The heritage preservation system of South Korea is a multi-level program aiming to preserve and cultivate Korean cultural heritage. The program is administered by the Cultural Heritage Administration (CHA), and the legal framework is provided by the Cultural Heritage Protection Act of 1962, last updated in 2012. The program started in 1962 and has gradually been extended and upgraded since then.
The CHA classifies cultural heritage into five major categories (state-designated heritage, city and province-designated heritage, cultural heritage material, registered cultural heritage, undesignated cultural heritage) and these are divided further into subcategories. Besides tangible cultural heritage, South Korea aims to preserve its intangible cultural heritage as well, including folk customs, music, dance and handicraft. The program also includes Living National Treasures, persons who possess the knowledge and skills important to pass down intangible cultural heritage to new generations. South Korea has founded several educational centers throughout the country and established a university, specifically dedicated to heritage preservation.
Some of the heritage properties of South Korea has been inscribed into various UNESCO lists. As of 2014, the country has nine cultural and one natural World Heritage Sites, with 15 added to the provisional list; and there are 17 items registered as UNESCO intangible cultural heritage.
Although the program is considered successful by both the public and experts, there are unresolved issues regarding the system and particularly the selection method of "living national treasure" holders.
The program is administered by the Cultural Heritage Administration, [1] the predecessor of which was founded in 1945 by the American military government of Korea. It first belonged to the Ministry of Education, then to the Ministry of Culture. Between 1999 and 2004 it functioned as an independent agency. [2] The CHA administers the National Palace Museum of Korea as well as various 'palace offices' and 'shrine offices'. [3] It is also responsible for the Royal Tombs of the Joseon Dynasty, which are part of the UNESCO World Heritage. [4]
The CHA established Korea National University of Cultural Heritage in 2000, which specifically educates professionals for heritage preservation. [5] Since 1999 the South Korean government founded 27 educational centers for cultivating intangible cultural heritage. [6] The administrator of CHA is Kim Hyeon-mo since 2020. [7] The annual budget of the administration was 615 billion won in 2012. [8]
The legal framework for the heritage program is provided by the Cultural Heritage Protection Act of 1962 [9] (문화재보호법, Munhwajae Bohobeop), last updated in 2012. [10]
The legal framework of cultural heritage preservation is based on the number 961 Law of 1962 (문화재보호법 Munhwajae Bohobeop), which in turn is based on the similar Japanese act of 1950. The Korean act is broader in scope, also extending to folklore. The act was amended in 1970 not only to include people (인간문화재, ingan munhwajae, "human cultural heritage") but also to support them financially. [12]
At the beginning of the program, after the Korean War, the CHA had little means to operate. Go Sangnyeol (고상렬), the administrator of CHA between 1961 and 1968 set out to search for intangible cultural properties on the basis of a series of articles written by Yae Yonghae (예용해) for Hankook Ilbo, as the reporter spent years in exploring the country and interviewing old masters of handicraft. The first items to be inscribed on the intangible heritage list were thus taken from Yae's articles. Others were added based on the opinions of researchers and also included winners of the annual folk tradition competitions. The recommendation of local administrations was also sought. [13]
Korea introduced a unique system in the 1970s to preserve folk traditions (including handicraft, arts, folk songs, folk dances, theatre, traditional food preparation techniques, etc.). This was triggered by a movement called New Community, aiming to modernize life in the countryside. In an attempt to get rid of old superstitions, the movement advocated cutting down the old Zelkova trees often found at village entrances, as they were believed to be 'protectors' of the village according to tradition. [14] In 1971, the songs of the haenyo , or "sea women" of Jeju Island were declared provincial intangible cultural properties. [13]
Major stakeholders of the intangible heritage program are "living national treasures" [13] or officially called "holders" (보유자 boyuja), [12] people who possess knowledge or skills essential for preserving Korean culture. Some of these 'holders' obtained significant national exposure or fame, [13] for example Han Bongnyeo (한복려), a holder for the Korean royal court cuisine who supervises the authentic presentation of Joseon Dynasty food in historical movies and television series. [15] [16]
The UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage took place in 2003 and South Korea joined the program a year later. In 2005 China declared some 1200 properties as intangible cultural heritage, with 16 items belonging to the Korean minority of the country, including the traditional wedding ceremony, Arirang (a folk song) and nolttwigi (a traditional seesaw game). The CHA decided that they also had to broaden the scope of intangible heritage to properties that do not have any designated 'holders', like kimchi, hangul or Goryeo ginseng. [13]
The CHA opened its World Intangible Heritage Complex in Jeonju, which also functions as a national centre. [17] The complex has an area of 59,930 square metres (645,100 sq ft) and was constructed from US$66 million. [13]
In 2017, the CHA decided to widen the range of possible cultural assets, including objects younger than 50 years. Thus items like Yuna Kim's skates she wore at the 2010 Winter Olympics and the first train operated by the Seoul Metropolitan Subway in 1974 are also designated as cultural assets. [18]
As of July 2013, South Korea has 411 active National Treasures, 2317 Treasures, 485 Historic Sites, 104 Scenic Sites. It also classified 459 Natural Monuments, 134 Intangible Cultural Heritage items, 1062 Folklore Cultural Heritage properties and 549 Cultural Heritage of Early Modern Times. [19] In 2012 there were 180 active Living National Treasures, out of 570 registered, the rest mainly retired. [13]
Classification | Description [20] | Example | Image |
---|---|---|---|
National Treasure (국보) | Important tangible cultural heritage, valuable not only for Korea but also for humankind, including historical structures, ancient books and documents, paintings, sculptures, handicraft, archaeological findings and armory. | Namdaemun; National Treasure #1 [21] | |
Treasure (보물) | Important tangible cultural heritage, including historical structures, ancient books and documents, paintings, sculptures, handicraft, archaeological findings and armory. | Standing stone Buddhas of Paju; Treasure #93 [22] | |
Historic Site (사적) | Sites of outstanding historical or academic value, for example, pre-historic sites, fortresses, tombs, kilns, dolmens, temple sites. | Hwaseong Fortress; Historic Site #3 [23] | |
Scenic Site (명승) | Natural scenic sites that are of outstanding historical, artistic or landscape value, and are unique or rare due to their natural formation. | Jeongbang Waterfall on Jeju Island; Scenic Site #43 [24] | |
Natural Monument (천연기념물) | Animals, plants, minerals, caves, geological features, biological products and natural phenomena of outstanding historical, cultural, academic or aesthetic value. | Lacebark pine at Jogyesa temple in Seoul; Natural Monument #9 [25] | |
National Intangible Cultural Heritage (국가무형문화재) | Intangible cultural heritage of outstanding historical, artistic or academic value, such as theatre, music, dance and handicraft. Holders of these Important Intangible Cultural Properties are Living National Treasures. | Taepyeongmu, a type of court dance; Intangible Cultural Heritage #92 [26] | |
National Folklore Cultural Heritage (국가민속문화재) | Devices, clothing and buildings essential for everyday life, commerce, transport, entertainment, public events, religious and other festivals, to understand the change in lifestyle over the centuries. | Breastplate of Prince Heungseon; Folklore Cultural Property #65 [27] |
Classification | Description [20] | Example | Image |
---|---|---|---|
Tangible Cultural Heritage (유형문화재) | Building, classical records, books, documents, paintings, sculptures, handicraft, archaeological findings. | Seoul Anglican Cathedral, Seoul tangible cultural heritage #35 [28] | |
Intangible Cultural Heritage (무형문화재) | Theatre, music, dance, handicraft | Somokjang (소목장), furniture carpentry, designated by multiple cities and provinces [29] | |
Monument (기념물) | Shell mounds, ancient tombs, fortresses, palace sites, relic sites, animals (including habitats and breeding places), plants (including habitats), minerals and caves. | Nakseongdae Park (낙성대), Seoul | |
Folklore Heritage (민속문화재) | Devices, clothing and buildings essential for everyday life, commerce, transport, entertainment, public events, religious and other festivals. | House of Han Kyuseol aristocrat in Seoul [30] (장교동 한규설 가옥) |
Cultural heritage rendered important from a regional point of view but not classified by cities or provinces. [20]
Contains a variety of things, mostly buildings, primarily from the late 19th century to the 1940s. It can also contain non-building and more recent things that are in need of preservation due to their condition. [20]
Classified into two categories: [20]
Relations with UNESCO are coordinated through the Korean National Commission for UNESCO since 1954. [32]
South Korea joined the UNESCO World Heritage program on 14 June 1950. [33] There are nine cultural and one natural world heritage sites in South Korea as of 2013, with 15 additional items on the provisional list. [33] World heritage sites include the Pulguksa temple complex and the Changdeokgung palace, and the provisional list includes sites like the ancient mountain fortresses in Central Korea. [33]
As of 2022, there are 22 South Korean items inscribed as UNESCO intangible cultural heritage: [34]
Year | Name | Hangul | Notes | Image |
---|---|---|---|---|
2008 | The Royal Ancestral Ritual in the Jongmyo Shrine and its Music | 종묘제례악 | Royal ancestral ritual in the Jongmyo shrine and its music | |
Pansori | 판소리 | Korean folk opera | ||
Gangneung Danoje Festival | 강릉단오제 | Praying to mountain gods to protect the village | ||
2009 | Yeongsanjae | 영산재 | A Buddhist rite | |
Namsadang Nori | 남사당 놀이 | Male performance of music, acrobatics and dance | ||
Jeju Chilmeoridang Yeongdeunggut | 제주 칠머리당영등굿 | A ritual on Jeju Island when locals pray for a peaceful sea and abundant catch | ||
Ganggang sullae | 강강술래 | Female dance from South Jeolla Province | ||
Cheoyongmu | 처용무 | Masked dance | ||
2010 | Gagok | 가곡 | Lyric song cycles accompanied by an orchestra | |
Daemokjang | 대목장 | Traditional wooden architecture | ||
2011 | Weaving of Mosi in Hansan region | 한산모시짜기 | Weaving of Mosi (fine ramie) in the Hansan region | |
Taekkyeon | 택견 | Martial art | ||
Jultagi | 줄타기 | Tightrope walking | ||
2012 | Arirang | 아리랑 | Folk song | |
2013 | Gimjang [35] | 김장 | Kimchi making season | |
2014 | Pungmul (Nongak) [36] | 풍물 (농악) | Farmers' traditional music and dance | |
2015 | Tugging rituals and games (with other countries) | 줄다리기 | Tugging rituals and games (with other countries) | |
2016 | Culture of Jeju Haenyeo (women divers) | 해녀 | Female divers in the Korean province of Jeju | |
Falconry (with other countries) | 매 부리기 | Falconry, a living human heritage (with other countries) | ||
2018 | Ssireum | 씨름 | Traditional Korean wrestling | |
2020 | Yeondeunghoe | 연등회 | Lantern lighting festival | |
2022 | Talchum | 탈춤 | Mask dance drama |
As of 2023 there are 18 South Korean items inscribed into the Memory of the World Register: [37]
Year | Name | Hangul | Notes | Image |
---|---|---|---|---|
1997 | The Annals of the Choson Dynasty | 조선왕조실록 | From 1413 to 1865 | |
The Hunmin Chongum Manuscript | 훈민정음 | Manuscript on the introduction of Hangul | ||
2001 | Seungjeongwon ilgi | 승정원일기 | The Diaries of the Royal Secretariat | |
Baegun hwasang chorok buljo jikji simche yojeol (vol.II), the second volume of "Anthology of Great Buddhist Priests' Zen Teachings" | 불조직지심체요절 | the second volume of "Anthology of Great Buddhist Priests’ Zen Teachings" and it is the world's oldest extant book printed with movable metal type | ||
2007 | Printing woodblocks of the Tripitaka Koreana and miscellaneous Buddhist scriptures | 팔만 대장경 | Printing woodblocks of the Tripitaka Koreana and miscellaneous Buddhist scriptures about resisted for Mongol invasions | |
Uigwe | 의궤 | The Royal Protocols of the Joseon Dynasty | ||
2009 | Donguibogam: Principles and Practice of Eastern Medicine | 동의보감 | Principles and Practice of Eastern Medicine made by Heo Jun | |
2011 | May 18 Gwangju Democratization Movement | 5·18 광주 민주화 운동 | Human Rights Documentary Heritage 1980 Archives for the May 18th Democratic Uprising against Military Regime, in Gwangju | |
Ilseongnok | 일성록 | Records of Daily Reflections for the King | ||
2013 | Nanjung ilgi | 난중일기 | War Diary of Admiral Yi Sun-sin in Imjin War | |
Archives of Saemaul Undong (New Community Movement) | 새마을 운동 | Archives of the New Community Movement. A movement aiming to modernize rural life in the 1970s | ||
2015 | Confucian Printing Woodblocks in Korea | 유교책판 | Printing woodblocks of Confucian texts related to How to make the book from Seonbi groups in Neo-Confucianism society of Joseon Dynasty period | |
The Archives of the KBS Special Live Broadcast "Finding Dispersed Families" | KBS "이산가족을 찾습니다" 기록물 | The Archives of the KBS Special Live Broadcast "Finding Dispersed Families" | ||
2017 | Royal Seal and Investiture Book Collection of the Joseon Dynasty | 조선왕실 어보와 어책 | Royal Seal and Investiture Book Collection for Symbol of the Royal Family in Korea | |
Archives of the National Debt Repayment Movement | 국채보상운동 기록물 | The Archives of the National Debt Redemption Movement is a documentary heritage chronicling the entire process and history of a nationwide campaign undertaken by the Korean public from 1907 to 1910, to help their government pay back a huge debt owed to Japan and thereby save their country from colonization. | ||
Joseon Tongsinsa | 조선통신사 기록물 | Documents on Joseon Tongsinsa/Chosen Tsushinshi: The History of Peace Building and Cultural Exchanges between Korea and Japan from the 17th to 19th Century | ||
2023 | Archives of the April 19 Revolution | 4.19혁명 기록물 | The Archives of the April 19 Revolution refers to an extensive collection of documentary materials about the student-initiated, pro-democracy movement that erupted in the spring of 1960 in the Republic of Korea. | |
Archives of the Donghak Peasant Revolution | 동학농민혁명 기록물 | The Donghak movement was a popular uprising against both corruption in the ruling class and encroachment on Korea by foreign powers, demanding the establishment of a more just and equal society. |
The cultural heritage program of South Korea is generally considered a success both by academics and the public, however, a few issues remain to be addressed. [12] One of them is the selection process of the "holders", as the prestige and state support of the position creates high competition between folk artists to be selected. According to Choi Sung-ja, a member of the Intangible Cultural Heritage Subcommittee, the intangible cultural heritage program should not be tied exclusively to the existence of "holders", and a less subjective selection process should be introduced. Since 2009 the CHA changed its selection process by involving academic professionals to introduce a more objective evaluation system of "holders". [13]
Changes in society also brought challenges to the program. For example, in the 1990s Christian groups started to question the need to classify shamanistic rituals as cultural heritage. Patriarchal lifestyle, where the man is the main provider of the family and women stay at home, also influenced "holders", as housewives started to pick up the preservation of folk traditions also in areas that were previously dominated by men. The government resisted appointing female holders for such predominantly male traditions but was gradually forced to acknowledge them when there were no male practitioners at all, or where the women were significantly more talented than the men. [12]
According to Roald Maliangkay of The Australian National University, the program faces challenges from the Korean Wave, as well. As Korean culture is becoming more popular worldwide, due to the influence of television series and K-pop, South Korea started to use its culture as a means of soft power, involving its cultural heritage, too. [12] Maliangkay thinks that
"...a society’s image abroad is not shaped entirely by cultural activities. It is, instead, shaped by the combined total of what people abroad see and hear, and what they know about aspects they consider important, whether those are positive or not. [...] Even a society that cares greatly for its people and its heritage may not have a very positive image abroad, and vice versa. South Korea cannot control what people abroad will come to understand about its society and culture either. [12]
The traditional culture of Korea is the shared cultural and historical heritage of Korea before the division of Korea in 1945.
Arirang is a Korean folk song. There are about 3,600 variations of 60 different versions of the song, all of which include a refrain similar to "Arirang, arirang, arariyo". It is estimated the song is more than 600 years old.
Namhansanseong (Korean: 남한산성) is a historic Korean fortress city in Gwangju, Gyeonggi Province, South Korea. A UNESCO World Heritage Site, the fortress lies atop the mountain Namhansan and stretches 12 km in length. It served as an emergency capital city during the 1392–1910 Joseon period. The design is based on fortress architecture of East Asia, embodying aspects of four historical cultural styles: the Joseon of Korea, the Azuchi-Momoyama Period of Japan, and Ming and Qing China.
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural expressions. Several manifestations of intangible heritage around the world were awarded the title of Masterpieces to recognize the value of the non-material component of culture, as well as entail the commitment of states to promote and safeguard the Masterpieces. Further proclamations occurred biennially. In 2008, the 90 previously proclaimed Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries.
A Living Human Treasure is, according to UNESCO, a person who possesses to a high degree the knowledge and skills required for performing or re-creating specific elements of the intangible cultural heritage. This title or a form of it is awarded by the nation's government to a person who is regarded as a national treasure while still alive. The title is also known as Living National Treasure.
An intangible cultural heritage (ICH) is a practice, representation, expression, knowledge, or skill considered by UNESCO to be part of a place's cultural heritage. Buildings, historic places, monuments, and artifacts are cultural property. Intangible heritage consists of nonphysical intellectual wealth, such as folklore, customs, beliefs, traditions, knowledge, and language. Intangible cultural heritage is considered by member states of UNESCO in relation to the tangible World Heritage focusing on intangible aspects of culture. In 2001, UNESCO made a survey among states and NGOs to try to agree on a definition, and the Convention for the Safeguarding of the Intangible Cultural Heritage was drafted in 2003 for its protection and promotion.
The Korea Heritage Service, formerly the Cultural Heritage Administration and Cultural Properties Administration, is the agency of the South Korean government charged with preserving and promoting Korean cultural heritage. It is headquartered in the city of Daejeon at the Daejeon Government Complex. Previously part of the Ministry of Culture and Tourism, it was elevated to a sub-ministerial agency in 1999.
National Intangible Cultural Heritage (Korean: 국가무형문화재) is a national-level designation within the heritage preservation system of South Korea for intangible cultural heritage. This and other national-level designations are maintained by South Korea's Cultural Heritage Administration (CHA).
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance. This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression.
A Cultural Property is administered by the Japanese government's Agency for Cultural Affairs, and includes tangible properties ; intangible properties ; folk properties both tangible and intangible; monuments historic, scenic and natural; cultural landscapes; and groups of traditional buildings. Buried properties and conservation techniques are also protected. Together these cultural properties are to be preserved and utilized as the heritage of the Japanese people.
A Living National Treasure is a South Korean popular term for those individuals certified as Holders of Important Intangible Cultural Properties, also known as keepers, by the Ministry of Education as based on South Korea's Law for the Protection of Cultural Properties. The term "Living National Treasure" is not formally mentioned in the law, but is an informal term referencing the cultural properties designated as the National Treasures.
Kim Bak-young was a Living National Treasure as a maker of Korean bows. He used wooyoun as a pseudonym.
Song Deok-Gi ; was a martial artist from Korea. One of the last practitioners of the ancient martial art of Taekkyon, he helped convey the art during the Japanese Occupation of Korea (1910–1945) and the Korean War (1950–1953). Based on his efforts, the South Korean government acknowledged Taekkyon as the 76th Important Intangible Cultural Properties of Korea and recognized him as a Human Cultural Asset (Ingan-munhwage). He used Hyeonam as a pen name.
Historic Sites (Korean: 사적) is a national-level designation within the heritage preservation system of South Korea for places of important historical value. The system is administered by the Cultural Heritage Administration (CHA).
Ichpedia is an online encyclopedia for the intangible cultural heritage in Korea and international arenas. It was created by a group of scholars and practitioners with the support of the Cultural Heritage Administration of the Republic of Korea. The ultimate goal is to enhance the significance of traditional cultures and cultural diversities.
Intangible cultural heritage (ICH) includes traditions and living expressions that are passed down from generation to generation within a particular community.
Seok Ju-seon was a scholar of traditional Korean clothing and a folklorist. Her works include The History of Korean Dresses and Ornaments.
Yeondeunghoe is a lantern-lighting festival in Korea celebrating the Buddha's Birthday. The date of the celebration is marked on the Korean Lunar calendar as the eighth day of the fourth lunar month. The English translation of the name of the festival is written as Yeondeunghoe, Yeon Deung Hoe, or Yeondeung Hoe. Likewise, the exact English translation of the words, “Yeon” “Deung” “Hoe” are varied with suggested meanings as, “Lotus Lantern Festival” and “lighting a lantern.”
Intangible cultural heritage are elements of the cultural heritage of Ukraine which are abstract and must be learned, encompassing traditional knowledge including festivals, music, performances, celebrations, handicrafts, and oral traditions.