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 Lungi Panchi Dance Birbhum, West Bengal | |
| Origin | Bengal, Birbhum, Purulia District |
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The Lungi Panchi Dance is a traditional dancing style of the Santal people of West Bengal. [1] This dance is performed by both men and women and is accompanied by traditional music.
The Santal people are a Munda ethnic group with a very large presence in India and Bangladesh. A large portion of the Santal people come from West Bengal, Jharkhand, and Bangladesh. [2] The Santal tribe has a rich cultural lineage and they display immense solidarity despite their cultural diversity. Dancing and music are central components of their culture. Their population is around 6 million, and geographically located in India, Bangladesh and Nepal. They speak Santali and follow Hinduism largely. Remnants of primitive communal relations are preserved in the social system. The main occupation is agriculture; they are also engaged in hunting and gathering. Many Santals work on plantations, factories, coal mines, and as port workers.
The origin of Lungi Panchi dance is unclear. Traditionally, it is believed that it originated in 1955 as a result of mixing the rhythms of merengue and conga in Cuba. The Cuban musician, Eduardo Davidson, is often called the father of the pachanga dance, but opponents of this opinion consider such statements to be erroneous, since the first composition of Davidson in this style was written only in 1959.
When dancing, Santal women dress in a lungi-panchi or red-bordered white sari, which is the origin of the Lungi Panchi dance's name. The male Santhali dancers dress in dhoti and use accessories such as turbans, tree leaves, flowers, and bushes during the dance. [3]
A notable feature of the Lungi Panchi dance is the harmony of movement. Female dancers stand in a line holding hands and move to the rhythm of the madal while Santal men provide the musical accompaniment. [2]
The Lungi Panchi dance is accompanied by folk music and various traditional instruments such as the madal, flute, dhamsa, jhanj, kartal, and the shehnai. The men and boys use two types of drums - the madal and the lagra.
Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.
The Baul are a group of mystic minstrels of mixed elements of Sufism and Vaishnavism from different parts of Bangladesh and the neighboring Indian states of West Bengal, Tripura and Assam's Barak Valley and Meghalaya. Bauls constitute both a syncretic religious sect of troubadours and a musical tradition. Bauls are a very heterogeneous group, with many sects, but their membership mainly consists of Vaishnava Hindus and Sufi Muslims. They can often be identified by their distinctive clothes and musical instruments. Lalon Shah is regarded as the most celebrated Baul saint in history.
Pohela Boishakh is the Bengali New Year celebrated on 14 April in Bangladesh and 15 April in the Indian states of West Bengal, Tripura, Jharkhand and Assam. It is a festival based on the spring harvest—which marks the first day of the new year in the official calendar of Bangladesh.
A sarong or a sarung is a large tube or length of fabric, often wrapped around the waist, worn in Southeast Asia, South Asia, Western Asia, Northern Africa, East Africa, West Africa, and on many Pacific islands. The fabric often employs woven plaid or checkered patterns or may be brightly colored by means of batik or ikat dyeing. Many modern sarongs have printed designs, often depicting animals or plants. Different types of sarongs are worn in different places in the world, notably the lungi in the Indian subcontinent and the izaar in the Arabian Peninsula.
Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to perform rituals and dances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
The lungi is a clothing similar to the sarong that originated in the Indian subcontinent. The lungi, which usually multicoloured, is a men's skirt usually tied around the lower waist below the navel. It can be worn as casual wear and night wear. It is favoured in hot and humid climates where the airflow it allows makes it more comfortable than alternatives.
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods.
The Garo people are a Tibeto-Burman ethnic group who live mostly in the Northeast Indian state of Meghalaya with a smaller number in neighbouring Bangladesh. Historically, the name Garo was used for a large number of different peoples living on the southern bank of Brahmaputra River, but now refers primarily to those who call themselves A∙chik Mande or simply A∙chik or Mande and the name "Garo" is now being used by outsiders as an exonym. They are the second-largest tribe in Meghalaya after the Khasi and comprise about a third of the local population.
The culture of Bangladesh is intertwined with the culture of the Bengal region of the Indian subcontinent. It has evolved over the centuries and encompasses the cultural diversity of several social groups of Bangladesh. The Bengal Renaissance of the 18th early 19th centuries, noted Bengali writers, saints, authors, scientists, researchers, thinkers, music composers, painters, film-makers have played a significant role in the development of Bengali culture. The culture of Bangladesh is deeply intertwined with the culture of the Bengal region. Basically, Bengali culture refers to the culture of Bangladesh. The Bengal Renaissance contained the seeds of a nascent political Indian nationalism which was the precursor in many ways to modern Indian artistic cultural expression.
Indian folk music is diverse because of India's enormous cultural and traditional diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration.
The culture of West Bengal is an Indian culture which has its roots in Bengali literature, music, fine arts, drama and cinema. Different geographic regions of West Bengal have subtle as well as more pronounced variations between each other, with Darjeeling Himalayan hill region and Duars showing particularly different socio-cultural aspects.
The Santal people love music and dance. Like other ethnic groups of the Indian subcontinent, their culture has been influenced by mainstream Indian culture and by Western culture, but traditional music and dance still remain. Santal music differs from Hindustani classical music in significant ways. Onkar Prasad has done the most recent work on the music of the Santal but others preceded his work, notably W. G. Archer who collected and analyzed hundreds of Santal songs in the mid-twentieth century. The Santal traditionally accompany many of their dances with two drums: the Tamak' and the Tumdak'. The flute was considered the most important Santal traditional instrument and still evokes feelings of nostalgia for many Santal.
Ethnic minorities of Bangladesh or loosely termed minority people of Bangladesh are ethnic minorities in Chittagong Hill Tracts (southeastern), Sylhet Division (northeastern), Rajshahi Division (west), and Mymensingh Division (north-central) areas of the country. They are assumed as ethnic group and the tribal races, total population of ethnic minorities in Bangladesh was estimated to be over 2 million in 2010. They are diverse ethnic communities including Tibeto-Burman, Austric and Dravidian people.
The culture of Bengal defines the cultural heritage of the Bengali people native to eastern regions of the Indian subcontinent, mainly what is today Bangladesh and the Indian states of West Bengal and Tripura, where they form the dominant ethnolinguistic group and the Bengali language is the official and primary language. Bengal has a recorded history of 1,400 years. After the partition, Bangladeshi culture became distinct from the mainstream Bengali culture, thus their culture evolved differently, still there are many commonalities in Bangladeshi culture & West Bengali culture which connects them both together as Bengali culture.
The tumdak is a hand-struck double-headed membranophone of the Santal people of the Indian subcontinent, distributed across Eastern India and Bangladesh. Tumdak is a Santali famous instrument. Tumdak is used santali traditional festival. The Santal typically use the Tumdak' in combination with the Tamak' for religious ceremonies and Santal festivals. Both drums are almost universally played by men rather than women. The body of the drum is cylindrical and made from clay. The two heads of the drum are usually cowhide, the right one being slightly smaller than the left. Like many similar Indian drums, each head has a round patch of tuning paste in the center which enhances the sound. When played for dancing, the Tumdah' player suspends the drum around his neck with a cord or leather strap. The Tumdah' falls within the larger category of double-headed hand-struck Indian drums, which have various names: Dholak, Nal, Mridangam. The player strikes the Tumdak' with full hand and fingers as required by the musical pattern. The rhythm of the Tamak' and Tumdak' set the basic metric/rhythmic pattern for Santal dances and are essential for traditional Santal music.
Pakaian is the term for clothing in Malaysia's national language. It is referring to things to wear such as shirts, pants, shoes etc. Since Malaysia is a multicultural nation: Malay, Chinese, Indian and hundreds of other indigenous groups of Malay Peninsula and Borneo, each has its own traditional and religious articles of clothing all of which are gender-specific and may be adapted to local influences and conditions. Previously, traditional clothes were worn daily. However, by excluding Baju Melayu, Baju Kurung many are now only worn on special occasions such as marriage ceremonies and cultural events.
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based coros de clave. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba, as well as their contemporary derivatives and other minor styles.
Alpana or alpona is a Bengali folk art style consisting of colored motifs, patterns, and symbols that are painted on floors and walls with paints made from rice flour, on religious occasions. Alpona is common to Bangladesh and the Indian state of West Bengal. Amongst Hindu families, alpanas may contain religious motifs with symbolic designs that relate to religious austerity, festivals, and specific deities. Amongst Santal tribal communities, alpanas often contain geometric or symbolic patterns drawn from nature. Although traditionally the domain of rural women, Alpana motifs have been very influential in modern Indian art, and are incorporated into the works of artists such as Jamini Roy, Abanindranath Tagore, Devi Prasad, and in the early illustrations of film-maker Satyajit Ray. In contemporary Bengal, alpanas are created as part of religious festivals such as the Durga puja, in public and private spaces.
Theatre in Bangladesh is believed to have its origin in the 4th century AD in the form of Sanskrit drama. The conquest of Bengal by the Gupta Empire led the ingress of the northern Indian culture into the ancient Bangladeshi culture which eventually introduced the tradition of theatre in Bangladesh. At present, apart from the Sanskrit theatre, the influence of the European theatre and the indigenous folk culture can also be seen in the theatre art of Bangladesh.
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