| Herz Jesu-Lied | |
|---|---|
| Motet by Anton Bruckner | |
 | |
| Key | B-flat major |
| Catalogue | WAB 144 |
| Language | German |
| Composed | c. 1846: St. Florian |
| Published | 1932: Regensburg |
| Vocal | SATB choir |
| Instrumental | Organ |
Herz Jesu-Lied ("Song of the Heart of Jesus"), WAB 144, is the second of two motets of Anton Bruckner's St. Florian period, which is of uncertain authorship. If Bruckner was the composer, it was composed presumably in 1845-1846. [1]
If Bruckner was the composer, he composed the motet in 1845–46 during his stay in St. Florian Abbey. The text is a hymn to the Sacred Heart.
The motet was first published in band II/2, pp. 11–12 of the Göllerich/Auer biography. [1] The work is put in Band XXI/11 of the Gesamtausgabe. [2]
Aus allen Herzen Eines, | Of all hearts One |
The work of 24-bar in B-flat major, which is scored for mixed choir and organ, contains two short passages for tenor and bass soloists, and soprano soloist, respectively, and ends with an organ postlude. [1]
There are only 2 recordings:
Vexilla regis, WAB 51, is the final motet written by the Austrian composer Anton Bruckner.
Tota pulchra es, WAB 46, is a sacred motet by the Austrian composer Anton Bruckner.
Ave Maria, WAB 6, is a sacred motet by Anton Bruckner, a setting of the Latin prayer Ave Maria. He composed it in Linz in 1861 and scored the short work in F major for seven unaccompanied voices. The piece, sometimes named an Offertorium, was published in Vienna in 1867. Before, Bruckner composed the same prayer in 1856 for soprano, alto, a four-part mixed choir, organ and cello, WAB 5. Later, he set the text in 1882 for a solo voice (alto) and keyboard, WAB 7.
Ave Maria, WAB 5, is a setting of the Latin prayer Ave Maria by Anton Bruckner.
Pange lingua, WAB 31, is a sacred motet composed by Anton Bruckner in c. 1835. It is a setting of the first strophe of the Latin hymn Pange lingua for the celebration of Corpus Christi.
Asperges me, WAB 4, is a sacred motet composed by Anton Bruckner. It is a setting of the Latin Asperges me, the antiphon used for the celebration of Asperges.
The two Asperges me, WAB 3, are sacred motets composed by Anton Bruckner. They are settings of the Latin Asperges me, the antiphon used for the celebration of Asperges.
Dir, Herr, dir will ich mich ergeben, WAB 12, is a sacred motet composed by Anton Bruckner in c. 1845.
Libera me, WAB 21, is the first of two settings of the absoute Libera me, composed by Anton Bruckner in c. 1843.
Tantum ergo, WAB 32, is the first of eight settings of the hymn Tantum ergo composed by Anton Bruckner in 1845.
Tantum ergo, WAB 43, is the second of eight settings of the hymn Tantum ergo composed by Anton Bruckner in c. 1845.
Tantum ergo, WAB 42, is a setting of the hymn Tantum ergo composed by Anton Bruckner in 1846.
Tantum ergo, WAB 44, is the last of eight settings of the hymn Tantum ergo composed by Anton Bruckner in c. 1854.
O Du liebes Jesu-Kind, WAB 145, is the first of two motets of Anton Bruckner's St. Florian period, which is of uncertain authorship. If Bruckner was the composer, he composed it presumably in 1845–46.
The Two Aequali, WAB 114 & 149, were composed by Anton Bruckner in 1847.
The two Totenlieder, WAB 47/1 & 47/2, are elegies composed by Anton Bruckner in 1852.
Salvum fac populum tuum, WAB 40, is a motet composed by Anton Bruckner in 1884.
Veni Creator Spiritus, WAB 50, is a motet composed by Anton Bruckner in c. 1884.
Pange lingua, WAB 33, is a sacred motet composed by Anton Bruckner in 1868. It is a setting of the Latin hymn Pange lingua for the celebration of Corpus Christi.
Inveni David, WAB 19, is a sacred motet composed by Anton Bruckner in 1868.
