"Jubilation" | ||||
---|---|---|---|---|
Single by Paul Anka | ||||
from the album Jubilation | ||||
B-side | "Everything's Been Changed" | |||
Released | 1972 | |||
Recorded | 1972 | |||
Studio | Bell Sound (New York City) | |||
Genre | Gospel | |||
Length | 6:29 | |||
Label | Buddah | |||
Songwriter(s) |
| |||
Producer(s) | Johnny Harris | |||
Paul Anka singles chronology | ||||
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"Jubilation" is a song recorded by Canadian singer-songwriter Paul Anka for his 1972 studio album of the same name. Anka wrote the song with Johnny Harris, who also produced the track. It was released in 1972 as a 7" single by Buddah Records. A gospel song, the lyrics of "Jubilation" find the protagonist preaching about religious themes. Making a moderate commercial impact, it appeared on the record charts in both Canada and the United States. It has since been included on several of Anka's greatest hits albums and covered by The Edwin Hawkins Singers in 1973.
American vocalist Barbra Streisand covered "Jubilation" in 1974 for her sixteenth studio album, ButterFly . It was also released as a single but was substantially shorter than Anka's original version. Commenting on her cover, Anka praised Barbra's vocal capabilities and joked that she "can sing the phone book" if she wanted to. [1]
"Jubilation" was included on Anka's 1972 studio album (also titled Jubilation) and released by Buddah Records in May. It was one of the two songs written by Anka on the album, with the other being "She's a Lady". [2] "Jubilation" was first sent to United States Top 40 radio stations in 1972 as an airplay single, accompanied by the release of two different 7" singles. In a September 1972 Billboard article describing how American music would often find more success in Canada, the author claimed that despite Anka having Canadian citizenship, "Jubilation" was listed as "domestic content" on Canadian radio stations. [3]
The song was also physically released as a single in the United States and Canada. The promotional version, released in both countries, includes an extended and a shortened version of "Jubilation". The main United States edition features B-side track "Everything's Been Changed", another song written by Anka. [4] [5] "Jubilation", along with other tracks on the album, is primarily a gospel song. [6] The track was written by Anka and Johnny Harris, with the latter musician solely producing it. It was mastered by Robin C. Kruse and recorded at Bell Sound Studios in New York City during 1972. [4] In the lyrics, the protagonist preaches and discusses religious themes: "Sinners take heed / For the life that you lead is deceiving / Nothing replaces a man / That embraces believing, no". [7]
On Canada's official singles chart, compiled by RPM , "Jubilation" debuted at number 86 for the week ending March 18, 1972. [8] Two months later on May 13, the single peaked at number 31. [9] On the "Hits of the World" rankings created by Billboard, the single was listed as the sixth most popular song in Canada on June 3, 1972. [10] In the United States, it entered the Billboard Hot 100 at the lowest position (number 100) on March 25, 1972. [11] Later in May of that same year, it peaked at number 65; "Jubilation" charted in the United States on the Hot 100 for a total of nine consecutive weeks. [12] Reflecting on the commercial success of the song, Don Cusic, author of The Sound of Light: A History of Gospel and Christian Music, claimed that Anka's version of "Jubilation" was one of the few "gospel-related songs" to enter a musical record chart in 1972. [6]
American group The Edwin Hawkins Singers released "Jubilation" as a single in multiple territories in September 1973. All of the versions appear with either B-side tracks "Do My Thing" (written by Hawkins) or an "mono" version of "Jubilation". [13] [14] It would later be featured on their 1973 studio album New World where it was the album's lead single and opening track. [15]
"Jubilation" is also featured on a few compilation albums released by Anka. It was first included on She's a Lady, a collection of Anka's commercial singles, which was released in 1975. It was also included on his first two greatest hits albums, being The Best of Paul Anka (1985) and 30th Anniversary Collection (1989). It has since been featured on Vegas Style (2000), Golden Hour of Paul Anka (2001), Live and In Concert (2003), and Rock Swings: Live at the Montreal Jazz Festival (2005). [16]
Chart (1972) | Peak position |
---|---|
Canada Top Singles ( RPM ) [9] | 31 |
US Billboard Hot 100 [12] | 65 |
"Jubilation" | ||||
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Single by Barbra Streisand | ||||
from the album ButterFly | ||||
B-side | ||||
Released | April 1975 | |||
Recorded | July 1974 | |||
Studio | A&M Studios, Hollywood, California | |||
Length | 3:52 | |||
Label | Columbia | |||
Songwriter(s) |
| |||
Producer(s) | Jon Peters | |||
Barbra Streisand singles chronology | ||||
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American vocalist Barbra Streisand recorded her own version of "Jubilation" for her sixteenth studio album, ButterFly (1974). Despite Anka's original version totaling six minutes and 29 seconds, Streisand's is considerably shorter at three minutes and 52 seconds. On Anka's self-written book My Way: An Autobiography, he wrote that he was surprised to learn that Streisand's then-boyfriend Jon Peters was the one who produced the track: "Peters was still her hairdresser. Next thing you know he's her producer, and he's produced mega motion pictures". [1] However, he also acknowledged Streisand's rendition: "Barbra can sing the phone book. She has no problem singing anything. She's got one of the great voices". [1] For an album review on Billboard's "Top Album Picks" column in their weekly magazine, a critic listed Streisand's version of "Jubilation" as one of the "best cuts" on ButterFly. [17]
"Jubilation", along with several other tracks from ButterFly, was recorded by Streisand at A&M Studios in Los Angeles during July 1974. Produced by Peters, it was arranged by Tom Scott and John Bahler, while Hank Cicalo served as an engineer. [18] Columbia Records released it as the second and final single from ButterFly in April 1975. It was distributed in the United States, Canada, and Germany. The US and Canadian version features B-side track "Let the Good Times Roll", [19] while the German release includes a cover of Buck Owens's "Crying Time", [20] A promotional release was also distributed in the United States and includes the mono and stereo versions of "Jubilation". [21]
"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973, through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974).
A Collection: Greatest Hits...and More is the fourth greatest hits album recorded by American vocalist Barbra Streisand. It was released on October 3, 1989 by Columbia Records. The compilation features ten songs from Streisand's career, dating from 1975 to 1988, plus two previously unreleased songs: "We're Not Makin' Love Anymore" was released as the album's lead single on September 14, 1989, and "Someone That I Used to Love" was distributed as the second and final one in 1989. Both singles charted on several record charts internationally.
"Shake Me, Wake Me " is a song recorded by the American quartet Four Tops for their third studio album, On Top (1966). It was released in February 1966 as a 7" vinyl single through Motown records. It was written and produced by Brian Holland, Lamont Dozier, and Eddie Holland. A gospel rock track, its lyrics detail a relationship that has ended. It has since been regarded as one of Four Tops' most successful singles ever. It charted moderately well in both the United States and Canada, and became the group's fifth consecutive entry to chart within the top five of the Hot R&B/Hip-Hop Songs chart. Four Tops has performed "Shake Me, Wake Me " on various occasions throughout their careers and have included it on several greatest hits albums, including on The Four Tops Greatest Hits (1967) and The Ultimate Collection (1997).
"All I Ask of You" is a song from the 1986 English musical The Phantom of the Opera, between characters Christine Daaé and Raoul, originally played on stage by Sarah Brightman and Steve Barton, respectively. It was written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe, and solely produced by Lloyd Webber. An operatic pop piece, its lyrics serve as dialogue between the two characters and discuss themes such as commitment and romance. Like Lloyd Webber's song "The Music of the Night", "All I Ask of You" was compared to the music found in Giacomo Puccini's 1910 opera La fanciulla del West.
The Way We Were is the fifteenth studio album recorded by American singer Barbra Streisand. The album was released in January 1974, preceded by the commercial success of its lead single "The Way We Were" first released in September 1973.
Barbra Streisand's Greatest Hits Volume 2 is the second greatest hits album recorded by American vocalist Barbra Streisand. It was released on November 15, 1978 by Columbia Records. The album is a compilation consisting of ten commercially successful singles from the singer's releases in the 1970s, with a majority of them being cover songs. It also features a new version of "You Don't Bring Me Flowers", which was released as the collection's only single on October 7, 1978. Originating on Streisand's previous album, Songbird, the new rendition is a duet with Neil Diamond who had also recorded the song for his 1978 album of the same name. The idea for the duet originated from DJ Gary Guthrie who sold the idea to the record label for $5 million.
Lazy Afternoon is the seventeenth studio album recorded by American singer Barbra Streisand. It was released on October 14, 1975, by Columbia Records. Following a mixed critical response to her previous studio album, ButterFly (1974), the singer began working with new musicians for the project. Recorded in April 1975 in Los Angeles, Lazy Afternoon contains pop standards. Producer Rupert Holmes wrote three songs on the album and co-wrote a fourth, "By the Way", with Streisand. She also included a few cover songs, such as Four Tops' "Shake Me, Wake Me ", Stevie Wonder's "You and I", and Libby Holman's "Moanin' Low".
Live Concert at the Forum is the second live album by American singer Barbra Streisand, released physically on October 1, 1972, by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989.
ButterFly is the sixteenth studio album by American singer Barbra Streisand. Released on October 1, 1974, by Columbia Records, it marked Streisand's first album of entirely new material in over three years. Primarily a contemporary pop record recorded throughout 1974, it also incorporates music from the reggae and R&B genres. All of the tracks on ButterFly are cover songs produced by Streisand's then-boyfriend Jon Peters, originating from artists like Bob Marley, David Bowie, Evie Sands, and Graham Nash.
Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973, by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.
"Didn't We" is a song recorded by Irish singer and actor Richard Harris for his debut studio album, A Tramp Shining (1968). It was written and produced by Jimmy Webb and originally served as the B-side to Harris' 1968 single "MacArthur Park". "Didn't We" was then distributed as the record's single by Dunhill Records, also in 1968. A traditional pop song, Harris sings about his life in the past. Commercially, it charted at lower positions of both the United States and Canada, and in the higher ranks of their Adult Contemporary component charts. Harris featured "Didn't We" on several of his greatest hits albums, including The Richard Harris Collection: His Greatest Performances from 1973. That same year, the song was reissued as a promotional single paired alongside his 1971 single "My Boy".
"Guava Jelly" is a song recorded by the Jamaican group Bob Marley and the Wailers. It was released as a 7" vinyl single through Tuff Gong and Green Door Records. It was issued commercially with B-side track "Redder Then Red", which was misspelled on its initial printing, in 1971. It was written and produced by Marley and features uncredited lyrical contributions from Bunny Livingston. A reggae composition like the majority of Marley's works, "Guava Jelly" contains a rocksteady and island-like production with lyrics loosely based around sexual intercourse. His use of the term "guava jelly" was likely referring to a specific type of sexual lubricant. It was favorably viewed by several reviewers, with many of them finding the composition to be sexual and about love. The group placed "Guava Jelly" on several compilation albums, including Africa Unite: The Singles Collection in 2005, and Owen Gray and Herbie Mann created their own versions in 1974 and 1975, respectively.
"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song has been varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.
"My Father's Song" is a song recorded by American singer Barbra Streisand for her seventeenth studio album, Lazy Afternoon (1975). It was released as a 7" single in August 1975 through Columbia Records. Rupert Holmes wrote the song in collaboration with its producer Jeffrey Lesser. A sentimental ballad, "My Father's Song" was about Streisand's childhood with her father; Holmes' lyrics involve a protagonist, presumably a daughter, asking for her father's approval in life and love.
"We're Not Makin' Love Anymore" is a song recorded by American singer Barbra Streisand for her fourth greatest hits album, A Collection: Greatest Hits...and More (1989). It was released on September 14, 1989 by Columbia Records on 7-inch, 12-inch, cassette, and CD. It was written by Michael Bolton and Diane Warren and produced by Narada Michael Walden. Bolton's inspiration for the song was derived from his divorce; he and Warren debated what singer would be able to sing their work well and ultimately decided that Streisand would be the right fit. The song is a ballad that is similar in sound to Streisand's "Comin' In and Out of Your Life" (1981).
"Stranger in a Strange Land" is a song recorded by American singer Barbra Streisand for her 31st studio album, Guilty Pleasures (2005). It was released as the album's lead single on August 16, 2005, by Columbia Records. The track was written by Ashley Gibb, Barry Gibb and Stephen Gibb while production was handled by Barry Gibb and John Merchant. It serves as the first of 11 reunion collaborations with Barry Gibb, who Streisand had last collaborated with on Guilty (1980). The single was released digitally and physically distributed on CD and DVD, with some editions including the song's official music video.
"Night of My Life" is a song recorded by American singer Barbra Streisand for her 31st studio album, Guilty Pleasures (2005). It was released as the album's second single on September 27, 2005, by Columbia Records. The track was written by Ashley Gibb and Barry Gibb while production was handled by Barry Gibb and John Merchant. It serves as one of Streisand's first of 11 reunion collaborations with Barry Gibb since their work on her album Guilty in 1980. It was released digitally and on 12" and CD in five different formats, each including various remixes of the single.
Funny Lady is the soundtrack album of the 1975 musical film of the same title, starring Barbra Streisand. Released by Arista Records on March 15, 1975, arranged, conducted, and coordinated by Peter Matz, the album's fifteen tracks are performed by Streisand, James Caan, and Ben Vereen. A sequel to the 1968 musical comedy-drama Funny Girl, the songs extend the semi-biographical account of the life of American performer Fanny Brice. Funny Lady also included songs written by Brice's third husband Billy Rose. New music by Kander and Ebb included "How Lucky Can You Get", the album's only single, released in April 1975.
"What Were We Thinking Of" is a song recorded by American singer Barbra Streisand for her 25th studio album, Till I Loved You (1988). It was released as the album's third and final single in February 1989 by Columbia Records. The track was written by Antonina Armato and Scott Cutler and produced by Denny Diante. It features guest vocals from the singer's then-boyfriend Don Johnson, who had previously collaborated with Streisand on her 1988 single "Till I Loved You".
"On a Clear Day (You Can See Forever)" is a song written by Burton Lane (music) and Alan Jay Lerner (lyrics) for the 1965 Broadway musical On a Clear Day You Can See Forever. It was subsequently performed by American actress and vocalist Barbra Streisand in the 1970 film adaptation of the musical.
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