Intermodulation (IM) or intermodulation distortion (IMD) is the amplitude modulation of signals containing two or more different frequencies, caused by nonlinearities or time variance in a system. The intermodulation between frequency components will form additional components at frequencies that are not just at harmonic frequencies (integer multiples) of either, like harmonic distortion, but also at the sum and difference frequencies of the original frequencies and at sums and differences of multiples of those frequencies.
Intermodulation is caused by non-linear behaviour of the signal processing (physical equipment or even algorithms) being used. The theoretical outcome of these non-linearities can be calculated by generating a Volterra series of the characteristic, or more approximately by a Taylor series. [1]
Practically all audio equipment has some non-linearity, so it will exhibit some amount of IMD, which however may be low enough to be imperceptible by humans. Due to the characteristics of the human auditory system, the same percentage of IMD is perceived as more bothersome when compared to the same amount of harmonic distortion. [2] [3] [ dubious – discuss ]
Intermodulation is also usually undesirable in radio, as it creates unwanted spurious emissions, often in the form of sidebands. For radio transmissions this increases the occupied bandwidth, leading to adjacent channel interference, which can reduce audio clarity or increase spectrum usage.
IMD is only distinct from harmonic distortion in that the stimulus signal is different. The same nonlinear system will produce both total harmonic distortion (with a solitary sine wave input) and IMD (with more complex tones). In music, for instance, IMD is intentionally applied to electric guitars using overdriven amplifiers or effects pedals to produce new tones at subharmonics of the tones being played on the instrument. See Power chord#Analysis.
IMD is also distinct from intentional modulation (such as a frequency mixer in superheterodyne receivers) where signals to be modulated are presented to an intentional nonlinear element (multiplied). See non-linear mixers such as mixer diodes and even single-transistor oscillator-mixer circuits. However, while the intermodulation products of the received signal with the local oscillator signal are intended, superheterodyne mixers can, at the same time, also produce unwanted intermodulation effects from strong signals near in frequency to the desired signal that fall within the passband of the receiver.
A linear time-invariant system cannot produce intermodulation. If the input of a linear time-invariant system is a signal of a single frequency, then the output is a signal of the same frequency; only the amplitude and phase can differ from the input signal.
Non-linear systems generate harmonics in response to sinusoidal input, meaning that if the input of a non-linear system is a signal of a single frequency, then the output is a signal which includes a number of integer multiples of the input frequency signal; (i.e. some of ).
Intermodulation occurs when the input to a non-linear system is composed of two or more frequencies. Consider an input signal that contains three frequency components at, , and ; which may be expressed as
where the and are the amplitudes and phases of the three components, respectively.
We obtain our output signal, , by passing our input through a non-linear function :
will contain the three frequencies of the input signal, , , and (which are known as the fundamental frequencies), as well as a number of linear combinations of the fundamental frequencies, each in the form
where , , and are arbitrary integers which can assume positive or negative values. These are the intermodulation products (or IMPs).
In general, each of these frequency components will have a different amplitude and phase, which depends on the specific non-linear function being used, and also on the amplitudes and phases of the original input components.
More generally, given an input signal containing an arbitrary number of frequency components , the output signal will contain a number of frequency components, each of which may be described by
where the coefficients are arbitrary integer values.
The order of a given intermodulation product is the sum of the absolute values of the coefficients,
For example, in our original example above, third-order intermodulation products (IMPs) occur where :
In many radio and audio applications, odd-order IMPs are of most interest, as they fall within the vicinity of the original frequency components, and may therefore interfere with the desired behaviour. For example, intermodulation distortion from the third order (IMD3) of a circuit can be seen by looking at a signal that is made up of two sine waves, one at and one at . When you cube the sum of these sine waves you will get sine waves at various frequencies including and . If and are large but very close together then and will be very close to and .
As explained in a previous section, intermodulation can only occur in non-linear systems. Non-linear systems are generally composed of active components, meaning that the components must be biased with an external power source which is not the input signal (i.e. the active components must be "turned on").
Passive intermodulation (PIM), however, occurs in passive devices (which may include cables, antennas etc.) that are subjected to two or more high power tones. [4] The PIM product is the result of the two (or more) high power tones mixing at device nonlinearities such as junctions of dissimilar metals or metal-oxide junctions, such as loose corroded connectors. The higher the signal amplitudes, the more pronounced the effect of the nonlinearities, and the more prominent the intermodulation that occurs — even though upon initial inspection, the system would appear to be linear and unable to generate intermodulation.
The requirement for "two or more high power tones" need not be discrete tones. Passive intermodulation can also occur between different frequencies (i.e. different "tones") within a single broadband carrier. These PIMs would show up as sidebands in a telecommunication signal, which interfere with adjacent channels and impede reception.
Passive intermodulations are a major concern in modern communication systems in cases when a single antenna is used for both high power transmission signals as well as low power receive signals (or when a transmit antenna is in close proximity to a receive antenna). Although the power in the passive intermodulation signal is typically many orders of magnitude lower than the power of the transmit signal, the power in the passive intermodulation signal is often times on the same order of magnitude (and possibly higher) than the power of the receive signal. Therefore, if a passive intermodulation finds its way to receive path, it cannot be filtered or separated from the receive signal. The receive signal would therefore be clobbered by the passive intermodulation signal. [5]
Ferromagnetic materials are the most common materials to avoid and include ferrites, nickel, (including nickel plating) and steels (including some stainless steels). These materials exhibit hysteresis when exposed to reversing magnetic fields, resulting in PIM generation.
Passive intermodulation can also be generated in components with manufacturing or workmanship defects, such as cold or cracked solder joints or poorly made mechanical contacts. If these defects are exposed to high radio frequency currents, passive intermodulation can be generated. As a result, radio frequency equipment manufacturers perform factory PIM tests on components, to eliminate passive intermodulation caused by these design and manufacturing defects.
Passive intermodulation can also be inherent in the design of a high power radio frequency component where radio frequency current is forced to narrow channels or restricted.
In the field, passive intermodulation can be caused by components that were damaged in transit to the cell site, installation workmanship issues and by external passive intermodulation sources. Some of these include:
IEC 62037 is the international standard for passive intermodulation testing and gives specific details as to passive intermodulation measurement setups. The standard specifies the use of two +43 dBm (20 W) tones for the test signals for passive intermodulation testing. This power level has been used by radio frequency equipment manufacturers for more than a decade to establish PASS / FAIL specifications for radio frequency components.
Slew-induced distortion (SID) can produce intermodulation distortion (IMD) when the first signal is slewing (changing voltage) at the limit of the amplifier's power bandwidth product. This induces an effective reduction in gain, partially amplitude-modulating the second signal. If SID only occurs for a portion of the signal, it is called "transient" intermodulation distortion. [6]
Intermodulation distortion in audio is usually specified as the root mean square (RMS) value of the various sum-and-difference signals as a percentage of the original signal's root mean square voltage, although it may be specified in terms of individual component strengths, in decibels, as is common with radio frequency work. Audio system measurements (Audio IMD) include SMPTE standard RP120-1994 [6] where two signals (at 60 Hz and 7 kHz, with 4:1 amplitude ratios) are used for the test; many other standards (such as DIN, CCIF) use other frequencies and amplitude ratios. Opinion varies over the ideal ratio of test frequencies (e.g. 3:4, [7] or almost — but not exactly — 3:1 for example).
After feeding the equipment under test with low distortion input sinewaves, the output distortion can be measured by using an electronic filter to remove the original frequencies, or spectral analysis may be made using Fourier transformations in software or a dedicated spectrum analyzer, or when determining intermodulation effects in communications equipment, may be made using the receiver under test itself.
In radio applications, intermodulation may be measured as adjacent channel power ratio. Hard to test are intermodulation signals in the GHz-range generated from passive devices (PIM: passive intermodulation). Manufacturers of these scalar PIM-instruments are Summitek and Rosenberger. The newest developments are PIM-instruments to measure also the distance to the PIM-source. Anritsu offers a radar-based solution with low accuracy and Heuermann offers a frequency converting vector network analyzer solution with high accuracy.
An electronic mixer is a device that combines two or more electrical or electronic signals into one or two composite output signals. There are two basic circuits that both use the term mixer, but they are very different types of circuits: additive mixers and multiplicative mixers. Additive mixers are also known as analog adders to distinguish from the related digital adder circuits.
Frequency modulation (FM) is the encoding of information in a carrier wave by varying the instantaneous frequency of the wave. The technology is used in telecommunications, radio broadcasting, signal processing, and computing.
In radio communications, single-sideband modulation (SSB) or single-sideband suppressed-carrier modulation (SSB-SC) is a type of modulation used to transmit information, such as an audio signal, by radio waves. A refinement of amplitude modulation, it uses transmitter power and bandwidth more efficiently. Amplitude modulation produces an output signal the bandwidth of which is twice the maximum frequency of the original baseband signal. Single-sideband modulation avoids this bandwidth increase, and the power wasted on a carrier, at the cost of increased device complexity and more difficult tuning at the receiver.
Amplitude distortion is distortion occurring in a system, subsystem, or device when the output amplitude is not a linear function of the input amplitude under specified conditions.
In signal processing, distortion is the alteration of the original shape of a signal. In communications and electronics it means the alteration of the waveform of an information-bearing signal, such as an audio signal representing sound or a video signal representing images, in an electronic device or communication channel.
In telecommunications, a third-order intercept point (IP3 or TOI) is a specific figure of merit associated with the more general third-order intermodulation distortion (IMD3), which is a measure for weakly nonlinear systems and devices, for example receivers, linear amplifiers and mixers. It is based on the idea that the device nonlinearity can be modeled using a low-order polynomial, derived by means of Taylor series expansion. The third-order intercept point relates nonlinear products caused by the third-order nonlinear term to the linearly amplified signal, in contrast to the second-order intercept point that uses second-order terms.
The total harmonic distortion is a measurement of the harmonic distortion present in a signal and is defined as the ratio of the sum of the powers of all harmonic components to the power of the fundamental frequency. Distortion factor, a closely related term, is sometimes used as a synonym.
A low-noise amplifier (LNA) is an electronic component that amplifies a very low-power signal without significantly degrading its signal-to-noise ratio (SNR). Any electronic amplifier will increase the power of both the signal and the noise present at its input, but the amplifier will also introduce some additional noise. LNAs are designed to minimize that additional noise, by choosing special components, operating points, and circuit topologies. Minimizing additional noise must balance with other design goals such as power gain and impedance matching.
A combination tone is a psychoacoustic phenomenon of an additional tone or tones that are artificially perceived when two real tones are sounded at the same time. Their discovery is credited to the violinist Giuseppe Tartini, so they are also called Tartini tones.
In signal processing and electronics, the frequency response of a system is the quantitative measure of the magnitude and phase of the output as a function of input frequency. The frequency response is widely used in the design and analysis of systems, such as audio and control systems, where they simplify mathematical analysis by converting governing differential equations into algebraic equations. In an audio system, it may be used to minimize audible distortion by designing components so that the overall response is as flat (uniform) as possible across the system's bandwidth. In control systems, such as a vehicle's cruise control, it may be used to assess system stability, often through the use of Bode plots. Systems with a specific frequency response can be designed using analog and digital filters.
Audio system measurements are used to quantify audio system performance. These measurements are made for several purposes. Designers take measurements to specify the performance of a piece of equipment. Maintenance engineers make them to ensure equipment is still working to specification, or to ensure that the cumulative defects of an audio path are within limits considered acceptable. Audio system measurements often accommodate psychoacoustic principles to measure the system in a way that relates to human hearing.
In electronics, a mixer, or frequency mixer, is an electrical circuit that creates new frequencies from two signals applied to it. In its most common application, two signals are applied to a mixer, and it produces new signals at the sum and difference of the original frequencies. Other frequency components may also be produced in a practical frequency mixer.
A voltage-controlled oscillator (VCO) is an electronic oscillator whose oscillation frequency is controlled by a voltage input. The applied input voltage determines the instantaneous oscillation frequency. Consequently, a VCO can be used for frequency modulation (FM) or phase modulation (PM) by applying a modulating signal to the control input. A VCO is also an integral part of a phase-locked loop. VCOs are used in synthesizers to generate a waveform whose pitch can be adjusted by a voltage determined by a musical keyboard or other input.
Linear electronic oscillator circuits, which generate a sinusoidal output signal, are composed of an amplifier and a frequency selective element, a filter. A linear oscillator circuit which uses an RC network, a combination of resistors and capacitors, for its frequency selective part is called an RC oscillator.
In electronics, a frequency multiplier is an electronic circuit that generates an output signal and that output frequency is a harmonic (multiple) of its input frequency. Frequency multipliers consist of a nonlinear circuit that distorts the input signal and consequently generates harmonics of the input signal. A subsequent bandpass filter selects the desired harmonic frequency and removes the unwanted fundamental and other harmonics from the output.
The rusty bolt effect is a form of radio interference due to interactions of the radio waves with dirty connections or corroded parts. It is more properly known as passive intermodulation, and can result from a variety of different causes such as ferromagnetic conduction metals, or nonlinear microwave absorbers and loads. Corroded materials on antennas, waveguides, or even structural elements, can act as one or more diodes. Galvanised fasteners and sheet roofing develop a coating of zinc oxide, a semiconductor commonly used for transient voltage suppression. This gives rise to undesired interference, including the generation of harmonics or intermodulation. Rusty objects that should not be in the signal-path, including antenna structures, can also reradiate radio signals with harmonics and other unwanted signals. As with all out-of-band noise, these spurious emissions can interfere with receivers.
Spurious-free dynamic range (SFDR) is the strength ratio of the fundamental signal to the strongest spurious signal in the output. It is also defined as a measure used to specify analog-to-digital and digital-to-analog converters and radio receivers.
The Second-order intercept point, also known as the SOI, IP2, or IIP2, is a measure of linearity that quantifies the second-order distortion generated by nonlinear systems and devices. Examples of frequently used devices that are concerned with this measure are amplifiers and mixers. It is related to the third-order intercept point, which is generally used for quantifying degree of nonlinearity of a nonlinear system or it can also be used to estimate the nonlinear products present at the output of such a system.
In an electric power system, a harmonic of a voltage or current waveform is a sinusoidal wave whose frequency is an integer multiple of the fundamental frequency. Harmonic frequencies are produced by the action of non-linear loads such as rectifiers, discharge lighting, or saturated electric machines. They are a frequent cause of power quality problems and can result in increased equipment and conductor heating, misfiring in variable speed drives, and torque pulsations in motors and generators.
Two-tone testing is a means of testing electronic components and systems, particularly radio systems, for intermodulation distortion. It consists of simultaneously injecting two sinusoidal signals of different frequencies (tones) into the component or system. Intermodulation distortion usually occurs in active components like amplifiers, but can also occur in some circumstances in passive items such as cable connectors, especially at high power.
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