| Kalamkaval | |
|---|---|
| Theatrical release poster | |
| Directed by | Jithin K. Jose |
| Written by | Jithin K. Jose Jishnu Sreekumar |
| Starring | Mammootty Vinayakan |
| Cinematography | Faisal Ali |
| Edited by | Praveen Prabhakar |
| Music by | Mujeeb Majeed |
Production company | Mammootty Kampany |
| Distributed by | Wayfarer Films |
Release date |
|
Running time | 144 minutes [1] |
| Country | India |
| Language | Malayalam |
| Box office | est.₹80 crore [2] |
Kalamkaval: The Venom Beneath is a 2025 Indian Malayalam-language action thriller film directed by debutant Jithin K. Jose, who also co-wrote the screenplay with Jishnu Sreekumar. The film is produced by Mammootty Kampany and stars Mammootty and Vinayakan along with Gibin Gopinath, Gayatri Arun, Rajisha Vijayan and Shruti Ramachandran in supporting roles. The film's soundtrack album was composed by Mujeeb Majeed.
Kalamkaval was released in theatres on 5 December 2025 and received positive reviews from critics and audience, who praised the performances, particularly of Vinayakan and Mammootty, narration, direction, cinematography, music and writing. The film emerged as the fifth highest-grossing Malayalam film of 2025 and one of the highest-grossing Malayalam films of all time.
The film opens in early-2000s Kerala, where Sub-Inspector Jayakrishnan investigates what initially appears to be a routine case of local unrest following the elopement of a young woman. As the inquiry deepens, Jayakrishnan begins noticing inconsistencies that suggest the incident is only a surface-level distraction. His team uncovers a long-running pattern of missing women across rural areas—divorced, widowed, or unmarried—each last seen with the same unidentified man. Further analysis reveals a disturbing alternation pattern: whenever a murder occurs in Kerala, the next takes place in rural Tamil Nadu.
The investigation reveals that each victim’s phone is used to lure the next, forming a continuous chain. To strengthen the probe near the inter-state region, the team brings in a Malayali police officer posted at the closest jurisdiction near the Trivandrum–Tamil Nadu border—Stanley Das. Despite trying multiple tactics to trap the killer, the team repeatedly fails, with every lead ending in a dead end. Suspicion briefly falls on a fellow constable, Mani, when a victim’s phone is discovered hidden in his bedroom, leading the team to believe they may finally have the culprit. A bus driver later recalls repeatedly seeing a man traveling with one of the missing women, prompting the use of a sketch artist. Expecting Mani’s face to emerge from the sketch, the team is instead left stunned when the drawing unmistakably resembles Stanley. The case takes a decisive turn when Vidya, a survivor who escaped the killer, confirms Stanley as the man behind the murders. Unaware that he has been exposed, Stanley continues to pose as an investigator alongside Jayakrishnan.
Stanley attempts to kill his next victim, Shiny, by taking her to a lodge at night. Suspecting scrutiny from the cashier, he steps out under the pretext of smoking and unexpectedly encounters Jayakrishnan at the main counter. Jayakrishnan hands him a paper supposedly containing the suspect’s sketch. As Stanley climbs the stairs toward his room, he unwraps the paper midway and realizes it depicts his own face. Instantly aware that he has been exposed, he pulls out the cyanide-filled insulin syringe he already had on him and turns back. A violent struggle follows, ending with Jayakrishnan overpowering Stanley with the cashier’s help and placing his presumably dead body into the trunk of his car. The film closes with the car driving away, only for the trunk to begin opening from the inside, indicating that Stanley might still be alive.
Reports for Mammootty's upcoming film came on 25 May 2024 soon after the release of his film Turbo . It will be directed by Jithin K. Jose in his directorial debut, who previously worked as a writer in the film Kurup . Other details on crew that included were cinematographer Jomon T. John and music director Sushin Shyam. [3] In September 2024, Vinayakan was reported to play a prominent role in the film that brings together Mammootty and the former after a while, and was last acted together in Daivathinte Swantham Cleetus (2013). Their past works were in Big B (2007) and Best Actor (2010). As per reports, Vinayakan's role was originally meant for Prithviraj Sukumaran. Roby Varghese Raj's inclusion was also reported in 2024. [4] Filming commenced on 25 September 2025, under the working title Production No. VII that marks the seventh production venture of Mammootty Kampany. The screenplay is co-written by Jishnu Sreekumar and Jithin K. Jose himself. The yet to be titled film's technical team after changes included cinematographer Faisal Ali and editor Praveen Prabhakar. Wayfarer Films will distribute the film in Kerala. [5]
The official title Kalamkaval was announced by makers on 15 February 2025, that has a tagline "the venom beneath." [6] [7] The film would also have music composer Mujeeb Majeed while the action sequences are choreographed by stunt director Action Santhosh. [8] Last year in an interview with John Brittas, Mammootty said that the film would be another attempt at experimenting with roles he had not done before. [9]
Director Jithin K Jose revealed that actor Prithviraj Sukumaran was initially considered for the role that Vinayakan has played. When Jithin narrated the script to Prithviraj, he suggested that in either of the roles, Mammootty could fit in. However, due to Prithviraj's busy schedule with L2 : Empuraan and other films during that time, Jithin looked for other options. It was then later Mammootty who recommended to give the role to Vinayakan. [10]
Filming started with a muhurth puja ceremony on 25 September 2024 in Nagercoil. [11] Mammoooty joined the set on 2 October 2024. [12] The film completed its shoot in 9 November 2024. [13] It was extensively across locations in Tamil Nadu. [14]
The film will have a huge female cast and would introduce mostly newcomers. Rajisha Vijayan is one of the leading lady in her first association with Mammootty. Gayathri Arun is another female lead in her second collaboration with Mammootty after One . [15] Shruti Ramachandran would also play a major role. Megha Thomas, Malavika Menon, Abhi Suhana, Nisa, Triveda, Smitha, Sindhu Varma, Anupama, Vaishnavi Sai Kumar, Mohanapriya, Sidhi Fathima, Kabani, Seema, Riya, Amrutha, Mullai Arasi, Catherine Maria, Binsi and Dhanya Ananya formed the rest of the large female cast. [16] [17]
Mujeeb Majeed composed the music for the film. [18] Mammootty's grandson, Adyan Sayeed, sung the song "Redback" for the film in his second playback after Rorschach . [17]
| Kalamkaval | |
|---|---|
| Soundtrack album by Mujeeb Majeed | |
| Released | November 2025 |
| Genre | Filmi |
| Length | 1:52 |
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Nilaa Kaayum" | Vinayak Sasikumar | Sindhu Delson | 1:52 |
| Total length: | 1:52 | |||
The first look of the film was released on 16 February 2025. [19] [20] The second look was released on 20 April 2025. [21] [22] The official teaser was released on 28 August 2025. [23] A pre-release teaser was released on 1 December 2025. [24]
The film received a UA 16+ certification from CBFC. [25] The film was likely to release in theatres on 9 October 2025, [26] and then scheduled for a different date and was originally going to be on 27 November 2025. [27] However, it was then postponed to 5 December 2025. [28]
The film grossed over $3 million (₹26.87 crores in 2025) from GCC countries. A$150 thousand (₹88.77 lakhs in 2025) from Australia. The film sold over 1 million tickets on BookMyShow. The film grossed ₹75 crores in its 3rd week. [29]
The post theatrical digital rights of the film is acquired by SonyLIV. [30]
Kalamkaval received positive reviews from critics.
S. R. Praveen of The Hindu wrote, "Apart from fine performances from Mammootty and Vinayakan, mind games and character dynamics propel Jithin K Jose’s slow-burn thriller". [31] Janani K. of India Today rated 3/5 and wrote, "Kalamkaval offers enough twists, strong performances, and atmospheric filmmaking to warrant a watch, even if the runtime tests patience occasionally." [32] Anjana George of The Times of India rated 3/5 and wrote, "Kalamkaval is a film elevated by its lead actors and its atmospheric world, even if the storytelling occasionally falters. It remains a watch for Mammootty's enigmatic presence and the unsettling psychological duel at its core. [33] Anandu Suresh of The Indian Express rated 2./5 and wrote, "Mammootty once again shows he's the biggest threat to stardom; but the crime thriller fails him". [34]
Latha Srinivasan of NDTV rated 3.5/5 and wrote, "Technically, the film is sound with masterly editing, invigorating background and songs, and cinematography. There are numerous artistes who come in various roles but these are not fully explored. All in all, it is Mammootty's highly 'devilish' act against Vinayakan's underplayed cop role that makes this a compelling watch. [35] Princy Alexander of Onmanorama wrote, " Kalamkaval may not reconstruct the full complexity of a true-crime tale. But as a cinematic experience, it delivers a dark, measured, and unnerving output." [36] Sajin Shrijith of The Week rated 4.5/5 and wrote, "An unforgettable Mammootty and a sturdy Vinayakan in a haunting, surprise-laden thriller". [37]
Gautham S. of Pinkvilla rated 3.5/5 and highlighted Mammootty's portrayal but found the narrative predictable. [38] Rohit Panikker of Filmfare rated 3.5/5 and described it as a slow-burning crime mystery with emphasis on mood and silence. [39] Vishal Menon of The Hollywood Reporter India stated that Mammootty appeared "like never before" in a genre-driven thriller, praising the film's atmosphere and its screenwriting. [40]
Jay in Medium noted that Kalamkaval succeeds by allowing Mammootty to lead viewers beyond his star aura and make them hate his character to the core, a feat the critic described as rare even for major actors. The review also praised Jithin K Jose for reshaping the Cyanide Mohan template without glorifying the killer, and highlighted Vinayakan's composed, methodical performance as a strong counterforce. Despite criticism of an "avoidable" tail-end scene, the film was acclaimed for its tense mood, technical finesse, and the sharply written duel between the two leads. [41]