I Might Be Wrong: Live Recordings | ||||
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Live album by | ||||
Released | 12 November 2001 | |||
Recorded | May–August 2001 | |||
Genre | ||||
Length | 40:11 | |||
Label | ||||
Radiohead chronology | ||||
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I Might Be Wrong: Live Recordings is a live album by the English rock band Radiohead, released on 12 November 2001 in the UK by Parlophone and a day later in the US by Capitol Records.
Recorded during Radiohead's 2001 tour, I Might Be Wrong comprises songs from their fourth and fifth albums Kid A (2000) and Amnesiac (2001). Radiohead developed the songs through studio experimentation and rearranged them for live performance. I Might Be Wrong also includes an acoustic performance of "True Love Waits", a song Radiohead did not release until their 2016 album A Moon Shaped Pool .
I Might Be Wrong received mainly positive reviews. Critics praised the performances and arrangements, but criticised its brevity and lack of earlier Radiohead songs.
I Might Be Wrong comprises live performances recorded on Radiohead's 2001 tour. [1] It features songs from Kid A (2000) and Amnesiac (2001), [1] plus a solo performance of another song, "True Love Waits", by the singer, Thom Yorke, on acoustic guitar. [2] Radiohead did not release "True Love Waits" until their 2016 album A Moon Shaped Pool . [2]
As Radiohead had developed Kid A and Amnesiac through studio experimentation, [3] they rearranged the songs to perform them live. For example, the electronic track "Like Spinning Plates" was rearranged as a piano ballad. [4] The guitarist Ed O'Brien said: "You couldn't do Kid A live and be true to the record. You would have to do it like an art installation ... When we played live, we put the human element back into it." [5] The drummer, Philip Selway, said Radiohead "found some new life" in the songs when they came to perform them. [5]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 76/100 [6] |
Review scores | |
Source | Rating |
AllMusic | [7] |
The Encyclopedia of Popular Music | [8] |
Entertainment.ie | [9] |
Entertainment Weekly | B+ [10] |
Mojo | [11] |
NME | [12] |
Pitchfork | 8.0/10 [13] |
Q | [14] |
Rolling Stone | [15] |
Stylus | A− [16] |
At Metacritic, which assigns a normalised rating out of 100 to reviews from critics, I Might Be Wrong has an average score of 76 based on 16 reviews, indicating "generally favourable reviews". [6]
The Entertainment.ie critic Andrew Lynch wrote: "Unlike most live albums, this one captures some of the excitement of actually being there and gives Radiohead back the human dimension they've recently been in danger of losing." [9] Stephen Thompson of The A.V. Club wrote that the album "cast new light" on Kid A and Amnesiac. [17] In Rolling Stone , Jonah Weiner described it as "explosively raw", praising the "twisty, insular" performance of "Idioteque" and Yorke's "beautifully chilling" vocals on "Like Spinning Plates". [18] Matt LeMay of Pitchfork also praised "Like Spinning Plates", saying it showcased Radiohead's "songwriting virtuosity rather than their sonic adventurousness". [4]
LeMay said the performance of "True Love Waits" was "absolutely gorgeous" and that the song "holds its own" against any on Radiohead's 1997 album OK Computer . [4] He felt it justified the release of the live album, along with "Like Spinning Plates". [19] Ted Kessler of NME praised Yorke's vocals on "True Love Waits" as "clear and true". [12] However, Mac Randall felt the performance, with "whiny" vocals, was inferior to a widely shared bootleg version. He wrote: "One gets the feeling that this was a song Radiohead knew they liked and knew audiences liked but the band never came to grips with an arrangement for it; finally they threw up their hands, putting it out as it is." [20]
Several critics felt I Might Be Wrong was too short. Thompson found it "marred by characteristically unrevealing packaging and inexplicable brevity". [17] Randall wrote that its brevity made it "something of a letdown", and that the lack of earlier Radiohead songs meant it did not capture "anywhere near the scope of a real Radiohead concert". [21] LeMay also criticised the lack of older songs, and said the album had the feeling of a "promotional item" for Kid A and Amnesiac. [4] Sam Samuelson of AllMusic suggested it could instead have been packaged with Amnesiac as a complete package from the Kid A sessions, rather than a "couple of thrown-together releases". [7]
Radiohead left EMI after their contract ended in 2003. [22] In 2007, EMI released Radiohead Box Set , a compilation of albums recorded while Radiohead were signed to EMI, including I Might Be Wrong. [22] Radiohead had no input into the reissues and the music was not remastered. [23]
In February 2013, Parlophone was bought by Warner Music Group (WMG). [24] In April 2016, as a result of an agreement with the trade group Impala, WMG transferred Radiohead's back catalogue to XL Recordings. The EMI reissues, released without Radiohead's consent, were removed from streaming services. [25] In May 2016, XL reissued Radiohead's back catalogue on vinyl, including I Might Be Wrong. [26]
All tracks are written by Radiohead, except where noted
No. | Title | Writer(s) | Venue | Length |
---|---|---|---|---|
1. | "The National Anthem" | Vaison-la-Romaine, Provence-Alpes-Côte d'Azur, France 28 May 2001 | 4:57 | |
2. | "I Might Be Wrong" | South Park, Oxford, England 7 July 2001 | 4:52 | |
3. | "Morning Bell" | South Park, Oxford, England 7 July 2001 | 4:14 | |
4. | "Like Spinning Plates" | Blossom Music Center, Cuyahoga Falls, OH, USA 8 August 2001 | 3:47 | |
5. | "Idioteque" | Arthur Kreiger, Paul Lansky, Radiohead | South Park, Oxford, England 7 July 2001 | 4:24 |
6. | "Everything in Its Right Place" | Vaison-la-Romaine, Provence-Alpes-Côte d'Azur, France 28 May 2001 | 7:42 | |
7. | "Dollars and Cents" | South Park, Oxford, England 7 July 2001 | 5:13 | |
8. | "True Love Waits" | Oslo Spektrum, Oslo, Norway 9 September 2001 | 5:02 | |
Total length: | 40:11 |
Adapted from the liner notes. [27]
Radiohead | Production
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Country | Date | Label | Format | Catalogue number |
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United Kingdom | 12 November 2001 | Parlophone | LP | 12FHEIT 45104 |
CD | CDFHEIT 45104 | |||
United States | 13 November 2001 | Capitol Records | CDP 7243 5 36616 2 5 |
Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. They comprise Thom Yorke ; brothers Jonny Greenwood and Colin Greenwood (bass); Ed O'Brien ; and Philip Selway. They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.
Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. It was recorded with their producer, Nigel Godrich, in Paris, Copenhagen, Gloucestershire and Oxfordshire. Departing from their earlier sound, Radiohead incorporated influences from electronic music, krautrock, jazz and 20th-century classical music, with a wider range of instruments and effects. The singer, Thom Yorke, wrote impersonal and abstract lyrics, cutting up phrases and assembling them at random.
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The Bends is the second studio album by the English rock band Radiohead, released on 13 March 1995 by Parlophone. It was produced by John Leckie, with extra production by Radiohead, Nigel Godrich and Jim Warren. The Bends combines guitar songs and ballads, with more restrained arrangements and cryptic lyrics than Radiohead's debut album, Pablo Honey (1993).
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Thomas Edward Yorke is an English musician who is the main vocalist and songwriter of the rock band Radiohead. He plays guitar, bass, keyboards and other instruments, and is noted for his falsetto. Rolling Stone described Yorke as one of the greatest and most influential singers of his generation.
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