This list of sans-serif typefaces details standard sans-serif fonts used in classical typesetting and printing.
Typeface name | Example 1 | Example 2 | Example 3 |
---|---|---|---|
Agency FB Designer: Caleigh Huber & Morris Fuller Benton Class: Geometric | ![]() | ![]() | ![]() |
Akzidenz-Grotesk Designer: Günter Gerhard Lange Class: Grotesque | ![]() | ![]() | ![]() |
Amplitude Designer: Christian Schwartz Class: Humanist | ![]() | ||
Andalé Sans Designer: Steve Matteson Class: Humanist | ![]() | ||
Antique Olive Designer: Roger Excoffon Class: Humanist | ![]() | ||
Aptos Designer: Steve Matteson Class: Neo-grotesque | ![]() | ||
Archivo Designer: Héctor Gatti, Omnibus Type Class: Grotesque | ![]() | ![]() | ![]() |
Arial Designer: Robin Nicholas & Patrica Saunders Class: Neo-grotesque | ![]() | ![]() | ![]() |
Arial Rounded | ![]() | ![]() | |
Austria Class: Geometric | ![]() | ||
ITC Avant Garde Gothic Designer: Herb Lubalin, Tom Carnase Class: Geometric | ![]() | ![]() | ![]() |
Avenir Designer: Adrian Frutiger Class: Geometric | ![]() | ![]() | ![]() |
Bahnschrift Designer: Microsoft Class: Geometric | ![]() | ![]() | ![]() |
Bank Gothic Designer: Morris Fuller Benton Class: Geometric | ![]() | ![]() | ![]() |
Bell Centennial Designer: Matthew Carter Class: Humanist | ![]() | ![]() | ![]() |
Bell Gothic Designer: Chauncey H. Griffith Class: Grotesque | ![]() | ![]() | ![]() |
Benguiat Gothic Designer: Ed Benguiat Class: Humanist | ![]() | ![]() | ![]() |
Bobcaygeon Designer: Brian Kent(designer) Class: Geometric | ![]() | ![]() | ![]() |
Breeze Sans Designer: Dalton Maag, Fontrix Class: Humanist | ![]() | ||
Calibri Designer: Lucas de Groot Class: Humanist | ![]() | ![]() | ![]() |
Candara Designer: Gary Munch Class: Humanist | ![]() | ![]() | ![]() |
Cantarell Designer: Dave Crossland Class: Humanist | ![]() | ![]() | ![]() |
Caractères Class: Grotesque | ![]() | ||
Century Gothic Class: Geometric | ![]() | ![]() | ![]() |
Charcoal (Mac OS 9 system font) Designer: David Berlow | ![]() | ![]() | ![]() |
Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare | ![]() | ![]() | ![]() |
Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless | ![]() | ![]() | |
Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas | ![]() | ![]() | ![]() |
Clearview Designer: James Montalbano et al. Class: Humanist | ![]() | ![]() | |
Comic Neue Designer: Craig Rozynski, Hrant Papazian | ![]() | ![]() | ![]() |
Comic Sans Designer: Vincent Connare | ![]() | ![]() | ![]() |
Consolas Designer: Luc(as) de Groot Class: Humanist | ![]() | ![]() | ![]() |
Corbel Designer: Jeremy Tankard Class: Humanist | ![]() | ![]() | ![]() |
FF Dax Designer: Hans Reichel Class: Humanist, Spurless | ![]() | ![]() | ![]() |
DejaVu Sans Class: Humanist | ![]() | ![]() | ![]() |
DIN 1451 Designer: Deutsches Institut für Normung Class: Grotesque, Geometric | ![]() | ![]() | ![]() |
Drogowskaz Designer: Marek Sigmund Class: Geometric | ![]() | ![]() | ![]() |
Droid Sans Designer: Steve Matteson Class: Humanist | ![]() | ![]() | ![]() |
Dubai Designer: Nadine Chahine (chief designer) Class: Humanist, Semi-spurless | ![]() | ![]() | ![]() |
Eras Designer: Albert Boton, Albert Hollenstein Class: Humanist | ![]() | ![]() | ![]() |
Eurostile Designer: Aldo Novarese, Akira Kobayashi Class: Geometric | ![]() | ![]() | ![]() |
e-Ukraine Designer: Dmytro Rastvortsev Class: Neo-grotesque | ![]() | ||
Fira Sans Designer: Erik Spiekermann, Ralph du Carrois Class: Humanist | ![]() | ![]() | ![]() |
Folio Designer: Konrad Bauer & Walter Baum Class: Neo-grotesque | ![]() | ||
Franklin Gothic Designer: Morris Fuller Benton Class: Grotesque | ![]() | ![]() | ![]() |
Frutiger Designer: Adrian Frutiger Class: Humanist | ![]() | ![]() | ![]() |
Futura Designer: Paul Renner Class: Geometric | ![]() | ![]() | ![]() |
Geneva Designer: Susan Kare Class: Grotesque | ![]() | ![]() | ![]() |
Gerstner Programm Designer: Karl Gerstner Class: Neo-grotesque | ![]() | ||
Gill Sans Designer: Eric Gill Class: Humanist | ![]() | ![]() | ![]() |
Gotham Designer: Tobias Frere-Jones Class: Geometric | ![]() | ![]() | |
Grand Slang Designer: Nikolas Wrobel Class: Calligraphic | ![]() | ![]() | ![]() |
Haettenschweiler Designer: Walter Haettenschweiler Class: Grotesque | ![]() | ![]() | ![]() |
Handel Gothic Designer: Don Handel, Ronald Trogram Class: Geometric, Spurless | ![]() | ![]() | ![]() |
HarmonyOS Sans Designer: Huawei Class: Geometric | ![]() | ![]() | |
Helvetica Designer: Max Miedinger, Eduard Hoffman Class: Neo-grotesque | ![]() | ![]() | ![]() |
Highway Gothic Designer: Ted Forbes Class: Neo-grotesque | ![]() | ![]() | ![]() |
IBM Plex Sans Designer: Mike Abbink Class: Grotesque | ![]() | ![]() | ![]() |
Impact Designer: Geoffrey Lee Class: Grotesque | ![]() | ![]() | ![]() |
Interstate Designer: Tobias Frere-Jones Class: Mixed | ![]() | ||
Inter Designer: Rasmus Andersson Class: Neo-grotesque | ![]() | ||
GE Inspira Designer: Mike Abbink Class: Geometric | ![]() | ![]() | ![]() |
Johnston Designer: Edward Johnston, Eric Gill Class: Humanist | ![]() | ![]() | ![]() |
Kabel Designer: Rudolf Koch Class: Geometric | ![]() | ![]() | ![]() |
Karrik Designer: Jean-Baptiste Morizot, Lucas Le Bihan Class: Grotesque | ![]() | ![]() | ![]() |
Klavika Designer: Eric Olson Class: Humanist, Geometric | ![]() | ||
Lato Designer: Łukasz Dziedzic Class: Humanist | ![]() | ![]() | ![]() |
Liberation Sans Designer: Steve Matteson Class: Grotesque | ![]() | ![]() | |
Libre Franklin Designer: Impallari Type | ![]() | ||
Linux Biolinum Designer: Philipp Poll | ![]() | ||
Lucida Grande (former Mac OS X system font, used from Mac OS X 10.0 to Mac OS X 10.9) Designer: Charles Bigelow, Kris Holmes Class: Humanist | ![]() | ![]() | |
Lucida Sans Designer: Charles Bigelow, Kris Holmes Class: Humanist | ![]() | ![]() | ![]() |
FS Me Designer: Jason Smith Class: Humanist | ![]() | ||
FF Meta Designer: Erik Spiekermann Class: Humanist | ![]() | ![]() | ![]() |
Microsoft Sans Serif Designer: Microsoft Class: Neo-grotesque | ![]() | ![]() | ![]() |
Montserrat Designer: Julieta Ulanovsky, Sol Matas, Juan Pablo del Peral, and Jacques Le Bailly Class: geometric | ![]() | ![]() | |
Myriad Designer: Robert Slimbach, Carol Twombly Class: Humanist | ![]() | ![]() | ![]() |
National Trust Designer: Paul Barnes Class: Humanist | ![]() | ||
News Gothic Designer: Morris Fuller Benton Class: Grotesque | ![]() | ![]() | ![]() |
Neuzeit S Designer: Arthur Ritzel Class: Geometric, Grotesque | ![]() | ||
Nokia Pure Designer: Dalton Maag, Vincent Connare Class: Neo-grotesque | ![]() | ||
Noto Sans Designer: Google Class: Humanist | ![]() | ![]() | ![]() |
Nunito Sans Designer: Vernon Adams Class: Neo-grotesque | |||
OCR-B Designer: Adrian Frutiger Class: Neo-grotesque | ![]() | ![]() | ![]() |
Open Sans Designer: Steve Matteson Class: Humanist | ![]() | ![]() | ![]() |
Optima Designer: Hermann Zapf Class: Humanist | ![]() | ![]() | ![]() |
Overpass Designer: Delve Witherington Class: Mixed | ![]() | ![]() | ![]() |
Oxygen Designer: Vernon Adams | ![]() | ![]() | |
Proxima Nova Designer: Mark Simonson Class: Geometric-grotesque | ![]() | ![]() | ![]() |
Radis Sans Designer: Gaël Goy Class: Geometric | ![]() | ![]() | |
Rail Alphabet Designer: Margaret Calvert, Jock Kinneir Class: Neo-grotesque | ![]() | ||
Raleway Designer: Matt McInerney Class: Geometric | |||
Roboto Designer: Christian Robertson Class: Neo-grotesque | ![]() | ![]() | ![]() |
San Francisco Class: Neo-grotesque | ![]() | ![]() | |
FF Scala Sans Designer: Martin Majoor Class: Humanist | ![]() | ||
Segoe UI (2009) Designer: Steve Matteson Class: Humanist | ![]() | ![]() | |
Segoe UI (2012) Designer: Steve Matteson Class: Humanist | ![]() | ||
Selawik Designer: Microsoft Class: Humanist | ![]() | ![]() | ![]() |
Semplicità Designer: Nebiolo Class: Geometric, spurless | ![]() | ||
Seravek Designer: Eric Olson Class: Humanist | ![]() | ||
Skia Designer: Matthew Carter Class: Humanist, Spurless | ![]() | ![]() | ![]() |
OnePlus Slate Designer: Rod McDonald (typographer) Class: Humanist | ![]() | ![]() | ![]() |
SNV Designer: Association of Swiss Road Traffic Experts Class: Geometric, Neo-grotesque | ![]() | ||
Solare Designer: Nikolas Wrobel Class: Grotesque | ![]() | ![]() | ![]() |
Source Sans Pro Designer: Paul D. Hunt Class: Grotesque | ![]() | ![]() | ![]() |
Sweden Sans Class: Geometric | ![]() | ![]() | ![]() |
Syntax Designer: Hans Eduard Meier Class: Humanist | ![]() | ![]() | |
Tahoma Designer: Matthew Carter Class: Humanist | ![]() | ![]() | ![]() |
Thesis Sans Designer: Lucas de Groot Class: Humanist | ![]() | ![]() | |
Tiresias Designer: RNIB Class: Humanist | ![]() | ![]() | ![]() |
Trade Gothic Designer: Jackson Burke Class: Grotesque | ![]() | ![]() | ![]() |
Transport Designer: Jock Kinneir, Margaret Calvert Class: Mixed | ![]() | ![]() | |
Tratex Designer: Karl-Gustav Gustafson Class: Geometric | ![]() | ![]() | |
Trebuchet MS Designer: Vincent Connare Class: Humanist | ![]() | ![]() | ![]() |
Twentieth Century Designer: Sol Hess Class: Geometric | ![]() | ||
Ubuntu Designer: Dalton Maag Class: Humanist, Spurless | ![]() | ![]() | ![]() |
Unica Designer: Team ’77 (André Gürtler, Christian Mengelt and Erich Gschwind) Class: Neo-grotesque | ![]() | ||
Univers Designer: Adrian Frutiger Class: Neo-grotesque | ![]() | ![]() | ![]() |
Universalis Designer: Arkandis Class: Geometric | ![]() | ![]() | ![]() |
VAG Rounded Designer: Gerry Barney et al. Class: Geometric | ![]() | ![]() | ![]() |
Vera Sans Designer: Jim Lyles Class: Humanist | ![]() | ![]() | ![]() |
Vercetti Regular Designer: Filippos Fragkogiannis, Richard Mandona Class: Humanist, Geometric | ![]() | ![]() | ![]() |
Verdana Designer: Matthew Carter Class: Humanist | ![]() | ![]() | ![]() |
Whitney Designer: Tobias Frere-Jones Class: Humanist | ![]() |
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In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque, § Neo-grotesque, § Geometric, § Humanist, and § Other or mixed.
In typography, a serif is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface, and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" or "Gothic" and serif typefaces as "roman".
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Vera is a digital typeface superfamily with a liberal license. It was designed by Jim Lyles from the now-defunct Bitstream Inc. type foundry, and it is closely based on Bitstream Prima, for which Lyles was also responsible. It is a TrueType font with full hinting instructions, which improve its rendering quality on low-resolution devices such as computer monitors. The font has also been repackaged as a Type 1 PostScript font, called Bera, for LaTeX users.
Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.
In East Asian writing systems, gothic typefaces are a type style characterized by strokes of even thickness and lack of decorations, akin to sans serif styles in Western typography. It is the second most commonly used style in East Asian typography, after Ming.
The font family selection in (X)HTML, CSS, and derived systems specifies a list of prioritized fonts and generic family names; in conjunction with correlating font properties, this list determines the particular font face used to render characters. The family selection is available in two forms: in the deprecated (X)HTML <font>...</font>
element with its face
attribute, and in the CSS font-family
property.
In typography, a counter is the area of a letter that is entirely or partially enclosed by a letter form or a symbol. The stroke that creates such a space is known as a "bowl". Latin letters containing closed counters include A, B, D, O, P, Q, R, a, b, d, e, g, o, p, and q. Latin letters containing open counters include c, f, h, s etc. The digits 0, 4, 6, 8, and 9 also have counters. An aperture is the opening between an open counter and the outside of the letter.
Roboto is a typeface family developed by Google. The first typeface was created as the system font for its Android operating system, and released in 2011 for Android 4.0 "Ice Cream Sandwich".
Oblique type is a form of type that slants slightly to the right, used for the same purposes as italic type. Unlike italic type, however, it does not use different glyph shapes; it uses the same glyphs as roman type, except slanted. Oblique and italic type are technical terms to distinguish between the two ways of creating slanted font styles; oblique designs may be labelled italic by companies selling fonts or by computer programs. Oblique designs may also be called slanted or sloped roman styles. Oblique fonts, as supplied by a font designer, may be simply slanted, but this is often not the case: many have slight corrections made to them to give curves more consistent widths, so they retain the proportions of counters and the thick-and-thin quality of strokes from the regular design.
The DejaVu fonts are a superfamily of fonts designed for broad coverage of the Unicode Universal Character Set. The fonts are derived from Bitstream Vera (sans-serif) and Bitstream Charter (serif), two fonts released by Bitstream under a free license that allowed derivative works based upon them; the Vera and Charter families were limited mainly to the characters in the Basic Latin and Latin-1 Supplement portions of Unicode, roughly equivalent to ISO/IEC 8859-15, and Bitstream's licensing terms allowed the fonts to be expanded upon without explicit authorization. The DejaVu fonts project was started with the aim to "provide a wider range of characters ... while maintaining the original look and feel through the process of collaborative development". The development of the fonts is done by many contributors and is organized through a wiki and a mailing list.
Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:
Linux Libertine is a typeface released in 2003 by the Libertine Open Fonts Project, which aims to create free and open alternatives to proprietary typefaces such as Times New Roman. It was developed with the free font editor FontForge and is licensed under the GNU General Public License and the SIL Open Font License.
Bitstream Charter is a serif typeface designed by Matthew Carter in 1987 for Bitstream Inc. Charter is based on Pierre-Simon Fournier’s characters, originating from the 18th century. Classified by Bitstream as a transitional-serif typeface, it also has features of a slab-serif typeface and is often classified as such.
Liberation is the collective name of four TrueType font families: Liberation Sans, Liberation Sans Narrow, Liberation Serif, and Liberation Mono. These fonts are metrically compatible with the most popular fonts on the Microsoft Windows operating system and the Microsoft Office software package, for which Liberation is intended as a free substitute. The fonts are default in LibreOffice.
Droid is a font family first released in 2007 and created by Ascender Corporation for use by the Open Handset Alliance platform Android and licensed under the Apache License. The fonts are intended for use on the small screens of mobile handsets and were designed by Steve Matteson of Ascender Corporation.
IBM Plex is an open source typeface superfamily conceptually designed and developed by Mike Abbink at IBM in collaboration with Bold Monday to reflect the design principles of IBM and to be used for all brand material across the company internationally. Plex replaces Helvetica as the IBM corporate typeface after more than fifty years, freeing the company from extensive license payments in the process.