Neighbours (Voisins) | |
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![]() Release poster | |
Directed by | Norman McLaren |
Written by | Norman McLaren |
Produced by | Norman McLaren |
Starring | Grant Munro Jean-Paul Ladouceur |
Cinematography | Wolf Koenig (photography) |
Music by | Norman McLaren |
Distributed by | National Film Board of Canada |
Release date |
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Running time | 8 minutes |
Country | Canada |
Languages | Various known languages at the final scene, the moral says love your neighbour in different languages which more than 13: see the plot below |
Neighbours (French title: Voisins) is a 1952 anti-war film by Scottish-Canadian filmmaker Norman McLaren for the National Film Board of Canada. [1] In 1953, it won the Oscar for Best Documentary, Short Subject.
The film uses pixilation, an animation technique using live actors as stop motion objects. McLaren created the soundtrack of the film by scratching the edge of the film, creating various blobs, lines, and triangles which the projector read as sound.
Two men, Jean-Paul Ladouceur and Grant Munro (representing French Canada and English Canada, respectively),[ citation needed ] live peacefully in adjacent cardboard houses. When a single, small flower blooms between their houses, they fight each other to the death over the ownership of that flower.
The film ends with a moral, shown in multiple languages:
Neighbours has been described as "one of the most controversial films the NFB ever made". [2] The eight-minute film was politically motivated:
"I was inspired to make Neighbours by a stay of almost a year in the People's Republic of China. Although I only saw the beginnings of Mao's revolution, my faith in human nature was reinvigorated by it. Then I came back to Quebec and the Korean War began. (...) I decided to make a really strong film about anti-militarism and against war." — Norman McLaren [3] [4]
The version of Neighbours that ultimately won an Oscar was not the version McLaren had originally created. In order to make the film palatable for American and European audiences, McLaren was required to remove a scene in which the two men, fighting over the flower, murdered the other's wife and children. [5]
During the Vietnam War, public opinion changed, and McLaren was asked to reinstate the sequence. The original negative of that scene had been destroyed, so the scene was salvaged from a positive print of lower quality. [6]
NFB founder John Grierson, who had invited McLaren to the NFB to form its first animation unit, would ultimately disparage Neighbours and McLaren's attempt at political cinema:
"I wouldn't trust Norman around the corner as a political thinker. I wouldn't trust Norman around the corner as a philosophic thinker. That's not what Norman is for. Norman is for Hen Hop . Hen Hop. That's wonderful. And so many other things. That's his basic gift. He's got joy in his movement. He's got loveliness in his movement. He's got fancy in his changes. That's enough." [7]
The term 'pixilation' was created by Grant Munro to describe stop-motion animation of humans in his work with McLaren on Two Bagatelles, a pair of short pixilation films made prior to Neighbours. During one brief sequence, the two actors appear to levitate, an effect achieved by having the actors repeatedly jump upward and photographing them at the top of their trajectories.
McLaren followed Neighbours with two other films using a similar combination of pixilation, live action, variable speed photography and string puppets. The first, A Chairy Tale (1957) was a collaboration with Claude Jutra and Ravi Shankar. The second, Opening Speech by Norman McLaren (1960) was made for the International Film Festival of Montreal, and starred McLaren himself.
Wolf Koenig served as cameraman on the film. [8]
(*A 2005 press release issued by AMPAS states that Neighbours is "among a group of films that not only competed, but won Academy Awards in what were clearly inappropriate categories". [9] )
Neighbours was designated as a "masterwork" by the Audio-Visual Preservation Trust of Canada, a charitable non-profit organization dedicated to promoting the preservation of Canada's audio-visual heritage. [10]
In 2009, Neighbours was added to UNESCO's Memory of the World Programme, listing the most significant documentary heritage collections in the world. [11]
Neighbours was the influence for the 1992 music video "Rest in Peace" by the American rock band, Extreme. In the original music video for the song, the neighbors fight over a TV set showing the band performing, instead of a flower. The band was sued, but the controversy was quickly settled out of court. Extreme later released a new version of the video, consisting only of the performance montage of the band on a white cyclorama which was displayed on the television set in the original video.
The National Film Board of Canada is a Canadian public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
Pixilation is a stop motion technique in which live actors are used as a frame-by-frame subject in an animated film, by repeatedly posing while one or more frame is taken and changing pose slightly before the next frame or frames. This technique is often used as a way to blend live actors with animated ones in a movie.
Roman Kroitor was a Canadian filmmaker who was known as a pioneer of Cinéma vérité, as the co-founder of IMAX, and as the creator of the Sandde hand-drawn stereoscopic 3D animation system. He was also the original inspiration for The Force. His prodigious output garnered numerous awards, including two BAFTA Awards, three Cannes Film Festival awards, and two Oscar nominations.
Ryan Larkin was a Canadian animator, artist, and sculptor who rose to fame with the psychedelic Oscar-nominated short Walking (1968) and the acclaimed Street Musique (1972). He was the subject of the Oscar-winning film Ryan.
Colin Archibald Low was a Canadian animation and documentary filmmaker with the National Film Board of Canada (NFB). He was known as a pioneer, one of Canada's most important filmmakers, and was regularly referred to as "the gentleman genius". His numerous honors include five BAFTA awards, eight Cannes Film Festival awards, and six Academy Award nominations.
Pas de deux is a 1968 short dance film by Norman McLaren, produced by the National Film Board of Canada.
Begone Dull Care is a 1949 visual music animated film directed by Norman McLaren and Evelyn Lambart for the National Film Board of Canada (NFB).
City of Gold is a 1957 Canadian documentary film by Colin Low and Wolf Koenig, chronicling Dawson City during the Klondike Gold Rush. It made innovative use of archival photos and camera movements to animate still images, while also combining narration and music to bring drama to the whole. Its innovative use of still photography in this manner has been cited by Ken Burns as the source of inspiration for his so-called Ken Burns effect, a type of panning and zooming effect used in video production to animate still images.
Hugh O'Connor was a Canadian director and producer who worked for the National Film Board of Canada (NFB). His best- known film is the ground-breaking In the Labyrinth (1967), but his promising career ended shortly after that film's release when he was murdered while filming in Kentucky.
Grant Munro LL. D. was a Canadian animator, filmmaker and actor. In 1952, he co-starred with Jean-Paul Ladouceur in Norman McLaren's Neighbours. His film, Christmas Cracker, was nominated for an Academy Award in 1965.
The Romance of Transportation in Canada is a 1952 animated short film made by the National Film Board of Canada. Part of the postwar Canada Carries On series, it offers a humorous account of the history of transportation in Canada. The film was directed by Colin Low and produced by Tom Daly.
Gerald Potterton was a Canadian director, animator, producer and writer. He is best known for directing the cult classic Heavy Metal and for his animation work on Yellow Submarine.
Christmas Cracker is a 1963 animated short about Christmas, co-directed by Norman McLaren, Gerald Potterton, Grant Munro and Jeff Hale for the National Film Board of Canada. It was nominated for an Oscar in 1965.
Evelyn Lambart was a Canadian animator and film director with the National Film Board of Canada, known for her independent work, and for her collaborations with Norman McLaren.
Wolf Koenig was a Canadian film director, producer, animator, cinematographer, and a pioneer in Direct Cinema at the National Film Board of Canada.
Thomas Cullen Daly was a Canadian film producer, film editor and film director, who was the head of Studio B at the National Film Board of Canada (NFB).
Joseph (Joe) Koenig is a Canadian filmmaker and entrepreneur who was the founder and president of Electronics Workbench.
John Spotton C.S.C. was a Canadian filmmaker with the National Film Board of Canada.
Robert Verrall was a Canadian animator, director and film producer who worked for the National Film Board of Canada (NFB) from 1945 to 1987. Over the course of his career, his films garnered a BAFTA Award, prizes at the Cannes Film Festival and Venice Film Festival, and six Academy Award nominations.