Heer Ranjha | |
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Folk tale | |
Name | Heer Ranjha |
Region | Punjab |
Origin Date | early 17th century |
This article is part of the series |
Punjabi folklore ਪੰਜਾਬੀ ਲੋਕਧਾਰਾ •پنجابی لوک ریت |
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Punjab portal |
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Punjabis |
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Heer Ranjha [lower-alpha 1] (Punjabi: [ɦiɾɾaːnd͡ʒ(ʱ)aː] ) is a traditional Punjabi folk tragedy with many historic poetic narrations; [1] with the first one penned by Damodar Gulati in 1600s, on the preexisting oral legend; and the most famous one, Heer, written by Waris Shah in 1766, in the form of an epic. Set in Takht Hazara and Tilla Jogian, it follows the story of love, forced separation, and eventual simultaneous demise of two youths in the Punjabi countryside. [2]
It is one of the four popular tragic romances of the Punjab. The other three are Mirza Sahiban , Sohni Mahiwal and Sassi Punnun . [3] [4] [5] [6] [7]
Heer Ranjha has been written by several poets. Damodar Gulati, who was first to narrate the tale, claimed to be its eyewitness. His Qissa is deemed to be the oldest Heer in Punjabi literature. He stated himself to be from Jhang—the home of Heer. 16th century poet Shah Hussain also used the tale in his Kafi . Waris Shah later re-narrated the story in his novel in 1766, in which he stated that the story has a deeper meaning, referring to the unrelenting quest that man has towards God. [8]
Heer (Izzat Bibi) is an extremely beautiful woman, born into a wealthy family belonging to the Sial clan, [9] while Dheedo Ranjha, who is from the Ranjha clan, is the youngest of four brothers and lives in the village of Takht Hazara by the Chenab river in rural Punjab. [10] [11] Being his father's favourite son, unlike his brothers who have to toil in the lands, he leads a life of ease, playing the flute ('Wanjhli'/'Bansuri'). After the death of Ranjha's father, Mauju Chaudhry, Ranjha has a quarrel with his brothers over land, and leaves his home. In Waris Shah's version of the epic, Ranjha leaves home because his brothers' wives refused to serve him food.
Eventually he arrives in Heer's village and falls in love with her. Heer's father offers Ranjha a job of herding his cattle. Ranjha, routinely, plays his flute in the fields after work and Heer becomes mesmerized by it and eventually falls in love with him. They meet each other secretly for several years until they are caught by Heer's envious uncle, Kaido, and her parents Chuchak and Malki. Heer is forced by her family and the local priest ( Maulvi ) to marry another man named Saida Khera, belonging to the Khera clan. [2]
Ranjha is left heartbroken. He wanders the countryside alone, until he eventually meets a Jogi (ascetic). After meeting Gorakhnath, the legendary founder of the Kanphata (pierced ear) sect of Jogis at Tilla Jogian ("Hill of Ascetics"), Ranjha becomes a jogi himself, piercing his ears and renouncing the material world. While reciting the name of the Lord, he wanders all over Punjab, eventually finding the village where Heer now lives.
The two return to Heer's village, where Heer's parents agree to their marriage – though some versions of the tale state that the parents' agreement is only a deception. On the wedding day, Kaido, Heer's uncle, poisons her food in order to punish the girl for her behaviour. Hearing this news, Ranjha rushes to aid Heer, but is too late, as she has already eaten the poison-laced food and has died. Brokenhearted once again, Ranjha eats the remaining poisoned food and dies by her side.
Heer and Ranjha are buried in Heer's hometown, Jhang. Love-smitten couples and others often pay visit to their mausoleum. [2] [12] [13]
Heer Ranjha is part of the Qissa genre of tragic love stories, along with tales such as Laila Majnu and Sassui Punnhun . [14]
Because its plot involves a romance opposed by family members and ends with the two lovers dying, the story is often compared to the Shakespeare play Romeo and Juliet . [15] [16]
The epic poem has been made into several feature films since 1928: [17]
Film and release year | Actors | Producer and director | Film songs lyricist and music composer |
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Heer Ranjha (1928) [17] | Zubeida as Heer, Shehzadi, Jani Babu | Fatma Begum, Victoria Fatma Co./FCo | |
Heer Sundari (1928) [18] | Janibabu, Nirasha, Master Vithal | Anand Prasad Kapoor, Sharda Film Co. | |
Heer Ranjha (Hoor-e-Punjab) (1929) [17] | Salochna as Heer, Dinshaw Bilimoria as Ranjha, Jamshedji, Neelum, M. Ismail as Kaidu, Abdul Rashid Kardar as Saeda Kherra | Hakim Ram Parasad (Producer), Pesi Karani & R. S. Chaudhry (Directors), Imperial Film Company, Bombay | |
Heer Ranjha (1931) [18] | Master Faqira as Ranjha, Shanta Kumari as Heer | J. P. Advani, Karishna Tone | |
Heer Ranjha (1932) [18] | Rafiq Ghaznavi as Ranjha, Anwari Bai as Heer | Abdul Rashid Kardar, Hakim Ram Parasad at Lahore | Rafiq Ghaznavi |
Heer Syal (1938) [18] | Eiden Bai, Haider Bandi, M. Ismail, Noor Jehan | Krishna Dev Mehra | |
Heer Ranjha (1948) [18] | Mumtaz Shanti as Heer, Ghulam Mohammed as Ranjha | Wali Sahib | Aziz Khan |
Heer (1955) | Swaran Lata as Heer, Inayat Hussain Bhatti as Ranjha | Nazir at Lahore | Hazin Qadri, Safdar Hussain |
Heer (1956) [18] | Nutan as Heer, Pradeep Kumar as Ranjha | Hameed Butt | Kaifi Azmi |
Heer Syal (1960) [18] | Shanti Prakash Bakshi | ||
Heer Sial (1962) | Bahar Begum as Heer, Sudhir as Ranjha | ||
Heer Sial (1965) | Firdaus as Heer, Akmal Khan as Ranjha | Jafar Bukhari at Lahore | Tanvir Naqvi, Bakhshi–Wazir |
Heer Ranjha (1970) [17] | Firdaus as Heer, Ejaz Durrani as Ranjha | Masood Pervez at Lahore | Ahmad Rahi, Khurshid Anwar |
Heer Raanjha (1970) [17] | Priya Rajvansh as Heer, Raaj Kumar as Ranjha | Chetan Anand | Kaifi Azmi, Madan Mohan |
Sayyed Waris Shah (1980) [18] | Urmila Bhatt, Ajit Singh Deol, Koushalya Devi, Prema Kumari | Ganpat Rao | |
Aaj Di Heer (1983) [18] | Tina Ghai, Satish Kaul, Mehar Mittal, Om Shivpuri | Raj Oberoi | B. N. Bali |
Heer Ranjha (1992) [17] | Sridevi as Heer, Anil Kapoor as Ranjha | Harmesh Malhotra | Anand Bakshi, Laxmikant Pyarelal |
Waris Shah: Ishq Daa Waaris (2006) | Gurdas Maan, Juhi Chawla, Sushant Singh, Divya Dutta | Manoj Punj, Manjeet Maan (Sai Productions) | Jaidev Kumar |
Heer Ranjha: A True Love Story (2009) | Neeru Bajwa as Heer, Harbhajan Mann as Ranjha | Ksshitij Chaudhary and Harjit Singh | Babu Singh Mann, Gurmeet Singh |
In 2013, the television serial Heer Ranjha , directed by Shahid Zahoor and produced by Yousuf Salahuddin, aired on PTV Home. Heer Ranjha is a 2020 Indian Punjabi-language period drama television series starring Amaninder Pal Singh and Sara Gurpal in the lead roles. It aired on Zee Punjabi and is based on the folktale of Heer and Ranjha. [19]
Bally Jagpal British musician has a song named "Ranjha" dedicated to their story. The British musician Panjabi MC references the tale of Heer and Ranjha in his 2003 song Jogi . [20] It has been sung by various Pakistani singers, including the classical/traditional artist Ghulam Ali.
The tale is mentioned in popular Bollywood songs such as "Ranjha" by Rupesh Kumar Ram from the movie Queen ,"Ranjha Ranjha" by Rekha Bhardwaj and Javed Ali from the movie Raavan and "Dariya" from the movie Baar Baar Dekho.[ citation needed ]
The names of Heer and Ranjha have been referred in the song lyrics of "One Love: The Taj Anthem" by A.R. Rahman.[ citation needed ]
Also the movie Tamasha (2015) has some mentioning of their love story and also a song in that same movie starting with Heer's name.
Alam Lohar is renowned for reciting Heer in various styles and one of the first international folk singers to bring this story in a song format.[ citation needed ]
The song Khaireyan De Naal from Shafqat Amanat Ali's debut solo album, Tabeer (2008), tells the tale of Heer Ranjha. [21]
One of the songs of 2012 Hindi film Jab Tak Hai Jaan has been named "Heer". [22]
Also, the 2018 Hindi film Race 3 has a song named "Heeriye" which refers to Heer and Ranjha.
In 2020, popular Indian YouTuber Bhuvan Bam wrote and sang "Heer Ranjha". The song depicts the brutal customs of society in the Indian subcontinent and has garnered more than 10 million views.
In Raf Saperra's 2023 single "Ranjha", he sings from the perspective of Heer longing Ranjha's return after she is married off and he becomes a jogi.
Pir Waris Shah was an 18th-century Punjabi Muslim Sufi poet of the Chishti order, known popularly for his contribution to Punjabi literature.
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Tilla Jogian is an abandoned Hindu temple and monastic complex located on the summit of the Tilla Jogian mountain in the Salt Range of Pakistan's Punjab province.
Pakistani folklore encompasses the mythology, poetry, songs, dances and puppetry from Pakistan's various ethnic groups.
Mirza Sahiban is a traditional Punjabi tragedy originally written by the 17th-century poet Pilu. Set in a village in Jhang, the tragedy follows the romance between two youths, belonging to chieftain families of their respective clans, their elopement and eventual demise.
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Alam Lohar was a prominent Pakistani Punjabi folk music singer.
Damodar Gulati also known as Damodar Das Arora, was a Punjabi Hindu poet, of the 16th and 17th centuries, hailing from Jhang. He is widely celebrated for his poetic narration of the romance tragedy, Heer Ranjha, on the preexisting Punjabi oral legend; his tradition continued to be adapted throughout centuries in Punjabi literature. He lived during the reign of Mughal king Akbar.
Punjabi literature, specifically literary works written in the Punjabi language, is characteristic of the historical Punjab of present-day Pakistan and India and the Punjabi diaspora. The Punjabi language is written in several scripts, of which the Shahmukhi and Gurmukhī scripts are the most commonly used in Western Punjab and Eastern Punjab, respectively.
Ajj Aakhaan Waris Shah Nu is a famous dirge by the renowned Punjabi writer and poet Amrita Pritam (1919-2005) about the horrors of the partition of the Punjab during the 1947 Partition of India. The poem is addressed to the historic Punjabi poet Waris Shah, who had written the most popular version of the Punjabi love tragedy, Heer Ranjha. It appeals to Waris Shah to arise from his grave, record the Punjab's tragedy and turn over a new page in Punjab's history.
Fazal Shah Sayyad (1827–1890) was a 19th-century Punjabi poet known for his qissas on tragic romances, most notably Sohni Mahiwal, Heer Ranjha and Laila Majnu. Of this body of work, the poem Sohni Mahiwal "has been considered his best".
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Heer Ranjha is a 1932 Punjabi feature film, the first movie directed by A.R. Kardar, starring Anwari Begum and Rafiq Ghaznavi in the title roles.
Heer is a 1955 Pakistani Punjabi-language film produced by J.C. Anand, directed by Nazir starring Swaran Lata and Inayat Hussain Bhatti in title roles.
The Tomb of Heer Ranjha is a 15th-century historic monument and presumed mausoleum of Heer Syal and Dheedo Ranjha, from the traditional Punjabi folk tragedy of Heer Ranjha, situated in Jhang, Punjab, Pakistan.
Huma Safdar is a teacher, theatre artist, Punjabi language activist and director of feminist theatre “Sangat”. As an artist, she worked with Punjab Lok Rahs. She has taught as art and Punjabi language teacher in Lahore Grammar School. She has contributed a lot to promote Punjabi theatre, literature and folklore.
Numerous variants of Hir Ranjha exist not only in Panjabi, but also in Sindhi, Persian, and Balochi...
There are five major folk romances [in Punjabi literature], Heer Ranjha, Sassi Punnu, Sohni Mahinwal, Mirza Sahiban, Puran Bhagat. Of these Heer Ranjha is the most popular romance...
Qissa in Arabic merely means "story," but in the Indian subcontinent it came to mean specifically a "verse-narrative telling the tragic story of two young people who love each other beyond discretion." Well-known examples of this genre are Laila-Majnu, Heer-Ranjha, Sassi-Punno, Soni-Mahiwal, and Yusuf-Zulekha (written roughly between the sixteenth and the eighteenth centuries)