"Ladykillers" | ||||
---|---|---|---|---|
Single by Lush | ||||
from the album Lovelife | ||||
B-side | "I Wanna Be Your Girlfriend" | |||
Released | 26 February 1996 | |||
Genre | ||||
Length | 3:46 | |||
Label | 4AD | |||
Songwriter(s) | Miki Berenyi | |||
Producer(s) |
| |||
Lush singles chronology | ||||
|
"Ladykillers" is a song by English rock band Lush. It was released through 4AD on 26 February 1996 as the second single from the band's third studio album, Lovelife (1996). Known for its feminist themes, the song became one of the band's bigger hits, [1] peaking at No. 22 on the UK Singles Chart, No. 18 on the US Billboard Modern Rock Tracks chart, and No. 15 on the Canadian RPM Alternative 30 chart. The song appeared in the video game NCAA Football 06 .
"Ladykillers" was described as a Britpop track [2] and "a punky shot of Blondie-esque new wave". [3] Lacking the reverb-indebted sound of the band's previous material, the track opened with "attention-seizing circular melody and spunky vocals" from lead vocalist Miki Berenyi. [4] AllMusic's Stephen Thomas Erlewine said that it was influenced by "the direct, jagged pop of Elastica", [5] but the band were annoyed by what Berenyi called "stupid Elastica comparisons". [6]
Berenyi confirmed that the second and third verses of the song were about Red Hot Chili Peppers lead singer Anthony Kiedis and Weezer bassist Matt Sharp, respectively. [7] [8] Berenyi condemned Kiedis' behavior that she witnessed during Lollapalooza, labeling him as manipulative and detailing an incident in which Kiedis asked her to accompany him to a strip club, as well as Kiedis' abuse of groupies that occurred during the tour. [9]
Annie Zaleski of The A.V. Club regarded the song as one of the album's standouts, describing it as "a welcome antidote to Britpop's masculine point of view". Zaleski further stated that the track is "a righteous feminist statement in which Lush reminds those with a Y chromosome that respecting women and treating them like smart, competent human beings is perhaps the best first step." [3] Consequence of Sound critic Frank Mojica stated that Berenyi eviscerates "men with transparent agendas and dubious attitudes towards women everywhere with an infectiously sarcastic wit". He concluded: "It's what would have been hyped as a girl power anthem had it been released a couple years later." [4] The track was included on VH1's list of "Top 10 Britpop Tracks". [2]
A music video for the song, directed by Mark Pellington, was released in 1996. [10] It features the band performing the song, as well as footage of praying mantises decapitating one another. [11]
UK 7-inch single [12]
UK CD1 [13]
UK CD2 [14]
Personnel are lifted from the UK CD1 liner notes. [13]
Lush
| Technical personnel
|
Chart (1996) | Peak position |
---|---|
Canada Rock/Alternative ( RPM ) [15] | 15 |
Europe (Eurochart Hot 100) [16] | 49 |
Scotland (OCC) [17] | 28 |
UK Singles (OCC) [18] | 22 |
US Modern Rock Tracks ( Billboard ) [19] | 18 |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | 19 February 1996 | Alternative radio | [20] | |
United Kingdom | 26 February 1996 |
| 4AD | [21] |
Lush were an English rock band formed in London in 1987. The original line-up consisted of Miki Berenyi, Emma Anderson, Steve Rippon and Chris Acland (drums). Phil King replaced Rippon in 1991. They were one of the first bands to have been described with the "shoegazing" label. Following the death of Acland, the group disbanded in 1996.
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Miki Eleonora Berenyi is an English singer, songwriter, and guitarist best known as a member of the alternative rock band Lush and currently a member of Piroshka.
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Lovelife is the third and final studio album by English rock band Lush. It was released on 5 March 1996 by 4AD. On Lovelife, the band moved away from their earlier dream pop and shoegazing style and embraced a more Britpop-oriented sound. The album was produced by Pete Bartlett and the band at Protocol Studios in London, and engineered by Giles Hall. Three songs were released as singles: "Single Girl", "Ladykillers", and "500 ", all of which achieved moderate success on the UK Singles Chart, reaching the top 30 positions. On release, Lovelife reached number eight on the UK Albums Chart.
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