Psalm 150 | |
---|---|
by Anton Bruckner | |
The composer, c. 1860 | |
Key | C major |
Catalogue | WAB 38 |
Form | Psalm setting from the Luther Bible |
Occasion | Opening of the Internationale Ausstellung für Musik und Theatherwesen |
Text | Psalms150 |
Language | German |
Performed | 13 November 1892 : Musikvereinsaal , Vienna |
Recorded | c. 1950 by Henry Swoboda |
Vocal | SATB choir and soprano soloist |
Instrumental | Orchestra |
Anton Bruckner's Psalm 150, WAB 38, is a setting of Psalm 150 for mixed chorus, soprano soloist and orchestra written in 1892.
Richard Heuberger asked Bruckner for a festive hymn to celebrate the opening of the exposition Internationale Ausstellung für Musik und Theatherwesen on 7 May 1892, but Bruckner did not deliver the piece in time for Heuberger's purpose.
The work was premiered in the Musikvereinsaal of Vienna on 13 November 1892, with the Wiener Singverein and the soprano soloist Henriette Standthartner under the baton of Wilhelm Gericke. [1] The concert also included a Schubert overture and Liszt's Piano Concerto in E-flat major, followed by Richard Strauss' Wanderers Sturmlied and Mendelssohn's Loreley. [2]
The manuscript, which was dedicated to Wilhelm Ritter von Härtel, is stored in the archive of the Österreichische Nationalbibliothek . It was first issued in November 1892 with another dedication to Max von Oberleithner, by Doblinger, as well as a vocal and piano reduction score by Cyrill Hynais. [1] The work is issued by Franz Grasberger in Band XX/6 of the Gesamtausgabe. [1]
Vermahnung zum Lobe Gottes (Exhortation for praising God)
Bruckner's Psalm 150 in C major is scored for SATB choir and soprano soloist, and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones (alto, tenor and bass), contrabass tuba, timpani, and strings). [2] [4]
Unlike the other psalm settings composed some 40 years earlier, for which he used a German-language Bible approved by the Catholic Church, [5] Bruckner used this time the German-language Martin Luther Bible for the text.
The 247-bar long piece starts out in C major, alla breve, with a tempo marking of Mehr langsam! Feierlich, kräftig (More slowly! Festive, strong) as the choir sings "Hallelujah" several times before moving on to the second line of the psalm. At rehearsal letter E, marked Bewegter (more moving), begins the listing of instruments with which to praise God. At J, Langsamer (More slowly) follows "Alles, Alles lobe den Herrn" At K, with a return to the initial tempo, Bruckner repeats the opening "Hallelujahs", but at L (bar 165) follows with "a complex fugue" [6] starting with the words "Alles, was Odem hat" once again Langsam (Slowly). Another return to the initial tempo at R marks the beginning of the coda with the words "Alles, alles lobe den Herrn". The theme of the fugue is related to that of the fugue of Bruckner's fifth symphony [1] [2] and that of the Adagio of his ninth symphony.
The last time Bruckner improvised at the organ, he used melodies from this psalm setting. [7] Psalm 150 "shares both the key and the triumphant mood of rapturous exaltation of the Te Deum ." [6]
The first recording (c. 1950) was by Henry Swoboda with the Wiener Akademie Kammerchor and the Wiener Symphoniker , LP: Westminster WAL 201 (with Symphony No. 6 and Psalm 112). Swoboda's historical performances of Psalms 112 & 150 and Richard Strauss' Wanderers Sturmlied have been recently transferred to CD by Klassichaus Recordings: GSC052, 2015.
Among the ten other recordings, Hans Roelofs selects the following four recordings:
Helgoland, WAB 71, is a secular, patriotic cantata for male choir and orchestra, composed by Anton Bruckner in 1893. Since Bruckner did not complete the 9th symphony, Helgoland is his last complete work.
The Te Deum in C major, WAB 45 is a setting of the Te Deum hymn, composed by Anton Bruckner for SATB choir and soloists, orchestra, and organ ad libitum.
The Mass No. 3 in F minor, WAB 28, by Anton Bruckner is a setting of the mass ordinary for vocal soloists, chorus and orchestra, and organ ad libitum.
The Mass No. 2 in E minor, WAB 27, by Anton Bruckner is a setting of the mass ordinary for eight-part mixed choir and fifteen wind instruments.
The Requiem in D minor, WAB 39, is a Missa pro defunctis composed by Anton Bruckner in 1849.
Psalm 146 in A major by Anton Bruckner is a psalm setting for double mixed choir, soloists and orchestra. It is a setting of verses 1 to 11 of a German version of Psalm 147, which is Psalm 146 in the Vulgata.
Bruckner's Psalm 22, WAB 34, is a setting of a German version of Psalm 23, which was psalm 22 in the Vulgata.
Bruckner's Psalm 114, WAB 36, is a psalm setting of verses 1 to 9 of a German version of Psalm 116, which is Psalm 114 in the Vulgata.
Bruckner's Psalm 112, WAB 35, is a psalm setting for eight-part double mixed choir and full orchestra. It is a setting of a German version of Psalm 113, which is Psalm 112 in the Vulgata.
The Mass No. 1 in D minor, WAB 26 by Anton Bruckner, is a setting of the Mass ordinary for soloists, mixed choir and orchestra, and organ.
The Fest-Kantate Preiset den Herrn, WAB 16, is a festive cantata composed by Anton Bruckner in 1862 for the celebration of the laying of the foundation stone of the new Mariä-Empfängnis-Dom of Linz.
Germanenzug is a secular, patriotic cantata composed in 1863–1864 by Anton Bruckner on a text by August Silberstein.
The Messe für den Gründonnerstag, WAB 9, is a missa brevis composed by Anton Bruckner in 1844.
Virga Jesse, WAB 52, is a motet by the Austrian composer Anton Bruckner. It sets the gradual Virga Jesse floruit for unaccompanied mixed choir.
Vexilla regis, WAB 51, is the final motet written by the Austrian composer Anton Bruckner.
Matthew Best is an English bass singer and conductor, especially of vocal music. He founded the ensemble Corydon Singers in 1973 and won the Kathleen Ferrier Award in 1981. From 1985, he was also a guest conductor of the English Chamber Orchestra. His recordings with Corydon Singers were made on the Hyperion Records label and focus on choral music by the likes of Anton Bruckner, Johannes Brahms and Felix Mendelssohn. He is currently engaged as Music Director of the Academy Choir Wimbledon and as a Principal Study singing teacher at the Royal Northern College of Music.
The Marsch in E-flat major, WAB 116, is a military march composed by Anton Bruckner in 1865.
Abendzauber, WAB 57, is a song composed by Anton Bruckner in 1878.