Rough Guide): Latin and North America, Caribbean, India, Asia and the Pacific. Vol. 2 (new ed.). pp. 216–217. ISBN   9781858286365 . Retrieved 2017-01-15.
  45. ↑ The Philippine Star: "Yes yes to Nono". June 27, 1999.
  46. ↑ Woman's Home Companion: "Woman as Artist and Social Activist". August 5, 1998.
  47. ↑ Philippine Inquirer Magazine: "Singing the Black and Blues". August 22, 1999.
  48. ↑ The Philippine Star: "Amazing Grace". December 15, 2002.
  49. ↑ Journal of Philippine Music: "Review: Grace Nono's Visayan-Cebuano Love Songs". July 26, 2009.
  50. ↑ Bangkok Post: "Aural Pleasures". September 9, 1997.
  51. ↑ Philippine Daily Inquirer: "Marino: Music and Poetry to Remember Ourselves". January 5, 1998.
  52. ↑ The Gift of Chant. October 13, 2002.
  53. ↑ Mayuga, Sylvia (2013-07-25). "Grace Nono's 'Song of the Babaylan' Celebrates our Islands' Healers". GMA News Online. Retrieved 2013-08-30.
  54. ↑ "Gintong Aklat 2014 Winners". Book Development Association of the Philippines. Retrieved 2017-01-01.
  55. ↑ "Book Awards Received, 13, Institute of Spirituality in Asia Bulletin 2014" (PDF). Institute of Spirituality in Asia. Retrieved 2017-01-01.
  56. ↑ Alejo, Albert. "Review: The Shared Voice: Chanted and Spoken Narratives from the Philippines". Grace Nono Official Site. Retrieved 2008-12-01.
  57. ↑ Alejo, Albert. "National Book Development Board, 28th National Book Awards Winners Announced". Books Philippines. Retrieved 2010-01-02.
  58. ↑ https://www.ichcap.org/publications-archive/intangible-cultural-heritage-ngos-strategy-in-achieving-sustainable-development-the-relationship-between-safeguarding-ich-and-education/.{{cite web}}: Missing or empty |title= (help)
  59. ↑ "Lecture Series XVI: Celebrating the Jubilee Year of Mercy in Spirituality and Health – Institute of Spirituality in Asia".
  60. ↑ "Big 30th year Fete for Longtime Filipiniana Bookstore in California". Inquirer.net. 2014-05-13. Retrieved 2015-03-09.
  61. ↑ "Decolonizing Voice, October 19, 2016". Indiana University-Southeast Asian and ASEAN Studies. 2016-10-19. Retrieved 2016-10-20.
  62. ↑ "Keeping the Fire Alive: Contributions to Cultural Revitalization Initiatives in the Philippines". Brandeis University Events. 2016-10-26. Retrieved 2016-11-30.
  63. ↑ "A Woman Shaman's Voice: Hearing and Healing in the Philippines, November 12, 2015". Harvard Divinity School Public Events Calendar. 2015-11-12. Retrieved 2016-04-03.
  64. ↑ "Philippine Shamanism, Sacred Chant, and Cultural Revitalization: Talk and Performance". Harvard Mahindra Humanities Center-Philosophy, Poetry and Religion. 2014-04-18. Retrieved 2015-06-01.
  65. ↑ "Morning Prayers: Grace Nono, December 7, 2015". Harvard University Memorial Church. 2015-12-07. Retrieved 2016-01-04.
  66. ↑ "Babaylan Confab to Share Stories, Myths, September 27–29". Inquirer.net. 2013-09-26. Retrieved 2013-10-10.
  67. ↑ Pablo, Carlito (2014-05-20). "KAPWA brings Philippine indigenous arts festival to UBC". The Georgia Straight. Retrieved 2014-05-22.
  68. ↑ "Grace Nono in Toronto, May 24". The Philippine Reporter. 2014-05-09. Retrieved 2014-05-15.
  69. ↑ "Tinig ng Babaylan featuring Grace Nono and Baylan Undin (a Babaylan Elder from Mindanao)". Buhay-Babaylan Lecture-Ritual Series. 2013-01-19. Retrieved 2013-02-06.
  70. ↑ "Grace Nono holds book forum in FEU, August 7, 2013". Inquirer.net. 2013-08-07. Retrieved 2013-08-16.
  71. ↑ Cooper, Dusty (2014-07-05). "She on a Mission from the Ancestors". Positively Filipino . Retrieved 2017-02-13.
  72. 1 2 3 "Tao Foundation History" . Retrieved 2017-02-13.
  73. ↑ Malubay, Carmie (2017-01-09). "Beyond the Grace of Music: Interview with Grace Nono". Impakter . Retrieved 2017-02-13.
  74. ↑ Guerrero, Amadis Ma. (2015-03-02). "Artists welfare organization formed". Philippine Daily Inquirer . Retrieved 2017-02-13.
  75. ↑ "Awards & Citations". Grace Nono Official Site. Retrieved 2017-03-26.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.