The Kitzler Study Book (Kitzler-Studienbuch) is an autograph workbook of Anton Bruckner which he wrote taking tuition with the conductor and cellist Otto Kitzler in Linz. Bruckner tried to complete his knowledge in musical form and instrumentation with Kitzler after the end of his studies with Simon Sechter.
Beethoven and Bruckner Stained glass window, Linz Cathedral
The workbook is composed of 163 pages of different sizes in landscape format (326 numbered pages) in chronological order, some of them dated, from H[eilige] Nacht anno [1]861 (Holy Night, 1861) on p.30, to 10 July 1863 on p.325.[1][2] The workbook contains autograph sketches, comments, complete and partial compositions, which are displaying a rigorous tuition in musical formatting and instrumentation.[1]
(Translation) The Kitzler Study Book is fascinating because of its insight on the history of the musical apprenticeship in the nineteenth century, as well as the historical and theoretical significance of the terminology and the extent of the conserved exercises. Last but not least, this manuscript is essential for the research on Bruckner's mode of operation.
Das Kitzler-Studienbuch fasziniert wegen seiner historischen Einblicke in die Geschichte der musikalischen Ausbildung im 19. Jahrhundert sowie wegen der historischen und theoretischen Bedeutung von Terminologie und Umfang der darin erhaltenen Übungen. Nicht zuletzt ist dieses Manuskript unverzichtbar für die Untersuchungen über Bruckner Arbeitsweise.[3]
Complete and partial compositions
A not exhaustive list:
O habt die Thräne gern (1st setting), WAB 205: pp.18–19
Nachglück (1st setting), WAB 204: p.19
Herzeleid, WAB 232: p.20
Nachglück (2nd setting), WAB 235: p.21
Vor der schlummernden Mutter, WAB 206: p.22
Des Baches Frühlingsfeier, WAB 202: p.23
Wie neid ich Dich, du stolzer Wald, WAB 207: p.24
Waltz for piano in E-flat major, WAB 224/1: p.25
Waltz for piano in C major, WAB 224/2: p.26
Four Polkas in C major, WAB 221: pp.27-28
Galop in C major, WAB 239: pp.29
Mazurka for piano in A minor, WAB 218: p.29
Minuet for piano in C major, WAB 219: p.30
Minuet and Trio for piano in G major, WAB 220: p.35
March for piano in C major, WAB 217/1: p.36
March for piano in D minor, WAB 217/2: p.37
Duo for piano in A minor, WAB 213: p.39
March in F major, WAB 217/3: p.41
O habt die Thräne gern (2nd setting), WAB 236: p.42
Last des Herzens, WAB 234: p.43
Es regnet (sketch), WAB 231: pp.46–47
Wunsch (sketch), WAB 238: pp.47–48
Andante for piano in E-flat major, WAB 211/1: p.49
Andante for piano in D minor, WAB 211/2: pp.50–51
Six scherzi for string quartet, WAB 209
Scherzo in C major: pp.58-59
Scherzo in D minor: pp.60-61; variant on pp.63-64
Scherzo in A minor: pp.61-62; variant on p.65
Scherzo in C major: p.62
Scherzo in F major: pp.66-70
Scherzo in G minor: pp.70–76
Étude for piano in G major, WAB 214: pp.77–78
Chromatic étude for piano in F major, WAB 212: pp.79–80
Five Themes and variations for piano, WAB 223
Theme and variations in G major: p.81
Theme and variations in A major: pp.82–83
Theme and variations in A major: p.84; also p.86
Theme and variations in G major: pp.84–85
Theme and variations in G major: pp.87–90
Theme and variations in E-flat major for string quartet, WAB 210: pp.91–104
Seven rondos for piano, WAB 222:
Rondo in G major: pp.105-108
Rondo in C minor: pp.109-111
Rondo in D minor: pp.112-115
Rondo in F major: pp.116-121
Rondo in G major: pp.122-125; variant on p.136
Rondo in E minor: pp.126-129
Rondo in E-flat major: pp.130-134; variant on p.135
Five Sonatenentwürfe (Sketches of sonata), WAB 242: pp.140–156
Sonatensatz (Movement of sonata) for piano in G minor, WAB 243: pp.157–164
Until 2015, only few of the compositions of the study book were published: the String Quartet, WAB 111 and the additional Rondo in C minor, WAB 208 (transcription allowed to Leopold Nowak),[4][5] the Sonatensatz in G minor, WAB 243 (transcription allowed to Walburga Litschauer),[6] and the Four Orchestral Pieces, WAB 96-97 (issued from a clean transcription given by Bruckner to Cyrill Hynais).[7]
The Kitzler Study Book, which was first in possession of Bruckner's pupil Ferdinand Löwe,[2] went later in private possession of Margarethe Mugrauer – the daughter of Josef Schalk –[5] in Bamberg, who legated it to her daughter Traudl Kress in Munich.[4] In 2013, the Austrian National Library was able to acquire the valuable original manuscript. In 2015, the MWV (Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft) has issued a colour facsimile of the manuscript and could so provide interested people with this important source for study and scholarship.[8]
On 30 April 2016, the Orchestergemeinschaft Nürnberg e.V. has premiered Bruckner's orchestration of the opening of the first movement of Beethoven's Sonate pathétique, WAB 266[9] Other performances occurred on 6 and 7 October 2017 in Austin, TX by Colin Mawby with the Austin Symphonic Orchestra, and on 14 August 2021, during the Brucknertage 2021, in the Marmorsaal of the St. Florian Monastery by Jan Latham König with the Altomonte Orchestra.[10]
On 28 May 2016, a transcription for string orchestra of the Scherzo in G minor for string quartet was performed by Benjamin-Gunnar Cohrs with the Göttinger Barockorchester.[11] The original version of the two Scherzos in F Major and G Minor for string quartet, WAB 209 was premiered by the Bruckners Kammermusik ensemble in Tokyo on 8 March 2019.[12]
In 2018, a première of thirteen piano works from the Kitzler Study Book has been recorded by Ana-Marija Markovina.[13] In 2019, Francesco Pasqualotto has recorded 21 piano works from the Kitzler Study Book, of which are 10 premiere recordings. In 2021, Todor Petrov has recorded 39 piano works from the Kitzler Study Book, of which a premiere of the March in F major, WAB 217/3, the Rondos in C minor and in D minor, WAB 222/2-3, and the first of the Five Pieces, WAB 216. In 2022, Christoph Eggner has recorded 24 piano works from the Kitzler Study Book – of which a premiere of the Rondo in G major, WAB 222/5 – on a restored Bösendorfer fortepiano that has belonged to Bruckner.
On 5 October 2019, two lieder from the Kitzler Study Book (O habt die Thräne gern, WAB 205, and Vor der schlummernden Mutter, WAB 206) were recorded during the reading Böck ist Bruckner II.
On 13 August 2023, a premiere of the Theme and variations in E-flat major for string quartet, WAB 210, was performed by Matthias Giesen with the strings of the Altomonte-Orchester St Florian at the Opening Concert of the St. Florianer Brucknertage 2023.[14]
Discography
Orchestration of the first movement of Beethoven's Sonate pathétique
Piano works from the Kitzler Study Book A total of 43 piano pieces from the Kitzler Study Book has so far been recorded.
Ana-Marija Markovina and Rudolf Meister, Anton Bruckner (1824 - 1896), Piano Works – Hänssler Classic, HC17054, 2018 (with premiere recording of 13 piano works from the Kitzler Study Book)
Francesco Pasqualotto, Bruckner Complete Piano Music – CD Brilliant Classics 95619, 2019 (with 21 piano works from the Kitzler Study Book, of which 10 premiere recordings)
Todor Petrov, Bruckner - L'œuvre pour piano seul - CD Forgotten Records FR 1998/9, 2021 (with 39 piano works from the Kitzler Study Book, of which 18 premiere recordings)
Christoph Eggner, Anton Bruckner - Klavierstücke aus dem Kitzler-Studienbuch - CD Gramola 99282, 2023 (24 piano works from the Kitzler Study Book, of which a premiere recording of the Rondo in G major, WAB 222/5)
Lieder from the Kitzler Study Book
Böck liest Bruckner II - Anton Bruckner Briefe und Musik (5 October 2019) - CD Gramola 99237, 2020 - with lieder O habt die Thräne gern, WAB 205 and Vor der schlummernden Mutter, WAB 206 by Elisabeth Wimmer
Related Research Articles
Josef Anton Bruckner was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.
Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. Although commonly thought to be one of the few works to be named by the composer himself, it was actually named Grande sonate pathétique by the publisher, who was impressed by the sonata's tragic sonorities.
E major is a major scale based on E, consisting of the pitches E, F♯, G♯, A, B, C♯, and D♯. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes it impractical to use.
Anton Bruckner's Symphony in F minor, WAB 99, was written in 1863, at the end of his study period in form and orchestration by Otto Kitzler.
Anton Bruckner's String Quintet in F major, WAB 112 was composed in 1878/79 in Vienna.
The String Quartet in C minor WAB 111, was composed by Anton Bruckner's in 1862 during his tuition by Otto Kitzler.
The Four Orchestral Pieces are four short orchestral pieces, which Anton Bruckner composed in the fall of 1862 during his tuition with Otto Kitzler.
Anton Bruckner composed the Overture in G minor, WAB 98 in 1862–63, during his tuition by Otto Kitzler.
The Rondo in C minor is a composition for string quartet by the Austrian composer Anton Bruckner. It was written in 1862 but was not performed publicly until 1984, after the composer's death. A critical edition was first published in 1985 and the piece was first recorded in 1992 by the Raphael Quartet.
The Intermezzo in D minor is an 1879 composition by the Austrian composer Anton Bruckner. Although it was intended to replace the scherzo of the String Quintet, that piece was instead performed in its original form; the Intermezzo was not publicly premiered until after the composer's death.
Abendklänge, WAB 110, is a character piece for violin and piano, which Anton Bruckner composed in 1866.
Herbstkummer, WAB 72 is a lied composed by Anton Bruckner in 1864.
Cornelis van Zwol, Anton Bruckner 1824–1896 – Leven en werken, uitg. Thoth, Bussum, Netherlands, 2012. ISBN978-90-6868-590-9
Anton Bruckner - Sämtliche Werke, Band XXV: Das Kitzler Studienbuch (1861-1863), facsimile, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Paul Hawkshaw and Erich Wolfgang Partsch (Editors), Vienna, 2015
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