Leheriya is a traditional style of textile tie dye from Rajasthan, India. [1] Its designs are inspired by the natural wave(leher) patterns formed by the wind blowing across the desert sands of western Rajasthan. [2] The craft is exclusive to Rajasthan, with its main centres being the cities of Jaipur and Jodhpur. [3]
The word "leheriya" is derived from the Sanskrit word “lahara,” meaning “wave.” [4]
Leheria dyeing is done on thin cotton or silk cloth, usually in lengths appropriate for dupatta, turbans or saris. According to World Textiles: A Visual Guide to Traditional Techniques, the fabric is "rolled diagonally from one corner to the opposite selvedge, and then tied at the required intervals and dyed". Wave patterns result from fanlike folds made before dyeing. [5] Traditional leheria employs natural dyes and multiple washes and uses indigo or alizarin during the final stage of preparation. [6]
An additional dyeing using the leheria technique produces mothara. In the making of mothara, the original resists are removed and the fabric is re-rolled and tied along the opposite diagonal. This results in a checkered pattern with small undyed areas occurring at regular intervals. The undyed areas are about the size of a lentil, hence the name mothara (moth means lentil in Hindi). [5]
Leheria turbans were a standard part of male business attire in Rajasthan during the nineteenth and early twentieth centuries. Leheria is still produced in Jodhpur, Jaipur, Udaipur, and Nathdwara. It is offered for sale with most of its resist ties still in place as proof of authenticity, with a small portion of fabric unrolled to display its pattern. [5]
Leheria occasionally appears in fashion collections, such as Designer Malini Ramani's beach collection in the Spring 2006 Delhi fashion show. [7]
Tie-dye is a term used to describe a number of resist dyeing techniques and the resulting dyed products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment, before binding with string or rubber bands, followed by the application of dye or dyes. The manipulations of the fabric before the application of dye are called resists, as they partially or completely prevent ('resist') the applied dye from coloring the fabric. More sophisticated tie-dye may involve additional steps, including an initial application of dye before the resist, multiple sequential dyeing and resist steps, and the use of other types of resists and discharge.
Shibori is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
Ikat is a dyeing technique from Indonesia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. The term is also used to refer to related and unrelated traditions in other cultures. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general clades. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion. Similar dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
Dyeing is the application of dyes or pigments on textile materials such as fibers, yarns, and fabrics with the goal of achieving color with desired color fastness. Dyeing is normally done in a special solution containing dyes and particular chemical material. Dye molecules are fixed to the fiber by absorption, diffusion, or bonding with temperature and time being key controlling factors. The bond between the dye molecule and fiber may be strong or weak, depending on the dye used. Dyeing and printing are different applications; in printing, color is applied to a localized area with desired patterns. In dyeing, it is applied to the entire textile.
Bandhani is a type of tie-dye textile decorated by plucking the cloth with the fingernails into many tiny bindings that form a figurative design. Today, most Bandhani making centers are situated in Gujarat, Rajasthan, Sindh, Punjab region and in Tamil Nadu where it is known as Sungudi. It is known as chunri in Pakistan. Earliest evidence of Bandhani dates back to Indus Valley civilization where dyeing was done as early as 4000 B.C. The earliest example of the most pervasive type of Bandhani dots can be seen in the 6th century paintings depicting the life of Buddha found on the wall of Cave at Ajanta. Bandhani is also known as Bandhej Saree, Bandhni, Piliya, and Chungidi in Tamil and regional dialects. Other tying techniques include Mothra, Ekdali and Shikari depending on the manner in which the cloth is tied. The final products are known with various names including Khombi, Ghar Chola, Patori and Chandrokhani.
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Kasuri (絣) is the Japanese term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
Resist dyeing (resist-dyeing) is a traditional method of dyeing textiles with patterns. Methods are used to "resist" or prevent the dye from reaching all the cloth, thereby creating a pattern and ground. The most common forms use wax, some type of paste made from starch or mud, or a mechanical resist that manipulates the cloth such as tying or stitching. Another form of resist involves using a dye containing a chemical agent that will repel another type of dye printed over the top. The best-known varieties today include tie-dye, batik, and ikat.
Adire (Yoruba) textile is a type of dyed cloth from south west Nigeria traditionally made by Yoruba women, using a variety of resist-dyeing techniques. The word 'Adire' originally derives from the Yoruba words 'adi' which means to tie and 're' meaning to dye. It is a material designed with wax-resist methods that produce patterned designs in dazzling arrays of tints and hues. It is common among the Egba people of Ogun State.
Aso oke fabric, is a hand-woven cloth created by the Yoruba people of west Africa. Usually woven by men and women, the fabric is used to make men's gowns, called agbada and hats, called fila, as well as women's wrappers, called iro and head tie, called gele.
Natural dyes are dyes or colorants derived from plants, invertebrates, or minerals. The majority of natural dyes are vegetable dyes from plant sources—roots, berries, bark, leaves, and wood—and other biological sources such as fungi.
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Yoshiko Iwamoto Wada is a Japanese textile artist, curator, art historian, scholar, professor, and author. She has received international recognition for her scholarship and expertise in the field of textile art. In 2010, she was named a "Distinguished Craft Educator - Master of Medium" by the James Renwick Alliance of the Smithsonian Institution, who stated: "she is single-handedly responsible for introducing the art of Japanese shibori to this country". In 2016 she received the George Hewitt Myers Award for Lifetime Achievement.
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