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In Welsh mythology, Gwawl (Gwawl fab Clud) was the son of Clud, and tricks Pwyll into promising him Rhiannon. She decides to marry Pwyll instead. Nothing is known of his father Clud.
Gwawl, son of Clud, is initially mentioned in the first of the Four Branches of the Mabinogi, when Rhiannon tells Pwyll, Prince of Dyfed, who wishes to marry her, that she is intended for Gwawl. Rhiannon and Pwyll form a plan to free her from her forced marriage to Gwawl and make arrangements for their own marriage in a year's time.
The year passes and it is assumed, if not mentioned, that Gwawl has heard of Rhiannon's pending marriage to Pwyll and has had sufficient time to create a plan so he can marry Rhiannon himself. During the wedding feast at the court of Hyfaidd Hen, Rhiannon's father, Gwawl enters and is described as "a large, noble, brown-haired fellow...wearing silk brocade." [1] Gwawl tricks Pwyll into promising to grant him any reasonable request he should make. Realizing his error, Pwyll has no choice but to honour his promise to Gwawl, which is to give him Rhiannon, the feast, and the current wedding preparations. Pwyll reluctantly agrees to release Rhiannon from their marital alliance, but is unable to give Gwawl the feast and preparations, as they are not his to give away. Gwawl is promised to have Rhiannon's hand in marriage after a year has passed and he thus goes away. Unknown to him, Rhiannon instructs Pwyll about how he can win her back from Gwawl.
After the year is up, Gwawl returns to Rhiannon for the wedding feast and marriage. Pwyll also returns, dressed as a beggar, with a sack that can never be filled until a nobleman stomps down on the bag and orders it to be full. Pwyll enters and asks Gwawl if he can fill his bag with food, to which Gwawl immediately agrees. He becomes irritated when he sees how much food is being put into the sack and asks Pwyll when the sack will be full. Pwyll, as Rhiannon had instructed, says to Gwawl that a strong and powerful noble must trample down the food in the sack and say "enough has been put in here" [2] and then it will be full.
Upon being persuaded by Rhiannon to do the task, Gwawl stands in the bag and Pwyll pulls the bag over Gwawl's head, trapping him within the sack. Pwyll summons his war band and they round up Gwawl's men and put them in chains. Gwawl, himself, is beaten within the bag by Pwyll's men, striking the bag with either their foot or a stick. This is the first account of the game "Badger-in-the-Bag" being played. [3] Gwawl calls out to Pwyll, stating that there is no honor in killing a man trapped in a bag. Pwyll agrees to release Gwawl, if he first promises to never take revenge on them for what has happened. Gwawl eagerly accepts their proposal and is freed from the bag. He tells Pwyll and Rhiannon that he is injured and wounded and thus needs to leave. [4] Gwawl leaves with his men and does not reappear in the other branches, although there is mention of him in the Third Branch of the Mabinogi.
Manawydan fab Llŷr is a figure of Welsh mythology, the son of Llŷr and the brother of Brân the Blessed and Brânwen. The first element in his name is cognate with the stem of the name of the Irish sea god Manannán mac Lir, and likely originated from the same Celtic deity as Manannán. Unlike Manannán, however, no surviving material connects him with the sea in any way except for his patronymic. Manawydan's most important appearances occur in the Second and Third Branches of the Mabinogi, but he is also referenced frequently in medieval poetry and the Welsh Triads.
Pryderi fab Pwyll is a prominent figure in Welsh mythology, the son of Pwyll and Rhiannon, and king of Dyfed after his father's death. He is the only character to appear in all Four Branches of the Mabinogi, although the size of his role varies from tale to tale. He is often equated with the divine son figure of Mabon ap Modron, while Jeffrey Gantz compares him to Peredur fab Efrawg, who is himself associated with the continental figure of Sir Percival de Galles.
In Welsh mythology, Arawn was the king of the otherworld realm of Annwn who appears prominently in the first branch of the Mabinogi, and alluded to in the fourth. In later tradition, the role of the king of Annwn was largely attributed to the Welsh psychopomp, Gwyn ap Nudd - meaning "white" a possible kenning for his true name. However, Arawn's memory is retained in a traditional saying found in an old Cardigan folktale:
Pwyll Pen Annwn is a prominent figure in Welsh mythology and literature, the lord of Dyfed, husband of Rhiannon and father of the hero Pryderi. He is the eponymous hero of Pwyll Pendefig Dyfed, the first branch of the Four Branches of the Mabinogi, and also appears briefly as a member of Arthur's court in the medieval tale Culhwch ac Olwen. Pwyll, Prince of Dyfed also carries many similarities to the Mabinogi Branwen.
Rhiannon is a major figure in the Mabinogi, the medieval Welsh story collection. She appears mainly in the First Branch of the Mabinogi, and again in the Third Branch. She is a strong-minded Otherworld woman, who chooses Pwyll, prince of Dyfed, as her consort, in preference to another man to whom she has already been betrothed. She is intelligent, politically strategic, beautiful, and famed for her wealth and generosity. With Pwyll she has a son, the hero Pryderi, who later inherits the lordship of Dyfed. She endures tragedy when her newborn child is abducted, and she is accused of infanticide. As a widow she marries Manawydan of the British royal family, and has further adventures involving enchantments.
In Pwyll Pendefig Dyfed, the first branch of the Mabinogi, Hefeydd Hen was the father of Rhiannon.
In Welsh tradition, Teyrnon Twryf Lliant is the lord of the Kingdom of Gwent and the foster father of the divine son, Pryderi. He appears most prominently in Pwyll Pendefig Dyfed, the first of the Four Branches of the Mabinogi, but also features briefly in the early tale on the Matter of Britain, Culhwch and Olwen, as a knight of King Arthur. The name Teyrnon is widely acknowledged as deriving from the Common Brittonic *tigernonos, "great lord".
Matholwch, King of Ireland, is a character in the Second Branch of the Mabinogi, the tale of Branwen ferch Llŷr.
Brân the Blessed is a giant and king of Britain in Welsh mythology. He appears in several of the Welsh Triads, but his most significant role is in the Second Branch of the Mabinogi, Branwen ferch Llŷr. He is a son of Llŷr and Penarddun, and the brother of Brânwen, Manawydan, Nisien and Efnysien. The name "Brân" in Welsh is usually translated as crow or raven.
Cigfa ferch Gwyn Glohoyw is a minor character in Welsh mythology, the wife of King Pryderi of Dyfed. She is mentioned briefly in the First Branch of the Mabinogi, and appears more prominently in the third. Describing the character, Proinsias Mac Cana writes: "Cigfa strikes one as a slight though effective vignette of a contemporary bourgeois snob while William John Gruffydd hypothesises that the character was a later addition to the tale." John Rhys suggested a connection between Cigfa and the Irish character Ciochba.
The Mabinogion are the earliest British prose stories, and belong to the Matter of Britain. The stories were compiled in Middle Welsh in the 12th–13th centuries from earlier oral traditions. There are two main source manuscripts, created c. 1350–1410, as well as a few earlier fragments. The title covers a collection of eleven prose stories of widely different types, offering drama, philosophy, romance, tragedy, fantasy and humour, and created by various narrators over time. There is a classic hero quest, "Culhwch and Olwen"; a historic legend in "Lludd and Llefelys," complete with glimpses of a far off age; and other tales portray a very different King Arthur from the later popular versions. The highly sophisticated complexity of the Four Branches of the Mabinogi defies categorisation. The stories are so diverse that it has been argued that they are not even a true collection.
Welsh mythology consists of both folk traditions developed in Wales, and traditions developed by the Celtic Britons elsewhere before the end of the first millennium. As in most of the predominantly oral societies Celtic mythology and history were recorded orally by specialists such as druids. This oral record has been lost or altered as a result of outside contact and invasion over the years. Much of this altered mythology and history is preserved in medieval Welsh manuscripts, which include the Red Book of Hergest, the White Book of Rhydderch, the Book of Aneirin and the Book of Taliesin. Other works connected to Welsh mythology include the ninth-century Latin historical compilation Historia Brittonum and Geoffrey of Monmouth's twelfth-century Latin chronicle Historia Regum Britanniae, as well as later folklore, such as the materials collected in The Welsh Fairy Book by William Jenkyn Thomas (1908).
The Four Branches of the Mabinogi or Pedair Cainc Y Mabinogi are the earliest prose stories in the literature of Britain. Originally written in Wales in Middle Welsh, but widely available in translations, the Mabinogi is generally agreed to be a single work in four parts, or "branches." The interrelated tales can be read as mythology, political themes, romances, or magical fantasies. They appeal to a wide range of readers, from young children to the most sophisticated adult. The tales are popular today in book format, as storytelling or theatre performances; they appear in recordings and on film, and continue to inspire many reinterpretations in artwork and modern fiction.
Llwyd ap Cil Coed is a character in the Third Branch of The Mabinogi, known also as the story of Manawydan ap Llŷr.
Prince of Annwn is a fantasy novel by American writer Evangeline Walton, the first in a series of four based on the Welsh Mabinogion. Originally intended for publication by Ballantine Books as a volume of the celebrated Ballantine Adult Fantasy series, it actually saw print only after the series was discontinued. It was first published in paperback by Ballantine Books in November 1974. It has been reprinted a number of times since, and gathered together with Walton's other Mabinogion novels by Overlook Press as the omnibus The Mabinogion Tetralogy in 2002. The novel has also been published in translation in several European languages. The other three novels in the series are The Island of the Mighty (1936), The Children of Llyr (1971), and The Song of Rhiannon (1972).
The Song of Rhiannon is a fantasy novel by American writer Evangeline Walton, the third in a series of four based on the Welsh Mabinogion. It was first published in paperback by Ballantine Books as the fifty-first volume of the Ballantine Adult Fantasy series in August, 1972. It has been reprinted a number of times since, and gathered together with Walton's other Mabinogion novels by Overlook Press as the omnibus The Mabinogion Tetralogy in 2002. The novel has also been published in translation in several European languages. The other three novels in the series are The Island of the Mighty (1936), The Children of Llyr (1971), and Prince of Annwn (1974).
Pwyll Pendefig Dyfed, "Pwyll, Prince of Dyfed," is a legendary tale from medieval Welsh literature and the first of the Four Branches of the Mabinogi. It tells of the friendship between Pwyll, prince of Dyfed, and Arawn, lord of Annwn, of the courting and marriage of Pwyll and Rhiannon and of the birth and disappearance of Pryderi. This branch introduces a number of storylines that reappear in later tales, including the alliance between Dyfed and Annwn, and the enmity between Pwyll and Gwawl. Along with the other branches, the tale can be found in the medieval Red Book of Hergest and White Book of Rhydderch.
Branwen ferch Llŷr; "Branwen, daughter of Llŷr" is a legendary tale from medieval Welsh literature and the second of the four branches of the Mabinogi. It concerns the children of Llŷr; Bendigeidfran, high king of Britain, and his siblings Manawydan and Branwen, and deals with the latter's marriage to Matholwch, king of Ireland. Matholwch's mistreatment of the British princess leads to a mutually destructive war between the two islands, the deaths of most of the principal characters, and the ascension of Caswallon fab Beli to the British throne. Along with the other branches, the tale can be found in the medieval Red Book of Hergest and White Book of Rhydderch. It is followed directly by the third branch, Manawydan fab Llŷr.
In the earliest prose stories in Britain in the Mabinogi, the Adar Rhiannon; "birds of Rhiannon", are specifically three magical birds, whose song can "wake the dead and lull the living to sleep". They also have a non-rational effect on space as they can be remote but seem very near. They are connected with Rhiannon the Queen of Dyfed who is thought to be a British euhemerized horse goddess, so part of Welsh mythology. The Adar Rhiannon were demanded by the giant Ysbaddaden Bencawr as a marriage task for Culhwch to complete. The giant wanted the Birds to soothe him as he faced his last night of life, prophesied as the consequence of his daughter's wedding.
Manawydan fab Llŷr; "Manawydan, the son of Llŷr" is a legendary tale from medieval Welsh literature and the third of the four branches of the Mabinogi. It is a direct sequel to the second branch, Branwen ferch Llŷr, and deals with the aftermath of Bran's invasion of Ireland and the horrific enchantment that transforms Dyfed into a wasteland. The chief characters of the tale are Manawydan, rightful king of Britain, his friend Pryderi, the king of Dyfed and their respective wives Rhiannon and Cigfa. Along with the other branches, the tale can be found the medieval Red Book of Hergest and White Book of Rhydderch. Allusions to the tale can be found in two old triads retained in the Trioedd Ynys Prydain.