Japanese singer Ayumi Hamasaki has released eighteen studio albums, five compilation albums, twenty-six remix albums, four live albums and numerous singles and promotional singles. She debuted in 1995 under Nippon Columbia with the stage name Ayumi, releasing an extended play Nothing from Nothing, which was a collaboration with Dohzi-T and DJ Bass. Three years later, Hamasaki debuted again as a singer under Avex Trax with the single "Poker Face" (1998). Her first album A Song for ×× (1999) debuted at number one on Oricon's albums chart, and sold over 1.4 million copies.
The discography of Japanese-American R&B and pop singer Hikaru Utada consists of eleven studio albums, three compilation albums, eleven video albums and numerous singles and promotional singles. Utada began as a musician in the early 1990s as a member of U3, a family unit made up of her, her mother Junko Utada, also known as 1970s enka singer Keiko Fuji, and her father, musical producer Teruzane Utada. U3 released their debut album Star in 1993, with the hope to debut in America. In 1996, the group was rebranded as Cubic U, an R&B project focusing on Hikaru Utada, resulting in the English language album Precious in 1998 with record label Toshiba EMI.
The discography of Japanese pop singer Koda Kumi includes 17 studio albums, 2 cover albums, 10 compilation albums, 10 remix albums, 9 live albums and 57 singles. All of her Japanese musical releases have been with Rhythm Zone, a sub-label of Avex Group.
The discography of Namie Amuro contains 12 studio albums, 7 compilation albums, 47 singles, 10 live albums, 14 video albums and 102 music videos. Amuro has also collaborated with Verbal of M-Flo and Ryōsuke Imai for her Suite Chic project.
The solo discography of Japanese musician Yui consists of five studio albums, three compilation albums, twenty-one singles and five video albums. These were released on independent label Leaflet Records in 2004, followed by Sony Music Entertainment Japan sub-label Gr8! Records in 2005, Sony Records between 2005 and 2006, Sony sub-label Studioseven Recordings between 2007 and 2010, before returning to Gr8! Records in 2010.
The discography of Japanese-American musician Yuna Ito consists of three studio albums, one compilation album and nineteen singles. Her debut album, Heart, was released in 2007 after six singles, including one of the two theme songs for the film Nana, "Endless Story" (2005), which also featured Ito in her acting debut, as well as "Precious" (2006), the theme song of the film Limit of Love: Umizaru. Both of these songs were very commercially successful, becoming certified by the RIAJ.
The discography of Ayaka consists of six studio albums, two compilation albums, a cover album and numerous singles, released through Warner between 2006 and 2009, and through Ayaka's independent label, A Station, from 2012 onwards.
The discography of Japanese pop and electronic dance group Perfume consists of seven studio albums, three compilation albums, twenty-eight singles and six video albums. Forming in 2001, the group debuted as local Hiroshima idols, releasing two singles through the independent Momiji Label. In 2003, the members moved to Tokyo to further their career as idols. Signing with independent label Bee-Hive Records, the group met electronic producer Yasutaka Nakata of the band Capsule, who began to produce their music from 2003 onward.
The discography of Japanese musician Kaela Kimura consists of eleven studio albums, two compilation albums, one cover album, three extended plays, twenty-eight singles and five video albums. She debuted as a musician in 2004 under the label Columbia Music Entertainment, releasing ten albums with the company. In 2013, Kimura released Rock, an album of English language covers under her private label Ela Music. In 2014, Kimura released "Ole! Oh!", her first single under Victor Entertainment.
The discography of the Japanese rock band Radwimps consists of thirteen studio albums, ten video albums, and 32 singles. Radwimps debuted as a musical act in 2003 through independent label Newtraxx, releasing the albums Radwimps (2003) and Radwimps 2: Hatten Tojō (2005). After being signed to major label Toshiba EMI, the band released their album Radwimps 3: Mujintō ni Motte Ikiwasureta Ichimai to increasing commercial success.
The discography of Japanese musical act Superfly consists of seven studio albums, four compilation albums, three extended plays, five video albums and thirty-four singles. Superfly began as a duo in 2003 by vocalist Shiho Ochi and guitarist Koichi Tabo; signing with Warner Music Japan in 2007. Tabo left the band in 2007 just before the release of their single "I Spy I Spy", finding it difficult to work as both the act's songwriter and guitarist. However, Tabo remained attached to Superfly, composing and producing songs for the unit until Superfly's single "Ai o Karada ni Fukikonde" (2014) and Superfly's fifth studio album White (2015), where Ochi collaborated with a range of songwriters instead.
Leo Ieiri is a Japanese singer and songwriter. Her song "Sabrina" was used as the third ending song of the anime television series Toriko and her song "Silly" was used as the theme song for the television adaption of popular novel "Nのために".
The discography of Japanese model-singer Kyary Pamyu Pamyu consists of five studio albums, one extended play, ten singles and six video albums. Kyary Pamyu Pamyu debuted in 2011 under Warner Music Japan sublabel Unborde, as a musician produced by Yasutaka Nakata of the electronic duo Capsule. Kyary Pamyu Pamyu's albums have been released globally, with her seeing international success in Belgium, South Korea and Taiwan.
The discography of Japanese pop duo Dreams Come True consists of 20 studio albums, 6 compilation albums, 17 video albums, and numerous singles. The band was formed in 1988 by Miwa Yoshida, Masato Nakamura, and Takahiro Nishikawa as Cha-Cha & Audrey's Project, which was later changed to Dreams Come True. The first single "Anata ni Aitakute" did not chart, but their eponymous debut album sold over a million copies in Japan and was certified Million by the Recording Industry Association of Japan (RIAJ). The follow-up albums also performed well on the charts, with the 1989 release Love Goes On... lingering on the Oricon Albums Chart for four years. The group's fifth studio album The Swinging Star (1992) was at one point, the best-selling album in Japan, shifting over 3.7 million copies in the country.
The discography of Japanese pop singer Kana Nishino consists of seven studio albums, six compilation albums, thirty-four singles and ten video albums. Nishino debuted in 2008 under Sony Music Japan, and gained national recognition with the singles "Tōkutemo" and "Kimi ni Aitaku Naru Kara" (2009). Nishino has released some of the most digitally successful songs in Japan: "Motto..." (2009), "Dear..." (2009), "Best Friend" (2010), "Aitakute Aitakute" (2010), "If" (2010) and "Kimi tte" (2010), all of which were certified million by the RIAJ.
The discography of Japanese pop and jazz vocalist Juju consists of six studio albums, four tribute albums, two extended plays, two live albums, five video albums and numerous singles. Juju debuted as a singer in 2001, collaborating with artists such as DJ Masterkey, Spontania and worked on the soundtrack for the film Kyōki no Sakura.
The discography of Japanese-American musician Beni consists of eight studio albums, two compilation albums, six live albums and three cover albums and twenty-six singles. Beni debuted in 2003 as a member of the Pony Canyon idol group Bishōjo Club 21 under the name Beni Arashiro, and in 2004 made her solo debut with Avex Trax.
The discography of Japanese pop group AAA includes eleven studio albums, six extended plays, seven compilation albums, eight live albums, one cover album, three remix albums, and 52 singles. All of the group's releases have been with Avex Trax, a subsidiary of Avex Group.
"Gurenge" is a song by Japanese pop singer LiSA from her fifth studio album Leo-Nine. It was released as her fifteenth single digitally on April 22, 2019, and received a physical release on July 3, 2019. Commercially, the single peaked at number three on the Oricon Singles Chart, and number two on Billboard Japan Hot 100. It was used as the first opening theme song for the Japanese anime series Demon Slayer: Kimetsu no Yaiba.
