Release and reception
Avalon Sunset was one of Morrison's most commercially successful albums, [9] and his fastest-selling record in the United Kingdom, being certified gold soon after its release. [15] The album was also met with critical acclaim. [16] In a review for The Village Voice , Robert Christgau said Morrison has found new inspiration in more temporal themes, especially on the album's first side, although he cited the redemption-themed "Whenever God Shines His Light" as his most exuberant song since 1982's "Cleaning Windows". [14] Spin magazine's Karen Schoemer called it an elegantly orchestrated record void of pain: "He celebrates nature, love and poetry too; this is contemplation without conflict, remembrances without bitterness. And no matter how esoteric things get, a charged sensuality permeates." [17] In the Chicago Tribune , Greg Kot said "I'd Love to Write Another Song" is a return to his 1960s and 1970s peak; on what is an otherwise good showcase for his insightful vocal delivery of simple yet evocative lyrics and a style of music that "strikes an artful middle ground between the visceral joys of Top 40 and the soothing aural wallpaper of New Age." [10]
At the end of 1989, Christgau named Avalon Sunset the 22nd best album of the year in his list for the annual Pazz & Jop critics poll. [18] The Times ranked it 63rd in its 1993 list of "All Time Top 100 Albums". [19] In The Encyclopedia of Popular Music (2006), Colin Larkin wrote that the record featured "quite immaculate love songs" from Morrison, along with a prominent sense of spirituality and nostalgia throughout, [11] while Morrison biographer Erik Hage called it "a powerful statement [showing] the often turbulent muse had stabilized, and was now a sublime force flowing through Van Morrison". [15] AllMusic's Jason Ankeny was less enthusiastic and found it somewhat inconsistent but "nevertheless the work of a master craftsman, its lush orchestration and atmospheric production casting an irresistibly elegant spell". [9]
Moondance is the third studio album by Northern Irish singer-songwriter Van Morrison. It was released on 27 January 1970 by Warner Bros. Records. After the commercial failure of his first Warner Bros. album Astral Weeks (1968), Morrison moved to upstate New York with his wife and began writing songs for Moondance. There, he met the musicians that would record the album with him at New York City's A & R Studios in August and September 1969.
Veedon Fleece is the eighth studio album by Northern Irish singer-songwriter Van Morrison, released in October 1974. Morrison recorded the album shortly after his divorce from wife Janet (Planet) Rigsbee. With his broken marriage in the past, Morrison visited Ireland on holiday for new inspiration, arriving on 20 October 1973. While there he wrote, in less than three weeks, the songs included on the album.
Saint Dominic's Preview is the sixth studio album by Northern Irish singer-songwriter Van Morrison. It was released in July 1972 by Warner Bros. Records. Rolling Stone declared it "the best-produced, most ambitious Van Morrison record yet released."
Hard Nose the Highway is the seventh studio album by Northern Irish singer-songwriter Van Morrison, released in 1973. It is his first solo album since his 1967 debut Blowin' Your Mind! to contain songs not written by Morrison. A cover version of the song "Bein' Green", usually associated with Kermit the Frog, is included, as is a take of the traditional song "Purple Heather". The album also contains the single "Warm Love," a fan favourite.
It's Too Late to Stop Now is a 1974 live double album by Northern Irish singer-songwriter Van Morrison. It features performances that were recorded in concerts at the Troubadour in Los Angeles, California, the Santa Monica Civic Auditorium, and the Rainbow in London, during Morrison's three-month tour with his eleven-piece band, the Caledonia Soul Orchestra, from May to July 1973. Frequently named as one of the best live albums ever, It's Too Late to Stop Now was recorded during what has often been said to be the singer's greatest phase as a live performer.
Into the Music is the 11th studio album by Northern Irish singer-songwriter Van Morrison, and was released in August 1979. It includes "Bright Side of the Road", which peaked at number 63 on the UK Singles Chart, and other songs in which Morrison sought to return to his more profound and transcendent style after the pop-oriented Wavelength. The record received favourable reviews from several music critics and was named as one of the year's best albums in the Pazz & Jop critics' poll.
Common One is the twelfth studio album by Northern Irish singer-songwriter Van Morrison, released in 1980. The album was recorded over a nine-day period at Super Bear Studios, near Nice, on the French Riviera. Its title is in the lyrics of the song "Summertime in England": "Oh, my common one with the coat so old and the light in her head".
Inarticulate Speech of the Heart is the fourteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1983. Morrison said he arrived at the title from a Shavian saying: "that idea of communicating with as little articulation as possible, at the same time being emotionally articulate". As his last album for Warner Bros. Records, he decided to do an album which had more than the usual complement of instrumental tracks. As he explained in 1984, "Sometimes when I'm playing something, I'm just sort of humming along with it, and that's got a different vibration than an actual song. So the instrumentals just come from trying to get that form of expression, which is not the same as writing a song." Although not expanded upon, of note is that a special thanks is given to L. Ron Hubbard in the liner notes. The reissued and remastered version of the album contains alternative takes of "Cry for Home" and "Inarticulate Speech of the Heart No. 2".
No Guru, No Method, No Teacher is the sixteenth studio album by Northern Irish singer-songwriter Van Morrison, released in 1986 on Mercury.
Too Long in Exile is the twenty-second studio album by Northern Irish singer-songwriter Van Morrison. The album was produced by Morrison and draws on urban blues and soul jazz sounds, including collaborations with John Lee Hooker and Georgie Fame. Released in 1993 by Polydor Records, Too Long in Exile received positive reviews from most critics and reached #4 on the UK Albums Chart. It reached #29 in the US, Van Morrison's highest ranking since 1978's Wavelength (#28) and until 1999's Back on Top (#28).
Enlightenment is the twentieth studio album by Northern Irish singer-songwriter Van Morrison. It was released in 1990 and reached No. 5 in the UK charts and "Real Real Gone" charted at No. 18 in Mainstream Rock Tracks.
Hymns to the Silence is the twenty-first studio album by Northern Irish singer-songwriter Van Morrison. It was his first studio double album. Morrison recorded the album in 1990 in Beckington at The Wool Hall Studios and in London at Townhouse and Westside Studios.
Back on Top is the twenty-seventh studio album by Northern Irish singer/songwriter Van Morrison, released in 1999 by Point Blank. It reached the Top Twenty in seven countries, building on the success of 1997's The Healing Game.
The Best of Van Morrison Volume Two is a compilation album by Northern Irish singer-songwriter Van Morrison released in 1993.
"Have I Told You Lately" is a song written and recorded by Northern Irish singer and songwriter Van Morrison for his nineteenth studio album, Avalon Sunset (1989). It is a romantic ballad that is often played at weddings, although it was originally written as a prayer. The opening line is from the song "I Forgot to Be Your Lover" by William Bell.
"Domino" is a hit song written by Northern Irish singer-songwriter Van Morrison. It is the opening track of his fourth studio album, His Band and the Street Choir. This song is Morrison's personal musical tribute to New Orleans R&B singer and pianist Fats Domino.
"Cleaning Windows" is a song written by the Northern Irish singer-songwriter Van Morrison, recorded on his 1982 album Beautiful Vision.
"Whenever God Shines His Light" is a song written by Northern Irish singer-songwriter Van Morrison and released on his 1989 album Avalon Sunset as a duet with Cliff Richard. Although the album was released in June 1989, this song was released as a single in November 1989 for the Christmas sales market. Morrison and Richard performed the duet on the British music chart television show, Top of the Pops. The single charted at No. 20 on the UK Singles Chart and No. 3 on the Irish Singles Chart. AllMusic critic Jason Ankeny describes it as a "standout opener" to Avalon Sunset. Critic Patrick Humphries describes it as "the most manifest example of Morrison's Christian commitment," claiming that although it "is not one of Morrison's most outstanding songs" it works as "a testament of faith". Cash Box said that "if George Harrison can have a hit single while invoking his sweet Lord, Van could do it with the totally engaging 'Whenever God Shines His Light.'"
Van Morrison: The Concert is the second video released by Northern Irish singer-songwriter Van Morrison, first released in 1990. Recorded in New York City the previous year, the concert featured two special guests and long-time friends Mose Allison and John Lee Hooker, each of whom performed some of their own songs. This video mainly consisted of Morrison's work from his last two albums; including four songs from both Avalon Sunset and Irish Heartbeat. The video also features jazz singer Georgie Fame on Hammond organ. Some reviewers have stated that Van Morrison was not in best shape during the concert, his voice was probably strained by a cold.
"Orangefield" is a song written by Northern Irish singer-songwriter Van Morrison and released on his 1989 album Avalon Sunset. The song takes place on "a golden autumn day" and is named for the school for boys that Morrison attended during his youth in Belfast, Northern Ireland.
