Hard Nose the Highway | ||||
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Studio album by | ||||
Released | August 1973 | |||
Recorded | 21–25 August and October 1972 at Caledonia Studio | |||
Genre | Folk rock, R&B, blue-eyed soul, jazz | |||
Length | 42:52 | |||
Label | Warner Bros. | |||
Producer | Van Morrison | |||
Van Morrison chronology | ||||
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Singles from Hard Nose the Highway | ||||
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Hard Nose the Highway is the seventh studio album by Northern Irish singer-songwriter Van Morrison, released in 1973. It is his first solo album since his 1967 debut Blowin' Your Mind! to contain songs not written by Morrison. A cover version of the song "Bein' Green", usually associated with Kermit the Frog, is included, as is a take of the traditional song "Purple Heather". The album also contains the single "Warm Love," a fan favourite. [1]
Recorded during a series of prolific recording sessions, there was more than enough material to fill a double-album. Morrison proposed the idea to Warner Bros. Records, but he was ultimately convinced to release a single LP. During the recording sessions held between August and November 1972, there were nearly thirty songs recorded in all, at least three-quarters of them original compositions. A few leftover tracks were saved or re-recorded for future albums like Veedon Fleece , but most would not see release until 1998's compilation of outtakes, The Philosopher's Stone , when nine of the songs would be used. Biographer Clinton Heylin suggested that "only 'Warm Love' and 'Hard Nose the Highway' could have sat comfortably alongside 'rejects' like 'Madame Joy', 'Bulbs', 'Spare Me a Little', 'Country Fair', 'Contemplation Rose' and 'Drumshanbo Hustle'." [2]
By Morrison's own account, this was the first album that was completely produced under his control. The recording sessions even took place in a recording studio he had built next door to his home in Fairfax, California. He remarked on the album: "As a concept for the album, I was just trying to establish how hard it was to do what I do. Plus there were some lighter things on the other side of it. One side has a kind of hard feeling while the other is soft." [3]
"Snow in San Anselmo" is the opening song and features the backing vocals of the Oakland Symphony Chamber Chorus. Morrison says the song is, "just a sketch on when it snowed in San Anselmo. It's about the images that were happening when it was snowing there for the first time in thirty years." [4]
"Warm Love" was released as a successful single and was also a favorite concert performance in the 70s. It featured the catchy line, "and it's ever present everywhere, Warm Love."
The title song, "Hard Nose the Highway" is explained by Morrison as: "the theme running through the whole song is 'Seen some hard times' which I have 'Drawn some fine lines' which I definitely have, and 'No time for shoe shines' when you're trying to make a living." [5]
"Wild Children" is actually about the post-war children growing up in other countries and getting their images—from American anti-heroes such as those portrayed by James Dean, Marlon Brando, Rod Steiger and playwright Tennessee Williams. [6]
"The Great Deception" is according to biographer, Richie Yorke: "One of the most stinging indictments from any observer, let alone a rock artist, of the tragic hypocrisy of so many participants in the sub-culture, in particular the big-time rock stars of this era." [7]
"Being Green" is the first non-original composition Morrison had included on any album for Warner Bros. so far and was taken from the popular American children's TV show, Sesame Street, which he must have watched with his young daughter, Shana. He says about his interpretation of the song, "That was just a statement that you don't have to be flamboyant. If somebody doesn't like you just because you're a certain thing, then maybe they're seeing the wrong thing." [8]
A reviewer said about the ten and a half-minute "Autumn Song": "I can't deny that it's the funkiest song about the splendors and moods of fall that has ever glided through my ears." [9]
The ending song, "Purple Heather" is the traditional "Wild Mountain Thyme" written by F. McPeake as a variant of Robert Tannahill's "The Braes of Balquhidder", and re-arranged by Morrison. [10]
Review scores | |
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Source | Rating |
Allmusic | [11] |
Christgau's Record Guide | B− [12] |
The Village Voice | C+ [13] |
According to Ritchie Yorke, who published his biography, Into the Music, in 1975, the album enjoyed rave reviews at the time of release. He cited one dissenting critic Charlie Gillett, who wrote in Let It Rock: "The trouble with Hard Nose the Highway is that although the music is quite often interesting, it doesn't have a convincing emotional basis...Despite the lack of inspiration and of melodic focus, the record is attractive to listen to. But Van Morrison has set high standards for himself and Hard Nose the Highway doesn't live up to them." [14]
Robert Christgau rated it only a B− and mostly dismissed it with: "The relaxed rhythms are just lax most of the time, the vocal surprises mild after Saint Dominic's Preview , the lyrics dumbest when they're more than mood pieces, and the song construction offhand except on 'Warm Love'." [15]
Stephen Holden in his 1973 Rolling Stone review said: "Hard Nose the Highway is psychologically complex, musically somewhat uneven and lyrically excellent. Its surface pleasures are a little less than those of St. Dominic's Preview and a great deal less than those of Tupelo Honey, while its lyric depths are richer and more accessible than those of either predecessor. The major theme of Hard Nose is nostalgia, briefly but firmly counter-pointed by disillusion." [16]
Later assessments in The Rolling Stone Record Guide (1979) and The Rolling Stone Album Guide (1992) were less generous. In the former, Hard Nose was listed as Morrison's only one-star album to date; reviewer Dave Marsh called it "a failed sidestep, a compromise between the visionary demands of Morrison's work and his desire for a broad-based audience." [17] In the later edition, Paul Evans called the record the "vaguest and weakest" of Morrison's 1970s output. [18]
In the opinion of biographer Erik Hage, "Hard Nose the Highway seems to have suffered a lot of unnecessary criticism—many commentators consider it his worst and most uninspired album—perhaps because it followed such a remarkable run of LPs, and because two truly forward-thinking albums had come before and after it (1972's Saint Dominic's Preview and 1974's Veedon Fleece)." [19]
All songs written by Van Morrison, unless otherwise noted.
Chart (1974) | Peak position |
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Australia (Kent Music Report) [21] | 42 |
US Billboard Top LPs | 27 |
UK Albums Chart | 22 |
Moondance is the third studio album by Northern Irish singer-songwriter Van Morrison. It was released on 27 January 1970 by Warner Bros. Records. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969.
Astral Weeks is the second studio album by Northern Irish singer-songwriter Van Morrison. It was recorded at Century Sound Studios in New York during September and October 1968, and released in November of the same year by Warner Bros. Records.
Tupelo Honey is the fifth studio album by Northern Irish singer-songwriter Van Morrison. It was released in October 1971 by Warner Bros. Records. Morrison had written all of the songs in Woodstock, New York, before his move to Marin County, California, except for "You're My Woman", which he wrote during the recording sessions. Recording began at the beginning of the second quarter of 1971 at Wally Heider Studios in San Francisco. Morrison moved to the Columbia Studios in May 1971 to complete the album.
Veedon Fleece is the eighth studio album by Northern Irish singer-songwriter Van Morrison, released in October 1974. Morrison recorded the album shortly after his divorce from wife Janet (Planet) Rigsbee. With his broken marriage in the past, Morrison visited Ireland on holiday for new inspiration, arriving on 20 October 1973. While there he wrote, in less than three weeks, the songs included on the album.
His Band and the Street Choir is the fourth studio album by Northern Irish singer-songwriter Van Morrison. It was released in November 1970 by Warner Bros. Records. Originally titled Virgo's Fool, Street Choir was renamed by Warner Bros. without Morrison's consent. Recording began in early 1970 with a demo session in a small church in Woodstock, New York. Morrison booked the A&R Studios on 46th Street in New York City in the second quarter of 1970 to produce two sessions of songs that were released on His Band and the Street Choir.
Saint Dominic's Preview is the sixth studio album by Northern Irish singer-songwriter Van Morrison. It was released in July 1972 by Warner Bros. Records. Rolling Stone declared it "the best-produced, most ambitious Van Morrison record yet released."
It's Too Late to Stop Now is a 1974 live double album by Northern Irish singer-songwriter Van Morrison. It features performances that were recorded in concerts at the Troubadour in Los Angeles, California, the Santa Monica Civic Auditorium, and the Rainbow in London, during Morrison's three-month tour with his eleven-piece band, the Caledonia Soul Orchestra, from May to July 1973. Frequently named as one of the best live albums ever, It's Too Late to Stop Now was recorded during what has often been said to be the singer's greatest phase as a live performer.
A Period of Transition is the ninth studio album by Northern Irish singer-songwriter Van Morrison, released in 1977. It was his first album in two-and-a-half years. At the time of its release it was received with some disappointment by critics and fans: "Most were hoping for a work of primeval vocal aggression that would challenge the emerging élite of Morrison pretenders, whose ranks included Bruce Springsteen, Bob Seger, Phil Lynott, Graham Parker and Elvis Costello." However, the album is still notable for several major compositions, including "Heavy Connection", "Flamingos Fly", "The Eternal Kansas City" and "Cold Wind in August".
Into the Music is the 11th studio album by Northern Irish singer-songwriter Van Morrison, and was released in August 1979. It includes "Bright Side of the Road", which peaked at number 63 on the UK Singles Chart, and other songs in which Morrison sought to return to his more profound and transcendent style after the pop-oriented Wavelength. The record received favourable reviews from several music critics and was named as one of the year's best albums in the Pazz & Jop critics' poll.
Common One is the twelfth studio album by Northern Irish singer-songwriter Van Morrison, released in 1980. The album was recorded over a nine-day period at Super Bear Studios, near Nice, on the French Riviera. Its title is in the lyrics of the song "Summertime in England": "Oh, my common one with the coat so old and the light in her head".
No Guru, No Method, No Teacher is the sixteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1986 on Mercury.
The eighteenth studio album Irish Heartbeat by Northern Irish singer-songwriter Van Morrison is a collaboration with the traditional Irish musical group the Chieftains, released in 1988. It was recorded at Windmill Lane Studios in Dublin, Ireland, and reached number 18 in the UK album charts.
Avalon Sunset is the nineteenth studio album by Northern Irish singer-songwriter Van Morrison. It was released in 1989 by Mercury Records to both commercial and critical success. In 2008, Avalon Sunset was reissued and remastered, featuring an alternate take of "Whenever God Shines His Light", and a version of "When the Saints Go Marching In" with additional lyrics by Morrison.
The Philosopher's Stone is a compilation album by Northern Irish singer-songwriter Van Morrison released in 1998.
"Domino" is a hit song written by Northern Irish singer-songwriter Van Morrison. It is the opening track of his fourth studio album, His Band and the Street Choir. This song is Morrison's personal musical tribute to New Orleans R&B singer and pianist Fats Domino.
"Warm Love" is a hit song written by Northern Irish singer-songwriter Van Morrison.
"Jackie Wilson Said (I'm in Heaven When You Smile)" is a song written and performed by Van Morrison and featured as the opening track on his sixth studio album, Saint Dominic's Preview. It was released by Warner Bros. in July 1972 as the first of three singles from the album and charted at number sixty-one on the US Billboard Hot 100. Both the music and lyrics are inspired by rhythm and blues singer Jackie Wilson and his song "Reet Petite", which is directly quoted in the song.
"Bulbs" is a song written by Northern Irish singer-songwriter Van Morrison. It was the only single to be taken from his 1974 album Veedon Fleece, with a B-side of "Cul de Sac" for the US release and "Who Was That Masked Man" for the UK release.
"Brand New Day" is a song written by Northern Irish singer-songwriter Van Morrison and featured on his 1970 album Moondance.
Jef Labes is an American keyboardist and musician. He is best known from his work with Van Morrison and Bonnie Raitt. Jef Labes has also arranged for string and woodwind instruments on numerous albums.