King's Disease | ||||
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Studio album by | ||||
Released | August 21, 2020 | |||
Recorded | 2020 | |||
Genre | ||||
Length | 38:24 | |||
Label | ||||
Producer |
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Nas chronology | ||||
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Singles from King's Disease | ||||
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King's Disease is the twelfth studio album by American rapper Nas. It was released on August 21, 2020, through Mass Appeal Records and marketed by Universal Music Group. It succeeds his eleventh album, Nasir , released two years prior. The album features guest appearances from Charlie Wilson, Hit-Boy, Big Sean, Don Toliver, Lil Durk, Anderson .Paak, Brucie B, Nas's supergroup the Firm, Fivio Foreign, and ASAP Ferg.
King's Disease received generally positive reviews and was viewed by music critics as a return to form following the muted reception of Nasir (2018).
The album won the Grammy Award for Best Rap Album at the 63rd Annual Grammy Awards, becoming Nas' first Grammy. [1] The album's sequel, King's Disease II , was released on August 6, 2021 [2] and is Nas's first release to be marketed by Sony Music (through The Orchard subsidiary) since the release of Street's Disciple in 2004.
Following the release of his twelfth studio album Nasir , Nas stated that he would be working on an unfinished album produced by Swizz Beatz and RZA, who both contributed to Nas' compilation album The Lost Tapes 2 in 2019. However, on August 10, 2020, Nas announced via Instagram he would be releasing a different album produced and executive produced by American record producer Hit-Boy, which would become known as King's Disease. Four days later, on August 14, Nas released the album's lead and only single, "Ultra Black", featuring Hit-Boy.
The official music video for the album's final track and only bonus track, "Spicy", featuring American rappers Fivio Foreign and ASAP Ferg, was released on October 2, 2020. [3] The official music video for "Replace Me", featuring American rapper Big Sean and American singer Don Toliver, was released on October 21. [4]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 72/100 [5] |
Review scores | |
Source | Rating |
AllMusic | [6] |
Clash | 8/10 [7] |
Consequence of Sound | B+ [8] |
Exclaim! | 7/10 [9] |
HipHopDX | 4.1/5 [10] |
NME | [11] |
Pitchfork | 6.3/10 [12] |
Rolling Stone | [13] |
Tom Hull – on the Web | B+ ( ) [14] |
King's Disease was met with generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 from mainstream publications, the album received an average score of 72, based on nine reviews. [5]
Andy Kellman of AllMusic felt that the album was an improvement from the rapper's work in recent years, writing: "Nas is more ruminative and measured, like he's found his stride again, even as he flagrantly contradicts himself and waylays men and women with relationship advice that rings hollow. Going strictly by the conviction and feeling in each line, King's Disease is the MC's best work since 2008." [6] Robin Murray of Clash wrote: "'The King's Disease' finds Nas grappling with a raft of contradictions, contrasting the opulence of his lifestyle with the need for vitality in his message," adding that "it's not perfect, but it's less an end product, and more the search for creative process – by the end, you become convinced the Queens rapper has found his throne." [7] Okla Jones of Consequence of Sound praised the album for its cohesion and production, writing that King's Disease "delivers a feel appropriate for the times" and "hits the mark as being one of the better rap albums of the year." [8] Similarly, Riley Wallace of HipHopDX wrote: "The creative process seems more organized and thought out, allowing Nas to do all the things he's good at, without embellishing any of them." [10]
Reviewing for NME , Will Lavin appraised the album for its lyricism, claiming that the album's lyrics demand "high levels of dissection" and that the album is an "acutely perceptive and culturally relevant body of work that finds its author willing to try out new ideas." He concluded by writing: "There's a genuine conversation to be had about whether it's the best rap album of the year so far." [11]
In a more mixed review, Pete Tosiello of Pitchfork wrote that the album "marks a retreat into a nostalgia-act comfort zone—one which suits Nas, even as it yields diminishing returns." [12] Ryan Feyre of RapReviews.com wrote that the album's biggest missed opportunity lies in "Nas’ inability to reach beyond the ambitious presentation found in everything surrounding the lyrics," adding that "he's entertaining in spurts, but much like his 'godly' contemporary Jay-Z, one has to wonder if what he says ever really matters on King’s Disease anymore." [15] Danny Schwartz of Rolling Stone called the album a "slick Illmatic redux" and a "fresh portrait of Nas' now-mythical hustler years," but criticized the album for attempting to "paper over" the rapper's abuse allegations and showcasing his "increasingly questionable politics when it comes to women," concluding by writing: "26 years after Illmatic, Nas still has room to grow." [13]
King's Disease debuted at number five on the US Billboard 200 with 47,000 album-equivalent units, of which 18,000 were pure album sales. [16] It serves as Nas's fourteenth top-ten album in the United States. [16]
The album's last track and only bonus track, "Spicy", featuring American rappers Fivio Foreign and ASAP Ferg reached number 96 on the US Billboard Hot 100 and number 36 on the Hot R&B/Hip-Hop Songs chart, and the track "Replace Me" with Big Sean and Don Toliver reached number 49 on the Hot R&B/Hip-Hop Songs chart. [17]
All lyrics are written by Nas, Hit-Boy, and their collaborators; all music is composed by Hit-Boy
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "King's Disease" | 1:52 | ||
2. | "Blue Benz" |
|
| 2:21 |
3. | "Car #85" (featuring Charlie Wilson) |
|
| 3:29 |
4. | "Ultra Black" (featuring Hit-Boy) |
| 3:19 | |
5. | "27 Summers" |
|
| 1:43 |
6. | "Replace Me" (featuring Big Sean and Don Toliver) |
| 2:51 | |
7. | "Til the War Is Won" (featuring Lil Durk) |
|
| 3:22 |
8. | "All Bad" (featuring Anderson .Paak) |
|
| 3:49 |
9. | "The Definition" (featuring Brucie B) |
|
| 2:01 |
10. | "Full Circle" (featuring The Firm) |
|
| 3:52 |
11. | "10 Points" |
|
| 3:05 |
12. | "The Cure" |
|
| 3:53 |
13. | "Spicy" (bonus track) (featuring Fivio Foreign and ASAP Ferg) |
|
| 2:47 |
Total length: | 38:24 |
Notes
Sample credits
Musicians
Technical
Artwork
Label
Chart (2020) | Peak position |
---|---|
Australian Albums (ARIA) [23] | 58 |
Belgian Albums (Ultratop Flanders) [24] | 59 |
Canadian Albums (Billboard) [25] | 12 |
Dutch Albums (Album Top 100) [26] | 52 |
Swiss Albums (Schweizer Hitparade) [27] | 16 |
UK Albums (OCC) [28] | 24 |
UK R&B Albums (OCC) [29] | 1 |
US Billboard 200 [30] | 5 |
Nasir bin Olu Dara Jones, known professionally as Nas, is an American rapper and entrepreneur. Rooted in East Coast hip hop, he is regarded as one of the greatest rappers of all time. The son of jazz musician Olu Dara, Nas began his musical career in 1989 under the moniker "Nasty Nas", and recorded demos under the wing of fellow East Coast rapper Large Professor. Nas made his recording debut on Professor's group, Main Source's 1991 song "Live at the Barbeque".
The discography of Nas, an American rapper, consists of seventeen studio albums, one collaborative album, one group album, five compilations, four mixtapes, one extended play, and seventy-nine singles. Nas has sold over 20 million records in the United States alone, and 35 million albums worldwide.
Chauncey Alexander Hollis Jr., known professionally as Hit-Boy, is an American record producer, rapper, singer, and songwriter from Fontana, California. He first signed with fellow producer Polow da Don in 2007 as in-house production staff for his label Zone 4, and later signed with Kanye West's GOOD Music in 2011 to serve a similar role. He first gained major recognition for his work on Lil Wayne's 2009 single "Drop the World", which entered the Billboard Hot 100 at number 18. The following year, he produced West and Jay-Z's 2011 single "Niggas in Paris", which peaked at number five on the chart and received diamond certification by the Recording Industry Association of America (RIAA).
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