| "In the Cold, Cold, Night" | |
|---|---|
| Song by the White Stripes | |
| from the album Elephant | |
| Released | April 1, 2003 |
| Recorded | April–May 2002 |
| Studio | Toe Rag Studios, London |
| Genre | |
| Length | 2:58 |
| Label | |
| Composers | Jack White, Meg White |
| Lyricist | Jack White |
| Producer | Jack White |
"In the Cold, Cold Night" is a song by American rock duo the White Stripes from their fourth studio album, Elephant (2003). The fifth track on Elephant, it was written and produced by Jack White specifically for Meg White to sing, marking her first time performing as the band's lead vocalist. The song was also composed by the duo. Musically, it features a minimal soundscape and lyrics about a woman awaiting her lover's return.
"In the Cold, Cold Night" was praised by critics for the composition and vocals. Though never released as a single, it is considered a highlight of the White Stripes's discography for both its atmosphere and Meg's rare leading position. Journalists have suggested the song highlights her significance in debates about her role in the band.
The White Stripes made their recording debut in 1998, and Jack White was established as the duo's guitarist and lead vocalist and Meg White their drummer. [1] She only performed background vocals for the band's second and third studio albums, De Stijl and White Blood Cells respectively, [2] and shared vocal duties with Jack on the Loretta Lynn cover "Rated X" which features as the B-side to their 2001 single "Hotel Yorba". [3] After the band's international breakthrough with White Blood Cells, they began to create material for their fourth studio album, Elephant. [4]
"In the Cold, Cold Night" was one of eleven songs recorded through April and May 2002 at Toe Rag Studios in Hackney, London. [5] Jack wrote it specifically for Meg to sing, marking the first time Meg recorded leading vocals on any work of the band to that point. To gain confidence in her singing abilities, she sang during their live performances and covered the Velvet Underground's "After Hours". [4] Meg would sing lead once more on "Passive Manipulation" in their follow-up album Get Behind Me Satan (2005), [6] and deliver a spoken-word performance on the bagpipe-heavy track "St. Andrew (This Battle Is in the Air)" in Icky Thump (2007). [7]
"In the Cold, Cold Night" is an alternative rock, blues rock, and garage rock song. [8] Unlike the band's prior work, the song does not have any percussion and features a minimalist soundscape of guitars and bass pedals of a Hammond organ. [9] It is written in the key of D minor with a tempo of 112 beats per minute, and Meg's voice ranges from soprano to mezzo-soprano. [10] The song is about a young—and possibly inexperienced—woman pleading for her lover to return, though its lyrics have been interpreted multiple ways. [11] Critics noted its contrast to the rest of the band's songs for both Meg's leading position and its cryptic atmosphere. [12]
"In the Cold, Cold Night" was never released as a standalone single, but it was used as the B-side to "Seven Nation Army" in releases from 2003 to 2013, [13] and earned a visualizer in 2023. [14] The song was a staple of the White Stripes' live performances and was frequently performed by the band from 2003 onwards. [15] Notable performances of "In the Cold, Cold Night" include those at the Aragon Ballroom in 2003, [16] Madison Square Garden in 2007, [17] and during their 2007 Summer Tour in Canada featured in the documentary Under Great White Northern Lights (2009). [18]
"In the Cold, Cold Night" has received positive reviews from music critics of the time and retrospectively. AllMusic's Tom Maginnis and The New York Times's Jon Pareles both likened the song to Little Willie John's "Fever". They praised the atmosphere of the track and Meg's vocals, with the latter calling it memorable and "uncharacteristic". [9] [12] Matt Harvey of BBC said that "Meg speaks and (unlike her drumming) comes across all fey and, well, sort of pre-Raphaelite in a down-town Motor City kind of way. [...] it's all so divinely confident, so sexy." [19] Alexis Petridis of The Guardian called her vocals "childlike", praising its "stark, unaffected quality" and its "radical departure" from the band's usual sound. [20] Brent DiCrescenzo of Pitchfork likened her voice to "a coy Mo Tucker or Georgia Hubley–more so than take-no-sass Patsy Cline or Dusty in Memphis ." [21]
Eric Alper believed "In the Cold, Cold Night" allowed Meg to prove her worth amidst the contemporary debate regarding her role in the band. He described her vocals as "soft, haunting" and the track as "a vulnerable moment that added emotional depth to the record." [22] Petridis ranked it among the band's best songs and called it "her finest moment not as the White Stripes' drummer, but their vocalist". [23] Cat Clyde wrote in a retrospective review of Elephant for Spin: "I loved that Meg's voice was timid. It felt so real. [...] I still feel today it's such a perfect recording." [24] Stephen Trageser of Nashville Scene believed the song has an "unsettling, ambiguous sentiment" with a "determined creepiness". [25] Staff at The Quietus wrote: "her (Meg's) clear-voiced invocations of flickering flame carnality exude a shy, eye-of-the-storm poise which contrasts beautifully with the high voltage drama that hallmarks the song's chart-topping parent album (Elephant)". [26] Tom Breihan of Stereogum believed Meg "brings a magnetic remoteness" and called it "beautifully weird". [27]
Credits are adapted from the liner notes of Elephant. [28]
The White Stripes
| Additional personnel
|