Kronstorfer Messe | |
---|---|
Mass by Anton Bruckner | |
Key | D minor |
Catalogue | WAB 146 |
Form | Missa brevis |
Composed | 1843 –1844 : Kronstorf |
Performed | 1 December 1974 : St. Florian Monastery |
Published | 1984 |
Recorded | 1998 |
Movements | 4 |
Vocal | SATB choir |
The Kronstorfer Messe, WAB 146, is a missa brevis composed by Anton Bruckner in 1843-1844.
Bruckner composed the Kronstorfer Messe, WAB 146, in 1843–1844, while he was a schoolteacher's assistant in Kronstorf. This Choral-Messe in D minor for mixed choir a cappella was presumably intended for the Lenten season. [1]
The work, the manuscript of which was archived in the St. Florian Monastery, was premiered by Augustinus Franz Kropfreiter on 1 December 1974 in the church of the monastery. [2] The work is put in Band XXI/41 of the Gesamtausgabe. [3]
The work is divided into four parts:
Total duration: about 5 minutes.
This Missa brevis, also called Messe ohne Gloria [und Credo], exhibits relationships to Palestrina's style. [4] The mass survives only in a fragmentary state, without Credo. [5] The manuscript, with, on the front page, an autograph indication "Sine Gloria", contains two blank pages with an autograph indication that they were to contain a Credo in F major. [2] [1]
Alike the contemporaneous Asperges me in F major (WAB 4), the Agnus Dei in F major contains audacious modulations. [1]
The Sanctus is re-used in a slightly modified setting for that of the next Messe für den Gründonnerstag . [1]
There are two recordings of the Mass:
The Mass No. 3 in F minor, WAB 28, is a setting of the mass ordinary for vocal soloists, chorus and orchestra, and organ ad libitum, that Anton Bruckner composed in 1867–1868.
The Mass No. 2 in E minor, WAB 27 is a setting of the mass ordinary for eight-part mixed choir and fifteen wind instruments, that Anton Bruckner composed in 1866.
The Requiem in D minor, WAB 39, is a Missa pro defunctis composed by Anton Bruckner in 1849.
The Missa solemnis, WAB 29, is a solemn mass composed by Anton Bruckner in 1854 for the installation of Friedrich Mayer as abbot of St. Florian Monastery on 14 September 1854.
The Mass No. 1 in D minor, WAB 26 by Anton Bruckner, is a setting of the Mass ordinary for soloists, mixed choir and orchestra, and organ.
The Windhaager Messe, WAB 25, is a missa brevis composed by Anton Bruckner in 1842.
The Messe für den Gründonnerstag, WAB 9, is a missa brevis composed by Anton Bruckner in 1844.
Ecce sacerdos magnus, WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title.
Virga Jesse, WAB 52, is a motet by the Austrian composer Anton Bruckner. It sets the gradual Virga Jesse floruit for unaccompanied mixed choir.
Tota pulchra es, WAB 46, is a sacred motet by the Austrian composer Anton Bruckner.
Ave Maria, WAB 6, is a sacred motet by Anton Bruckner, a setting of the Latin prayer Ave Maria. He composed it in Linz in 1861 and scored the short work in F major for seven unaccompanied voices. The piece, sometimes named an Offertorium, was published in Vienna in 1867. Before, Bruckner composed the same prayer in 1856 for soprano, alto, a four-part mixed choir, organ and cello, WAB 5. Later, he set the text in 1882 for a solo voice (alto) and keyboard, WAB 7.
Christus factus est, WAB 11, is a sacred motet by Anton Bruckner, his third setting of the Latin gradual Christus factus est, composed in 1884. Before, Bruckner composed in 1844 a first piece on the same text as gradual of the Messe für den Gründonnerstag, and in 1873 a motet for eight-part mixed choir, three trombones, and string instruments ad libitum. The motet is an expressive setting of the gradual, influenced by Wagner's music.
Pange lingua, WAB 31, is a sacred motet composed by Anton Bruckner in c. 1835. It is a setting of the first strophe of the Latin hymn Pange lingua for the celebration of Corpus Christi.
Asperges me, WAB 4, is a sacred motet composed by Anton Bruckner. It is a setting of the Latin Asperges me, the antiphon used for the celebration of Asperges.
The two Asperges me, WAB 3, are sacred motets composed by Anton Bruckner. They are settings of the Latin Asperges me, the antiphon used for the celebration of Asperges.
Libera me, WAB 21, is the first of two settings of the absoute Libera me, composed by Anton Bruckner in c. 1843.
The Two Aequali, WAB 114 & WAB 149, were composed by Anton Bruckner in 1847.
Salvum fac populum tuum, WAB 40, is a motet composed by Anton Bruckner in 1884.