Common One

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Common One
CommonOneAlbumCover.jpg
Studio album by
Van Morrison
ReleasedAugust 1980
Recorded11–19 February 1980
StudioSuper Bear Studios
Genre R&B, [1] jazz fusion
Length55:01
Label
Producer Van Morrison
Van Morrison chronology
Into the Music
(1979)		Common One
(1980)		 Beautiful Vision
(1982)

Common One is the twelfth studio album by Northern Irish singer-songwriter Van Morrison, released in 1980. The album was recorded over a nine-day period at Super Bear Studios, near Nice, on the French Riviera. Its title is in the lyrics of the song "Summertime in England": "Oh, my common one with the coat so old and the light in her head".

Contents

The 2008 re-issued and re-mastered version of the album contains alternate takes of "Haunts of Ancient Peace" and "When Heart Is Open".

Apart from polarising critics on its initial release, Common One has been cited by Morrison himself as his favourite of his own albums. [2]

Recording

According to Mick Cox the early stages of the album were rehearsed during November and December 1979. The songs "Summertime in England" and "Haunts of Ancient Peace" were rehearsed by Morrison and the band during small gigs in January 1980. Cox thought that "some of these performances at the rehearsals were far better than the final recordings." Speaking of the recording sessions at Super Bear, Cox said: "We were all ensconced in a very, very intense, highly charged situation for those eleven days, but it did bring out that album." [3] Jef Labes recalled about his arrangements on the album: "... but what I always tried to do with string arrangements for him was to just try to mimic what he was singing, 'cause he was such a song instrument." [4]

Composition

In contrast to many of his previous albums, Common One ventures more into the realms of free jazz than the usual Van Morrison R&B, with the sax playing of Pee Wee Ellis coming to the fore. The songs are also somewhat longer than on his previous albums. Morrison said that the original concept was even more esoteric and was heavily influenced by his reading of nature poets. [5]

The opening track, "Haunts of Ancient Peace" was named from a (1902) book by Alfred Austin (Poet Laureate 1896–1912), and features the twin brothers of Morrison's voice against the answering saxophone of Pee Wee Ellis, with the trumpet of Mark Isham. [6]

"Summertime in England" was the longest track and proved to be a successful live performance for some time to come. Morrison said it "was actually a part of a poem I was writing and the poem and the song sort of merged." The lyrics include images of Wordsworth and Coleridge "smokin' up in Kendal" (Brian Hinton says they are "smokin' with poetry not spliffs"). [7] It ends with the music being brought down to nothing and the words, "Can you feel the silence?"

"Spirit" played with sudden tempo changes and the ending fifteen-minute track, "When Heart Is Open", was experimental in form with no discernible melody or tempo (presaging the era of New-age music). [5]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [8]
Billboard (favourable) [9]
Chicago Sun Times Star full.svgStar full.svgStar full.svgStar empty.svg [10]
Christgau's Record Guide: The '80s B− [11]
Q Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [12]
The Rolling Stone Album Guide Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [13]

Critical response to Common One was divided. [14] Graham Locke reviewed it in NME calling it "colossally smug and cosmically dull; an interminable, vacuous and drearily egotistical stab at spirituality". Dave McCullough wrote in Sounds : "For the fan, as I am myself, it's not even possible to romanticize and say that Morrison has lost his way temporarily, so stern and so acute is his departure." [4] Rolling Stone critic Tom Carson named "Satisfied" as the record's only "masterpiece", in which "the simplicity that Morrison is striving for arrive as something natural and effortless, as a gift of grace". [15] Clinton Heylin contends that Morrison was bruised by the reaction and "would not attempt anything quite so ambitious again." [16]

In 1982, Lester Bangs argued for a reassessment, saying, "Van was making holy music even though he thought he was, and us rock critics had made our usual mistake of paying too much attention to the lyrics." [4] American critics voted it the 27th best album of 1980 in The Village Voice 's annual Pazz & Jop poll. [17] In an accompanying essay, poll supervisor Robert Christgau wrote, "As somebody who considers Moondance an apotheosis and has never gotten Astral Weeks , I think this is his worst since Hard Nose the Highway – sententious, torpid, abandoned by God. I know lots of Astral Weeks fans who agree. But Morrison has a direct line to certain souls, and they still hear him talkin'." [18] In retrospect, he deemed "Satisfied" and "Summertime in England" to be the record's highlights. [11]

In 2009, Erik Hage said "the dominant critical reaction represented it as prohibitive, sententious, and inaccessible, when in fact it is filled with much melody and beauty." [19] AllMusic later wrote, "No wonder the rock critics of the time didn't get it; this is music outside the pop mainstream, and even Morrison's own earlier musical territory. But it retains its trancelike power to this day." [8] In a 2014 list by Stereogum , ranking all the thirty-two solo Van Morrison albums from worst to best, Common One was placed in the sixteenth position. [1]

Track listing

All songs written by Van Morrison.

Side one
No.TitleLength
1."Haunts of Ancient Peace"7:07
2."Summertime in England"15:35
3."Satisfied"6:01
Side two
No.TitleLength
1."Wild Honey"5:49
2."Spirit"5:10
3."When Heart Is Open"15:05
Bonus tracks (2008 CD reissue)
  1. "Haunts of Ancient Peace" – 7:44 (alternate take)
  2. "When Heart Is Open" – 7:43 (alternate take)

Personnel

Musicians

2008 Reissue

Production

Charts

Chart (1980)Position
Australia (Kent Music Report) [20] 40
US Pop Albums [21] 73
UK Album Chart [22] 53

Notes

  1. 1 2 Bracy, Timothy; Bracy, Elizabeth (14 April 2014). "Van Morrison Albums From Worst To Best". Stereogum . Retrieved 13 November 2021.
  2. ↑ "Sir Van Morrison 'exhilarated' over knighthood". Belfast Telegraph . Retrieved 13 November 2021.
  3. ↑ Heylin 2003, pp. 358–360.
  4. 1 2 3 Heylin 2003, p. 364.
  5. 1 2 Rogan 2006, p. 331.
  6. ↑ Heylin 2003, p. 359.
  7. ↑ Hinton 2000, p. 228.
  8. 1 2 Ginnell, Richard. "Common One Review". AllMusic.com. Retrieved 17 January 2010.
  9. ↑ "Review: Common One – Van Morrison" (PDF). Billboard . Vol. 85, no. 37. 13 September 1980. p. 70. ISSN   0006-2510 . Retrieved 24 May 2020– via American Radio History.
  10. ↑ Pratt, Chuck (29 January 1981). "How the Wax Stacks". Des Moines Tribune . Chicago Sun Times. p. 36 – via newspapers.com.
  11. 1 2 Christgau, Robert (1990). "Van Morrison". Christgau's Record Guide: The '80s. Pantheon Books. p.  280. ISBN   067973015X.
  12. ↑ "none". Q . No. May. 1995. p. 125.
  13. ↑ Sheffield, Rob (2004). "Van Morrison". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). New York: Simon & Schuster. pp.  559–561. ISBN   0-7432-0169-8.
  14. ↑ "The One After the Big One: Van Morrison, Common One". Rhino.com . 19 December 2018. Retrieved 19 November 2021.
  15. ↑ Carson, Tom. "Common One – Review". Rolling Stone . Retrieved 13 November 2021.
  16. ↑ Heylin 2003, p. 365.
  17. ↑ Christgau, Robert. "Pazz & Jop". The Village Voice . Retrieved 13 November 2021– via Robertchristgau.com.
  18. ↑ Christgau, Robert (1981). "The Year of the Lollapalooza". The Village Voice. Retrieved 26 May 2016.
  19. ↑ Erik Hage (2009). The Words and Music of Van Morrison. Praeger Publishers. p. 92. ISBN   978-0-313-35862-3.
  20. ↑ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 208. ISBN   0-646-11917-6.
  21. ↑ "Into the Music - van Morrison | Songs, Reviews, Credits | AllMusic". AllMusic .
  22. ↑ "Van Morrison". Official Charts . Retrieved 19 November 2021.

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References

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