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This is a list of transposing instruments and their transposition. Transposing instruments are instruments for which the convention is to write music notation transposed relative to concert pitch.
Instrument family | Instrument name | The note C4 written down produces: | Comment |
---|---|---|---|
Accordion | D♭ piano accordion | D♭4 | |
Bass accordion | C2 | ||
Arpeggione | C2/C3 | ||
Bagpipe | Great Highland bagpipe | variable D♭4 - D4 | A minority of bagpipes, made for playing with other instruments, are exactly D♭4 (referred to as B♭, relative to the tonic note A rather than C). Most bagpipes are sharper than this, between D♭4 and D4. [1] . |
Northumbrian smallpipes in F or F+ | B♭4 for F (~20 cents sharp for F+) | Older and traditionally made instruments use a pitch sharp of F described as F+ (F-plus) | |
Banjo | Banjo | C3 | |
Tenor banjo | C3 | ||
Bassoon | Tenoroon | F4 | |
Contrabassoon | C3 | ||
Bugle | Soprano bugle Mellophone bugle French horn bugle | G3 | |
Baritone bugle Euphonium bugle | G2 | ||
Contrabass bugle | G1 | ||
Carillon | Various | Since they are seldom played in concert with other instruments and carillonneurs need standardized sheet music, carillons often transpose to a variety of keys—whichever is advantageous for the particular installation; many transposing carillons weigh little, have many bells, or were constructed on limited funds. [2] An increasing number of new carillons have been installed in concert pitch as a result of the desire to establish the carillon as a full-fledged concert instrument. [3] | |
Celesta | C5 | ||
Clarinet | A♭ clarinet | A♭4 | |
E♭ clarinet | E♭4 | ||
D clarinet | D4 | ||
B soprano clarinet | B3 | ||
B♭ clarinet | B♭3 | ||
A soprano clarinet | A3 | ||
Basset clarinet | A3 | ||
A♭ soprano clarinet | A♭3 | ||
Clarinet d’amour | G3 | ||
G Basset clarinet | G3 | ||
Basset horn | F3 | ||
Alto clarinet | E♭3 | ||
C bass clarinet | C3 | ||
Bass clarinet | B♭2 | ||
Contra-alto clarinet | E♭2 | ||
Contrabass clarinet | B♭1 | ||
Octocontra-alto clarinet | E♭1 | ||
B♭ octocontrabass clarinet | B♭0 | ||
Cornet | Soprano cornet | E♭4 | |
Cornet | B♭3 | ||
Crotales | C6 | ||
Csakan | A♭4 | ||
Euphonium | B♭2 | When notated in treble clef | |
fife | Folk B♭ fife | A♭4 | |
Flute | D♭ piccolo | D♭5 | |
Piccolo | C5 | ||
Treble flute | G4 | ||
F soprano flute | F4 | ||
Soprano flute | E♭4 | ||
D♭ Flute | D♭4 | ||
B♭ flûte d'amour | B♭3 | ||
A flûte d'amour | A3 | ||
Alto flute | G3 | ||
Bass flute | C3 | ||
Contra-alto flute | G2 | ||
Contrabass flute | C2 | ||
Subcontrabass flute | G1 | ||
F subcontrabass flute | F1 | ||
Double contrabass flute | C1 | ||
Hyperbass flute | C0 | ||
Glockenspiel | C6 | ||
Guitar | Guitar | C3 | |
Handbells | C5 | ||
Hardanger Fiddle | D4 | ||
Horn | Marching horn | B♭3 | |
Horn | F3 | ||
Mellophone | Mellophone | F3 | |
Oboe | F piccolo oboe | F4 | |
E♭ piccolo oboe | E♭4 | ||
Oboe d'amore | A3 | ||
Cor anglais | F3 | ||
Heckelphone and Bass oboe | C3 | ||
Oud | G2 | Bolahenk tuning | |
Recorder | Garklein recorder | C6 | |
Sopranino recorder | C5/F5 | ||
Soprano recorder | C5, formerly G4 | ||
B♭ Soprano recorder | B♭4 | ||
Alto recorder | F4 | ||
Voice flute | D4, formerly A3 | ||
Tenor recorder | C4, formerly G3 | ||
Basset recorder | F3 | ||
Bass recorder | C3 | When notated in treble clef | |
Great bass recorder | F2 | ||
Contrabass recorder | C2 | ||
Saxhorns | Flugelhorn | B♭3 | |
Tenor horn | E♭3 | ||
Baritone horn | B♭2 | When notated in treble clef | |
Saxophone | Piccolo saxophone | B♭4 | |
Sopranino saxophone | E♭4 | ||
Soprano saxophone | B♭3 | ||
F alto saxophone | F3 | ||
Alto saxophone | E♭3 | ||
C Melody Saxophone | C3 | ||
Tenor saxophone | B♭2 | ||
Baritone saxophone | E♭2 | ||
C bass saxophone | C2 | ||
Bass saxophone | B♭1 | ||
Contrabass saxophone | E♭1 | ||
Subcontrabass saxophone | B♭0 | ||
Tin whistle | C5 | Transposes at the octave. Some whistle players treat whistles pitched higher or lower than the "standard" D tin whistle as (additionally) transposing instruments. | |
Trombone | Tenor Trombone | C4 | When noted in treble clef |
Alto trombone | C4 | Reads Alto Clef | |
Soprano trombone | C4 | May be B♭3 like a B♭ trumpet | |
Bass Trombone | C4 | The Bass Trombone is the same as the Tenor Trombone except it has a larger bore and an extra trigger | |
Contrabass Trombone | C4 | Plays the same notes as a tuba | |
Trumpet | C Piccolo Trumpet | C5 | |
Piccolo trumpet | B♭4 | ||
Piccolo Trumpet in A | A4 | ||
F trumpet | F4 | ||
E trumpet | E4 | ||
E♭ trumpet | E♭4 | ||
D trumpet | D4 | ||
Trumpet | B♭3 | ||
A trumpet | A3 | ||
E♭ bass trumpet | E♭3 | ||
D bass trumpet | D3 | ||
Bass trumpet | B♭2 | ||
Tuba | E♭ tuba | E♭2 | When notated in treble clef |
B♭ tuba | B♭1 | When notated in treble clef | |
Venova | Venova | C5 | |
Alto Venova | F4 | ||
Violin | Treble violin | C5 | |
Alto Violin | C5 | ||
Octobass | C2 | ||
C0 | |||
Viol | Double bass | C3 | |
Wagner Tuba | Tenor Wagner tuba | B♭3, formerly B♭2 | |
Bass Wagner tuba | F3, formerly F2 | ||
Xylophone | C5 |
The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, meaning "well-sounding" or "sweet-voiced". The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist.
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B♭ or C trumpet.
In music, a tone row or note row, also series or set, is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both larger and smaller sets are sometimes found.
The glockenspiel or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone.
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation ; the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built."
A transposing instrument is a musical instrument for which music notation is not written at concert pitch. For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B♭, so these are referred to as B♭ instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form.
A carillon ( KARR-ə-lon, kə-RIL-yən) is a pitched percussion instrument that is played with a keyboard and consists of at least 23 bells. The bells are cast in bronze, hung in fixed suspension, and tuned in chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and pedals played with the feet. Often housed in bell towers, carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which the time is announced and simple tunes are played throughout the day.
The baritone horn, sometimes called baritone, is a low-pitched brass instrument in the saxhorn family. It is a piston-valve brass instrument with a bore that is mostly conical, like the smaller and higher pitched flugelhorn and tenor horn, but it has a narrower bore compared to the similarly pitched euphonium. It uses a wide-rimmed cup mouthpiece like that of its peers, the trombone and euphonium. Like the trombone and the euphonium, the baritone horn can be considered either a transposing or non-transposing instrument.
Campanology is the scientific and musical study of bells. It encompasses the technology of bells—how they are founded, tuned and rung—as well as the history, methods, and traditions of bellringing as an art.
The qanun, kanun, ganoun or kanoon Persian: قانون(; Armenian: քանոն, romanized: k’anon; Sorani Kurdish: قانون, romanized: qānūn; Greek: κανονάκι, romanized: kanonáki, qanun;, qānūn; Turkish: kanun; Azerbaijani: qanun; Uyghur: قالون, romanized: qalon) is a Middle Eastern string instrument played either solo, or more often as part of an ensemble, in much of Iran, Arab East, and Arab Maghreb region of North Africa, later it reached West Africa, Central Asia due to Arab migration. It was also common in ancient Armenia, and Greece. The name derives ultimately from Ancient Greek: κανών kanōn, meaning "rule, law, norm, principle". The qanun traces one of its origins to a stringed Assyrian instrument from the Old Assyrian Empire, specifically from the nineteenth century BC in Mesopotamia. This instrument came inscribed on a box of elephant ivory found in the old Assyrian capital Nimrud. The instrument is a type of large zither with a thin trapezoidal soundboard that is famous for its unique melodramatic sound.
Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Concert pitch may vary from ensemble to ensemble, and has varied widely over time. The ISO defines international standard pitch as A440, setting 440 Hz as the frequency of the A above middle C. Frequencies of other notes are defined relative to this pitch.
The Yale Memorial Carillon is a carillon of 54 bells in Harkness Tower at Yale University in New Haven, Connecticut.
In music, a permutation (order) of a set is any ordering of the elements of that set. A specific arrangement of a set of discrete entities, or parameters, such as pitch, dynamics, or timbre. Different permutations may be related by transformation, through the application of zero or more operations, such as transposition, inversion, retrogradation, circular permutation, or multiplicative operations. These may produce reorderings of the members of the set, or may simply map the set onto itself.
In music, transposition refers to the process or operation of moving a collection of notes up or down in pitch by a constant interval.
The shifting of a melody, a harmonic progression or an entire musical piece to another key, while maintaining the same tone structure, i.e. the same succession of whole tones and semitones and remaining melodic intervals.
A chime or set of chimes is a carillon-like instrument, i.e. a pitched percussion instrument consisting of 22 or fewer bells. Chimes are primarily played with a keyboard, but can also be played with an Ellacombe apparatus. Chimes are often automated, in the past with mechanical drums connected to clocks and in the present with electronic action. Bellfounders often did not attempt to tune chime bells to the same precision as carillon bells. Chimes are defined as specifically having fewer than 23 bells to distinguish them from the carillon. American chimes usually have one to one and a half diatonic octaves. According to a recent count, there are over 1,300 existing chimes throughout the world. Almost all are in the Netherlands and the United States, with most of the remainder in Western European countries.
The piccolo trumpet is the smallest member of the trumpet family, pitched one octave higher than the standard B♭ trumpet. Most piccolo trumpets are built to play in either B♭ or A, using a separate leadpipe for each key. The tubing in the B♭ piccolo trumpet is one-half the length of that in a standard B♭ trumpet. Piccolo trumpets in G, F, and even high C are also manufactured, but are rarer.
The Guild of Carillonneurs in North America (GCNA) is a professional association of carillonneurs in North America, dedicated to the advancement of the art, literature, and science of the carillon. It was founded in Ottawa, Canada, in 1936 by American and Canadian carillonneurs so that they could keep better contact and develop the musicality of the instrument. It publishes sheet music, two periodicals, and instrument design standards; holds an annual congress for members to share ideas and developments; administers music examinations for its members; and offers grants for various activities concerning the carillon.