No Guru, No Method, No Teacher | ||||
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Studio album by | ||||
Released | July 1986 | |||
Recorded | 1985 | |||
Studio | Studio D & Record Plant, Sausalito, California & Townhouse Studios, London, England | |||
Genre | Pop rock | |||
Length | 50:50 | |||
Label | Mercury | |||
Producer | Van Morrison | |||
Van Morrison chronology | ||||
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Singles from No Guru, No Method, No Teacher | ||||
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No Guru, No Method, No Teacher is the sixteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1986 on Mercury.
Upon release in 1986, it was well received by critics and charted at number twenty-seven in the UK and number seventy on the Billboard 200.
The album was recorded at Studio D and Record Plant Studios in Sausalito, California in 1985 with Jim Stern as engineer. [1] The basic takes were recorded at Studio D with Chris Michie, Jef Labes, Babatunde Lea (credited as "Baba Trunde"), David Hayes and Morrison. Overdubs, guitar solos, strings and back-up vocals were added at the Record Plant with the masters taken to Townhouse Studios in London. Overdubs with Ritchie Buckley on saxophone, Martin Drover on trumpet and oboe played by Kate St. John were added in the London studio. [2]
The album title is evocative of a 1966 quotation by Jiddu Krishnamurti: "...there is no teacher, no pupil; there is no leader; there is no guru; there is no Master, no Saviour. You yourself are the teacher and the pupil; you are the Master; you are the guru; you are the leader; you are everything." [3]
The song "In the Garden" was a favorite fan concert performance for years. Morrison told Mick Brown in 1986 on the Interview Album: "I take you through a definite meditation process which is a form of transcendental meditation. It's not about TM, forget about that. You should have some degree of tranquillity by the time you get to the end. It only takes about ten minutes to do this process." [4] There are references back to Astral Weeks with gardens wet with rain and a childlike vision. [5] The words are poetic as in the line "you are a creature all in rapture/You had the key to your soul".
"Got to Go Back" features Kate St. John's oboe and reminisces of school days back in the singer's childhood in Belfast. "Oh, The Warm Feeling" is also a song of feeling the safety of family and love in childhood.
"Foreign Window" is a song concerned with dealing with some sort of self-imposed therapy and having to go on no matter what. Brian Hinton remarks, "There is a grace and majesty here which I have experienced from little else in rock music."
"Here Comes the Knight" is a pun on the Them song "Here Comes the Night" and quotes from the epitaph on the gravestone of one of Morrison's favorite poets, W. B. Yeats. The Yeats Estate had denied Morrison's request to transform a Yeats poem to music, but the gravestone was considered public property: "Here come horsemen through the pass / They say cast a cold eye on life, on death".
"Ivory Tower" echoes Yeats once more.
The song "Thanks For the Information" is a comment on the cliches of the business world. [6]
Review scores | |
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Source | Rating |
AllMusic | [7] |
Encyclopedia of Popular Music | [8] |
Hot Press | 11/12 [9] |
The Rolling Stone Album Guide | [10] |
The Village Voice | B− [11] |
No Guru, No Method, No Teacher was well received by contemporary critics and proved to be Morrison's best-reviewed album during the 1980s. [2] Barry McIlheney from Melody Maker hailed it as a "magnificent return to form" that will astound listeners who had become disenchanted with his last few albums. [2] John Wilde in Sounds remarks, "the crescendos here are never dampened by their subtle nature and never fall short of blinding. The whole album aches with a steady stream of sorrow" and concluded by calling it the best record of that year so far, upon release. [2] In Rolling Stone , David Fricke described the album as "a fragile, familiar schematic, laid out over haunting, circular melodies airbrushed with acoustic guitars and often abruptly broken up by Morrison's idiosyncratic vocal phrasing." [12] Chicago Tribune critic Lynn Van Matre said it reminded her of Morrison's 1968 album Astral Weeks , as most of the songs "on this beautiful and deeply soulful album resound with gentle, questing hope." [13]
In a more critical review, NME magazine said Morrison "no longer takes the breath away and as a musician has been content to age with dignity." [14] In The Village Voice , Robert Christgau's critique came in the form of quip mocking the album's title: "no soap radio" (in reference to the nonsensical punchline to an unstated joke, suggesting Morrison's lyrics are unintelligible or meaningless), "no particular place to go" (a reference to the Chuck Berry song of the same name), "no man is an island" (suggesting Morrison is solipsistic), "no spring chicken" (mocking his cantankerous mood and obsession with mortality), "no-doz" (the caffeine pill, suggesting the album is a bore), and "no can do" (conclusion upon listening to it). [11]
In a retrospective review for The Rolling Stone Album Guide (2004), Rob Sheffield dismissed No Guru, No Method, No Teacher as a "cranky self-imitation", with Morrison complaining about "how you don't understand him because you live in an 'Ivory Tower,' though he obviously hadn't listened to any music in years except his own." [10] By contrast, biographer Clinton Heylin called it "his most consummate record since Wavelength and his most intriguingly involved since Astral Weeks, this is bursting to saturation point, Morrison at this most mystical, magical best." [2] The Independent 's Nick Coleman gave its remastered edition a rave review, urging listeners to buy it "because no one has realised William Blake’s visionary ambitions more cogently in popular song. Because the songs are remarkable". [15]
The album is ranked number 977 in All-Time Top 1000 Albums (3rd. edition, 2000). [16]
The 2008 reissued and remastered version of the album contains an alternate take of "Oh the Warm Feeling" and a previously unreleased Morrison composition "Lonely at the Top". "Thanks for the Information" from this album was listed as one of the standout tracks from the six album reissue. [17]
All songs written by Van Morrison
Chart (1986) | Peak position |
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Australian Albums (Kent Music Report) [18] | 32 |
Dutch Albums (Album Top 100) [19] | 30 |
German Albums (Offizielle Top 100) [20] | 46 |
New Zealand Albums (RMNZ) [21] | 20 |
Swedish Albums (Sverigetopplistan) [22] | 9 |
UK Albums (OCC) [23] | 27 |
US Billboard 200 [24] | 70 |
Veedon Fleece is the eighth studio album by Northern Irish singer-songwriter Van Morrison, released in October 1974. Morrison recorded the album shortly after his divorce from wife Janet (Planet) Rigsbee. With his broken marriage in the past, Morrison visited Ireland on holiday for new inspiration, arriving on 20 October 1973. While there he wrote, in less than three weeks, the songs included on the album.
Inarticulate Speech of the Heart is the fourteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1983. Morrison said he arrived at the title from a Shavian saying: "that idea of communicating with as little articulation as possible, at the same time being emotionally articulate". As his last album for Warner Bros. Records, he decided to do an album which had more than the usual complement of instrumental tracks. As he explained in 1984, "Sometimes when I'm playing something, I'm just sort of humming along with it, and that's got a different vibration than an actual song. So the instrumentals just come from trying to get that form of expression, which is not the same as writing a song." Although not expanded upon, of note is that a special thanks is given to L. Ron Hubbard in the liner notes. The reissued and remastered version of the album contains alternative takes of "Cry for Home" and "Inarticulate Speech of the Heart No. 2".
Poetic Champions Compose is the seventeenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1987 on Mercury Records. It received generally positive reviews from critics, most of whom viewed it as adequate mood music.
The eighteenth studio album Irish Heartbeat by Northern Irish singer-songwriter Van Morrison is a collaboration with the traditional Irish musical group the Chieftains, released in 1988. It was recorded at Windmill Lane Studios in Dublin, Ireland, and reached number 18 in the UK album charts.
"Summertime in England" is the longest song on Northern Irish singer-songwriter Van Morrison's 1980 album, Common One, and is approximately fifteen minutes long. Although the album on which the song appeared was not critically or commercially successful, the song would be performed by Morrison in concert for almost two and one-half decades, taking on new meaning when performed live. A truncated version of the song with an early fade-out was also released as the B-side of the 1983 single "Cry for Home".
"Bright Side of the Road" is a song written by Northern Irish singer-songwriter Van Morrison and included on his 1979 album Into the Music. It was also one of the outtakes that made up the 1998 compilation album, The Philosopher's Stone. As a single "Bright Side of the Road" was released in September 1979 and charted at No. 48 in the Netherlands, No. 63 in the UK and just outside the Billboard Hot 100 in the US at No. 110. In 2020, the song reached its highest radio airplay chart position in Ireland, peaking at #2.
"Saint Dominic's Preview" is the title song of the sixth album by Northern Irish singer-songwriter Van Morrison, released in July 1972 by Warner Bros. It was recorded at the Wally Heider Studios in San Francisco in April 1972, with overdubs made later on. Morrison wrote it in a stream of consciousness in the same vein as some of his earlier works, particularly those on Astral Weeks. The song's narrative moves from France to San Francisco, Morrison's place of residence at the time, to Belfast, where he grew up, to New York City.
"Ballerina" is the second to last song on Astral Weeks, the 1968 album by Northern Irish singer-songwriter Van Morrison.
"Astral Weeks" is the title song and opening track on the 1968 album Astral Weeks by Northern Irish singer-songwriter Van Morrison.
"In the Garden" is a spiritually inspired song written by Northern Irish singer-songwriter Van Morrison and included on his 1986 album No Guru, No Method, No Teacher.
"Beside You" is the second track on Astral Weeks, the 1968 album by Northern Irish singer-songwriter Van Morrison and released by Warner Bros. Records.
"Slim Slow Slider" is the closing track on the 1968 album Astral Weeks by Northern Irish singer-songwriter Van Morrison.
"Queen of the Slipstream" is a romantic ballad written by Northern Irish singer-songwriter Van Morrison and recorded on his 1987 album, Poetic Champions Compose. In 1988 it was released as a single in the UK, but did not chart.
"The Healing Game" is the title song on Northern Irish singer-songwriter Van Morrison's 1997 album. It was released twice as a single in 1997 as an A-side with different B-sides – including "Have I Told You Lately" and "Gloria". The single reached number 46 in the UK.
"And the Healing Has Begun" is a song written by Northern Irish singer-songwriter Van Morrison and recorded on his 1979 album, Into the Music.
"Bulbs" is a song written by Northern Irish singer-songwriter Van Morrison. It was the only single to be taken from his 1974 album Veedon Fleece, with a B-side of "Cul de Sac" for the US release and "Who Was That Masked Man" for the UK release.
"Come Running" is a song written by singer-songwriter Van Morrison and included on his 1970 album Moondance.
"Orangefield" is a song written by Northern Irish singer-songwriter Van Morrison and released on his 1989 album Avalon Sunset. The song takes place on "a golden autumn day" and is named for the school for boys that Morrison attended during his youth in Belfast, Northern Ireland.
"I've Been Working" is a song written by Northern Irish singer-songwriter Van Morrison appearing on the album His Band and the Street Choir, released in 1970. The song was first an outtake from Morrison's well received album Astral Weeks of 1968. Other versions of "I've Been Working" were recorded for Morrison's next album Moondance, of which, three were released on the 2013 deluxe edition.
"Ivory Tower" is a song written by Northern Irish singer-songwriter Van Morrison and included on his 1986 album, No Guru, No Method, No Teacher. The song was also released as a single with the B-side "A New Kind of Man", from his previous album A Sense of Wonder. It charted at No. 21 on the US Mainstream Rock Tracks in 1986.