[[Miami Beach,Florida]],U.S."},"coordinates":{"wt":"{{Coord|25.792|N|80.133|W|type:landmark_scale:1000}}"},"type":{"wt":"[[Concert hall]]"},"built":{"wt":"2008–2011"},"opened":{"wt":"January 26,2011"},"owner":{"wt":""},"construction_cost":{"wt":"$160 million"},"architect":{"wt":"[[Frank Gehry]]"},"seating_type":{"wt":"Reserved"},"seating_capacity":{"wt":"756"},"website":{"wt":"{{url|www.newworldcenter.com}}"}},"i":0}}]}" id="mwBA">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}body.skin-minerva .mw-parser-output .infobox-header,body.skin-minerva .mw-parser-output .infobox-subheader,body.skin-minerva .mw-parser-output .infobox-above,body.skin-minerva .mw-parser-output .infobox-title,body.skin-minerva .mw-parser-output .infobox-image,body.skin-minerva .mw-parser-output .infobox-full-data,body.skin-minerva .mw-parser-output .infobox-below{text-align:center}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}
Location | 500 17th Street Miami Beach, Florida, U.S. |
---|---|
Coordinates | 25°47′31″N80°07′59″W / 25.792°N 80.133°W |
Type | Concert hall |
Seating type | Reserved |
Capacity | 756 |
Construction | |
Built | 2008–2011 |
Opened | January 26, 2011 |
Construction cost | $160 million |
Architect | Frank Gehry |
Website | |
www |
The New World Center is a concert hall in the South Beach section of Miami Beach, Florida, designed by Frank Gehry. It is the home of the New World Symphony, with a capacity of 756 seats. It opened in January 2011. [1]
Located one block north of Lincoln Road in the South Beach stretch of Miami Beach, the building also features a new 2.5-acre public park next to it, designed by the firm West 8 [1] [2] (after Gehry relinquished the job following a budget reduction). [3] A half acre of that is the SoundScape area, which allows outside visitors to experience live, free "wallcasts" of select events throughout the season through the use of visual and audio technology on a 7,000-square-foot (650 m2) projection wall. [1] [4] [5] Such wallcasts are planned to occur at least twice a month. [2] A sound system incorporating 155 individually tuned speakers augments the high-definition video presentation. [6] During performances, QR codes are shown to enable the outside audience to scan them and obtain more information about the work in question. [4] In addition to live broadcasts of events inside, works in the video arts themselves can be shown on the wall, including those produced during the Art Basel Miami Beach event. [6] [7] The projection wall is said to be the largest permanently established projection surface in North America. [5]
Over a thousand people watched the wallcasts during each of the performances in the center's opening week. [3] By the end of the park's first year, The Miami Herald wrote that the free films, video art, and concert wallcasts there had "produced a much-needed sense of community." [7]
The New World Symphony was constructed by Facchina Construction Company, LLC and its team led by Jesus Vazquez, John Monts, Jazer Challenger and Modesto Millo. The acoustics for the center were designed by Yasuhisa Toyota. [6] Gehry and Toyota had previously worked together on the Walt Disney Concert Hall in Los Angeles. [6] [8] The intentionally small seating arrangement is steeply banked, allowing concertgoers to be close to the musicians [1] (no seat is more than thirteen rows from the stage). [3] Gehry said "the audience is right in the music." [8] Projections upon sail-like panels hanging from the hall ceiling allow performances to be accompanied by video presentations. [3] For acoustical integrity, as well as to maintain the intimate feeling within the space, in lieu of standard acoustical plaster, BASWA Phon Finishes were applied to each panel allowing very specific amounts of sound absorption of high-frequency hertz bands. [9] [10] [11] The center includes training facilities for the symphony. [1] [8] [3]
The symphony's artistic director, Michael Tilson Thomas, was instrumental in emphasizing the public outreach and digital technology aspects of the center. [2] (Gehry and Tilson Thomas share personal history and a long friendship, with Gehry sometimes having baby-sat for Tilson Thomas when both were growing up in the Los Angeles area. [3] [2] [12] ) A prime goal of the whole enterprise was to provide ongoing experiments and architectural support towards making classical music more accessible and enticing to younger generations. [8] [12] [13] [4] After its first half-season in the new venue, a New World Symphony official said, "Ticket sales have been phenomenal." [4]
Unlike some of Gehry's best-known works, including the Disney Hall, the glass-and-white-plaster exterior is mostly rectangular and unassuming. [8] [2] (The acclaim for the prior work had been great enough to scare off potential clients, with Gehry saying, "When Disney opened seven years ago, I was never asked to do another concert hall!" [8] ) This was done to stay in commonality with Miami Beach's predominantly plaster-and-glass architectural look, where Gehry's usual use of metals would have seemed out of place. [14] However, once inside the atrium, which is lit by the sky during the daytime, the architect's usual assemblage of curved forms dominates, especially in a jumbled stack of over thirty rehearsal rooms, offices, recording facilities, and the like. [3] [2] [12] As Tilson Thomas said of the initial design process, "Gradually it started to turn into one of Frank's buildings turned inside-out, which is essentially what it is – and that it was going to be mostly like Miami." [14]
Reviews of the New World Center have been favorable. Christopher Hawthorne of the Los Angeles Times wrote: "This is a piece of architecture that dares you to underestimate it or write it off at first glance." [2] Nicolai Ouroussoff, architecture critic of The New York Times , stated that Tilson Thomas and Gehry had "created a building ... that spills over with populist ideas, sometimes to the point of distraction.... it reflects Mr. Gehry's belief that music, like other creative endeavors, should be more than an aesthetic matter. As a shared experience, one that reaches each of us at our emotional core, it helps unite us into a civilized community." [12] Arrival of the center was hailed by Cathleen McGuigan, architecture writer for The Daily Beast , who said that "Miami Beach is [now] home to world-class architecture and the sense of solid permanence that such buildings bring." [8] Victoria Newhouse of Architectural Record wrote: "A welcoming openness to the exterior is provided by the atrium and reinforced by the Wallcasts, and the auditorium combines intimacy with remarkable physical and acoustical flexibility. The magic sparked by the collaboration of Gehry and Thomas just might fulfill their hope to turn around a perceived faltering interest in classical music by the young." [3] Gehry's role also confirmed that the "starchitect" phenomenon had reached the Miami area, following Herzog & de Meuron's 1111 Lincoln Road the year before and with that firms's new Miami Art Museum in the works as well. [2] [7]
The 100,641-square-foot (9,349.9 m2) building cost some $160 million. [1] [6] Of that, $15 million came from the city of Miami Beach, $25 million from Miami-Dade County, and the rest from private donations and the sale of the New World Symphony's previous home, the Lincoln Theater. [13] Ground was broken for the structure in January 2008. It was built on the site of two old parking lots. [3] A new parking garage was also constructed as part of the project. [13]
Frank Owen Gehry is a Canadian-born American architect and designer. A number of his buildings, including his private residence in Santa Monica, California, have become world-renowned attractions.
Miami Beach is a coastal resort city in Miami-Dade County, Florida, United States. It is part of the Miami metropolitan area of South Florida. The municipality is located on natural and human-made barrier islands between the Atlantic Ocean and Biscayne Bay, the latter of which separates the Beach from the mainland city of Miami. The neighborhood of South Beach, comprising the southernmost 2.5 sq mi (6.5 km2) of Miami Beach, along with Downtown Miami and the PortMiami, collectively form the commercial center of South Florida. Miami Beach's population is 82,890 according to the 2020 census. It has been one of America's preeminent beach resorts since the early 20th century.
The Los Angeles Philharmonic is an American orchestra based in Los Angeles, California. Colloquially referred to as the LA Phil, the orchestra has a regular season of concerts from October through June at the Walt Disney Concert Hall, and a summer season at the Hollywood Bowl from July through September. Gustavo Dudamel is the current music director, Esa-Pekka Salonen is conductor laureate, Zubin Mehta is conductor emeritus, and Susanna Mälkki is principal guest conductor. John Adams is the orchestra's current composer-in-residence.
The Walt Disney Concert Hall at 111 South Grand Avenue in downtown Los Angeles, California, is the fourth hall of the Los Angeles Music Center and was designed by Frank Gehry. It was opened on October 23, 2003. Bounded by Hope Street, Grand Avenue, and 1st and 2nd Streets, it seats 2,265 people and serves, among other purposes, as the home of the Los Angeles Philharmonic orchestra and the Los Angeles Master Chorale. The hall is a compromise between a vineyard-style seating configuration, like the Berliner Philharmonie by Hans Scharoun, and a classical shoebox design like the Vienna Musikverein or the Boston Symphony Hall.
Michael Tilson Thomas is an American conductor, pianist and composer. He is Artistic Director Laureate of the New World Symphony, an American orchestral academy in Miami Beach, Florida, Music Director Laureate of the San Francisco Symphony, and Conductor Laureate of the London Symphony Orchestra. He gave his last performance with the San Francisco Symphony in January 2024 while fighting brain cancer.
Thomas Joseph Edmund Adès is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: The Tempest (2004), Violin Concerto (2005), Tevot (2007), In Seven Days (2008), and Polaris (2010).
The Casa da Música is a concert hall in Porto, Portugal. It was designed by architect Rem Koolhaas and opened in 2005.
The New World Symphony is an American orchestral academy based in Miami Beach, Florida. Established in 1987, the organization is a training ensemble for young musicians in preparation for professional careers in classical music. Since 2011, the New World Symphony has its headquarters in the New World Center.
The Toledo Museum of Art is an internationally known art museum located in the Old West End neighborhood of Toledo, Ohio. It houses a collection of more than 30,000 objects. With 45 galleries, it covers 280,000 square feet and is currently in the midst of a massive multiyear expansion plan to its 40-acre campus. The museum was founded by Toledo glassmaker Edward Drummond Libbey in 1901, and moved to its current location, a Greek revival building designed by Edward B. Green and Harry W. Wachter, in 1912. The main building was expanded twice, in the 1920s and 1930s. Other buildings were added in the 1990s and 2006. The museum's main building consists of 4 1/2 acres of floor space on two levels. Features include fifteen classroom studios, a 1,750-seat Peristyle concert hall, a 176-seat lecture hall, a café and gift shop. The museum averages some 380,000 visitors per year and, in 2010, was voted America's favorite museum by the readers of the visual arts website Modern Art Notes.
Contemporary architecture is the architecture of the 21st century. No single style is dominant. Contemporary architects work in several different styles, from postmodernism, high-tech architecture and new references and interpretations of traditional architecture to highly conceptual forms and designs, resembling sculpture on an enormous scale. Some of these styles and approaches make use of very advanced technology and modern building materials, such as tube structures which allow construction of buildings that are taller, lighter and stronger than those in the 20th century, while others prioritize the use of natural and ecological materials like stone, wood and lime. One technology that is common to all forms of contemporary architecture is the use of new techniques of computer-aided design, which allow buildings to be designed and modeled on computers in three dimensions, and constructed with more precision and speed.
The Colburn School is a private performing arts school in Los Angeles with a focus on music and dance. It consists of four divisions: the Conservatory of Music, Music Academy, Community School of Performing Arts and the Trudl Zipper Dance Institute. Founded in 1950, the school is named after its principal benefactor, Richard D. Colburn.
Grant Mudford, is an Australian photographer.
Daniel Leonard Dworsky was an American architect who was a longstanding member of the American Institute of Architects College of Fellows. Among other works, Dworsky designed Crisler Arena, the basketball arena at the University of Michigan named for Dworsky's former football coach, Fritz Crisler. Other professional highlights include designing Drake Stadium at UCLA, the Federal Reserve Bank in Los Angeles and the Block M seating arrangement at Michigan Stadium. He is also known for a controversy with Frank Gehry over the Walt Disney Concert Hall.
The YouTube Symphony Orchestra(YTSO) is an orchestra assembled by open auditions hosted by YouTube, the London Symphony Orchestra and several other worldwide partners. Launched on December 1, 2008, it is the first online collaborative orchestra.
The year 2011 in architecture involved some significant architectural events and new buildings.
Grand Avenue is a major north–south thoroughfare in Los Angeles, California. Primarily located in downtown's Bunker Hill, Financial, and South Park districts, the avenue features many of the area's most notable destinations, and also connects to City Hall via Grand Park.
The Lincoln Theatre on Lincoln Road in the South Beach neighborhood of Miami Beach, Florida was a movie theater and later a concert hall. It was designed in art deco style by noted cinema and theater designer Thomas W. Lamb and opened in 1936. It functioned as a cinema until the 1980s, then sat vacant for several years, then was used for performances of the New World Symphony, which bought it in 1990. The symphony carried out a multimillion-dollar renovation.
Polaris: Voyage for Orchestra is an orchestral composition by the British composer Thomas Adès. The work was co-commissioned by the New World Symphony under the direction of Michael Tilson Thomas for the opening of the New World Center. The New World Symphony was joined in commission by the Royal Concertgebouw Orchestra, the New York Philharmonic, the Calouste Gulbenkian Foundation, the Barbican Centre, the Los Angeles Philharmonic, and the San Francisco Symphony. It was given its world premiere by Michael Tilson Thomas and the New World Symphony at the New World Center in Miami Beach on January 26, 2011.
Youth Orchestra Los Angeles (YOLA) is the Los Angeles Philharmonic's initiative to establish youth orchestra programs in underprivileged communities throughout Los Angeles. Modeled on Venezuela's El Sistema, a program which brings classical music education to children from low-income communities, YOLA provides free instruments, music training, and academic support to nearly 800 students age 6-18. A "social project first and artistic project second", 100% of YOLA's 2016 graduating class completed high school, and 90% went on to college.