Kamrupi culture refers to the cultural norms of people of colonial Kamrup district.
The colloquial language of Kamrup are the Kamrupi dialects of Assamese. [1]
Traditionally Hinduism is primary religion practised by Kamrupi people. Cultural development of Kamrup is influenced by Hindu way life, which is evident in day-to-day life. Kamakhya temple is referred to as the heart of Kamrup in different Puranas. [2]
Kamrupi literature as written form begins as copper plate seals and other inscriptions of Kamrupi kings, as well as Charyapada, a major work in Eastern India. Lauhityapada, Minanatha, Hema Saraswati, Ananta Kandali, Haribara Vipra, Rudra Kandali and Bhattadeva are well known Kamrupi littérateurs.
Kamrupi dance are vaishnava forms of dances which are part of Kamrupi folklore. [3]
Kamrupi Lokgeet are traditional folk songs sung from immemorial times, depicting different aspects of life like wedding, lullaby and even for mosquito driveout. [4]
The important festivals of Kamrup region are Damhi; Bhathli, a kind of bamboo worship held in mid April, Amati and different Puja's. In winter there is a custom of mosquito drive-out by group singing known as 'Mahoho'. There are also choral songs, known as 'Ojapali', connected with the story of goddess Manasa.
Assamese, also Asamiya, is an Indo-Aryan language spoken mainly in the northeast Indian state of Assam, where it is an official language. It is the easternmost Indo-Iranian language, spoken by over 23 million speakers, and serves as lingua franca of the region.
Kamarupi Prakrit is the postulated Middle Indo-Aryan (MIA) Prakrit language used in ancient Kamarupa. This language is the historical ancestor of the Kamatapuri lects and the modern Assamese language; and can be dated prior to 1250 CE, when the proto-Kamta language, the parent of the Kamatapuri lects, began to develop. Though not substantially proven, the existence of the language that predated the Kamatapuri lects and modern Assamese is widely believed.
Indian folk music is diverse because of India's vast cultural diversity. It is sung in various languages and dialects throughout the length and breath of this vast nation and exported to different parts of the world owing to migration.
Nalbari is a town and a municipal board in Nalbari district in the Indian state of Assam. Nalbari town is also the headquarters of Nalbari District. The town is one of many towns covered under the proposed State capital region.
Goalpariya is a group of Indo-Aryan dialects spoken in the Goalpara region of Assam, India. Along with Kamrupi, they form the western group of Assamese dialects. The North Bengali dialect is situated to its west, amidst a number of Tibeto-Burman speech communities. The basic characteristic of the Goalpariya is that it is a composite one into which words of different concerns and regions have been amalgamated. Deshi people speak this language and there are around 20 lakhs people.
Assamese literature is the entire corpus of poetry, novels, short stories, plays, documents and other writings in the Assamese language. It also includes the literary works in the older forms of the language during its evolution to the contemporary form and its cultural heritage and tradition. The literary heritage of the Assamese language can be traced back to the c. 9-10th century in the Charyapada, where the earliest elements of the language can be discerned.
Kamrupi Lokgeet is popular form of folk music that expresses thoughts and emotion of the Kamrupi people. The songs are derived from Ancient Kamrup. The language of Kamrupi lokgeet are different dialects and ancestral forms of Assamese, including Early Assamese, Kamrupi dialects and Standard Assamese.
Rameshwar Pathak was an acclaimed Kamrupi Lokgeet singer from Kamrup, Assam, India. He also worked as a teacher in Arya Vidyapeeth Higher Secondary and Multipurpose School, Guwahati from 1963 to 1996.
Kamrupi literature is the literature written in the modern Kamrupi dialects of Assamese language.
Kamrupi or Kamarupi may refer to:
Kamrupi dialects are a group of regional dialects of Assamese, spoken in the Kamrup region. It formerly enjoyed prestige status. It is one of two western dialect groups of the Assamese language, the other being Goalpariya. Kamrupi is heterogeneous with three subdialects— Barpetia dialect, Nalbariya dialect and Palasbaria dialect.
Bhattadeva (1558–1638)(অসমীয়া: বৈকুণ্ঠনাথ ভাগৱত ভট্টাচাৰ্য), is acknowledged as the father of Assamese prose. Though Bhaktiratnakar-katha, the Assamese translation of Sankardev's Sanskrit composition Bhaktiratnakar by Gopala Charana Dwija preceded the works of Bhattadeva, Bhattadeva's prose had an influence in the development of a high and dignified style. Bhattadeva's and Gopala Charana Dvija's 16th century works are considered to be the earliest examples of prose in Indian languages. Bhattadeva's erudition in Sanskrit grammar and literature, and his command over the Bhagavata earned him the title of Bhagavata Bhattacharya.
Ananta Kandali was Brahmin poet from Hajo, Kamrup district. Ananta Kandali's real name was Haricharan, but he is popularly known by his scholastic title "Ananta Kandali". His father, Ratna Pathak, was a renowned scholar and expounder of the Bhagavata at the Madhava temple.
Ojapali is a traditional shamanistic type of indigenous folk dance from Assam in the northeastern region of India. Ojapali is believed to have evolved from Kathakata tradition and is performed in a group; it is believed to be one of the oldest art forms of Assam. Originally evolved in the Kamata state the western and northern part of river Brahmaputra later limited to Darrang area under the patronisation of Darrangi King Dharmanarayana. The repertoire of this performance consists of songs, dialogues, gesture, improvised acting and dramatisation etc. The group consists of an Oja, who leads the performance and four or five palies, who supplement the performance with continuously playing cymbal. Among the Palies Daina pali who stand on the right-hand side of the Oja is the active one and he and Oja take the performance forward. Many believe that Shankardev took inspiration from Ojapali to create his Ankiya Bhaona. Moreover he also created his own Sattriya Ojapali. Generally Darrangi Suknanni Ojapali sings the lyrics written by Sukabi Narayanadeva in Padmapurana. Padma Purana covers the story of serpent goddess Maroi(manasa devi). Ojapali is associated with Shakti Puja, including the deities manasa, kali, durga, kesikhaiti, kakogoshani etc.
Deodhani dance is a Shaman folk dance from the Indian state of Assam. It can be performed either solo or in a group. Deodhani is of Boro-kachari origin. A group performance of Deodhani generally consists of three or four women. The dance form is associated with the worship of the snake goddess Manasa or Marei/Maroi. A Deodhani dance is generally performed to the accompaniment of songs sung by an oja, an Assamese traditional chorus leader, in the Darrang district.
Professor Maheswar Neog was an Indian academic who specialised in the cultural history of the North East India especially Assam, besides being an Assamese-language scholar and poet. He was a top Indologist, and his work covers all disciplines of Indian studies, folk-lore, language, dance, history, music, religion, drama, fine arts, paintings, historiography and hagiography, lexicography and orthography, epigraphy and ethnography. His research includes multi-dimensional features of Vaishnava renaissance in Assam through Srimanta Sankardev, Madhabdev, Damodardev, Haridev, Bhattadev and other Vaishnava saints of Assam.
Sridhara Kandali was medieval vaishnavite poet from Kamrup region of Assam. He was known for his poetry work named "Kumara Harana".
The Kamrupi people are a linguistic group that speak the Kamrupi dialects of Assamese and are found in the colonial Kamrup district region of Assam, India.
Rama Saraswati was 16th century poet from Kamrup, India. He was well known for translation of entire Mahabharata to Early Assamese from Sanskrit for which he is also known as Axom Byas.
