Hymns to the Silence | ||||
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Studio album by | ||||
Released | 1991 | |||
Recorded | 1990 | |||
Studio |
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Genre | Rhythm and blues, folk, pop, Celtic, rock, gospel [1] | |||
Length | 94:53 | |||
Label | Polydor | |||
Producer | Van Morrison | |||
Van Morrison chronology | ||||
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Singles from Hymns to the Silence | ||||
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Hymns to the Silence is the twenty-first studio album by Northern Irish singer-songwriter Van Morrison. It was his first studio double album. Morrison recorded the album in 1990 in Beckington at The Wool Hall Studios and in London at Townhouse and Westside Studios.
When Hymns to the Silence was released in 1991, it reached number five on the UK Albums Chart and received positive reviews from critics. Morrison's use of various musical styles was well received, as were the more worldly-themed songs on an otherwise spiritual album.
The album of songs was recorded during sessions at Wool Hall Studios in Beckington, Townhouse, London and Westside Studios, London with Mick Glossop as engineer, except for the song "Take Me Back". It was recorded in 1990 at Pavilion Studios in London with Martin Hayles and Mick Glossop as engineers. [2]
"Why Must I Always Explain?" was set to the same melody as 1970s "Tupelo Honey". [3] There were two hymns. "Be Thou My Vision" and "Just a Closer Walk With Thee". The song, "Carrying a Torch" was also included on Tom Jones's album by the same name, along with three other Morrison compositions from "Hymns to the Silence". [4]
Review scores | |
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Source | Rating |
AllMusic | [1] |
Chicago Tribune | [5] |
Encyclopedia of Popular Music | [6] |
Entertainment Weekly | A [7] |
Q | [8] |
Rolling Stone | [9] |
The Rolling Stone Album Guide | [10] |
The Village Voice | B+ [11] |
In a review for Time , Jay Cocks said "Hymns focuses and redefines Morrison's themes over his long career, rather like a museum retrospective already in progress. It dips deep into autobiography, spiritual speculation and blues mythology for its themes." [12] Rolling Stone magazine's Elysa Gardner said despite overblown hymns such as "Take Me Back" and "Pagan Streams", Morrison appropriates a variety of musical styles into both joyful and poignant songs on an album that "brims with the consistent passion that continues to make Morrison fascinating". [9] Alec Foege from Spin argued that its music is more eclectic than the entirety of Morrison's 1980s albums, while the lyrics prove he can reconcile his Christian faith with more worldly themes, allowing for "a refreshingly individualistic soul-searching". [13] In The Village Voice , Robert Christgau lamented the amount of filler throughout the two discs in the form of several hymns and love songs, but complimented the secular songs about true love, ordinary life, and "the days before rock and roll", finding the album "more affecting than you'd figure" overall. [11] It was voted the 21st best album of 1991 in The Village Voice's annual Pazz & Jop critics poll. [14]
In a retrospective review, AllMusic's Michael Gallucci felt Hymns to the Silence was Morrison's best album during the 1990s, although he also found it too long and essentially a "spirited rewrite" of his previous record Enlightenment . [1] Rob Sheffield was more critical in The Rolling Stone Album Guide (2004), deeming it a "complex and self-involved" imitation of Avalon Sunset with a few exceptional songs. [10]
All songs written by Van Morrison unless noted.
Album - Billboard (North America)
Year | Chart | Position |
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1991 | The Billboard 200 | 99 |
Album - UK Album Chart
Year | Chart | Position |
1991 | UK Album Chart | 5 |
Magic Time is the thirty-first studio album by Van Morrison, released in 2005 by Geffen Records. It debuted at No. 25 on the US Billboard charts and No. 3 in the UK - Morrison's best UK chart debut until Still on Top – The Greatest Hits opened at No. 2 in 2007. Rolling Stone ranked 'Magic Time' seventeenth on The Top 50 Records of 2005.
Wavelength is the tenth studio album by Northern Irish singer-songwriter Van Morrison, and was released in the autumn of 1978. The album has a different musical sound from his previous albums, leaning towards a pop rock sound with prominent electric guitars and synthesizers. Wavelength was Morrison's best selling album at the time of the original release. Mick Glossop, Bobby Tench and Peter Bardens were given credit for special assistance in production.
Into the Music is the 11th studio album by Northern Irish singer-songwriter Van Morrison, and was released in August 1979. It includes "Bright Side of the Road", which peaked at number 63 on the UK Singles Chart, and other songs in which Morrison sought to return to his more profound and transcendent style after the pop-oriented Wavelength. The record received favourable reviews from several music critics and was named as one of the year's best albums in the Pazz & Jop critics' poll.
Common One is the twelfth studio album by Northern Irish singer-songwriter Van Morrison, released in 1980. The album was recorded over a nine-day period at Super Bear Studios, near Nice, on the French Riviera. Its title is in the lyrics of the song "Summertime in England": "Oh, my common one with the coat so old and the light in her head".
Inarticulate Speech of the Heart is the fourteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1983. Morrison said he arrived at the title from a Shavian saying: "that idea of communicating with as little articulation as possible, at the same time being emotionally articulate". As his last album for Warner Bros. Records, he decided to do an album which had more than the usual complement of instrumental tracks. As he explained in 1984, "Sometimes when I'm playing something, I'm just sort of humming along with it, and that's got a different vibration than an actual song. So the instrumentals just come from trying to get that form of expression, which is not the same as writing a song." Although not expanded upon, of note is that a special thanks is given to L. Ron Hubbard in the liner notes. The reissued and remastered version of the album contains alternative takes of "Cry for Home" and "Inarticulate Speech of the Heart No. 2".
No Guru, No Method, No Teacher is the sixteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1986 on Mercury.
Beautiful Vision is the thirteenth studio album by Northern Irish singer-songwriter Van Morrison, released in February 1982. It continued Morrison's departure from R&B at the time, instead favoring Celtic folk and American jazz in its music. As with many of Morrison's recordings, spirituality is a major theme and some of the songs are based on the teachings of Alice Bailey. Other songs show Morrison's Celtic heritage and reminiscence of his Belfast background.
Poetic Champions Compose is the seventeenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1987 on Mercury Records. It received generally positive reviews from critics, most of whom viewed it as adequate mood music.
The eighteenth studio album Irish Heartbeat by Northern Irish singer-songwriter Van Morrison is a collaboration with the traditional Irish musical group the Chieftains, released in 1988. It was recorded at Windmill Lane Studios in Dublin, Ireland, and reached number 18 in the UK album charts.
Avalon Sunset is the nineteenth studio album by Northern Irish singer-songwriter Van Morrison. It was released in 1989 by Mercury Records to both commercial and critical success. In 2008, Avalon Sunset was reissued and remastered, featuring an alternate take of "Whenever God Shines His Light", and a version of "When the Saints Go Marching In" with additional lyrics by Morrison.
Enlightenment is the twentieth studio album by Northern Irish singer-songwriter Van Morrison. It was released in 1990 and reached No. 5 in the UK charts and "Real Real Gone" charted at No. 18 in Mainstream Rock Tracks.
Days Like This is the twenty-third studio album by Northern Irish singer-songwriter Van Morrison, released in 1995. It is a diverse group of songs offering a variety of moods and styles. It ranked No. 5 on the UK album charts and was nominated for the Mercury Prize.
The Philosopher's Stone is a compilation album by Northern Irish singer-songwriter Van Morrison released in 1998.
"Someone Like You" is a song written by Northern Irish singer and songwriter Van Morrison and recorded on his seventeenth studio album, Poetic Champions Compose (1987). It has become a wedding and movie classic and the song subsequently furnished the framework for one of Morrison's most popular classics and love ballads, "Have I Told You Lately", released in 1989.
"Real Real Gone" is a hit single written by Northern Irish singer-songwriter Van Morrison and included on his 1990 album Enlightenment. It has remained a popular live performance tune and Morrison has included it on the set lists at many of his concerts since releasing it.
"Days Like This" is a song written by Northern Irish singer-songwriter Van Morrison and the title song of his 1995 album of the same name. Morrison has often performed this song in concert appearances,and it has become one of his most popular songs from his later years. It peaked at number 65 in the UK upon release, and later reached number 12 on the US Billboard US Rock Digital Song Sales chart.
"Precious Time" is a popular song written by Northern Irish singer-songwriter Van Morrison and recorded on his 1999 album, Back on Top. It was released as a single in the UK and charted at No. 36. Since first recording it, Morrison has played it in concert 574 times from March 1998 until June 2008, making it one of his most frequently performed songs.
"Back on Top" is a song written by Northern Irish singer-songwriter Van Morrison and the title track on his 1999 album, Back on Top. It was released as a single in the UK and charted at number sixty-nine.
"Perfect Fit" is a song written by Northern Irish singer-songwriter Van Morrison and included on his 1995 album, Days Like This.
"Carrying a Torch" is a popular song written by Northern Irish singer-songwriter Van Morrison and released on his 1991 double album, Hymns to the Silence. It was also included on his 2015 album "Duets: Re-working the Catalogue" with Clare Teal.