March or Die (film)

Last updated

March or Die
Marchordie.jpg
Theatrical release poster by Tom Jung
Directed by Dick Richards
Screenplay by David Zelag Goodman
Story byDavid Zelag Goodman
Dick Richards
Produced by Jerry Bruckheimer
Dick Richards
Starring Gene Hackman
Terence Hill
Max von Sydow
Ian Holm
Catherine Deneuve
Cinematography John Alcott
Edited byStanford C. Allen
O. Nicholas Brown
John C. Howard
Music by Maurice Jarre
Production
company
Distributed by Columbia Pictures (through Columbia-Warner Distributors [1] )
Release date
  • 5 August 1977 (1977-08-05)
Running time
104 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$8 million [2]
Box office$3,243,088 (USA) [3] [4]
373,848 admissions (France) [5]

March or Die is a 1977 British war drama film directed by Dick Richards and starring Gene Hackman, Terence Hill, Catherine Deneuve, Max von Sydow and Sir Ian Holm.

Contents

The film celebrates the 1920s French Foreign Legion. Foreign Legion Major Foster (Hackman), a war-weary American haunted by his memories of the recently ended Great War, is assigned to protect a group of archaeologists at a dig site in Erfoud in Morocco from Bedouin revolutionaries led by El-Krim (based on Moroccan revolutionary Abd el-Krim).

The song "Plaisir d'amour", a tune about lost love and regret, is played repeatedly throughout the story as the film's theme song.

Plot

Soon after the Great War, Major William Foster (Gene Hackman), an American commander in the French Foreign Legion, suffers the haunting memories of leading an army of more than 8,000 men and watching them slowly get whittled down to just 200. He has become an alcoholic as a result, and his only friend is his faithful Sergeant, Triand (Rufus).

Foster arrives in Paris to assume a new command: taking the Legion to Rif in Morocco to re-establish French authority, as the Bedouin and Berber tribes have begun to revolt against French rule. Foster is also ordered to escort archaeologists from the Louvre, who are uncovering an ancient city near Erfoud, buried by a sandstorm 3,000 years ago. The site is the final resting place of a Berber saint known to the French as "The Angel of the Desert". Foster was specifically chosen for the assignment as he is the only French officer alive who served in Morocco before the war. He had helped to develop diplomatic ties with the tribes by negotiating with El Krim (Ian Holm), the de facto leader of the scattered Rif tribes; one condition of peace was that the French cease all archaeological expeditions without the tribes' approval.

Foster receives fresh Legion recruits for his assignment. Among those who volunteer, willingly or unwillingly, is "the Gypsy" Marco Segrain (Terence Hill), a charming jewel thief famous for a three-year crime spree on the Riviera before getting arrested. Gypsy befriends three other recruits: the Russian giant Ivan (Jack O'Halloran), formerly a member of the elite bodyguard of the deposed Russian Imperial family; "Top Hat" François Gilbert (André Penvern), a fashionable man and musician who lacks the physical traits needed in a soldier; and Frederick Hastings (Paul Sherman), a romantic young English aristocrat who longs for the days of the Great War.

The four friends are soon disillusioned by the harsh realities of life in the Legion, including heavy physical labor, little food and water, and scorching heat. A fatal fight breaks out among the men while traveling to Morocco over an insult to Foster's honor, to which Triand takes exception. Foster does not hesitate to harshly discipline his men, especially the insubordinate Marco, though he makes sure never to go too far and actively works to make sure his men are fit and ready for the hardships ahead. During the voyage, Marco charms one of the accompanying archaeologists, Madame Picard (Catherine Deneuve).

During their journey, the train carrying the Legionnaires and the archaeological team is stopped by El Krim and his men. El Krim greets his old friend Foster, but also declares that Morocco belongs to his people and the French are no longer welcome. El Krim gives a "gift" to Foster to take back to the Premier of France: the archaeologists of an earlier dig, who have had their eyes and tongues gouged out and been subjected to exposure. He warns Foster to turn back while he still can. In response, Foster shoots the two mutilated archaeologists to end their suffering; afterwards, it is revealed that one of them was Madame Picard's father.

Upon reaching their fortress, Foster puts the men through brutal and unforgiving training exercises. Top Hat collapses during a march and is left to die of thirst but manages to return to camp; he ultimately commits suicide rather than endure any further abuse. Later, at the digging site, Hastings is kidnapped while on guard duty and tortured to death by a tribal raider, whom El Krim excuses as being merely over-zealous. Marco retaliates by killing his friend's murderer. Instead of disciplining him, Foster defends him by using the same excuse, and El Krim accepts it.

Eventually, the tomb of the Angel of the Desert is found, and her golden sarcophagus is excavated. Foster offers it to El Krim as a token of peace, but El Krim rallies the warriors of the Bedouin tribes to slaughter the Europeans. The well-trained Legionaries shoot down hundreds of tribesmen but are eventually overrun. Ivan is killed, but Marco fights on, single-handedly killing multiple enemies trying to outflank his unit. When Foster is finally shot dead, El Krim immediately calls off the fight, sending the surviving Legionnaires "to tell the world what happened" and allowing them to take Foster and the remains of their fellow soldiers back home.

There are two endings: the TV version ends with Marco taking up Picard's offer to desert the Legion and leave with her. The theatrical ending shows Marco (after having been promoted for his bravery in battle) staying behind and training more Legionnaire recruits, welcoming them by reiterating Foster's earlier warning: "If the Legion doesn't get you, the desert will. If the desert doesn't, the Arabs will. And if the Arabs don't, then I will. I don't know which is worse."

Additional scenes

In the TV version, there were several scenes that were not included in the theatrical or in the video/DVD versions of the film. One pivotal extra scene occurs when the excavation work has commenced and it is discovered that two of the Legionaries, both of them German recruits, have deserted. The sadistic second-in-command of the company, Lt. Fontaine and his equally vicious crony, the Corporal, lead a patrol to capture them. They catch up with the two Germans and Fontaine orders the patrol to shoot them. The noise attracts a large group of Bedouin tribesmen and, disregarding the warnings from his men, Fontaine orders his men to open fire, igniting a battle. The Corporal is shot dead and Fontaine breaks down in fear and kills himself. Marco displays his courage and natural flair for leadership by rallying the survivors of the patrol and successfully beating off the attackers. In the video release, this scene was omitted but brief shots of Fontaine and the Corporal were taken from this scene and edited into the climactic battle at the digging site so it appears that both men died there instead.

Cast

Production

Dick Richards had been interested in the French Foreign Legion ever since he found out a friend of his uncle's had joined the legion. [6]

Most of the finance was provided by Lew Grade's ITC Company on the basis of Terence Hill's popularity. It was Hill's second film aimed at the American market. [2]

Filming started 23 August 1976. [7] It was mostly shot in Spain. [2]

Gene Hackman was injured during filming after he was thrown off a horse. [8] This caused filming to be suspended. [2] Columbia only agreed to distribute in the US because they wanted to distribute Grade's The Eagle Has Landed . [9] In most markets, March or Die played theatres in a double-bill with Eagle.

Reception

According to Lew Grade the film "went well over budget when Gene Hackman suffered an accident, and lost money". [10]

See also

Related Research Articles

<i>Morocco</i> (film) 1930 film by Josef von Sternberg

Morocco is a 1930 American pre-Code romantic drama film directed by Josef von Sternberg and starring Gary Cooper, Marlene Dietrich, and Adolphe Menjou. Based on the 1927 novel Amy Jolly by Benno Vigny and adapted by Jules Furthman, the film is about a cabaret singer and a Legionnaire who fall in love during the Rif War, and whose relationship is complicated by his womanizing and the appearance of a rich man who is also in love with her. The film is famous for a scene in which Dietrich performs a song dressed in a man's tailcoat and kisses another woman, both of which were considered scandalous for the period.

<span class="mw-page-title-main">Abd el-Krim</span> Moroccan political and military leader (1882/1883–1963)

Muhammad bin ‘Abd al-Karīm al-Khaṭābī, better known as Abd el-Krim, was a Moroccan political and military leader and the president of the Republic of the Rif. He and his brother M'Hammad led a large-scale revolt by a coalition of Riffian tribes against the Spanish and French Protectorates of the Rif and the rest of Morocco. His guerrilla tactics, which included the first-ever use of tunneling as a technique of modern warfare, directly influenced Ho Chi Minh, Mao Zedong and Che Guevara. He also became one of the major figures of Arab nationalism, which he actively supported.

<span class="mw-page-title-main">Battle of Annual</span> 1921 Rifian victory against Spain during the Rif War

The Battle of Annual was fought on 22 July 1921 at Annual, in northeastern Morocco, between the Spanish Army and Rifian Berbers during the Rif War. The Spanish suffered a major military defeat, which is almost always referred to by the Spanish as the Disaster of Annual which is widely considered to be the worst defeat suffered by the modern Spanish Army.

<span class="mw-page-title-main">Republic of the Rif</span> 1912–1927 republic in Morocco

The Republic of the Rif was a confederate republic in the Rif, Morocco, that existed between 1921 and 1926. It was created in September 1921, when a coalition of Rifians led by Abd el-Krim revolted in the Rif War against the Spanish protectorate in Morocco. The French would intervene on the side of Spain in the later stages of the conflict. A protracted struggle for independence killed many Rifians and Spanish–French soldiers, and witnessed the use of chemical weapons by the Spanish army—their first widespread deployment since the end of the World War I. The eventual Spanish–French victory was owed to the technological and manpower advantages despite their lack of morale and coherence. Following the war's end, the Republic was ultimately dissolved in 1926.

"Le Boudin", officially "Marche de la Légion Étrangère", is the official march of the Foreign Legion. "Le Boudin" is a reference to boudin, a type of blood sausage or black pudding. "Le boudin" colloquially meant the gear that used to be carried atop the backpacks of Legionnaires.

<span class="mw-page-title-main">Erfoud</span> Place in Drâa-Tafilalet, Morocco

Erfoud is an oasis town in the Sahara Desert, in the Drâa-Tafilalet region, eastern Morocco. It belongs to ait atta tribe, divided into several districts: Hay Salam, Hay Jdid, Hay Ziz, Hay el Bathaa, Hay Annahda, and Hay el Hamri.

March or Die may refer to:

<i>Beau Geste</i> (1966 film) 1966 film by Douglas Heyes

Beau Geste is a 1966 adventure film based on the 1924 novel by P. C. Wren filmed by Universal Pictures in Technicolor and Techniscope near Yuma, Arizona and directed by Douglas Heyes. This is the least faithful of the various film adaptations of the original novel. In this version, there are only two brothers, rather than three, and there are no sequences showing Beau's life prior to his joining the Legion.

<span class="mw-page-title-main">Rif War</span> 1921–1926 war between Spain and Berber tribes of Morocco

The Rif War was an armed conflict fought from 1921 to 1926 between Spain and the Berber tribes of the mountainous Rif region of northern Morocco.

<span class="mw-page-title-main">Mulai Ahmed er Raisuni</span> Moroccan tribal leader and rebel (1871–1925)

Mulai Ahmed er Raisuni was a Sharif, and a leader of the Jebala tribal confederacy in Morocco at the turn of the 20th century. While he was regarded by foreigners and the Moroccan government as a brigand, some Moroccans, especially among the Jebala, considered him a heroic figure, fighting a repressive, corrupt government, while others considered him a thief. Historian David S. Woolman referred to Raisuni as "a combination Robin Hood, feudal baron, and tyrannical bandit." He was considered by many as "the last of the Barbary Pirates" though Barbary Coast piracy had ended by the middle of the 19th century. On the other hand, according to Douglas Porch, an American historian, Raisuni was part of the rule rather than the exception in that every successful Moroccan politician at the time combined villainy with sainthood. He died in April 1925 after having been captured and imprisoned by his rival Abd el Krim.

<i>Legionnaire</i> (film) 1998 American film

Legionnaire is a 1998 American drama war film directed by Peter MacDonald and starring Jean-Claude Van Damme as a 1920s boxer who wins a fight after having been hired by gangsters to lose it, then flees to join the French Foreign Legion. The cast includes Adewale Akinnuoye-Agbaje, Daniel Caltagirone, Nicholas Farrell and Steven Berkoff. The film was filmed in Tangier and Ouarzazate, Morocco.

<i>Abbott and Costello in the Foreign Legion</i> 1950 film by Charles Lamont

Abbott and Costello in the Foreign Legion is a black and white 1950 American comedy film directed by Charles Lamont and starring the comedy team of Abbott and Costello.

<i>La Bandera</i> (film) 1935 French film

La Bandera is a 1935 French drama film directed by Julien Duvivier and starring Annabella, Jean Gabin and Robert Le Vigan. It was based on the 1931 novel La Bandera by Pierre Mac Orlan. After committing a brutal murder in Paris, a Frenchman flees to Barcelona where he enlists in the Spanish Foreign Legion. He is sent to fight in Morocco where he unexpectedly bonds with his comrades and marries a local woman before his past begins to catch up with him. Like Duvivier's other works of the period, the film is infused with poetic realism.

<i>Ten Tall Men</i> 1951 film by Willis Goldbeck

Ten Tall Men is a 1951 American adventure film starring Burt Lancaster about the French Foreign Legion during the Rif War in Morocco. Though co-written and directed by Willis Goldbeck, Goldbeck walked off the film due to disputes with Lancaster with the movie being completed by Robert Parrish. Credited as an associate producer, Robert Aldrich was a production manager on the film where he met Lancaster, which led him to direct Vera Cruz for him. Robert Clary made his debut in the film as an Arab batman. Portions of the film were filmed in Palm Springs, California. The story was released as a Fawcett Movie Comic #16 in April 1951.

<i>The Desert Song</i> (1943 film) 1943 film

The Desert Song is a 1943 American musical film. It was directed by Robert Florey and starred Dennis Morgan, Irene Manning and Bruce Cabot. It is based on the 1926 operetta with music by Sigmund Romberg. It was nominated for an Academy Award for Best Art Direction.

<i>Outpost in Morocco</i> 1949 film by Robert Florey

Outpost in Morocco is a 1949 American action adventure film directed by Robert Florey, starring George Raft and Marie Windsor. Paul Gerard (Raft), a Moroccan Spahi officer and his French Foreign Legion garrison, holds off attacks from the native tribes of the Emir of Bel-Rashad, the father of Cara (Windsor), the woman he loves. As a rarity amongst American films of the Foreign Legion genre, the Legion cooperated with the producers. A second unit led by Robert Rossen filmed scenes in Morocco. Some of the large-scale action scenes of the film were reused in Fort Algiers and Legion of the Doomed.

<i>The Legion of Missing Men</i> 1937 film by Hamilton MacFadden

The Legion of Missing Men is a 1937 Monogram Pictures film about the French Foreign Legion set in the French protectorate of Morocco. Directed by Hamilton MacFadden, it stars Ralph Forbes who had also served in the cinematic Foreign Legion in Beau Geste (1926) and Beau Ideal (1931). Singer and actress Hala Linda was married to Richard Gump, the composer of the film's "The Legionnaires Song". It was the only film of Monogram's Marlene Dietrich imitator. The film features scenes reused from a silent film, presumably Under Two Flags.

Forthassa Gharbia is a small settlement in western Algeria near the Moroccan border, to the west of Aïn Séfra. During the French colonial era it was important as a military post.

<i>Desert Sands</i> 1955 film by Lesley Selander

Desert Sands is a 1955 American adventure film directed by Lesley Selander and written by Danny Arnold, George W. George and George F. Slavin. The film stars Ralph Meeker, Marla English, J. Carrol Naish, John Carradine, Ron Randell, John Smith and Keith Larsen.

<span class="mw-page-title-main">Mounted Companies (Légion étrangère)</span>

The Legion Mounted Companies were infantry companies from the French Foreign Legion mounted on mules. While the infantry was very efficient in the Aurès, Kabylie and other mountainous regions, they were slowed when the terrain became flat in the desert. At the end of the 19th century, the 2nd Foreign Regiment set the mounted companies on foot in order to allow these infantry to move over long distances while avoiding fatigue.

References

  1. "March or Die (1977)". BBFC . Retrieved 30 October 2021.
  2. 1 2 3 4 Mills, Bart (16 January 1977). "Movies: 'March or Die' a Dusty Venture for Terence Hill". Los Angeles Times. p. t36.
  3. "March or die (1977) - JPBox-Office".
  4. "March or die".
  5. French box office figures for 1978 at Box Office Story
  6. "Legends of Film: Dick Richards" (Podcast). 28 August 2016.
  7. Kilday, Gregg. (9 June 1976). "MOVIE CALL SHEET: Film Company as 'Foreign Agent'". Los Angeles Times. p. f9.
  8. "Hospital mum on condition of Hackman". Chicago Tribune. 19 November 1976. p. 2.
  9. ALJEAN HARMETZ (26 June 1978). "Studios Are Picking Up More Films From Independents". New York Times. p. C18.
  10. Alexander Walker, National Heroes: British Cinema in the Seventies and Eighties, 1985 p 197