Marco Blaauw is a Dutch trumpet soloist known for his work in the field of new music and with Cologne-based contemporary music group Ensemble Musikfabrik. He plays a double bell trumpet, an invention that has allowed for numerous new compositions for trumpet, including those by Ernst von Siemens Music Prize winner, Rebecca Saunders. Blaauw is a consistent faculty member at the Darmstadt Summer Course, the Stockhausen Courses Kürten, the Lucerne Festival, and the Chosen Vale International Trumpet Seminar.
Blaauw was born September 23, 1965, in Lichtenvoorde, the Netherlands, and began playing trumpet at a young age in the local band. As a young student, Blaauw attended the Sweelinck Conservatorium in Amsterdam and later studied with Pierre Thibaud and Markus Stockhausen. [1]
Blaauw has an extensive solo career, particularly in the contemporary, new, and improvised music scenes. He has collaborated on and premiered several pieces for trumpet solo and ensemble and is well known for his work with composer Karlheinz Stockhausen. Marco was also a founding member of contemporary music group Ensemble Musikfabrik in Cologne, Germany, and appears on several recordings with the ensemble. [2]
Blaauw has performed solo with numerous orchestras and new music ensembles, including the Dutch Radio Symphony Orchestra, the National Polish Radio Symphony Orchestra, WDR Symphony Orchestra Cologne, the Deutsche Oper Berlin, Klangforum Wien, London Sinfonietta, and Asko|Schönberg Ensemble. [3] He has also performed at festivals such as Musikfest Berlin, Donaueschinger Musiktage, Huddersfield Contemporary Music Festival, the Lucerne Festival, and more. [4]
The focus of Marco Blaauw's work is the further development of the trumpet, its technique, and its repertoire. He works in close collaboration both with the established and younger composers of our time, and many works have been written especially for Blaauw or have been inspired by his playing, including Peter Eötvös, Rebecca Saunders, Richard Ayres, Isabel Mundry, Hanna Kulenty, Georg Friedrich Haas, John Zorn, and Wolfgang Rihm. [5]
Marco Blaauw plays a double bell trumpet. The first model was made by Dieter Gaertner in Düren, Germany, with whom Blaauw had previously worked on various C trumpets. This instrument inspired composer Péter Eötvös to write the first piece for the instrument – "Snatches of a Conversation" – which Blaauw premiered and recorded. [6] In the relatively short life of the double bell trumpet, Marco Blaauw has generated a huge amount of new repertoire for the instrument and helped spearhead development of other double bell brass instruments (now used by Ensemble Musikfabrik).
Since the first iteration of the double bell trumpet built by Gaertner, Blaauw has developed a close working relation with Hub van Laar of Van Laar Trumpets and Flugelhorns in Margraten, the Netherlands. Along with B-flat, C, and piccolo trumpets, Van Laar has also made the quarter-tone flugelhorn (notable for its use in Karlheinz Stockhausen's PIETÀ from DIENSTAG aus LICHT) and the double bell trumpet that Blaauw now plays. [7]
Marco Blaauw worked in close collaboration with German composer Karlheinz Stockhausen for 17 years. [5] Beginning in 1998, Marco Blaauw worked intensely with Karlheinz Stockhausen and premiered solo roles in scenes of the opera cycle LICHT . In August 2008, he presented the premiere of "HARMONIES for trumpet" from KLANG for BBC Radio 3 in the Royal Albert Hall. Blaauw has since performed all major works for trumpet by Stockhausen and can be heard on several recordings of the Stockhausen Verlag (see discography). [8]
In 2015, Blaauw started working with La Monte Young on “the Second Dream of the High Tension Line Stepdown Transformer" for a concert in the Chelsea Dream House, NYC, and went on to perform to critical acclaim in Warsaw, Huddersfield, Paris, Oslo, Amsterdam, Krems, Cologne, and Polling. This project has since grown into the Monochrome Project – an ensemble of 8 trumpet players – which maintains an active schedule of premieres, including works by Anthony Braxton. [3]
Blaauw has also worked in close collaboration with famous German painter Gerhard Richter. Blaauw, with Ensemble Musikfabrik, premiered "Richter's Patterns" by composer Marcus Schmickler at the Kölner Philharmonie in 2016, [9] and Blaauw has continued a close working relationship with the artist since. In 2019, Blaauw played for the premiere of Richter's "Moving Picture 946-3" at the Kiyomizu-dera Temple in Kyoto, Japan. The film was created in collaboration with Corinna Belz (filmmaker) with score for solo trumpet and electronics by Rebecca Saunders and has since also been a featured event at Musikfest Berlin 2020. [10]
Recently, Blaauw has been working on the Global Breath project working to record and archive iconographic sounds, as well as connect pioneering trumpet players worldwide. The project will host a conference in March 2021. [3]
Marco Blaauw served on the faculty of the Masters aus LICHT program at the Koninklijk Conservatorium in The Hague, the Netherlands from 2017 until 2019. [11] This one-time masters program served to instruct students in the performance of the music of Karlheinz Stockhausen and prepare them to play solo roles in the aus LICHT production of the Dutch National Opera and 2019 Holland Festival.
Marco Blaauw has been a teacher at the Darmstadt Summer Course since 2014 and head of the Brass Academy since 2016. [12] He also currently leads the trumpet class at the Stockhausen Courses Kurten [13] and has served as a faculty member of the Chosen Vale International Trumpet Seminar since 2008. [14] In 2018, Blaauw and the Musikfabrik brass soloists created the Ensemble Musikfabrik Brass Academy, and they have since hosted the course at the Musikfabrik studios every summer with the exception of 2020, when the academy took place online due to the coronavirus pandemic. [15]
In 2003 Marco Blaauw was awarded the Orpheus Prize for his performance of Hanna Kulenty's Trumpet Concerto during the Warsaw Autumn Festival. [16] In 2008 he received the Karel de Grote-award from the city of Nijmegen. [17] Blaauw's sixth solo CD, Angels, was awarded the Preis der Deutschen Schallplattenkritik 2014. As a composer, Blaauw was awarded the 2016 Karl Sczuka Prize for his first radio play, deathangel. [5] Blaauw also gave the laudation speech in honor of Rebecca Saunders for her Ernst von Siemens Music Prize award. [18]
Kontra-Punkte is a composition for ten instruments by Karlheinz Stockhausen which resolves contrasts among six instrumental timbres, as well as extremes of note values and dynamic levels, into a homogeneous ending texture. Stockhausen described it: "Counter-Points: a series of the most concealed and also the most conspicuous transformations and renewals—with no predictable end. The same thing is never heard twice. Yet there is a distinct feeling of never falling out of an unmistakable construction of the utmost homogeneity. An underlying force that holds things together—related proportions: a structure. Not the same Gestalten in a changing light. But rather this: various Gestalten in the same light, that permeates everything."
Markus Stockhausen is a German trumpeter and composer. His recordings and performances have typically alternated between jazz and chamber or opera music, the latter often in collaboration with his father, composer Karlheinz Stockhausen.
Licht (Light), subtitled "Die sieben Tage der Woche", is a cycle of seven operas composed by Karlheinz Stockhausen between 1977 and 2003. The composer described the work as an "eternal spiral" because "there is neither end nor beginning to the week." Licht consists of 29 hours of music.
Tierkreis (1974–75) is a musical composition by the German composer Karlheinz Stockhausen. The title is the German word for Zodiac, and the composition consists of twelve melodies, each representing one sign of the zodiac.
The Ensemble Musikfabrik is an ensemble for contemporary classical music located in Cologne. Their official name is Ensemble Musikfabrik Landesensemble NRW e.V..
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet. Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Klang —Die 24 Stunden des Tages is a cycle of compositions by Karlheinz Stockhausen, on which he worked from 2004 until his death in 2007. It was intended to consist of 24 chamber-music compositions, each representing one hour of the day, with a different colour systematically assigned to every hour. The cycle was unfinished when the composer died, so that the last three "hours" are lacking. The 21 completed pieces include solos, duos, trios, a septet, and Stockhausen's last entirely electronic composition, Cosmic Pulses. The fourth composition is a theatre piece for a solo percussionist, and there are also two auxiliary compositions which are not part of the main cycle. The completed works bear the work (opus) numbers 81–101.
Suzanne Stephens is an American clarinetist, resident in Germany, described as "an outstanding performer and tireless promoter of the clarinet and basset horn".
Kathinka Pasveer is a Dutch flautist.
Sonntag aus Licht is an opera by Karlheinz Stockhausen in five scenes and a farewell, to a libretto written and compiled by the composer. It is the last-composed of seven operas that comprise the cycle Licht (Light). Its stage premiere in 2011 was posthumous, more than three years after the composer's death.
Samstag aus Licht is an opera by Karlheinz Stockhausen in a greeting and four scenes, and was the second of seven to be composed for the opera cycle Licht: die sieben Tage der Woche. It was written between 1981 and 1983, to a libretto written by the composer and incorporating a text by Saint Francis of Assisi, and was first staged in Milan in 1984.
Donnerstag aus Licht is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the first of seven to be composed for the opera cycle Licht: die sieben Tage der Woche. It was written between 1977 and 1980, with a libretto by the composer.
Dienstag aus Licht is an opera by Karlheinz Stockhausen in a greeting and two acts, with a farewell, and was the fourth of seven to be completed for the opera cycle Licht: Die sieben Tage der Woche. It was begun in 1977 and completed from 1988 to 1991, to a libretto by the composer.
Mittwoch aus Licht is an opera by Karlheinz Stockhausen in a greeting, four scenes, and a farewell. It was the sixth of seven to be composed for the opera cycle Licht: die sieben Tage der Woche, and the last to be staged. It was written between 1995 and 1997, and first staged in 2012.
Oktophonie (Octophony) is a 1991 octophonic electronic-music composition by Karlheinz Stockhausen. A component layer of act 2 of the opera Dienstag aus Licht, it may also be performed as an independent composition. It has a duration of 69 minutes.
Michele Marelli is an Italian clarinet and basset horn soloist.
Europa-Gruss is a composition by Karlheinz Stockhausen for wind ensemble with optional synthesizers, and is assigned Number 72 in the composer's catalogue of works. It has a duration of about twelve-and-a-half minutes.
Trumpetent is a quartet for four trumpets by the German composer Karlheinz Stockhausen, written in 1995. It is Number 73 in his catalogue of works and one of four independent compositions related to his opera, Mittwoch aus Licht. A performance lasts about 16 minutes.
Michael Svoboda is an American composer and trombonist who lives and works in Switzerland.
Nicola Jürgensen is a German clarinetist and academic teacher. She played principal clarinet with the WDR Symphony Orchestra Cologne from 2001 to 2018, and has been professor of clarinet at Folkwang University of the Arts in Essen from 2018. She is active internationally as a soloist and chamber music player, and has made recordings. Besides the traditional repertoire, she is focused on contemporary music. She performed on stage in a production of Karlheinz Stockhausen's Michaels Reise um die Erde in Vienna and New York City, among others.