Related Research Articles
"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
"Reflections" is a 1967 song recorded by The Supremes for the Motown label. It was the first Supremes record released under the new billing, Diana Ross & the Supremes, and is among their last hit singles to be written and produced by Motown's main production team Holland–Dozier–Holland (H–D–H).
"Baby Love" is a song recorded by the American music group the Supremes in 1964 for their second studio album titled, Where Did Our Love Go. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on 17 September 1964.
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label.
"Love Child" is a 1968 song released by the Motown label for Diana Ross & the Supremes. The second single and title track from their album Love Child, it became the Supremes' 11th number-one single in the United States, where it sold 500,000 in its first week and 2 million copies by year's end.
"I Hear a Symphony" is a 1965 song recorded by The Supremes for the Motown label.
"Up the Ladder to the Roof" is a 1970 hit single recorded by The Supremes for the Motown label. It was the first Supremes single to feature new lead singer Jean Terrell in place of Diana Ross, who officially left the group for a solo career two weeks before the recording of this song in January 1970. This song also marks a number of other firsts: it is the first Supremes single since "The Happening" in 1967 to be released under the name "The Supremes" instead of "Diana Ross & The Supremes", the first Supremes single solely produced by Norman Whitfield associate Frank Wilson, and the first Supremes single to make the United Kingdom Top 10 since "Reflections" in 1967.
"Love " is a 1965 pop ballad by Motown girl group Martha and the Vandellas. A rare ballad for the group, whose forte was reportedly uptempo soul dance numbers including "Dancing in the Street" and "Nowhere to Run", the b-side to the group's single, "You've Been in Love Too Long", although the song only peaked at #70 on the Billboard Hot 100 singles chart and #22 on the Billboard Hot R&B singles chart, it was number one on many American urban radio playlists.The song, written and produced by Holland–Dozier–Holland, has the narrator explain why love makes her do things she later regrets. Cash Box described it as a "plaintive, slow-shufflin’ heart-throbber with a nostalgic years-back sound."
"My World Is Empty Without You" is a 1965 song recorded and released as a single by the Supremes for the Motown label.
"Love Is Like an Itching in My Heart" is a 1966 song recorded by the Supremes for the Motown label.
"Forever Came Today" is a 1967 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"Let Me Go the Right Way" is a 1962 song written and produced by then Motown president Berry Gordy and released as a single by Motown singing group The Supremes. It was the group's fourth single and their second charted record following the dismal reception of their first charted single, "Your Heart Belongs to Me".
"A Breathtaking Guy" is a 1963 song written and produced by Smokey Robinson and released first by Motown singing group The Supremes (1963) and later by The Marvelettes (1972). The single was originally released under the title "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreaking Guy" by The Supremes, but was shortened after its official release. All three Supremes members - Diana Ross, Florence Ballard and Mary Wilson - sang the chorus with the original title together.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"Run, Run, Run" is a 1964 song written by Holland–Dozier–Holland and released as a single by Motown singing group The Supremes. After a couple of years of unsuccessful singles, the Supremes had finally broken through with a Top 40 single (23) in December 1963 with "When the Lovelight Starts Shining Through His Eyes". On the heels of its release, Motown rush-released a second HDH single titled "Run, Run, Run". Inspired by the sounds by Phil Spector, it was an attempt to give the Supremes a poppier sound compared to their earlier heavy R&B recordings. Billboard described the song as a "strong follow up" to "When the Lovelight Starts Shining Through His Eyes," stating that it "has tough beat in a middle up groove that's great for dancing." Cash Box described it as "a pulsating, big sounding rocker with some torrid triplet keyboard work backing up."
"Nothing but Heartaches" is a 1965 song recorded by The Supremes for the Motown label.
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.
"You Lost the Sweetest Boy" is a song written by Holland–Dozier–Holland and released as a single by Motown star Mary Wells. The song is most noted for the background vocals by The Supremes and The Temptations.
"The Composer" is a 1969 song released for Diana Ross & the Supremes by the Motown label.
"Some Things You Never Get Used To" is a song released in 1968 by Diana Ross & the Supremes on the Motown label. The single stalled for three weeks at number 30 on the U.S. Billboard pop chart in July 1968. It became the lowest-charting Supremes single since 1963 and became the catalyst for Berry Gordy to revamp songwriting for The Supremes since the loss of Motown's premier production team Holland–Dozier–Holland, whom Gordy had assigned as the group's sole producers after the success of "When the Lovelight Starts Shining Through His Eyes."
References
- ↑ The Complete Motown Singles Vol 3: 1963 [CD liner notes]. New York: Hip-O Select/Motown/Universal Records.
- ↑ "US Charts > The Supremes". Allmusic . Retrieved 2015-10-01.
- ↑ "CashBox Record Reviews" (PDF). Cash Box. March 9, 1963. p. 50. Retrieved 2022-01-12.
 | This 1960s pop song-related article is a stub. You can help Wikipedia by expanding it. |
| | This 1960s R&B/soul music song-related article is a stub. You can help Wikipedia by expanding it. |