Common One | ||||
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Studio album by | ||||
Released | August 1980 | |||
Recorded | 11–19 February 1980 | |||
Studio | Super Bear Studios | |||
Genre | ||||
Length | 55:01 | |||
Label |
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Producer | Van Morrison | |||
Van Morrison chronology | ||||
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Common One is the twelfth studio album by Northern Irish singer-songwriter Van Morrison, released in 1980. The album was recorded over a nine-day period at Super Bear Studios, near Nice, on the French Riviera. Its title is in the lyrics of the song "Summertime in England": "Oh, my common one with the coat so old and the light in her head".
The 2008 re-issued and re-mastered version of the album contains alternate takes of "Haunts of Ancient Peace" and "When Heart Is Open".
Apart from polarising critics on its initial release, Common One has been cited by Morrison himself as his favourite of his own albums. [3]
According to Mick Cox the early stages of the album were rehearsed during November and December 1979. The songs "Summertime in England" and "Haunts of Ancient Peace" were rehearsed by Morrison and the band during small gigs in January 1980. Cox thought that "some of these performances at the rehearsals were far better than the final recordings." Speaking of the recording sessions at Super Bear, Cox said: "We were all ensconced in a very, very intense, highly charged situation for those eleven days, but it did bring out that album." [4] Jef Labes recalled about his arrangements on the album: "... but what I always tried to do with string arrangements for him was to just try to mimic what he was singing, 'cause he was such a song instrument." [5]
In contrast to many of his previous albums, Common One ventures more into the realms of free jazz than the usual Van Morrison R&B, with the sax playing of Pee Wee Ellis coming to the fore. The songs are also somewhat longer than on his previous albums. Morrison said that the original concept was even more esoteric and was heavily influenced by his reading of nature poets. [6]
The opening track, "Haunts of Ancient Peace" was named from a (1902) book by Alfred Austin (Poet Laureate 1896–1912), and features the twin brothers of Morrison's voice against the answering saxophone of Pee Wee Ellis, with the trumpet of Mark Isham. [7]
"Summertime in England" was the longest track and proved to be a successful live performance for some time to come. Morrison said it "was actually a part of a poem I was writing and the poem and the song sort of merged." The lyrics include images of Wordsworth and Coleridge "smokin' up in Kendal" (Brian Hinton says they are "smokin' with poetry not spliffs"). [8] It ends with the music being brought down to nothing and the words, "Can you feel the silence?"
"Spirit" played with sudden tempo changes and the ending fifteen-minute track, "When Heart Is Open", was experimental in form with no discernible melody or tempo (presaging the era of New-age music). [6]
Review scores | |
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Source | Rating |
AllMusic | [9] |
Billboard | (favourable) [10] |
Chicago Sun Times | [11] |
Christgau's Record Guide: The '80s | B− [12] |
Q | [13] |
The Rolling Stone Album Guide | [2] |
Critical response to Common One was divided. [14] Graham Locke reviewed it in NME calling it "colossally smug and cosmically dull; an interminable, vacuous and drearily egotistical stab at spirituality". Dave McCullough wrote in Sounds : "For the fan, as I am myself, it's not even possible to romanticize and say that Morrison has lost his way temporarily, so stern and so acute is his departure." [5] Rolling Stone critic Tom Carson named "Satisfied" as the record's only "masterpiece", in which "the simplicity that Morrison is striving for arrive as something natural and effortless, as a gift of grace". [15] Clinton Heylin contends that Morrison was bruised by the reaction and "would not attempt anything quite so ambitious again." [16]
In 1982, Lester Bangs argued for a reassessment, saying, "Van was making holy music even though he thought he was, and us rock critics had made our usual mistake of paying too much attention to the lyrics." [5] Also in 1982, The Boston Phoenix's John Piccarella wrote that "Common One was probably Morrison’s richest record (rich like haute cuisine), brighter and sunnier than predecessors Astral Weeks and Veedon Fleece , lusher and elevated far above most people’s tolerance for elated sentiment. [17] American critics voted it the 27th best album of 1980 in The Village Voice 's annual Pazz & Jop poll. [18] In an accompanying essay, poll supervisor Robert Christgau wrote, "As somebody who considers Moondance an apotheosis and has never gotten Astral Weeks , I think this is his worst since Hard Nose the Highway – sententious, torpid, abandoned by God. I know lots of Astral Weeks fans who agree. But Morrison has a direct line to certain souls, and they still hear him talkin'." [19] In retrospect, he deemed "Satisfied" and "Summertime in England" to be the record's highlights. [12]
In 2009, Erik Hage said "the dominant critical reaction represented it as prohibitive, sententious, and inaccessible, when in fact it is filled with much melody and beauty." [20] AllMusic later wrote, "No wonder the rock critics of the time didn't get it; this is music outside the pop mainstream, and even Morrison's own earlier musical territory. But it retains its trancelike power to this day." [9] In a 2014 list by Stereogum , ranking all the thirty-two solo Van Morrison albums from worst to best, Common One was placed in the sixteenth position. [1]
All songs written by Van Morrison.
No. | Title | Length |
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1. | "Haunts of Ancient Peace" | 7:07 |
2. | "Summertime in England" | 15:35 |
3. | "Satisfied" | 6:01 |
No. | Title | Length |
---|---|---|
1. | "Wild Honey" | 5:49 |
2. | "Spirit" | 5:10 |
3. | "When Heart Is Open" | 15:05 |
Musicians
2008 Reissue
Production
Chart (1980) | Position |
---|---|
Australia (Kent Music Report) [21] | 40 |
US Pop Albums [22] | 73 |
UK Album Chart [23] | 53 |
Moondance is the third studio album by Northern Irish singer-songwriter Van Morrison. It was released on 27 January 1970 by Warner Bros. Records. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969.
Astral Weeks is the second studio album by Northern Irish singer-songwriter Van Morrison. It was recorded at Century Sound Studios in New York during September and October 1968, and released in November of the same year by Warner Bros. Records.
Tupelo Honey is the fifth studio album by Northern Irish singer-songwriter Van Morrison. It was released in October 1971 by Warner Bros. Records. Morrison had written all of the songs in Woodstock, New York, before his move to Marin County, California, except for "You're My Woman", which he wrote during the recording sessions. Recording began at the beginning of the second quarter of 1971 at Wally Heider Studios in San Francisco. Morrison moved to the Columbia Studios in May 1971 to complete the album.
Veedon Fleece is the eighth studio album by Northern Irish singer-songwriter Van Morrison, released in October 1974. Morrison recorded the album shortly after his divorce from wife Janet (Planet) Rigsbee. With his broken marriage in the past, Morrison visited Ireland on holiday for new inspiration, arriving on 20 October 1973. While there he wrote, in less than three weeks, the songs included on the album.
Saint Dominic's Preview is the sixth studio album by Northern Irish singer-songwriter Van Morrison. It was released in July 1972 by Warner Bros. Records. Rolling Stone declared it "the best-produced, most ambitious Van Morrison record yet released."
Hard Nose the Highway is the seventh studio album by Northern Irish singer-songwriter Van Morrison, released in 1973. It is his first solo album since his 1967 debut Blowin' Your Mind! to contain songs not written by Morrison. A cover version of the song "Bein' Green", usually associated with Kermit the Frog, is included, as is a take of the traditional song "Purple Heather". The album also contains the single "Warm Love," a fan favourite.
A Sense of Wonder is the fifteenth studio album by Northern Irish singer-songwriter Van Morrison released in 1985. On first release, original pressings had to be recalled when the W. B. Yeats estate refused to allow Morrison's musical version of the poem "Crazy Jane on God" to be included, as they believed his poems should only be set to classical music. Morrison substituted "If You Only Knew" for the Yeats' recording..
Into the Music is the 11th studio album by Northern Irish singer-songwriter Van Morrison, and was released in August 1979. It includes "Bright Side of the Road", which peaked at number 63 on the UK Singles Chart, and other songs in which Morrison sought to return to his more profound and transcendent style after the pop-oriented Wavelength. The record received favourable reviews from several music critics and was named as one of the year's best albums in the Pazz & Jop critics' poll.
Inarticulate Speech of the Heart is the fourteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1983. Morrison said he arrived at the title from a Shavian saying: "that idea of communicating with as little articulation as possible, at the same time being emotionally articulate". As his last album for Warner Bros. Records, he decided to do an album which had more than the usual complement of instrumental tracks. As he explained in 1984, "Sometimes when I'm playing something, I'm just sort of humming along with it, and that's got a different vibration than an actual song. So the instrumentals just come from trying to get that form of expression, which is not the same as writing a song." Although not expanded upon, of note is that a special thanks is given to L. Ron Hubbard in the liner notes. The reissued and remastered version of the album contains alternative takes of "Cry for Home" and "Inarticulate Speech of the Heart No. 2".
No Guru, No Method, No Teacher is the sixteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1986 on Mercury.
Avalon Sunset is the nineteenth studio album by Northern Irish singer-songwriter Van Morrison. It was released in 1989 by Mercury Records to both commercial and critical success. In 2008, Avalon Sunset was reissued and remastered, featuring an alternate take of "Whenever God Shines His Light", and a version of "When the Saints Go Marching In" with additional lyrics by Morrison.
Back on Top is the twenty-seventh studio album by Northern Irish singer/songwriter Van Morrison, released in 1999 by Point Blank. It reached the Top Twenty in seven countries, building on the success of 1997's The Healing Game.
"Summertime in England" is the longest song on Northern Irish singer-songwriter Van Morrison's 1980 album, Common One, and is approximately fifteen minutes long. Although the album on which the song appeared was not critically or commercially successful, the song would be performed by Morrison in concert for almost two and one-half decades, taking on new meaning when performed live. A truncated version of the song with an early fade-out was also released as the B-side of the 1983 single "Cry for Home".
"Domino" is a hit song written by Northern Irish singer-songwriter Van Morrison. It is the opening track of his fourth studio album, His Band and the Street Choir. This song is Morrison's personal musical tribute to New Orleans R&B singer and pianist Fats Domino.
"Cleaning Windows" is a song written by the Northern Irish singer-songwriter Van Morrison, recorded on his 1982 album Beautiful Vision.
"Days Like This" is a song written by Northern Irish singer-songwriter Van Morrison and the title song of his 1995 album of the same name. Morrison has often performed this song in concert appearances,and it has become one of his most popular songs from his later years. It peaked at number 65 in the UK upon release, and later reached number 12 on the US Billboard US Rock Digital Song Sales chart.
Live at Montreux 1980/1974 is the first official DVD by Northern Irish singer-songwriter Van Morrison. It was released on 16 October 2006. The films consist of two separate performances by Van Morrison at the Montreux Jazz Festival in Switzerland. It was certified gold in May 2007 and platinum in June 2009.
Live at the Grand Opera House Belfast is a live album by Northern Irish singer-songwriter Van Morrison, released in 1984. It was recorded from four live shows in March 1983 at the Grand Opera House, Belfast, Northern Ireland. The album was composed of songs from Morrison's last four recordings. It is the second live album Morrison released, following 10 years after It's Too Late to Stop Now.
"The Healing Game" is the title song on Northern Irish singer-songwriter Van Morrison's 1997 album. It was released twice as a single in 1997 as an A-side with different B-sides – including "Have I Told You Lately" and "Gloria". The single reached number 46 in the UK.
"Burning Ground" is a song written by Northern Irish singer-songwriter Van Morrison and included on his 1997 album, The Healing Game. For this song, Morrison got his inspiration from a common scene from his childhood when jute was shipped to Belfast from India in the 1950s.