Ninmug | |
---|---|
Goddess of artisanship and birth | |
Member of Šassūrātu | |
Major cult center | Kisiga, Adab |
Symbol | golden chisel, silver burin, obsidian knife |
Personal information | |
Consort |
|
Children | Lumma |
Ninmug or Ninmuga [1] was a Mesopotamian goddess. She was associated with artisanship, especially with metalworking, as evidenced by her epithet tibira kalamma, "metalworker of the land." She could also be regarded as a goddess of birth and assistant of Ninmah, most likely because the fashioning of statues of deities and the birth of children could be described with the same terms in Sumerian texts. Her main cult centers were Kisiga, whose location remains uncertain, and Adab.
From the Old Babylonian period onward, the god Ishum (and by extension his counterpart Hendursaga) could be regarded as her husband. While no children are attributed to him in any known sources, Ninmug herself is addressed as the mother of the minor god Lumma in some sources. She was also associated with the underworld goddess Ereš'ugga based on similar writing of their names. While most researchers assume they were separate, it has also been proposed they were the same deity, and by extension that Ninmug could also be viewed as the wife of the sea god Lugalabba.
Ninmug was associated with artisanship and with birth. [2] Most likely both functions were interlinked, and Antoine Cavigneaux and Manfred Krebernik point out that the same terms could be used to refer to birth of children and fashioning of cult statues and statuettes. [3] She was particularly closely connected with metalworkers. [2] She was referred to as the "metalworker of the land" (Sumerian: tibira kalamma). [4] She could be described as wielding a variety of tools related to this trade, such as a golden chisel, a silver burin and an obsidian knife. [5] She was also associated with the investiture of kings, as attested in the myth Enki and the World Order. [6]
The name Ninmug could be written as dNIN.MUG or possibly dNIN.ZADIM, [7] though it has also bean argued Ninzadim was a separate deity associated exclusively with seal cutters. [8] Thorkild Jacobsen interpreted the name Ninmug as "lady vulva", [9] but it is now assumed that element mug refers to an unidentified cult utensil or building. [3] It is also attested in personal names, such as Mugsi (from Adab). [3]
It has been argued that in late periods Ninmug started to be viewed as a male deity. [10] However, as noted by Antoine Cavigneaux and Manfred Krebernik, it is not certain if the male deity Nin-MUG, who could be equated with Ea and who is conventionally assumed to be a god of bowyers, is simply a male form of Ninmug. [3] The reading of his name is uncertain and might instead be Ninzed or Ninzedim. [3]
Ninmug is already attested in the Early Dynastic god list from Fara (Shuruppak), in which she precedes Ninšar. [7] There is evidence that she was actively worshiped in this city. [11] One of the Zame Hymns from Abu Salabikh from the same period associates her with Kisiga, [4] also known under the name Kissik. The precise location of this city is unknown, but it is agreed that it was located in southern Babylonia, possibly in the Sealand. [12] Texts from the first millennium BCE indicate it was close to Ur, Larsa, Uruk, Kullaba, Eridu and Nemed-Laguda. [13] Identification with Tell al-Lahm is sometimes proposed. [12] In other sources it could also be described as a cult center of Inanna and Dumuzi or of Lugal-irra and Meslamta-ea. [14]
Another major cult center of Ninmug was Adab, where at least before the Sargonic period she had her own temple. [15] The eleventh month in the local calendar was named after her, [15] as was a nearby canal. [16] A sanga priest and officials involved in the cult of this goddess are also attested in documents from this city. [16] In offering lists she appears after Ishkur or Nisaba. [16] Offerings to Ninmug are also mentioned in records from Umma, while in Lagash she had a sanga priest. [3]
In the Ur III and Old Babylonian periods, Ninmug could appear alongside her husband Ishum in cylinder seal inscriptions. [17] It has been argued she was a popular deity at the time. [17] References to her in personal letters are infrequent, though she nonetheless occurs comparably often as Ninsun or Ninkarrak. [18] Theophoric names invoking Ninmug are known, one example attested in sources from between Early Dynastic and Ur III times being Ur-Ninmug. [16]
Ninmug's husband was Ishum, first attested in this role in the Old Babylonian period. [10] As in the case of other divine wives, such as Aya and Shala, Ninmug was invoked to intercede with her husband on behalf of worshipers. [19] Her intercessory role is attested in an Old Babylonian letter, [20] whose author addresses her because "Ishum will listen to what you say." [21] Hendursaga could be regarded as the husband of Ninmug too, but this was a secondary development based on the equation between him and Ishum. [10] It is possible that in the third millennium BCE, Hendursaga's wife was instead Dumuziabzu, the tutelary goddess of Kinunir (Kinirsha), a city in the state of Lagash, though in that period family relations between deities were often particularly fluid or uncertain. [22] While no children of Ishum are known from any sources, [23] Ninmug could be addressed as the mother of the god Lumma. [24] An Emesal text, possibly a lament for an unidentified dying god, mentions them both alongside goddesses such as Nintinugga, Ninisina, Ereš'ugga and Lisin. [24] Lumma was regarded as a guardian ( udug ) of Ekur, Enlil's temple in Nippur, [25] or as an underworld demon ( gallû ). [25] Gianni Marchesi describes him as "gendarme demon par excellence." [25] It is possible that he originally belonged to the pantheon of Kisiga. [1]
Lumma could also be associated with Ereš'ugga, whose name means "queen of the dead." [1] A second translation, proposed by Wilfred G. Lambert and based on variant spellings, is "mistress of the house of the dead." [26] Due to similarity between the names, she was sometimes confused with Ninmug. [1] Her name was written as NIN-ĝa'uga or NIN-ug-ga, with the NIN sign in this case read as either ereš or égi based on provided glosses. [27] The god list An = Anum equates her with Ninkarrak. [27] It is possible that the confusion between her and Ninmug is responsible for the equation between the latter and Meme in a double column edition of the Weidner god list. [4] According to An = Anum, Meme was an alternate name of Ninkarrak. [28] Ereš'ugga was the wife of Lugala'abba, [27] ("lord of the sea"), a god associated with both the sea and the underworld [29] who was worshiped in Nippur during the reign of Samsu-iluna. [26] An = Anum keeps Ninmug and Ereš'ugga apart, with the former appearing alongside Ishum and the latter alongside Lugala'abba. [8] However, Wilfred G. Lambert asserted that they should be considered two variant spellings of the name of a single deity, who could be viewed as the wife of both Ishum and Lugala'abba. [30]
In texts pertaining to the fashioning of divine statues, Ninmug could appear alongside other deities associated with crafts, such as Kusigbanda, Ninagala, Ninduluma and Ninkurra. [4]
An offering list from Umma from the Ur III period mentions a nameless sukkal (attendant deity) of Ninmug. [3]
In the myth Enki and Ninmah , Ninmug is one of the seven helpers of the eponymous goddess, described as goddesses of birth. [31] The other six members of this group are Ninimma, Shuzianna, Ninšar, Ninmada, Mumudu and Ninniginna. [32] It is assumed that Ninmug's role in this myth might be the reason why a single eršemma text equates her with Ninhursag, Dingirmah and Lisin. [4] Ninmah's helpers could be collectively called Šassūrātu. [33] [34] This term was derived from šassūru, "womb," a Sumerian loanword in Akkadian. [35] In an Ugaritic god list, they were equated with Hurrian Hutena and Hutellura and local Kotharat. [35] The latter group is also known Mari, where they were known as Kûšarātum. [35] Their name is derived from the Semitic root kšr, "to be skilled." [35]
Ninmug also appears in the myth Enki and the World Order. When Inanna complains about not being assigned a domain, she mentions her alongside Aruru, Nanshe, Nisaba and Ninisina as goddesses who receives specific areas of influence from Enki. [36] Ninmug's appointment is stated to be the office of tibir kalamma. [9]
Ninḫursaĝ sometimes transcribed Ninursag, Ninḫarsag, or Ninḫursaĝa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. Temple hymn sources identify her as the "true and great lady of heaven" and kings of Lagash were "nourished by Ninhursag's milk". She is the tutelary deity to several Sumerian leaders.
Nammu was a Mesopotamian goddess regarded as a creator deity in the local theology of Eridu. It is assumed that she was associated with water. She is also well attested in connection with incantations and apotropaic magic. She was regarded as the mother of Enki, and in a single inscription she appears as the wife of Anu, but it is assumed that she usually was not believed to have a spouse. From the Old Babylonian period onwards, she was considered to be the mother of An (Heaven) and Ki (Earth), as well as a representation of the primeval sea/ocean, an association that may have come from influence from the goddess Tiamat.
Ninšar was a Mesopotamian goddess commonly associated with the preparation of meat. The reading of her name remains uncertain, and its possible etymology appears to be unrelated to her role in the Mesopotamian pantheon. She was chiefly worshiped in Nippur, though her original cult center was the settlement AB.NAGAR.
Ninkasi was the Mesopotamian goddess of beer and brewing. It is possible that in the first millennium BC she was known under the variant name Kurunnītu, derived from a term referring to a type of high quality beer. She was associated with both positive and negative consequences of the consumption of beer. In god lists, such as the An = Anum list and the Weidner god list, she usually appears among the courtiers of the god Enlil, alongside deities such as Ninimma and Ninmada. She could also be paired with Siraš, a goddess of similar character, who sometimes was regarded as her sister. A possible association between her and the underworld deities Nungal and Laṣ is also attested, possibly in reference to the possible negative effects of alcohol consumption.
Damgalnuna, also known as Damkina, was a Mesopotamian goddess regarded as the wife of the god Enki. Her character is poorly defined in known sources, though it is known that like her husband she was associated with ritual purification and that she was believed to intercede with him on behalf of supplicants. Among the deities regarded as their children were Nanshe and Asalluhi. While the myth Enki and Ninhursag treats her as interchangeable with the goddess mentioned in its title, they were usually separate from each other. The cities of Eridu and Malgium were regarded as Damgalnuna's cult centers. She was also worshiped in other settlements, such as Nippur, Sippar and Kalhu, and possibly as early as in the third millennium BCE was incorporated into the Hurrian pantheon. She appears in a number of myths, including the Enūma Eliš, though only a single composition, Damkina's Bond, is focused on her.
Nisaba was the Mesopotamian goddess of writing and grain. She is one of the oldest Sumerian deities attested in writing, and remained prominent through many periods of Mesopotamian history. She was commonly worshiped by scribes, and numerous Sumerian texts end with the doxology "praise to Nisaba" as a result. She declined after the Old Babylonian period due to the rise of the new scribe god, Nabu, though she did not fully vanish from Mesopotamian religion and attestations from as late as the neo-Babylonian period are known.
Ninti was a Mesopotamian goddess worshiped in Lagash. She was regarded as the mother of Ninkasi. She also appears in the myth Enki and Ninhursag as one of the deities meant to soothe the eponymous god's pain. In this text, her name is reinterpreted first as "lady rib" and then as "lady of the month" through scribal word play.
Aya was a Mesopotamian goddess associated with dawn. Multiple variant names were attributed to her in god lists. She was regarded as the wife of Shamash, the sun god. She was worshiped alongside her husband in Sippar. Multiple royal inscriptions pertaining to this city mention her. She was also associated with the Nadītu community inhabiting it. She is less well attested in the other cult center of Shamash, Larsa, though she was venerated there as well. Additional attestations are available from Uruk, Mari and Assur. Aya was also incorporated into Hurrian religion, and in this context she appears as the wife of Shamash's counterpart Šimige.
Ningikuga was a Mesopotamian goddess. Her name can be explained as nin-gi-kug-a(k), "lady of the pure reed".
Ninimma was a Mesopotamian goddess best known as a courtier of Enlil. She is well attested as a deity associated with scribal arts, and is variously described as a divine scholar, scribe or librarian by modern Assyriologists. She could also serve as an assistant of the birth goddess Ninmah, and a hymn describes her partaking in cutting of umbilical cords and determination of fates. It has also been suggested that she was associated with vegetation. In the Middle Babylonian period she additionally came to be viewed as a healing deity.
Shuzianna was a Mesopotamian goddess. She was chiefly worshiped in Nippur, where she was regarded as a secondary spouse of Enlil. She is also known from the enumerations of children of Enmesharra, while in the myth Enki and Ninmah she is one of the seven minor goddesses helping with the creation of mankind.
Ningirima was a Mesopotamian goddess associated with incantations, attested already in the Early Dynastic period. She was also associated with snakes, fish and water. According to the god list An = Anum and other sources, she was regarded as a sister of Enlil. While suggestions that she was conflated with the mongoose deity Ninkilim can be found in modern literature, this theory finds no direct support in primary sources.
Ninmada was a name applied to two separate Mesopotamian deities, a god and a goddess. The female Ninmada was a divine snake charmer, and in the myth Enki and Ninmah she appears as an assistant of the eponymous goddess. The male Ninmada was called the "worshiper of An" and was regarded as a brother of the snake god Ninazu. It is assumed that these deities could be partially conflated with each other or shared a similar origin, though proposals that there was only one Ninmada are also present in modern scholarship.
Ningublaga was a Mesopotamian god associated with cattle. His cult center was Kiabrig, a little known city located in the proximity of Ur. He belonged to the circle of deities related to the moon god, Nanna, and sometimes could be viewed as his son. He is also well attested as the brother of Alammuš, and they frequently appear together in god lists, incantations and especially in astronomical texts.
Mamu was a Mesopotamian goddess associated with dreams. She was regarded as the daughter of the sun god Shamash (Utu) and could herself be called the "Utu of dreams". References to male Mamu are also known, though it has been proposed that they only represent a late change of gender attested for a number of other originally female deities as well.
Šassūrātu were a group of Mesopotamian goddesses regarded as the assistants of Ninmah. Their name can be translated as "midwives" and they were considered to be tutelary goddesses of pregnant women. They appear in the myth Enki and Ninmah, where they receive individual names, as well as in a late version of Atrahasis.
Meskilak or Mesikila was one of the two main deities worshiped in Dilmun. The other well attested member of the pantheon of this area was Inzak, commonly assumed to be her spouse. The origin of her name is a subject of scholarly dispute. She is also attested in texts from Mesopotamia, where her name was reinterpreted as Ninsikila. A different deity also named Ninsikila was the spouse of Lisin, and might have started to be viewed as a goddess rather than a god due to the similarity of the names. Under her Mesopotamian name Meskilak appears in the myths Enki and Ninhursag and Enki and the World Order, in which she is associated with Dilmun.
Lugala'abba or Lugalabba was a Mesopotamian god associated with the sea, as well as with the underworld. It has been proposed that he was worshiped in Nippur. He is also attested in various god lists, in a seal inscription, and in the incantation series Šurpu.
Aruru was a Mesopotamian goddess. The origin of her name is presently uncertain. While initially considered an independent deity associated with vegetation and portrayed in hymns as violent, she eventually came to be viewed as analogous Ninhursag. Her name could also function as an epithet of goddesses such as Nisaba and Ezina-Kusu. She was often called the older sister of Enlil. Her cult centers most likely were the cities of Kesh, Adab and Irisaĝrig. She appears in a number of literary texts, some of which preserve information about her original character. She is also present in the Epic of Gilgamesh, which portrays her as the creator of Enkidu.
Epithets of Inanna were titles and bynames used to refer to this Mesopotamian goddess and to her Akkadian counterpart Ishtar. In Mesopotamia, epithets were commonly used in place of the main name of the deity, and combinations of a name with an epithet similar to these common in ancient Greek religion are comparatively uncommon. Inanna had more titles than any other Mesopotamian deity. They pertained to her associations with specific cities or areas, such as Uruk, Zabalam, Akkad, Nineveh, or the Sealand. Others instead highlighted her specific roles, for example, that of an astral goddess personifying the planet Venus—or that of a war deity. In some cases, her individual epithets eventually developed into separate deities.