List of noise musicians

Last updated

The following is a list of artists who make noise music.

Contents

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

R

S

T

V

W

X

Y

Z

See also

Related Research Articles

Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.

Maso Yamazaki, better known by his stage name Masonna, is a Japanese noise musician. He was born Takushi Yamazaki on November 16, 1966, in Miyazu, Kyoto, Japan.

<span class="mw-page-title-main">The Microphones</span> American indie rock band

The Microphones were an American indie folk, indie rock, and experimental project from Olympia, Washington. The project was founded in 1996 and ended in 2003, with a short reunion following in 2007 and revivals in 2019 and 2020. Across every iteration of the Microphones, it has been fronted by Phil Elverum. Elverum is the principal songwriter and producer behind the band's albums, but he has also collaborated with other local musicians on his other recordings and tours. Many of Elverum's recordings from the project's initial period were released by the label K Records.

Condé Nast is a global mass media company founded in 1909 by Condé Montrose Nast (1873–1942) and owned by Advance Publications. Its headquarters are located at One World Trade Center in the Financial District of Lower Manhattan.

<i>Pitchfork</i> (website) American online music publication

Pitchfork is an American online music publication founded in 1996 by Ryan Schreiber in Minneapolis. It originally covered alternative and independent music, and expanded to cover genres including pop, hip hop, jazz and metal. Pitchfork is one of the most influential music publications to have emerged in the internet age.

Drone metal or drone doom is a style of heavy metal that melds the slow tempos and heaviness of doom metal with the long-duration tones of drone music. Drone metal is sometimes associated with post-metal or experimental metal.

<span class="mw-page-title-main">Boris (band)</span> Japanese experimental band

Boris is a Japanese band that draws variously from styles such as sludge metal, drone, noise, psychedelia, and minimalism. Formed in 1992 in Tokyo, the band is composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members contribute vocals. Boris has released more than 20 studio albums on various labels around the world, as well as a variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara.

<span class="mw-page-title-main">Hijokaidan</span> Japanese noise group

Hijōkaidan is a Japanese noise and free improvisation group with a revolving lineup that has ranged from two members to as many as fourteen in its early days. The group is the project of guitarist Jojo Hiroshige (JOJO広重), its one constant member, who is head and owner of the Osaka-based Alchemy Records. Other regulars include Jojo's wife Junko and Toshiji Mikawa.

<span class="mw-page-title-main">Incapacitants</span> Japanese noise music group

Incapacitants are a Japanese noise music group formed in 1981. Initially a solo project of Toshiji Mikawa, Fumio Kosakai joined upon the project's relocation to Tokyo. The duo's stated aim is to produce "pure" noise, uninfluenced by musical ideas or even human intention, using primarily feedback, vocals, and various electronics. Kosakai calls this sound "hard noise", as a nod to the jazz subgenre hard bop.

<span class="mw-page-title-main">Japanoise</span> Noise music scene of Japan

Japanoise, a portmanteau of "Japanese" and "noise", is the noise music scene of Japan.

<i>Pulse Demon</i> 1996 studio album by Merzbow

Pulse Demon is a studio album by the Japanese noise musician Merzbow, released 28 May 1996. The album was reissued on vinyl in May 2018 by Bludhoney Records, and again in November 2019 by Relapse, with a bonus track.

<span class="mw-page-title-main">Los Angeles Free Music Society</span>

The Los Angeles Free Music Society (LAFMS) is a loose underground collective of experimental avant-rock artist-musicians formed in 1973. Described as a "lightning rod for art-damage, weird-music lovers everywhere," LAFMS was formed by Chip Chapman, Joe Potts, Rick Potts and Tom Recchion. in addition to performing in various configurations, LAFMS produced records, organized concerts, and produced a magazine titled Light Bulb.

... as much a dada and LSD-inspired piss-take on the high seriousness of experimental music as a shaggy-dog extension of the Zappa/Beefheart/Wildman Fischer axis of dissonance that defined the fringes of "rock" music.

<span class="mw-page-title-main">Cold Spring (label)</span> English independent record label

Cold Spring is an independent record label based in Northamptonshire, England, specialising in "all forms of extreme media, but particularly: dark ambient, neo-classical/neo-folk, orchestral, power electronics/noise, Japanese noise, minimal, death industrial, dark soundtracks, experimental, obscure electronics from Russia, China, Japan, Poland and others."

<span class="mw-page-title-main">Merzbow</span> Japanese noise project

Merzbow is a Japanese noise project started in 1979 by Masami Akita, best known for a style of harsh, confrontational noise. Since 1980, Akita has released over 500 recordings and collaborated with numerous artists.

<i>Cypress Hill IV</i> 1998 studio album by Cypress Hill

Cypress Hill IV is the fourth studio album by American hip hop group Cypress Hill. It was released on October 6, 1998, by Ruffhouse and Columbia Records. After 3 years from their previous album, Cypress Hill released the ‘IV’ album. The skeletons on the cover are posing as the three wise monkeys. Rappers MC Eiht and Barron Ricks were featured on the album. The album went Gold in the U.S with over 500,000 units sold.

Condé Nast Entertainment is a production and distribution studio with film, television, social and online video, and virtual reality content.

Sissy Spacek is an American noise band founded in 1999 in Los Angeles and currently consisting of official members John Wiese and Charlie Mumma, along with several collaborators both past and present. Since the release of their self-titled debut album in 2001, they have released a considerable catalogue encompassing genres which include harsh noise, noisecore, grindcore, free improvisation and musique concrete. Early releases consisted of collages of previously recorded demos and live performances with heavy use of cut-up editing. Many works have been released or re-released on Wiese's own label, Helicopter.

<i>Going Places</i> (Yellow Swans album) 2010 studio album by Yellow Swans

Going Places is an album by the American experimental music band Yellow Swans, released on March 2, 2010, by Type Records. It is the final album by the band, released after the band's 2008 breakup. Following the decision to disband in late 2007, the duo decided that making the final album was a priority. Yellow Swans spent a total of 18 months working on the album, first recording 80–100 hours of material during the rehearsals for their final shows, and then progressively editing the recordings down to the album's final runtime.

References

  1. Skarsnik (November 1, 2013). "Review: Anenzephalia – Kaltwelt". Heathen Harvest . Retrieved September 22, 2018.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 Novak 2013 , p. 12. "By the early 1990s, recordings by Hijokaidan, Incapacitants, C.C.C.C., Solmania, Masonna, Monde Bruits, Astro, Aube, Government Alpha, Pain Jerk, K.K. Null, K2, MSBR, Geriogerigegege, Violent Onsen Geisha, and Merzbow had swept into North American reception."
  3. Couture, François. "Review: Kenneth Atchley – Fountains". AllMusic . All Media Network . Retrieved September 22, 2018.
  4. Vinciguerra, Nicola (May 24, 2018). ""The Sounds I Produce Mirror My Hell": An Italian's Introduction to Atrax Morgue". Heathen Harvest . Retrieved September 16, 2018.
  5. Segal, Dave (December 9, 2013). "Eric Lanzillotta on the Death of Experimental Musician Aube". The Stranger . Index Newspapers LLC. Retrieved September 16, 2018.
  6. Dale, Jon (November 2007). "Size Matters: Bastard Noise & Antennacle – Bastard Noise & Antennacle". The Wire . No. 285. London. p. 58. ISSN   0952-0686.
  7. Delaurenti, Christopher (November 2005). "On Location: Wooden Octopus Skull Experimental Musick (P)Festival". The Wire . No. 261. London. p. 87. ISSN   0952-0686.
  8. Colegate, Mat (July 11, 2012). ""There's No Prescribed Reaction": Consumer Electronics' Philip Best Interviewed". The Quietus . Retrieved September 22, 2018.
  9. Torreano, Bradley. "Maurizio Bianchi Biography". AllMusic . All Media Network . Retrieved September 16, 2018.
  10. Albert, Nathan (January 9, 2012). "Black Dice to Release New Album in April; Hear "Pigs" Now". XLR8R . XLR8R Media Inc. Retrieved September 16, 2018.
  11. Kelsey, Chris. "Borbetomagus Biography". AllMusic . All Media Network . Retrieved September 16, 2018.
  12. SanFilippo, Richard (February 23, 2002). "Review: Brighter Death Now – 1890". Brainwashed . Retrieved September 21, 2018.
  13. Klosowski, Thorin (February 28, 2011). "Bull of Heaven Works to Provide Enough Music for Several Lifetimes". Westword . Denver Westword, LLC. Retrieved September 23, 2018.
  14. "Nosnibor, Christopher (October 6, 2018) "Review: Antoine Chessex – Subjectivation". Aural Aggravation". October 6, 2018. Retrieved March 22, 2024.
  15. Dunton, Creaig (May 4, 2008). "Review: Chop Shop – Oxide". Brainwashed . Retrieved September 21, 2018.
  16. 1 2 Moss 2000 , p. 26 "In 1981, in the middle of the postpunk period, she founded the collective Club Moral together with the visual artist Danny Devos. They organized noise concerts, performances, exhibitions, and published the magazine Force Mental, to explore the boundaries of the morally and aesthetically acceptable."
  17. Lockwood, MP (October 16, 2011). "Cock ESP Show You How Noise Should Be Done". WFMU's Beware of the Blog . WFMU . Retrieved September 21, 2018.
  18. Ankeny, Jason. "Controlled Bleeding Biography". AllMusic . All Media Network . Retrieved September 22, 2018.
  19. Martin, Ian (October 23, 2015). "Unexpected Places Step in to Fill the Role of Live House Venues in Japan's North". The Japan Times . Retrieved September 18, 2018.
  20. Pothast, Emily (August 2021). "Aaron Dilloway". The Wire . No. 450. London. p. 40. ISSN   0952-0686.
  21. Howe, Brian (November 16, 2012). "Review: Kevin Drumm – Relief". Pitchfork . Conde Nast . Retrieved September 16, 2018.
  22. Duguid, Brian (March 1999). "Outer Limits: John Ducan – Mort aux vaches: Seek". The Wire . No. 181. London. p. 71. ISSN   0952-0686.
  23. Simpson, Paul. "Esplendor Geométrico Biography". AllMusic . All Media Network . Retrieved September 21, 2018.
  24. 1 2 3 4 5 6 7 8 Graham 2016 , p. 185. "Latter-day harsh noise subgenres, such as harsh wall noise, which developed concurrently in the American and Japanese noise scenes of the 1990s with artists such as Monde Bruit and Incapacitants for the latter and Skin Crime and Black Leather Jesus for the former, are practiced by all sorts of artists, from K. K. Null to Werewolf Jerusalem, Kites, Hum of the Druid, and Wolf Eyes. These harsh noise genres sit alongside diffuse techniques and practices, from persisting power electronics (Genocide Organ); to DIY noise improv (Prick Decay, Sonic Catering Band, Morphogenesis); to the noisier ends of lo-fi, noise performance art (Justice Yeldham), concept-laden noise rock, and improvisation (Mattin); and to the wide genre(s) of post-noise music."
  25. Pouncey, Edwin (November 2009). "Soundcheck: Government Alpha – Resolution of Remembrance 1992–1999". The Wire . No. 309. London. p. 54. ISSN   0952-0686.
  26. Stosuy, Brandon (June 17, 2004). "Review: Hair Police – Obedience Cuts". Pitchfork . Conde Nast . Retrieved February 3, 2022.
  27. Hage, Erik. "Hanatarash Biography". AllMusic . All Media Network . Retrieved September 16, 2018.
  28. Maleney, Ian (October 28, 2015). "Review: Russell Haswell – As Sure As Night Follows Day". Resident Advisor . Retrieved September 16, 2018.
  29. Richardson, Nick (May 2010). "The Haters: John Wiese Hails Hollywood's Noise Veterans". The Wire . No. 315. London. pp. 10–11. ISSN   0952-0686.
  30. "Noise Legend Florian Hecker Releases Radical New Book Chimerizations". Fact . The Vinyl Factory. May 31, 2013. Retrieved September 18, 2018.
  31. Cummings, Alan (March 2005). "Hijokaidan: Big Boss Man". The Wire . No. 235. London. p. 33. ISSN   0952-0686.
  32. 1 2 Keenan, David (January 2013). "2012 Rewind: Imprints of Greatness". The Wire . No. 347. London. p. 46. ISSN   0952-0686.
  33. Radford, Chad (June 1, 2018). "If, Bwana plays Railroad Earth June 1". Creative Loafing . Retrieved September 24, 2018.
  34. Haynes, Jim (March 2009). "Soundcheck: Incapacitants – Box Is Stupid". The Wire . No. 301. London. pp. 52–53. ISSN   0952-0686.
  35. Young, Logan K. (September 15, 2011). "Sonic Circuits: GX Jupitter-Larsen Knows How to Make an Audience Riot". Washington City Paper . Retrieved September 23, 2018.
  36. Topolski, Jan (July 2017). "Zbigniew Karkowski". Culture.pl . Translated by NC. Adam Mickiewicz Institute . Retrieved September 16, 2018.
  37. Coley, Bryon (May 2004). "Size Matters: 3", 7", 10" and Other Misshapen Formats". The Wire . No. 243. London. p. 68. ISSN   0952-0686. KK Null is widely and correctly lauded as one of the fathers of Japanese noise guitar ...
  38. Armstrong, Aimee (January 25, 2018). "Fire, Prayer & Curses: Lingua Ignota Interviewed". The Quietus . Retrieved February 3, 2022.
  39. Gates, Joseph (September 1, 2011). "The Music of Rodger Stella". Heathen Harvest . Retrieved September 21, 2018.
  40. Neset, Anne Hilde (November 2006). "Lasse Marhaug". The Wire . No. 273. London. p. 24. ISSN   0952-0686.
  41. Layne, Joslyn. "Masonna Biography". AllMusic . All Media Network . Retrieved September 16, 2018.
  42. Raponi, Martina (2017). "The Authority of Taste. Mattin and Theses on Noise". Digicult.
  43. Dunton, Creaig (August 5, 2012). "Review: Broken Flag: A Retrospective / Ramleh – Awake!". Brainwashed . Retrieved February 3, 2022.
  44. Ham, Robert. "Daniel Menche's Crushing Drone and Noise Sometimes Features His Dog". Bandcamp Daily. Bandcamp . Retrieved September 16, 2018.
  45. Larkin, Colin (2009). "Merzbow" . Encyclopedia of Popular Music 4 ed. Oxford University Press. doi:10.1093/acref/9780195313734.001.0001. ISBN   9780199726363 . Retrieved September 16, 2018.
  46. Couture, François. "Merzbow Biography". AllMusic . All Media Network . Retrieved September 16, 2018.
  47. Empire, Kitty (April 25, 2010). "Lou Reed's Metal Machine Trio; Wanda Jackson: Royal Festival Hall, London; Luminaire, London". The Observer . Guardian Media Group . Retrieved February 3, 2022.
  48. 1 2 Davies, Sam (July 2006). "Outer Limits: Metalux & John Wiese – Esoteric". The Wire . No. 269. London. p. 60. ISSN   0952-0686.
  49. Campau, Don (November 17, 2011). "Minoy". The Living Archive of Underground Music. Retrieved September 16, 2018.
  50. Kelly, Jennifer (September 16, 2019). "Sonic Youth Founder Thurston Moore Asks Why a Song Can't Be an Hour Long". PopMatters . Retrieved February 3, 2022.
  51. Schleicher, Lucas (June 27, 2004). "Review: Nautical Almanac – Rooting for the Microbes". Brainwashed . Retrieved February 3, 2022.
  52. Hadfield, James (March 13, 2016). "The Nihilist Spasm Band: 51 Years Later It's Still Chaos". The Japan Times . Retrieved September 22, 2018.
  53. Stosuy, Brandon (February 27, 2008). "Show No Mercy". Pitchfork . Conde Nast . Retrieved September 16, 2018.
  54. Bell, Clive (July 1999). "Otomo Yoshihide". The Wire . No. 185. London. p. 32. ISSN   0952-0686.
  55. Masters, Marc; Currin, Grayson (February 1, 2013). "The Out Door: The End is the Beginning". Pitchfork . Conde Nast. p. 4. Retrieved September 23, 2018.
  56. Ankeny, Jason. "Panicsville Biography". AllMusic . All Media Network . Retrieved September 21, 2018.
  57. Neyland, Nick (May 16, 2013). "Review: Pharmakon – Abandon". Pitchfork . Conde Nast . Retrieved February 3, 2022.
  58. Simpson, Paul. "Prurient Biography". AllMusic . All Media Network . Retrieved September 16, 2018.
  59. Wilson, Rich. "Puce Mary". AllMusic . Retrieved June 24, 2021.
  60. Mason, Stewart. "Ramleh Biography". AllMusic . All Media Network . Retrieved September 23, 2018.
  61. Williams, Russell (May 22, 2014). "Live Report: Harsh Noise Wall Festival III". The Quietus . Retrieved September 18, 2018.
  62. Barry, Robert (October 3, 2012). "FACT Meets Boyd Rice: Noise Pioneer, Film Buff, Leader of the Church of Satan". Fact . The Vinyl Factory . Retrieved September 16, 2018.
  63. Niebisch 2012, p. 112.
  64. Latham, Alison (2011). "Luigi Russolo" . The Oxford Companion to Music . Oxford University Press. doi:10.1093/acref/9780199579037.001.0001. ISBN   9780199579037 . Retrieved September 22, 2018.
  65. Semprebon, Rolf. "Smegma Biography". AllMusic . All Media Network . Retrieved September 21, 2018.
  66. Masters, Marc; Currin, Grayson (March 4, 2011). "The Out Door: Trimming the Historical Thorns". Pitchfork . Conde Nast. p. 4. Retrieved February 3, 2022.
  67. Clarke, Mia Lily (March 12, 2006). "Review: Terrestrial Tones – Dead Drunk". Pitchfork . Conde Nast . Retrieved February 3, 2022.
  68. Harvell, Jess (April 18, 2007). "Review: Throbbing Gristle – Part Two: The Endless Not". Pitchfork . Conde Nast . Retrieved September 22, 2018.
  69. Hussey, Allison (January 22, 2022). "To Live and Shave in L.A.'s Tom Smith Dies at 65". Pitchfork . Conde Nast . Retrieved February 3, 2022.
  70. Lee, Morgan (August 18, 2016). "Leyland James Kirby Resurrects Harsh Noise Project V/Vm". Fact . The Vinyl Factory . Retrieved September 24, 2018.
  71. Currin, Grayson Haver (June 11, 2007). "Review: John Wiese – Soft Punk". Pitchfork . Conde Nast . Retrieved February 3, 2022.
  72. Linhardt, Alex (May 23, 2006). "Review: Whitehouse – Asceticists 2006". Pitchfork . Conde Nast . Retrieved September 16, 2018.
  73. Camp, Zoe (March 31, 2017). "Review: Wolf Eyes – Undertow". Pitchfork . Conde Nast . Retrieved September 16, 2018.
  74. Cummings, Raymond (May 13, 2015). "Ten Artists to Catch at Ende Tymes Festival of Noise and Experimental Liberation 2015". The Village Voice . Retrieved September 23, 2018.
  75. Masters, Marc (March 3, 2010). "Review: Yellow Swans – Going Places". Pitchfork . Conde Nast . Retrieved September 16, 2018.

Books