This list details display typefaces used in typesetting and printing.
Typeface name | Example 1 | Example 2 | Example 3 |
---|---|---|---|
Action Is Designer: Jeff N. Levine | |||
Ad lib Designer: Freeman Craw | |||
Algerian Designer: Stephen Blake, Philip Kelly Class: Decorative | |||
Allegro Designer: Hans Bohn | |||
Andreas Designer: Michael Harvey | |||
Architype Albers Designer: Josef Albers | |||
Architype van der Leck Designer: Bart van der Leck | |||
Architype Van Doesburg Designer: Theo van Doesburg | |||
Architype Bayer Designer: Herbert Bayer | |||
Arnold Böcklin Designer: Otto Weisert | |||
Astur | |||
Banco Designer: Roger Excoffon | |||
Bauhaus | |||
Braggadocio Designer: W.A. Woolley | |||
Broadway Designer: Morris Fuller Benton | |||
Caslon Antique Designer: Berne Nadall | |||
Cooper Black Designer: Oswald Bruce Cooper | |||
Curlz Designer: Carl Crossgrove, Steve Matteson | |||
Data 70 Designer: Bob Newman | |||
Earth (typeface) Designer: Gary Elfring [1] | |||
Ellington Designer: Michael Harvey | |||
Exocet Designer: Jonathan Barnbrook | |||
FIG Script Designer: Eric Olson | |||
Forte Designer: Carl Reissberger | |||
Futura black Designer: Paul Renner | |||
Gabriola Designer: John Hudson (typeface designer) | |||
Horizon | |||
Isometrik (typeface) | |||
Jim Crow | |||
Jokerman Designer: Andrew K. Smith | |||
Lo-Type Designer: Louis Oppenheim | |||
Nebulosa (typeface) | |||
Neuland Designer: Rudolf Koch | |||
Peignot Designer: A. M. Cassandre | |||
San Francisco Designer: Susan Kare | |||
Seven-segment display | |||
Shockwave (typeface) | |||
Showcard Gothic Designer: Jim Parkinson | |||
Stencil Designer: R. Hunter Middleton, Gerry Powell | |||
Stop Designer: Aldo Novarese | |||
Umbra Designer: R. Hunter Middleton | |||
Westminster Designer: Leo Maggs | |||
Willow Designer: Tony Forster (ITC Willow), Joy Redick (Willow Regular) | |||
Windsor Designer: Eleisha Pechey | |||
Xova base (typeface) | |||
Zealot (typeface) |
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque, § Neo-grotesque, § Geometric, § Humanist, and § Other or mixed.
In typography, a serif is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface, and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" or "Gothic" and serif typefaces as "roman".
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Rockwell is a slab serif typeface designed by the Monotype Corporation and released in 1934. The project was supervised by Monotype's engineering manager Frank Hinman Pierpont. This typeface is distinguished by a serif at the apex of the uppercase A, while the lowercase a has two storeys. Because of its monoweighted stroke, Rockwell is used primarily for display or at small sizes rather than as a body text. Rockwell is based on an earlier, more condensed slab serif design cast by the Inland Type Foundry called Litho Antique.
In the East Asian writing system, gothic typefaces are a type style characterized by strokes of even thickness and lack of decorations akin to sans serif styles in Western typography. It is the second most commonly used style in East Asian typography, after Ming.
Ming or Song is a category of typefaces used to display Chinese characters, which are used in the Chinese, Japanese and Korean languages. They are currently the most common style of type in print for Chinese and Japanese. For Japanese and Korean text, they are commonly called Mincho and Myeongjo typefaces respectively.
Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for Microsoft. It was intended as a serif typeface that would appear elegant but legible when printed small or on low-resolution screens. The typeface is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface on which Carter was working when contacted by Microsoft; this would be released under the name Miller the following year. The typeface's name referred to a tabloid headline, "Alien heads found in Georgia."
Roboto is a neo-grotesque sans-serif typeface family developed by Google as the system font for its mobile operating system Android, and released in 2011 for Android 4.0 "Ice Cream Sandwich".
The DejaVu fonts are a superfamily of fonts designed for broad coverage of the Unicode Universal Character Set. The fonts are derived from Bitstream Vera (sans-serif) and Bitstream Charter (serif), two fonts released by Bitstream under a free license that allowed derivative works based upon them; the Vera and Charter families were limited mainly to the characters in the Basic Latin and Latin-1 Supplement portions of Unicode, roughly equivalent to ISO/IEC 8859-15, and Bitstream's licensing terms allowed the fonts to be expanded upon without explicit authorization. The DejaVu fonts project was started with the aim to "provide a wider range of characters ... while maintaining the original look and feel through the process of collaborative development". The development of the fonts is done by many contributors and is organized through a wiki and a mailing list.
In typography, a slab serif typeface is a type of serif typeface characterized by thick, block-like serifs. Serif terminals may be either blunt and angular (Rockwell), or rounded (Courier). Slab serifs were introduced in the early nineteenth century.
Clarendon is the name of a slab serif typeface that was released in 1845 by Thorowgood and Co. of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also have contributed to its design. Many copies, adaptations and revivals have been released, becoming almost an entire genre of type design.
Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's La Operina, which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France.
Linux Libertine is a typeface created by the Libertine Open Fonts Project, which aims to create free and open alternatives to proprietary typefaces such as Times New Roman. It was developed with the free font editor FontForge and is licensed under the GNU General Public License and the SIL Open Font License.
In typography, the Vox-ATypI classification makes it possible to classify typefaces into general classes. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI) and in 1967 as a British Standard, as British Standards Classification of Typefaces, which is a very basic interpretation and adaptation/modification of the earlier Vox-ATypI classification.