Black Spring | ||||
---|---|---|---|---|
EP by | ||||
Released | 7 October 1991 | |||
Recorded | September 1991 | |||
Studio | September Sound in London, England | |||
Genre | ||||
Length | 17:55 | |||
Label | 4AD | |||
Producer | Robin Guthrie | |||
Lush chronology | ||||
| ||||
Singles from Black Spring | ||||
|
Black Spring is the third extended play by the English alternative rock band Lush. It was released on 7 October 1991 on 4AD. The opening track, "Nothing Natural", was released as a single with the B-side "God's Gift". Several other songs were included on the EP, including a cover version of "Lady" by Dennis Wilson.
Produced by Cocteau Twins guitarist Robin Guthrie, Black Spring was the result of several months of writing by Lush. The band originally intended to release a full-length studio album in spring 1991, but found themselves with little material after the release of their 1990 EPs. Lush recorded Black Spring at September Sound in London in September 1991, experimenting with their guitar and drum sound using sequencers and MIDI.
Upon its release, Black Spring reached No. 2 in the UK Independent Singles Chart, and "Nothing Natural" peaked at No. 43 on the UK Singles Chart. The EP was followed by a national British tour, during which bassist Steve Rippon left the band and was replaced by Phil King.
Between 1989 and 1990, Lush released the mini album Scar , as well as two EPs— Mad Love and Sweetness and Light —that were compiled and released on the compilation album Gala in November 1990. Receiving unanimous acclaim, Gala was due to be succeeded by a full-length debut album in spring 1991. [1] However, Lush found themselves in a situation where they only "[had] about two and a half songs". Vocalist-guitarist Miki Berenyi attributed the lack of output to the sheer amount of material released between 1989 and 1990, explaining in Sounds in January 1991: "Having released Sweetness and Light with two extra songs on it, we're again left in a position where we haven't got any songs." She further said that "most bands have been going a fair amount of time and've built up a set", whereas Lush had not and didn't feel like writing an album's worth of new material unless it was "a more coherent body of work". [2]
By summer 1991, Lush had composed up to 21 new songs, [3] and hinted at new material, expressing an interest in experimenting with drum machines, sequencers and MIDI equipment. Guitarist Emma Anderson said the band were attempting to become more "technically minded" and create "some more interesting sounds" without sounding overproduced. [4] Lush began recording Black Spring in September, choosing Guthrie as a producer; he had produced Mad Love for the band in 1990. The recording sessions were held at September Sound, Guthrie's own recording studio in southwest London, with Guthrie and assistant engineer Mitsuo Tate. [5]
Guthrie's contributions to Black Spring included extensive use of compressors and gates, and recording the majority of Anderson and Berenyi's guitar tracks via DI units instead of using the traditional method of using microphones to record the guitar amplifiers. Occasional microphone-recorded guitar tracks were used during the sessions; Berenyi's Mesa Boogie Mark IV combo amplifier was recorded in mono and Anderson's was recorded in stereo. The band chose not to record both guitarists' tracks in stereo as "it would be too much" considering the amount of delay used. [3]
Black Spring features four songs: "Nothing Natural", a cover of Dennis Wilson's "Lady" (retitled "Fallin' in Love"), "God's Gift" and "Monochrome". Anderson was the primary songwriter of Black Spring's material; Anderson solely wrote and composed "Nothing Natural" and "Monochrome", and co-wrote "God's Gift" with Berenyi. [5] As a result of Anderson's increased role in Lush's songwriting, Black Spring's songs were "lighter and less punky" than the band's previous releases, but the songs—particularly the lyrics—still maintained the band's "moody dreampop" trademarks. [6]
Described as "space-age guitar pop" featuring Anderson and Berenyi's "wistful, hippy harmonies", [7] the songs on Black Spring are marked by unconventional and constantly changing time signatures developed by Anderson and drummer Chris Acland. Acland's drum sound on Black Spring changed significantly as a result of in-studio experimentation. Berenyi had originally experimented writing drum loops on a Roland R-5, but Acland instead worked with producer Robin Guthrie on writing and recording his drum parts. Guthrie suggested a technique in which Acland's tracks were played into a sequencer from Simmons pads, which then triggered sampled drum sounds. The technique was used on all of Acland's drum tracks—except for the cymbals—and he was initially critical of the process, stating "it doesn't seem that natural", but said the process was "quicker" and "the end result sounds like a really good drum kit". [3]
Black Spring features a celeste sample and Roland drum machine on "Fallin' in Love", as well as Lush's effects-laden guitar sound throughout. Anderson and Berenyi both used a vast amount of chorus effect on their guitars; Berenyi's chorus sound was from a Boss CE-2 pedal and Anderson's from a Roland GP-16 multieffects unit. Berenyi used several other Boss effects on Black Spring, including distortion (DS-1), overdrive (SD-1) and delay (DD-3). [3]
Black Spring's packaging and artwork was designed by Vaughan Oliver, who had designed artwork for all of Lush's previous releases. Oliver's designs featured photography by Jim Friedman. [5] As with their previous releases, Lush included two obscure messages on the run-out matrix codes on the groove of the 12-inch record pressing of Black Spring. The messages read "Lush and Ride at the Enormodrome" on side 1 and "they've got this much talent" on side 2. [8]
A promotional music video was released for "Nothing Natural" in 1991. Reflecting on the music video, Berenyi said it was "an effing nightmare" and that the video's director had "some ludicrous idea of what he wanted [Lush] to look/act like in the video and it was nothing to do with how [the band was]". Berenyi further explained that the band went along with the director's suggestion as Lush "had no ideas of [their] own at all, and back in the [19]90s the solution was to offer directors a shitload of money to come up with something fabulous that MTV would play". According to Berenyi, Nirvana vocalist and guitarist Kurt Cobain became a Lush fan after seeing the music video. [9]
"Nothing Natural" | ||||
---|---|---|---|---|
Single by Lush | ||||
from the album Black Spring | ||||
B-side | "God's Gift"/"Monochrome"/"Nothing Natural" (Version) | |||
Released | 7 October 1991 | |||
Recorded | September 1991 | |||
Genre | ||||
Length |
| |||
Label | ||||
Songwriter(s) | Emma Anderson | |||
Producer(s) | Robin Guthrie | |||
Lush singles chronology | ||||
|
Black Spring was released on 7 October 1991 on 4AD. It was issued as a 12-inch and CD, and was later made available as a digital download. [10]
Black Spring's opening track, "Nothing Natural", was issued as the EP's lead single on the same day. Featuring a shortened edit of the title track, it was released as a 7" and cassette single, with "God's Gift" as the B-side. [11] A maxi CD single was released in the United States, with "God's Gift", "Monochrome" and the full-length EP version of "Nothing Natural" as B-sides. [12] "Monochrome" was originally intended as Black Spring's main A-side and single—as suggested by producer Robin Guthrie—but 4AD instead chose "Nothing Natural", believing it to be a superior track. [7]
"Nothing Natural" entered the UK Singles Chart in its first week of release, peaking at No. 43, [13] and Black Spring reached No. 2 on the UK Independent Singles Chart. [14] "Nothing Natural" also charted in the US, peaking at No. 22 on Billboard 's Modern Rock Tracks chart. [15]
In support of both Black Spring and the "Nothing Natural" single, Lush began a two-leg national tour, during which the band exclusively debuted the songs from the EP. The tour began with two "warm-up" shows at Colne Municipal Hall in Colne on 7 October 1991 and Northampton Irish Centre on 8 October, [11] before three main shows at various London venues from 9 to 12 October. [16] The second leg, featuring support from Gallon Drunk, included eight further dates, starting at the University of Bradford on 21 October and concluding at Fox's in Wolverhampton on 28 October. [11]
Just before the second leg of the Black Spring tour, bassist Rippon decided to leave Lush. It was reported that he left due to "personal reasons", but that his relationship with the rest of the band was "perfectly amicable". Rippon confirmed later that the band's "strenuous schedule" for 1992, including planned tours of Australia, Japan and the US, contributed to his decision. He continued until the end of the tour, [17] after which he was replaced by King in December 1991. [18]
"Nothing Natural" and "Monochrome" were featured on Lush's debut full-length studio album, Spooky (1992), and remastered versions of both songs were included on Ciao! Best of Lush , a compilation album released in 2001. [19]
Black Spring EP
| "Nothing Natural" single
|
All personnel credits adapted from Black Spring's notes. [5]
Chart (1991) | Peak position |
---|---|
UK Singles Chart [13] | 43 |
UK Independent Singles Chart [14] | 2 |
US Alternative Airplay ( Billboard ) [20] | 22 |
Lush were an English rock band formed in London in 1987. The original line-up consisted of Miki Berenyi, Emma Anderson, Steve Rippon and Chris Acland (drums). Phil King replaced Rippon in 1991. They were one of the first bands to have been described with the "shoegazing" label. Following the death of Acland, the group disbanded in 1996.
Cocteau Twins were a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth by Robin Guthrie and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981 and replacing Heggie with multi-instrumentalist Simon Raymonde in 1983. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language. They pioneered the 1980s alternative subgenre of dream pop and helped define what would become shoegaze.
Head over Heels is the second studio album by Scottish alternative rock band Cocteau Twins. The album was released on 24 October 1983 through the label 4AD. It featured the band's signature sound of "Guthrie's lush guitars under Fraser's mostly wordless vocals" and is considered an archetype of early ethereal wave music.
Christopher John Dyke Acland was an English drummer and songwriter. He was the drummer of the London-based alternative rock band Lush.
Emma Anderson is an English musician. She is best known for being a songwriter, guitarist and singer in the shoegazing/Britpop band Lush.
Victorialand is the fourth studio album by Scottish alternative rock band Cocteau Twins, released by 4AD in 1986. Working without bassist Simon Raymonde, vocalist Elizabeth Fraser and guitarist/producer Robin Guthrie opted for a subtler sound on the album.
Robin Andrew Guthrie is a Scottish musician, songwriter, composer, record producer and audio engineer, best known as the co-founder of the alternative rock band Cocteau Twins. During his career Guthrie has performed guitar, bass guitar, keyboards, drums and other musical instruments, in addition to programming, sampling and sound processing.
You Made Me Realise is the third EP by alternative rock band My Bloody Valentine, released on 8 August 1988 through Creation Records. It was their first record for Creation.
Miki Eleonora Berenyi is an English singer, songwriter, and guitarist best known as a member of the alternative rock band Lush and currently a member of Piroshka.
Spooky is the debut studio album by English rock band Lush. It was released on 27 January 1992 by 4AD. The album, produced by Robin Guthrie of Cocteau Twins, followed the band's mini album, Scar (1989), several extended play releases, and the compilation album Gala (1990). Spooky reached the UK Top 10 and topped the national indie charts. The album produced three singles: "Nothing Natural", "For Love" and "Superblast!".
Split is the second studio album by English rock band Lush, released on 4AD on 13 June 1994 in the United Kingdom and a day later in the US. Two commercial singles were released from the album: "Desire Lines" and "Hypocrite", both released on 30 May 1994. Split was reissued by 4AD on CD in July 2001.
Lovelife is the fourth and final studio album by English rock band Lush. It was released on 5 March 1996 by 4AD. On Lovelife, the band moved away from their earlier dream pop and shoegazing style and embraced a more Britpop-oriented sound. The album was produced by Pete Bartlett and the band at Protocol Studios in London, and engineered by Giles Hall. Three songs were released as singles: "Single Girl", "Ladykillers", and "500 ", all of which achieved moderate success on the UK Singles Chart, reaching the top 30 positions. On release, Lovelife reached number eight on the UK Albums Chart.
Gala is the debut compilation album by the English alternative rock band Lush, released in 1990 by 4AD as an introduction to the US and Japanese markets, comprising the band's earliest releases in reverse chronological order, plus two additional tracks.
Ciao! Best of Lush is a compilation album by the band Lush, released in March 2001 by 4AD. The essay in the booklet was written by Dominic Wills and included quotes from members Miki Berenyi and Emma Anderson. The best-of CD appeared almost five years after the band's dissolution and drummer Chris Acland's suicide; the compilation was dedicated to his memory.
Scar is an EP by English rock band Lush. It was released on 9 October 1989 on 4AD. Originally intended to be a three-track single release, Scar was produced by John Fryer and the band themselves and recorded at London's Blackwing Studios in 1989.
Mad Love is the debut extended play by the English alternative rock band Lush. It was released on 26 February 1990 by 4AD. Produced by Cocteau Twins guitarist Robin Guthrie, Mad Love was composed of four tracks—including a rerecording of "Thoughtforms", a song from Lush's debut mini-album Scar (1989).
Sweetness and Light is the second extended play by the English alternative rock band Lush. It was released on 15 October 1990 on 4AD. Featuring a less abrasive sound than the band's earlier releases, the title track was also released as Lush's first single and included the B-side "Breeze".
Blind Spot is the fourth and final extended play (EP) by English rock band Lush. Released on 15 April 2016, by the band's record label Edamame, the EP contains the band's first new material since 1996, following their reunion in 2015. It was produced by Jim Abbiss and Ladytron member Daniel Hunt.
"Ladykillers" is a song by English rock band Lush. It was released through 4AD on 26 February 1996 as the second single from the band's third studio album, Lovelife (1996). Known for its feminist themes, the song became one of the band's bigger hits, peaking at No. 22 on the UK Singles Chart, No. 18 on the US Billboard Modern Rock Tracks chart, and No. 15 on the Canadian RPM Alternative 30 chart. The song appeared in the video game NCAA Football 06.
"Ciao!" is a song by English alternative rock band Lush from their 1996 album, Lovelife. Written as a duet sung from the perspective of a breakup, the song was written by Miki Berenyi with Jarvis Cocker of Pulp making a guest appearance to sing the male vocals.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)