List of script typefaces

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This is a list of script typefaces. This list details standard script typefaces and computer fonts used in classical typesetting and printing.

Contents

Calligraphic

Samples of Calligraphic Script typefaces
Typeface nameExample 1Example 2Example 3
American Scribe American Scribe.svg
AMS Euler
Designer: Hermann Zapf, Donald Knuth
AMS Euler.svg AMS Euler sample text.svg
Apple Chancery
Designer: Kris Holmes
AppleChancery4and221-225thsExample.svg
Brush Script
Designer: Robert E. Smith
Brush Script.svg Brush Script sample.svg BSSpec.svg
Cézanne
Designer: Michael Want, Richard Kegler
P22 Cezanne.png FONTCezanne.png
Coronet
Designer: R. Hunter Middleton
Coronet font.svg Coronet sample.svg Coronet fontsample.svg
Declaration Script Declaration Script.png
Declare Declare.GIF
Edwardian Script
Designer: Ed Benguiat
Edwardian Script ITC.svg Kodster.JPG Edwardian Script.svg
FIG Script
Designer: Eric Olson
FIG Script.svg FIGScript.png
French Script French Script MT.svg A Desk Book on the Etiquette of Social Stationery Lettering44B.png
Gravura
Designer: Phill Grimshaw
Gravura sample.png
Kuenstler Script
Designer: Hans Bohn
Kuenstler Script.svg Kuenstler.svg
Lucida Calligraphy
Designer: Charles Bigelow, Kris Holmes
Lucida Calligraphy font.svg Lucida Calligraphy sample.svg Lucida Calligraphy.svg
Monotype Corsiva
Designer: Tricia Saunders
Monotype Corsiva.svg Modern Script A.svg MonotypeCorsivaSpec.svg
Snell Roundhand
Designer: Matthew Carter
Snell roundhand script.png
Zapf Chancery
Designer: Hermann Zapf
Zapf Chancery.svg Pangramm de Zapf Chancery.png
Zapfino
Designer: Hermann Zapf
Zapfino.png Zapfino sample.png Zapfino.svg

Handwriting

Samples of Handwriting Script typefaces
Typeface nameExample 1Example 2Example 3
Alexa
Designer: Steve Matteson
Alexa font.svg Alexa sample.svg
Andy
Designer: Steve Matteson
Andy font.svg Andy sample.svg Andy-mead-typeface-spec.svg
Ashley Script
Designer: Ashley Havinden
Ashley Script.svg Ashley Script font example.svg
Balloon
Designer: Max R. Kaufmann
Balloon (typeface).svg Balloon (typeface) sample.svg
Blackadder Blackadder font.svg Blackadder.svg
Caflisch Script
Designer: Robert Slimbach
Caflisch Script.png CaflischScriptSp.svg
Chalkboard Chalkboard font sample.svg Chalkboard sample.svg Chalkboard font image.png
Comic Sans MS
Designer: Vincent Connare
Comic Sans font.svg Comic Sans sample.svg ComicSansSpec3.svg
Dom Casual
Designer: Peter Dom
Dom Casual.svg Dom Casual sample.svg DomCasual fontsample.svg
Eyadish Eyadish-font-plain 1000.png
Freestyle Script
Designer: Martin Wait
Freestyle Script Regular.png FreestyleScriptSp.png
Kaufmann
Designer: Max R. Kaufmann
Kaufmann (typeface name).png Kaufmann Font Spec.svg
Kristen
Designer: George Ryan
Kristen typeface.svg KristenSpec.svg
Lobster
Designer: Pablo Impallari
Lobster Specimen.svg
Lucida Handwriting
Designer: Charles Bigelow, Kris Holmes
Lucida Handwriting font.svg Lucida Handwriting sample.svg Lucida Handwriting.svg
Mistral
Designer: Roger Excoffon
Mistral font.svg Mistral sample.svg MistralSpec.svg
Papyrus
Designer: Chris Costello
Papyrus (typeface).png Papyrus Font.svg
Pristina Pristina.svg Pristina font example.svg
Rage Rage.svg Rage font example.svg
Segoe Script
Designer: Carl Crossgrove
Segoe Script.png
Viner Hand Viner Hand.svg Viner Hand font example.svg
Wiesbaden Swing
Designer: Rosemarie Kloos-Rau
Wiesbaden Swing Headline.svg

Additional script typefaces

See also

Related Research Articles

<span class="mw-page-title-main">Sans-serif</span> Typeface classification for letterforms without serifs

In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque and § Neo-grotesque, § Geometric, § Humanist and § Other or mixed.

In typography, a serif is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface, and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" or "Gothic" and serif typefaces as "roman".

<span class="mw-page-title-main">Typeface</span> Set of characters that share common design features

A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.

<span class="mw-page-title-main">Antiqua (typeface class)</span> Typefaces that mimic 15C and 16C handwriting

Antiqua is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard in Germany.

<span class="mw-page-title-main">Ming typefaces</span> Category of typefaces

Ming or Song is a category of typefaces used to display Chinese characters, which are used in the Chinese, Japanese and Korean languages. They are currently the most common style of type in print for Chinese and Japanese. For Japanese text, they are commonly called Mincho typefaces.

<span class="mw-page-title-main">Lucida</span> Typeface family

Lucida is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid'.

<span class="mw-page-title-main">Roboto</span> Open-source typeface family

Roboto is a neo-grotesque sans-serif typeface family developed by Google as the system font for its mobile operating system Android, and released in 2011 for Android 4.0 "Ice Cream Sandwich".

Oblique type is a form of type that slants slightly to the right, used for the same purposes as italic type. Unlike italic type, however, it does not use different glyph shapes; it uses the same glyphs as roman type, except slanted. Oblique and italic type are technical terms to distinguish between the two ways of creating slanted font styles; oblique designs may be labelled italic by companies selling fonts or by computer programs. Oblique designs may also be called slanted or sloped roman styles. Oblique fonts, as supplied by a font designer, may be simply slanted, but this is often not the case: many have slight corrections made to them to give curves more consistent widths, so they retain the proportions of counters and the thick-and-thin quality of strokes from the regular design.

<span class="mw-page-title-main">Century Gothic</span> Geometric sans-serif typeface

Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1990. It is a redrawn version of Monotype's own Twentieth Century, a copy of Bauer's Futura, to match the widths of ITC Avant Garde Gothic. It is an exclusively digital typeface that has never been manufactured as metal type.

<span class="mw-page-title-main">Font</span> Particular size, weight and style of a typeface

In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece for each glyph. A typeface consists of various fonts that share an overall design.

<span class="mw-page-title-main">Linux Libertine</span> Typeface

Linux Libertine is a digital typeface created by the Libertine Open Fonts Project, which aims to create free and open alternatives to proprietary typefaces such as Times New Roman. It was developed with the free font editor FontForge and is licensed under the GNU General Public License and the SIL Open Font License.

In typography, the Vox-ATypI classification makes it possible to classify typefaces into general classes. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI) and in 1967 as a British Standard, as British Standards Classification of Typefaces, which is a very basic interpretation and adaptation/modification of the earlier Vox-ATypI classification.

<span class="mw-page-title-main">Font catalog</span> Collection of specimen of typefaces

A font catalog or font catalogue, also called a type specimen book, is a collection of specimen of typefaces offering sample use of the fonts for the included typefaces, originally in the form of a printed book. The definition has also been applied to websites offering a specimen collection similar to what a printed catalog provides.

<span class="mw-page-title-main">Noto fonts</span> Multilingual font family from Google

Noto is a font family comprising over 100 individual computer fonts, which are together designed to cover all the scripts encoded in the Unicode standard. As of October 2016, Noto fonts cover all 93 scripts defined in Unicode version 6.1, although fewer than 30,000 of the nearly 75,000 CJK unified ideographs in version 6.0 are covered. In total, Noto fonts cover over 77,000 characters, which is around half of the 149,186 characters defined in Unicode 15.0.

<span class="mw-page-title-main">Display typeface</span> Font that is used at large sizes for headings

A display typeface is a typeface that is intended for use in display type at large sizes for titles, headings, pull quotes, and other eye-catching elements, rather than for extended passages of body text.