Looking for Mr. Goodbar (film)

Last updated

Looking for Mr. Goodbar
Looking for Mr. Goodbar (1977 film) poster.jpg
Theatrical release poster
Directed by Richard Brooks
Screenplay byRichard Brooks
Based on Looking for Mr. Goodbar
by Judith Rossner
Produced by Freddie Fields
Starring Diane Keaton
Tuesday Weld
William Atherton
Richard Kiley
Richard Gere
Cinematography William A. Fraker
Edited byGeorge Grenville
Music by Artie Kane
Distributed by Paramount Pictures
Release date
  • October 19, 1977 (1977-10-19)
Running time
136 minutes [1]
CountryUnited States
LanguageEnglish
Box office$22.5 million [2]

Looking for Mr. Goodbar is a 1977 American crime drama film, based on Judith Rossner's best-selling 1975 novel of the same name, which was inspired by the 1973 murder of New York City schoolteacher Roseann Quinn. The film was written and directed by Richard Brooks, and stars Diane Keaton, Tuesday Weld, William Atherton, Richard Kiley, and Richard Gere.

Contents

The film was a commercial success, earning $22.5 million, [a] and received generally favorable reviews, with much of the praise directed towards Keaton's performance. It garnered two Academy Award nominations, Best Supporting Actress for Weld and Best Cinematography for William A. Fraker, while Keaton earned a Golden Globe Award nomination for Best Actress in a Motion Picture – Drama. Looking for Mr. Goodbar introduced Richard Gere, LeVar Burton, and Tom Berenger, all as men whom the protagonist Theresa encounters.

Plot

Theresa Dunn, a young schoolteacher in an unnamed American city, experiences her sexual awakening while searching for excitement outside her ordered life. While in college, she lives with her repressive Polish-Irish Catholic parents and suffers from severe body image issues following a childhood surgery for scoliosis that left a large scar on her back. Theresa later finds out that her scoliosis is congenital, and that her aunt had the same condition and committed suicide. As a result, Theresa is reluctant to have children of her own.

Meanwhile, Theresa's beautiful "perfect" older sister, Katherine, has left her husband and embarked on a wild lifestyle involving multiple affairs, a secret abortion, recreational drug use, and a short-lived marriage to a Jewish man. Theresa finds first love and loses her virginity to her much older, and married, college professor, Martin. He ends their affair just before her graduation, leaving Theresa feeling used and lonely.

Theresa takes a job teaching deaf children and proves to be a gifted and caring teacher. With Katherine's encouragement, she moves into an apartment in Katherine's building. She frequents a bar at night where she meets Tony, a charming but vain Italian-American. She ends up taking Tony to her apartment, taking cocaine with him and sleeping with him. Tony leaves in a hurry and gives her a Quaalude pill to counteract the cocaine. This causes her to oversleep and she arrives very late for work the next day, angering her employer and students. Tony then disappears for a long while, and Theresa initially misses him.

Through her job, Theresa also meets and dates an Irish-American welfare caseworker, James. Her parents approve of the responsible James, seeing him as a potential husband for Theresa. However, the couple do not have sex because James wants a traditional courtship and a monogamous relationship. Theresa sees this as stifling her freedom. Although James initially seems nice, over time he appears to become controlling and disrespectful of Theresa. Moreover, he shows signs of being just as selfish as Tony.

Meanwhile, Theresa begins to go out to more marginal places and has sex with complete strangers, often with older men. Tony eventually returns and acts as if nothing had happened. He barges in on Theresa while she is with another man and chases him away. Tony becomes controlling and abusive, and Theresa also discovers that he is a street hustler. She breaks up with Tony but he stalks and harasses her, both at home and at her workplace. After imagining what could happen if Tony were to turn her in to the police as revenge, Theresa gathers up all of the drugs in her apartment and flushes them down the toilet.

With the New Year approaching, Theresa resolves to turn over a new leaf and take control of her life. On New Year's Eve, she meets Gary in a bar, and cajoles him into helping her avoid James. Gary has been living with his gay lover but lies to Theresa, telling her that he has a pregnant wife in Florida. When they are in bed together at her apartment, Gary finds himself unable to achieve an erection. He then sniffs a "popper". Theresa tells him that it is okay if they don't have sex but Gary misinterprets this as questioning his sexuality. In a rage, Gary attacks her, rapes her, and then stabs her repeatedly, killing her.

Cast

Soundtrack

Looking For Mr. Goodbar
Soundtrack album by
Various
Released1977
Genre Disco, Rock, R&B
Length41:05
Label Columbia JS 35029
Producer Various

Looking For Mr. Goodbar is the 1977 soundtrack album of the film of the same name. [3] The album includes numerous disco, R&B and rock tracks from the era reflective of the music being played in clubs and discos in that period, as well as the film's theme, "Don't Ask To Stay Until Tomorrow" (written by Carol Connors and Artie Kane), presented in both vocal and instrumental versions.

Side one
No.TitleArtistLength
1."Theme from Looking for Mr. Goodbar
(Don't Ask to Stay Until Tomorrow)"
Artie Kane 1:16
2."Don't Leave Me This Way" Thelma Houston 3:37
3."Lowdown" Boz Scaggs 3:19
4."Machine Gun" The Commodores 2:45
5."Love Hangover" Diana Ross 3:47
6."She Wants to (Get on Down)" Bill Withers 3:15
7."Theme from Looking for Mr. Goodbar (reprise)
(Don't Ask to Stay Until Tomorrow)"
Artie Kane 0:22
Side Two
No.TitleArtistLength
1."Theme from Looking for Mr. Goodbar
(Don't Ask to Stay Until Tomorrow)"
Artie Kane, vocal by Marlena Shaw 4:08
2."She's Lonely" Bill Withers 5:04
3."Try Me, I Know We Can Make It" Donna Summer 4:14
4."Back Stabbers" The O'Jays 3:06
5."Prelude To Love / Could It Be Magic" Donna Summer 6:12

Production

For the sex scenes, Richard Brooks closed the set to all but essential crew. Diane Keaton still had difficulty the first time she was required to appear naked. When she heard Richard playing a Bach record during lunch, she asked if he could play the record during her scene. "Diane is so shy," he said later. "She could only do a nude scene if she was playing to the music. She couldn't play to a man. I think Bach would have been pleased." [4]

Release

Looking For Mr Goodbar grossed $1,540,635 from 110 theaters in its opening weekend. Variety listed the film at number one at the US box office for the week based on their sample of 20-22 cities, however, Star Wars grossed more for the weekend. [5] [6] After 16 days, the film expanded into 169 theatres and after 26 days of release it had grossed $8,128,345 and had spent another two weeks atop the US box office. [7] [8]

Reception and legacy

Critical response

On Rotten Tomatoes the film has a 61% rating based on 31 reviews, with an average rating of 6.40/10. The site's consensus states: "Diane Keaton gives an absolutely fearless performance in a sexual thriller whose ending will leave audiences trembling." [9] On Metacritic the film has a score of 64 out of 100, based on 9 critics, indicating "generally favorable reviews". [10]

Many critics praised Diane Keaton's performance. [11] Roger Ebert gave the film 3-out-of-4 stars, praising Keaton's performance but lamenting the "many loose ends and dead ends," some of which he blamed on significant alterations to the novel's plot. [12] Gene Siskel also awarded 3-out-of-4 stars, writing that "Keaton is absolutely compelling in Looking for Mr. Goodbar, even when the film is not." [13] Charles Champlin of the Los Angeles Times called Keaton's performance "high among the year's finest" in a demanding role, and declared the film "powerful, sincere and overlong, and if the film raises questions about itself it is also thought-provoking." [14] Variety stated: "Writer-director Brooks manifests his ability to catch accurately both the tone and subtlety of characters in the most repellant environments - in this case the desperate search for personal identity in the dreary and self-defeating world of compulsive sex and dope. Keaton's performance as the good/bad girl is excellent." [15] Newsweek was also enthusiastic: "Looking for Mr. Goodbar could have been just another sensationalist movie version of a shocking best seller. But Richard Brooks has filmed it with power, seriousness and integrity." [16] A retrospective review from AllMovie stated: "With the casting of Diane Keaton as Theresa, Looking for Mr. Goodbar became a then-rarity in Hollywood movies, depicting an everyday woman with an erotic life, rather than a vamp or a whore," rating the film 312-stars-out-of-5. [17]

Some critics found the film lurid and muddled; a review by Frank Rich for Time magazine criticized Brooks for making "many crude miscalculations" in adapting the novel. [11] Vincent Canby of The New York Times stated that Keaton was "virtually the only reason" to see the film, calling her "too good to waste on the sort of material the movie provides, which is artificial without in anyway qualifying as a miracle fabric." [18] John Simon noted that while the novel is set in New York City, the film is said to be located in San Francisco (though identifiably filmed in Chicago's Rush Street neighborhood). He also noted that "the main character is made considerably prettier, thus reducing the principal sources of her insecurity", as compared to her portrayal in the novel as somewhat of a "Plain Jane". [19] Pauline Kael noted, "Richard Brooks [...] has laid a windy jeremiad about our permissive society on top of fractured film syntax. He's lost the erotic, pulpy morbidity that made the novel a compulsive read; the film is splintered, moralistic, tedious." [20] Leonard Maltin rated the film 112-stars-out-of-4, writing that the film "begins as an intelligent study of repressed young girl, then wallows endlessly in her new 'liberated' lifestyle", despite praising Keaton's performance. [21]

Author Judith Rossner praised Keaton's performance. However, she had nothing to do with the making of the film and "detested" the final product. [22]

Scientific analysis

Robert O. Friedel, MD, has suggested that Theresa's behavior in the film is consistent with a diagnosis of borderline personality disorder. [23]

Awards and nominations

AwardCategoryRecipients and nomineesResultRef.
Academy Awards Best Supporting Actress Tuesday Weld Nominated [24]
Best Cinematography William A. Fraker Nominated
Golden Globe Awards Best Actress in a Motion Picture – Drama Diane Keaton Nominated [25]
New York Film Critics Circle Awards Best Actress 3rd Place [26]
Writers Guild of America Awards Best Drama Adapted from Another Medium Richard Brooks Nominated [27]

Home media

Looking for Mr. Goodbar was released on LaserDisc and VHS, [28] [29] with the most recent VHS release being in 1997. [30] During a showing of the film on Turner Classic Movies, it was stated by Ben Mankiewicz that its subsequent unavailability on DVD or Blu-ray was owed to licensing complications surrounding the film's extensive use of popular music. [31] [32] However, on October 31, 2024, independent label Vinegar Syndrome, under license from Paramount, announced a new release of the film on 4K and standard Blu-ray as part of its annual Black Friday pre-order weekend event, marking its official debut on both formats. [33]

The film is referenced in the Frank Zappa song "Dancin' Fool" from the 1979 album Sheik Yerbouti . [34]

The film is referenced in the 1985 "Weird Al" Yankovic song "Dare to Be Stupid" in which Yankovic advises the listener in one lyric to "look for Mr. Goodbar." [35] [36]

The film inspired the music video for the 1993 Madonna song "Bad Girl". [37] In the video, Madonna plays a woman who, like Theresa, engages in self-destructive behavior by drinking heavily and sleeping around with random men before she is ultimately murdered by a man she had selected for a one-night stand.

The film was referenced in the "Homer Badman" episode of The Simpsons . When Homer and Marge are at a candy convention, an announcement over the PA system says "Looking for Mr. Goodbar, the front desk is Looking for Mr. Goodbar".

Notes

  1. In 2016 dollars, the film would have earned $86.9 million. [2]

See also

Related Research Articles

<span class="mw-page-title-main">Woody Allen</span> American filmmaker, actor, and comedian (born 1935)

Heywood Allen is an American filmmaker, actor, and comedian whose career spans more than six decades. Allen has received many accolades, including the most nominations (16) for the Academy Award for Best Original Screenplay. He has won four Academy Awards, ten BAFTA Awards, two Golden Globe Awards and a Grammy Award, as well as nominations for a Emmy Award and a Tony Award. Allen was awarded an Honorary Golden Lion in 1995, the BAFTA Fellowship in 1997, an Honorary Palme d'Or in 2002, and the Golden Globe Cecil B. DeMille Award in 2014. Two of his films have been inducted into the National Film Registry by the Library of Congress.

<i>Annie Hall</i> 1977 film by Woody Allen

Annie Hall is a 1977 American satirical romantic comedy-drama film directed by Woody Allen from a screenplay written by Allen and Marshall Brickman, and produced by Allen's manager, Charles H. Joffe. The film stars Allen as Alvy Singer, who tries to figure out the reasons for the failure of his relationship with the eponymous female lead, played by Diane Keaton in a role written specifically for her.

<i>The Goodbye Girl</i> 1977 film directed by Herbert Ross

The Goodbye Girl is a 1977 American romantic comedy-drama film directed by Herbert Ross, written by Neil Simon and starring Richard Dreyfuss, Marsha Mason, Quinn Cummings and Paul Benedict. The film, produced by Ray Stark, centers on an odd trio of characters: a struggling actor who has sublet a Manhattan apartment from a friend, the current occupant, and her precocious young daughter.

<span class="mw-page-title-main">Diane Keaton</span> American film actress (born 1946)

Diane Keaton is an American actress. She has received various accolades throughout her career spanning over five decades, including an Academy Award, a British Academy Film Award, and two Golden Globe Awards, in addition to nominations for a Tony Award and two Emmy Awards. She was honored with the Film Society of Lincoln Center Gala Tribute in 2007 and an AFI Life Achievement Award in 2017.

<span class="mw-page-title-main">Richard Brooks</span> American screenwriter, film director and producer (1912–1992)

Richard Brooks was an American screenwriter, film director, novelist and film producer. Nominated for eight Academy Awards in his career, he was best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958), Elmer Gantry, In Cold Blood (1967) and Looking for Mr. Goodbar (1977).

<i>Manhattan Murder Mystery</i> 1993 film by Woody Allen

Manhattan Murder Mystery is a 1993 American black comedy mystery film directed by Woody Allen, which he wrote with Marshall Brickman, and starring Allen, Alan Alda, Anjelica Huston, and Diane Keaton. The film centers on a married couple's investigation of the death of their neighbor's wife.

<i>When a Stranger Calls</i> (1979 film) 1979 American psychological thriller film by Fred Walton

When a Stranger Calls is a 1979 American psychological thriller film written and directed by Fred Walton, co-written by Steve Feke, and starring Charles Durning, Carol Kane, Colleen Dewhurst and Tony Beckley. Its plot follows Jill Johnson, a young woman being terrorized by a psychopathic killer while babysitting, the killer's stalking of another woman, his returning to torment Jill years later, and a detective's trying to find him. Rachel Roberts, Ron O'Neal, Carmen Argenziano, and Rutanya Alda appear in supporting roles. The film derives its story from the folk legend of "the babysitter and the man upstairs".

<span class="mw-page-title-main">Judith Rossner</span> American novelist

Judith Rossner was an American novelist, best known for her acclaimed best sellers Looking for Mr. Goodbar (1975) and August (1983).

<i>Looking for Mr. Goodbar</i> (novel) 1975 novel by Judith Rossner

Looking for Mr. Goodbar is a novel by American writer Judith Rossner. Published in 1975, the book—a "stunning psychological study of a woman's passive complicity in her own death"—won critical acclaim and was a #1 New York Times best seller.

<span class="mw-page-title-main">Richard Bright (actor)</span> American actor

Richard James Bright was an American actor, known for his role as Al Neri in the Godfather trilogy.

<span class="mw-page-title-main">Murder of Roseann Quinn</span> American murdered teacher (1944–1973)

Roseann M. Quinn was an American schoolteacher in New York City who was stabbed to death in 1973 by a man she had met at a bar. Her murder inspired Judith Rossner's best-selling 1975 novel Looking for Mr. Goodbar, which was adapted into a 1977 film directed by Richard Brooks and starring Diane Keaton, and the television film, Trackdown: Finding the Goodbar Killer, released in 1983. Quinn's murder also inspired the 1977 account Closing Time: The True Story of the "Goodbar" Murder by New York Times journalist Lacey Fosburgh. The case was the subject of a Season 3 episode 2 of Investigation Discovery's series A Crime to Remember in 2015.

<i>Closing Time: The True Story of the Goodbar Murder</i> Book by Lacey Fosburgh

Closing Time: The True Story of the "Goodbar" Murder is a 1977 book by Lacey Fosburgh about the murder of Roseann Quinn, a young New York City schoolteacher who reportedly led a "double life" and was murdered in 1973. Fosburgh appropriated the title of Judith Rossner's Looking for Mr. Goodbar, the acclaimed best-selling novel which had been published two years earlier, and subsequently made into a 1977 film, and whose events were followed by a 1983 made-for-TV semi-sequel, Trackdown: Finding the Goodbar Killer, which was largely based on fact.

The 43rd New York Film Critics Circle Awards, 29 January 1978, honored the best filmmaking of 1977.

Eddie Garrett was an American actor best known for his role on the NBC television series, Quincy, M.E., in which he portrayed a silver-haired photographer for the Los Angeles coroner's office in more than 100 episodes of the series.

<i>And So It Goes</i> (film) 2014 American film

And So It Goes is a 2014 American comedy drama film directed by Rob Reiner and written by Mark Andrus. The film, which stars Michael Douglas, Diane Keaton and Sterling Jerins, was released on July 25, 2014. It received mostly negative reviews from critics, and performed modestly at the box office. The film was the second collaboration between Reiner and Douglas, after The American President (1995). This film was also Frances Sternhagen's final feature film role before her death on November 27, 2023.

Trackdown: Finding the Goodbar Killer is a television film starring George Segal, Shelley Hack and Tracy Pollan. It first aired on October 15, 1983, on the CBS television network. Produced by Sonny Grosso and Larry Jacobson, the film was directed by Bill Persky.

<i>Book Club</i> (film) 2018 film by Bill Holderman and Erin Simms

Book Club is a 2018 American romantic comedy film directed by Bill Holderman, who co-wrote the screenplay with Erin Simms. The film stars Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen as four friends who read Fifty Shades of Grey as part of their monthly book club, and subsequently begin to change how they view their personal relationships.

Livia Giampalmo is an Italian actress, voice actress, film director and screenwriter.

Looking for Mr. Goodbar may refer to:

References

  1. "Looking for Mr. Goodbar (18)". British Board of Film Classification . November 21, 1977. Archived from the original on March 5, 2016. Retrieved August 9, 2013.
  2. 1 2 "Looking for Mr. Goodbar". Box Office Mojo . Archived from the original on December 31, 2016. Retrieved December 30, 2016.
  3. "Looking for Mr. Goodbar - Original Soundtrack". AllMusic . Archived from the original on August 16, 2021. Retrieved March 23, 2024.
  4. Wuntch, Philip (February 16, 1986). "Maverick filmmaker Richard Brooks makes movies with mind of his". Chicago Tribune . Archived from the original on February 9, 2022. Retrieved March 3, 2023.
  5. "50 Top-Grossing Films". Variety . November 2, 1977. p. 9.
  6. "Domestic 1977 Weekend 42 October 21-23, 1977". Box Office Mojo . Archived from the original on August 12, 2023. Retrieved November 1, 2020.
  7. "'Goodbar' Gross Tops $8-Mil; Par Hikes Playdate". Variety . November 16, 1977. p. 5.
  8. "50 Top-Grossing Films". Variety . November 23, 1977. p. 11.
  9. "Looking for Mr. Goodbar". Rotten Tomatoes . Archived from the original on December 13, 2022. Retrieved November 4, 2023.
  10. "Looking for Mr. Goodbar". Metacritic . Archived from the original on April 1, 2023. Retrieved November 4, 2023.
  11. 1 2 Rich, Frank (October 24, 1977). "Cinema: Diane in the Rough". Time . Vol. 110, no. 17. p. 104. Archived from the original on November 8, 2014. Retrieved October 20, 2014.
  12. Ebert, Roger (1977). "Looking for Mr. Goodbar review". Rogerebert.com. Archived from the original on December 6, 2023. Retrieved November 4, 2023.
  13. Siskel, Gene (October 21, 1977). "Keaton worth seeing in 'Goodbar'". Chicago Tribune . Section 4, p. 3.
  14. Champlin, Charles (October 19, 1977). "Warm-Blooded 'Mr. Goodbar'". Los Angeles Times . Part IV, pp. 1, 19.
  15. "Looking for Mr. Goodbar". Variety . January 1977. Archived from the original on December 11, 2023. Retrieved March 23, 2024.
  16. Kroll, Jack (October 24, 1977). "'Looking for Mr. Goodbar' review". Newsweek . p. 126.
  17. Bozzola, Lucia. "Looking for Mr. Goodbar". AllMovie . Archived from the original on March 26, 2024. Retrieved March 26, 2024.
  18. Canby, Vincent (October 20, 1977). "Film: 'Goodbar' Turns Sour". The New York Times . p. 27. Archived from the original on November 28, 2023. Retrieved November 4, 2023.
  19. Simon, John (December 9, 1977). "The Movies: Double Whammy". National Review . p. 1443.
  20. Kael, Pauline (October 16, 1977). "Goodbar, or How Nice Girls Go Wrong". The New Yorker . p. 147. Archived from the original on March 21, 2019. Retrieved March 15, 2019.
  21. Maltin, Leonard (2012). Leonard Maltin's Movie Guide: The Modern Era. Signet Book. p. 844. ISBN   978-0451237743.
  22. Miller, Stephen (August 11, 2005). "Judith Rossner, 70, Novelist of 'Mr. Goodbar'". The New York Sun . Archived from the original on January 19, 2018. Retrieved March 30, 2018.
  23. " Friedel, Robert O. (2006). "Early Sea Changes in Borderline Personality Disorder". Current Psychiatry Reports. 8 (1): 1–4. doi:10.1007/s11920-006-0071-6. PMID   16513034. S2CID   27719611. Archived from the original on April 17, 2009. Retrieved April 17, 2009.
  24. 1 2 "1978 Academy Awards". Academy of Motion Picture Arts and Sciences. October 5, 2014. Archived from the original on October 30, 2019. Retrieved July 4, 2019.
  25. "Looking for Mr. Goodbar". Hollywood Foreign Press Association. Archived from the original on June 13, 2023. Retrieved April 1, 2023.
  26. Maslin, Janet (December 22, 1977). "Critics' Circle Picks 'Annie Hall'". The New York Times . Archived from the original on January 26, 2023. Retrieved December 29, 2017.
  27. "Awards Winners". wga.org. Writers Guild of America. Archived from the original on December 5, 2012. Retrieved June 6, 2010.
  28. "Looking For Mr. Goodbar". LaserDisc Database. Archived from the original on April 11, 2016. Retrieved March 26, 2024.
  29. "Looking For Mr. Goodbar (1980)". VHSCollector. Archived from the original on September 23, 2023. Retrieved March 26, 2024.
  30. "Looking For Mr. Goodbar (1997)". VHSCollector. Archived from the original on December 4, 2023. Retrieved March 26, 2024.
  31. "Have We Found Looking For Mr. Goodbar?". DVDExotica. November 7, 2022. Archived from the original on December 1, 2023. Retrieved November 4, 2023.
  32. "Looking for Mr. Goodbar". Blu-ray.com. Archived from the original on March 15, 2024. Retrieved March 15, 2024.
  33. "Looking for Mr. Goodbar 4K UHD - Coming from Vinegar Syndrome - Blu-ray Forum". forum.blu-ray.com. Retrieved November 1, 2024.
  34. "Dancin' Fool". Genius. Archived from the original on November 4, 2023. Retrieved November 4, 2023.
  35. "Dare to Be Stupid" lyrics:
    Take some wooden nickels
    Look for Mr. Goodbar
    Get your mojo working now
    I'll show you how
    You can dare to be stupid
  36. "Dare to Be Stupid". Genius . Archived from the original on November 27, 2023. Retrieved November 4, 2023.
  37. Guilbert, Georges-Claude (2002). Madonna as Postmodern Myth. McFarland. p. 132. ISBN   978-0786414086.