The Second Battle of El Alamein was a battle of the Second World War that took place near the Egyptian railway halt of El Alamein. The First Battle of El Alamein and the Battle of Alam el Halfa had prevented the Axis from advancing further into Egypt.
Jasper Maskelyne was a British stage magician in the 1930s and 1940s. He was one of an established family of stage magicians, the son of Nevil Maskelyne and a grandson of John Nevil Maskelyne. He is most remembered for his accounts of his work for the British military during the Second World War, in which he claimed to have created large-scale ruses, deception, and camouflage in an effort to defeat the Nazis.
Operation Bertram was a Second World War deception operation practised by the Allied forces in Egypt led by Bernard Montgomery, in the months before the Second Battle of El Alamein in 1942. Bertram was devised by Dudley Clarke to deceive Erwin Rommel about the timing and location of the Allied attack. The operation consisted of physical deceptions using dummies and camouflage, designed and made by the British Middle East Command Camouflage Directorate led by Geoffrey Barkas. These were accompanied by electromagnetic deceptions codenamed Operation Canwell, using false radio traffic. All of these were planned to make the Axis believe that the attack would take place to the south, far from the coast road and railway, about two days later than the real attack.
Military deception (MILDEC) is an attempt by a military unit to gain an advantage during warfare by misleading adversary decision makers into taking action or inaction that creates favorable conditions for the deceiving force. This is usually achieved by creating or amplifying an artificial fog of war via psychological operations, information warfare, visual deception, or other methods. As a form of disinformation, it overlaps with psychological warfare. Military deception is also closely connected to operations security (OPSEC) in that OPSEC attempts to conceal from the adversary critical information about an organization's capabilities, activities, limitations, and intentions, or provide a plausible alternate explanation for the details the adversary can observe, while deception reveals false information in an effort to mislead the adversary.
Military camouflage is the use of camouflage by an armed force to protect personnel and equipment from observation by enemy forces. In practice, this means applying colour and materials to military equipment of all kinds, including vehicles, ships, aircraft, gun positions and battledress, either to conceal it from observation (crypsis), or to make it appear as something else (mimicry). The French slang word camouflage came into common English usage during World War I when the concept of visual deception developed into an essential part of modern military tactics. In that war, long-range artillery and observation from the air combined to expand the field of fire, and camouflage was widely used to decrease the danger of being targeted or to enable surprise. As such, military camouflage is a form of military deception in addition to cultural functions such as political identification.
Julian Otto Trevelyan was an English artist and poet.
Russian military deception, sometimes known as maskirovka, is a military doctrine developed from the start of the 20th century. The doctrine covers a broad range of measures for military deception, from camouflage to denial and deception.
The Ghost Army was a United States Army tactical deception unit during World War II officially known as the 23rd Headquarters Special Troops. The 1,100-man unit was given a unique mission: to deceive Hitler's forces and mislead them as to the size and location of Allied forces, while giving the actual units elsewhere time to maneuver. Activated on January 20, 1944, the Ghost Army arrived in Europe in May shortly before D-Day and returned to the US at the end of the war in July 1945. During their tenure, the Ghost Army carried out more than 20 deception campaigns, putting on a "traveling road show" using inflatable tanks, sound trucks, fake radio transmissions, scripts and pretense.
Brigadier Dudley Wrangel Clarke, was an officer in the British Army, known as a pioneer of military deception operations during the Second World War. His ideas for combining fictional orders of battle, visual deception and double agents helped define Allied deception strategy during the war, for which he has been referred to as "the greatest British deceiver of WW2". Clarke was also instrumental in the founding of three famous military units, namely the British Commandos, the Special Air Service and the US Rangers.
Lieutenant Colonel Victor Harry Jones OBE was a British intelligence officer and "visual deception" expert during the Second World War. First serving with the 14th/20th King's Hussars in the First World War, he made a name for himself during the North African campaign of the Second World War by using dummy tanks to mislead the enemy. In 1941 he was transferred to A Force in Cairo, under Dudley Clarke, to continue deception operations on a larger scale.
Geoffrey Barkas was an English film maker active between the world wars.
Steven Barry Sykes was a British artist, known for his Gethsemane Chapel in the rebuilt Coventry Cathedral. He was active in the British desert camouflage unit in the Second World War, and was responsible for the dummy railhead at Misheifa and for the effective camouflage and large-scale military deception in the defence of Tobruk in 1942.
Antony Maxwell Ayrton known as Tony Ayrton, was an artist and camouflage officer. He is best known for his work on the large-scale deception for the decisive second battle of El Alamein, Operation Bertram.
From the Camouflage staff I was given a most devoted and effective sapper, Major Ayrton, who became my assistant and worked miracles.
--- Colonel Charles Richardson, deception planner for El Alamein
Peter Proud was a British film art director. He made a major contribution to wartime camouflage and deception operations in the Western Desert, especially in the siege of Tobruk.
Frederick Leonard Alfred Pusey was a British film art director and production designer, and a Second World War camouflage officer. His artistic skill was put to use on large-scale deception schemes in the Western Desert, including a dummy railhead and a dummy port.
John Whitlock Codner was a British painter and wartime camouflage officer. He exhibited at the Royal Academy and his works remain in major collections to this day.
Brian Robb was a painter, illustrator, and cartoonist. He worked for Shell and [[[London Passenger Transport Board|London Transport]], designing posters and advertisements, and as a cartoonist for Punch. During World War II, he served as a camouflage officer in the Western Desert. He taught at Chelsea College of Art before and after the war, before becoming head of illustration at the Royal College of Art.
Dazzled and Deceived: Mimicry and Camouflage is a 2009 book on camouflage and mimicry, in nature and military usage, by the science writer and journalist Peter Forbes. It covers the history of these topics from the 19th century onwards, describing the discoveries of Henry Walter Bates, Alfred Russel Wallace and Fritz Müller, especially their studies of butterflies in the Amazon. The narrative also covers 20th-century military camouflage, begun by the painter Abbot Thayer who advocated disruptive coloration and countershading and continued in the First World War by the zoologist John Graham Kerr and the marine artist Norman Wilkinson, who developed dazzle camouflage. In the Second World War, the leading expert was Hugh Cott, who advised the British army on camouflage in the Western Desert.
Sonic deception refers to a deception tactic on the battlefield that involves the projection of sounds to produce noises intended to mislead hearers. The recorded noises target the enemy's sound-ranging equipment, as well as the human ear. It is employed in various activities, which include vehicular movements and the construction of infrastructure and military facilities.
