Head over Heels | ||||
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Studio album by | ||||
Released | 24 October 1983 | |||
Recorded | 1983 | |||
Studio | Palladium Studios, Edinburgh, Scotland | |||
Genre | ||||
Length | 37:01 | |||
Label | 4AD | |||
Producer |
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Cocteau Twins chronology | ||||
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Alternative cover | ||||
Head over Heels is the second studio album by Scottish alternative rock band Cocteau Twins. The album was released on 24 October 1983 through the label 4AD. It featured the band's signature sound of "Guthrie's lush guitars under Fraser's mostly wordless vocals" and is considered an archetype of early ethereal wave music. [2]
Ned Raggett in The Guardian wrote that Fraser's singing was more direct in the mix than it had been on the band's first album, Garlands , and although her lyrics were still often understandable, she "began to shift away from conventional vocabulary towards enigmatic, emotional sound" on Head Over Heels. [3] Writing for The Quietus , journalist Julian Marszalek said that with this album, "Fraser's voice became just as much an instrument" as those played by her musicians", including Guthrie's "multi-layered and heavily reverberated guitars". [4] He also remarked: "'In Our Angelhood' probably fits the bill best and it's a track that wouldn't have sounded out of place on Siouxsie and the Banshees' Kaleidoscope ". "The Tinderbox (Of a Heart)" conveys a sense of menace and danger, while the closing track "Musette and Drums" features sweeping guitars and chimes. [4] Cam Lindsay of Exclaim! wrote that "'Multifoiled' has a phlegmatic rockabilly lean to it, 'In Our Angelhood' is both post-punk and proto-shoegaze, and the dizzying 'Sugar Hiccup' could singlehandedly be the conception of dream pop." [5]
Head over Heels was released on 24 October 1983 by 4AD. [6] [7] The original United Kingdom and Canadian cassette and CD of Head over Heels, and the Brazilian CD versions, also included the Sunburst and Snowblind EP. The 2003 CD, remastered by Guthrie, did not include the EP.
In March 2018, the album was repressed on 180g vinyl using new masters created from high definition files transferred from the original analogue tapes. [8]
Review scores | |
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Source | Rating |
AllMusic | [9] |
Los Angeles Times | [10] |
Mojo | [11] |
Pitchfork | 9.6/10 [12] |
Record Collector | [13] |
Record Mirror | [14] |
The Rolling Stone Album Guide | [15] |
Smash Hits | 8/10 [16] |
Spin Alternative Record Guide | 6/10 [17] |
Uncut | 9/10 [18] |
The album was well-received by John Peel, who played the entire record on his radio show. [5]
In the British music press the album received mixed reviews. It was given an 8 out of 10 rating in Smash Hits , while Record Mirror and NME were less favourable. NME reviewer Barney Hoskins praised Elizabeth Fraser's singing and the final track "Musette and Drums", but found most of the album "hollow and vaporous" and that Cocteau Twins overall appeared as a lesser version of Siouxsie and the Banshees. [19]
Head over Heels was ranked at No. 7 in Sounds magazine's End of Year List for 1983. [20]
In 2003, the album was named one of the most eccentric British albums of all time by Mojo magazine. [21]
The song "Sugar Hiccup" was played during the end titles of the fifth episode of series five titled "Doughnuts", of Scottish sitcom Two Doors Down in July 2022. [22]
All tracks are written by Cocteau Twins (Elizabeth Fraser and Robin Guthrie)
No. | Title | Length |
---|---|---|
1. | "When Mama Was Moth" | 3:06 |
2. | "Five Ten Fiftyfold" | 4:59 |
3. | "Sugar Hiccup" | 3:42 |
4. | "In Our Angelhood" | 2:59 |
5. | "Glass Candle Grenades" | 2:44 |
No. | Title | Length |
---|---|---|
1. | "In the Gold Dust Rush" | 3:41 |
2. | "The Tinderbox (Of a Heart)" | 4:57 |
3. | "Multifoiled" | 2:36 |
4. | "My Love Paramour" | 3:39 |
5. | "Musette and Drums" | 4:39 |
Cocteau Twins
Additional personnel
Chart (1983) | Peak position |
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UK Albums (OCC) [23] | 51 |
Cocteau Twins were a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth by Robin Guthrie and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981 and replacing Heggie with multi-instrumentalist Simon Raymonde in 1983. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language. Fraser's vocals included unknown words she found in foreign language books, adding to the band's dreamy ambience. They pioneered the 1980s alternative subgenre of dream pop and helped define what would become shoegaze.
Heaven or Las Vegas is the sixth studio album by Scottish alternative rock band Cocteau Twins. It was released on 17 September 1990 by 4AD. It is the band's second major-label release, following Blue Bell Knoll in 1988.
Elizabeth Davidson Fraser is a Scottish singer. She was the vocalist for the band Cocteau Twins who achieved success in the UK primarily during the fifteen years from the mid-1980s to the late 1990s. Their studio albums Victorialand (1986) and Heaven or Las Vegas (1990) both reached the top ten of the UK Album Charts, as well as other albums including Blue Bell Knoll (1988), Four-Calendar Café (1993) and Milk & Kisses (1996) charting on the Billboard 200 album charts in the United States as well as the top 20 in the UK. She also performed as part of the 4AD group This Mortal Coil, including the successful 1983 single "Song to the Siren", and as a guest with Massive Attack on their 1998 hit single "Teardrop".
Garlands is the debut studio album by the Scottish alternative rock band Cocteau Twins. It was released on 10 July 1982 through the record label 4AD. It peaked in the Top 5 of the UK Independent Albums Chart and received support from BBC Radio 1 radio host John Peel.
It'll End in Tears is the first album released by 4AD collective This Mortal Coil, an umbrella title for a loose grouping of guest musicians and vocalists brought together by label boss Ivo Watts-Russell. The album was released on 8 October 1984, and reached #38 on the UK Albums Chart. It features many of the artists on the 4AD roster at the time, including Cocteau Twins, Colourbox, and Dead Can Dance; as well as key post-punk figure Howard Devoto, who sang "Holocaust", one of two covers of songs from the Third/Sister Lovers album by Big Star. The other Alex Chilton-penned track, album opener "Kangaroo", was released as a single to promote the album. Two key songs were performed by Elizabeth Fraser of Cocteau Twins, including Tim Buckley's "Song to the Siren", which reached #66 on the UK Charts when released as This Mortal Coil's debut single a year before the album. The song remained on the UK Indie Chart for almost two years. Fraser also performed on "Another Day" by Roy Harper. 4AD would go on to release two further albums under the name of This Mortal Coil: Filigree & Shadow (1986) and Blood (1991).
Treasure is the third studio album by Scottish alternative rock band Cocteau Twins, released on 12 November 1984 by 4AD. With this album, the band settled on what would, from then on, be their primary lineup: vocalist Elizabeth Fraser, guitarist Robin Guthrie and bass guitarist Simon Raymonde. The album also reflected the group's embrace of the distinctive ethereal sound they became associated with.
Victorialand is the fourth studio album by Scottish alternative rock band Cocteau Twins, released by 4AD in 1986. Working without bassist Simon Raymonde, vocalist Elizabeth Fraser and guitarist/producer Robin Guthrie opted for a subtler sound on the album.
Sunburst and Snowblind is an EP by Scottish alternative rock band Cocteau Twins. It was released on 18 November 1983 through the label 4AD. The EP features "Sugar Hiccup" from the album Head over Heels, as well as three other tracks. The title is taken from the first line in the opening track of Head Over Heels, "When Mama Was Moth".
Stars and Topsoil – A Collection (1982–1990) is a compilation album by the Scottish band Cocteau Twins, released on the 4AD label on October 16, 2000. The album featured tracks released during the group's time on 4AD between 1982 and 1990, covering every Cocteau Twins album from Garlands through Heaven or Las Vegas. The collection reached number sixty-three on the UK Albums Chart.
"Peppermint Pig" is a song by Scottish alternative rock band Cocteau Twins. It was released as both a single and 12" EP on 4 April 1983 by record label 4AD. Musically, the material was similar to their previous release, the 1982 EP Lullabies. It was the last release to feature original bassist Will Heggie.
Blue Bell Knoll is the fifth studio album by Scottish alternative rock band Cocteau Twins, released on 19 September 1988 by 4AD. This was the band's first album to receive major-label distribution in the United States, as it was originally licensed by Capitol Records from 4AD for North American release. After a period of being out of print while 4AD reclaimed the American distribution rights for their back catalogue, the album was remastered by guitarist Robin Guthrie and reissued in 2003. Vocalist Elizabeth Fraser named the album after a peak in southern Utah called Bluebell Knoll.
The Moon and the Melodies is a collaborative studio album by Scottish dream pop band Cocteau Twins and American minimalist composer Harold Budd. It was released 10 November 1986 by 4AD. The name "Cocteau Twins" did not appear on the release, which instead credited the band's three members and Budd individually.
Ethereal wave, also called ethereal darkwave, ethereal goth or simply ethereal, is a subgenre of dark wave music that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock, ethereal wave was mainly represented by 4AD bands such as Cocteau Twins, This Mortal Coil, and early guitar-driven Dead Can Dance.
The Spangle Maker is an EP by Scottish band Cocteau Twins, released on 4AD in April 1984. It was the first recording to be issued after bassist Simon Raymonde joined the band. The EP featured two versions of "Pearly-Dewdrops' Drops", and two B-sides. All three songs appeared in the band's live set.
The Pink Opaque is a 1986 compilation album by Scottish alternative rock band Cocteau Twins, composed of tracks recorded between 1982 and 1985. A joint release by the UK-based 4AD and the American Relativity Records, it was their first official U.S. release.
Lullabies is the first EP by Scottish alternative rock band Cocteau Twins. It was released in October 1982, following their debut album, Garlands. The EP contained three non-album tracks, and featured a louder and more driving sound than the album.
Lullabies to Violaine is a Cocteau Twins box set released in limited quantities by 4AD Records in November 2005. Comprising four CDs, the box set collects the tracks from every Cocteau Twins EP and single from Lullabies to Violaine, except the 1990 "Heaven or Las Vegas" single and the four songs on the 1991 EPs and Singles & Box Set bonus disc. It was also released as two separate double CD packs titled Lullabies to Violaine: Volume 1 and Lullabies to Violaine: Volume 2 the following year.
"Bluebeard" is a single by the Cocteau Twins. It was released by Fontana Records in February 1994 as the second single to be released from the Four-Calendar Café album. All three members of the band – Fraser, Guthrie and Raymonde – are credited as songwriters as well as producers.
Snow is a 1993 EP by Scottish band Cocteau Twins, released in December 1993 on Fontana Records. It contains cover versions of the Christmas standards "Frosty the Snowman" and "Winter Wonderland". It is out of print, though its tracks appear on the compilation Lullabies to Violaine.
"Carolyn's Fingers" is a song by Scottish alternative rock and dreampop band the Cocteau Twins, released in the US as a promotional single in 1988 from their album Blue Bell Knoll. The song was released through the 4AD record label and credits all three members of the group – Fraser, Guthrie and Raymonde as songwriters and well as producers.
...severing the post punk and gothic rock links of their first two albums...