Nominal impedance

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Nominal impedance in electrical engineering and audio engineering refers to the approximate designed impedance of an electrical circuit or device. The term is applied in a number of different fields, most often being encountered in respect of:

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The actual impedance may vary quite considerably from the nominal figure with changes in frequency. In the case of cables and other transmission lines, there is also variation along the length of the cable, if it is not properly terminated.

It is usual practice to speak of nominal impedance as if it were a constant resistance, [1] that is, it is invariant with frequency and has a zero reactive component, despite this often being far from the case. Depending on the field of application, nominal impedance is implicitly referring to a specific point on the frequency response of the circuit under consideration. This may be at low-frequency, mid-band or some other point and specific applications are discussed in the sections below. [2]

In most applications, there are a number of values of nominal impedance that are recognised as being standard. The nominal impedance of a component or circuit is often assigned one of these standard values, regardless of whether the measured impedance exactly corresponds to it. The item is assigned the nearest standard value.

600 Ω

Nominal impedance first started to be specified in the early days of telecommunications. At first amplifiers were not available and when they did become available they were expensive. It was consequently necessary to achieve maximum power transfer from the cable at the receiving end in order to maximise the lengths of cables that could be installed. It also became apparent that reflections on the transmission line would severely limit the bandwidth that could be used or the distance that it was practicable to transmit. Matching equipment impedance to the characteristic impedance of the cable reduces reflections (and they are eliminated altogether if the match is perfect) and power transfer is maximised. To this end, all cables and equipment started to be specified to a standard nominal impedance. The earliest, and still the most widespread, standard is 600 Ω, originally used for telephony. It has to be said that the choice of this figure had more to do with the way telephones were interfaced into the local exchange than any characteristic of the local telephone cable. Telephones (old style analogue telephones) connect to the exchange through twisted pair cabling. Each leg of the pair is connected to a relay coil which detect the signalling on the line (dialling, handset off-hook etc.). The other end of one coil is connected to a supply voltage and the second coil is connected to ground. A telephone exchange relay coil is around 300 Ω so the two of them together are terminating the line in 600 Ω. [3]

Variation of characteristic impedance with frequency. At audio frequencies the impedance is far from constant and the nominal value is only correct at one frequency. Twisted pair nominal impedance.svg
Variation of characteristic impedance with frequency. At audio frequencies the impedance is far from constant and the nominal value is only correct at one frequency.

The wiring to the subscriber in telephone networks is generally done in twisted pair cable. Its impedance at audio frequencies, and especially at the more restricted telephone band frequencies, is far from constant. It is possible to manufacture this kind of cable to have a 600 Ω characteristic impedance but it will only be this value at one specific frequency. This might be quoted as a nominal 600 Ω impedance at 800 Hz or 1 kHz. Below this frequency the characteristic impedance rapidly rises and becomes more and more dominated by the ohmic resistance of the cable as the frequency falls. At the bottom of the audio band the impedance can be several tens of kilohms. On the other hand, at high frequency in the MHz region, the characteristic impedance flattens out to something almost constant. The reason for this response is explained at primary line constants. [4]

Local area networks (LANs) commonly use a similar kind of twisted pair cable, but screened and manufactured to tighter tolerances than is necessary for telephony. Even though it has a very similar impedance to telephone cable, the nominal impedance is rated at 100 Ω. This is because the LAN data is in a higher frequency band where the characteristic impedance is substantially flat and mostly resistive. [4]

Standardisation of line nominal impedance led to two-port networks such as filters being designed to a matching nominal impedance. The nominal impedance of low-pass symmetrical T- or Pi-filter sections (or more generally, image filter sections) is defined as the limit of the filter image impedance as the frequency approaches zero and is given by,

where L and C are as defined in constant k filter. As can be seen from the expression, this impedance is purely resistive. This filter transformed to a band-pass filter will have an impedance equal to the nominal impedance at resonance rather than low frequency. This nominal impedance of filters will generally be the same as the nominal impedance of the circuit or cable that the filter is working into. [5]

While 600 Ω is an almost universal standard in telephony for local presentation at customer's premises from the exchange, for long distance transmission on trunk lines between exchanges other standard nominal impedances are used and are usually lower, such as 150 Ω. [6]

50 Ω and 75 Ω

In the field of radio frequency (RF) and microwave engineering, by far and away the most common transmission line standard is 50 Ω coaxial cable (coax), which is an unbalanced line. 50 Ω first arose as a nominal impedance during World War II work on radar and is a compromise between two requirements. This standard was the work of the wartime US joint Army-Navy RF Cable Coordinating Committee. The first requirement is for minimum loss. The loss of coaxial cable is given by,

nepers/metre

where R is the loop resistance per metre and Z0 is the characteristic impedance. Making the diameter of the inner conductor larger will decrease R and decreasing R decreases the loss. On the other hand, Z0 depends on the ratio of the diameters of outer and inner conductors (Dr) and will decrease with increasing inner conductor diameter thus increasing the loss. There is a specific value of Dr for which the loss is a minimum and this turns out to be 3.6. For an air dielectric coax this corresponds to a characteristic impedance of 77 Ω. The coax produced during the war was rigid air-insulated pipe, and this remained the case for some time afterwards. The second requirement is for maximum power handling and was an important requirement for radar. This is not the same condition as minimum loss because power handling is usually limited by the breakdown voltage of the dielectric. However, there is a similar compromise in terms of the ratio of conductor diameters. Making the inner conductor too large results in a thin insulator which breaks down at a lower voltage. On the other hand, making the inner conductor too small results in higher electric field strength near the inner conductor (because the same field energy is accumulated around smaller conductor surface) and again reduces the breakdown voltage. The ideal ratio, Dr, for maximum power handling turns out to be 1.65 and corresponds to a characteristic impedance of 30 Ω in air. The 50 Ω impedance is the geometric mean of these two figures;

and then rounding to a convenient whole number. [7] [8]

Wartime production of coax, and for a period afterwards, tended to use standard plumbing pipe sizes for the outer conductor and standard AWG sizes for the inner conductor. This resulted in coax that was nearly, but not quite, 50 Ω. Matching is a much more critical requirement at RF than it is at voice frequencies, so when cable started to become available that was truly 50 Ω a need arose for matching circuits to interface between the new cables and legacy equipment, such as the rather strange 51.5 Ω to 50 Ω matching network. [8] [9]

While 30 Ω cable is highly desirable for its power handling capabilities, it has never been in commercial production because the large size of inner conductor makes it difficult to manufacture. This is not the case with 77 Ω cable. Cable with 75 Ω nominal impedance has been in use from an early period in telecommunications for its low loss characteristic. According to Stephen Lampen of Belden Wire & Cable 75 Ω was chosen as the nominal impedance rather than 77 Ω because it corresponded to a standard AWG wire size for the inner conductor. For coax video cables and interfaces 75 Ω is now the near universal standard nominal impedance. [8] [10]

Radio antennae

The widespread idea that 50 Ω and 75 Ω cable nominal impedances arose in connection with the input impedance of various antennae is a myth. It is true, however, that several common antennae are easily matched to cables with these nominal impedances. [7] A quarter wavelength monopole in free space has an impedance of 36.5 Ω, [11] and a half wavelength dipole in free space has an impedance of 72 Ω. [12] A half-wavelength folded dipole, commonly seen on television antennae, on the other hand, has a 288 Ω impedance four times that of a straight-line dipole. The ½  λ  dipole and the ½ λ folded dipole are commonly taken as having nominal impedances of 75 Ω and 300 Ω, respectively. [13]

An installed antenna’s feed-point impedance varies above and below the quoted value, depending on its installation height above the ground and the electrical properties of the surrounding earth. [14] [15]

Cable quality

One measure of cable manufacturing and installation quality is how closely the characteristic impedance adheres to the nominal impedance along its length. Impedance changes can be caused by variations in geometry along the cable length. In turn, these can be caused by a faulty manufacturing process or by faulty installation (such as not observing limits on bend radii). Unfortunately, there is no easy, non-destructive method of directly measuring impedance along a cable's length. It can, however, be indicated indirectly by measuring reflections, that is, return loss. Return loss by itself does not reveal much, since the cable design will have some intrinsic return loss anyway due to not having a purely resistive characteristic impedance. The technique used is to carefully adjust the cable termination to obtain as close a match as possible and then to measure the variation of return loss with frequency. The minimum return loss so measured is called the structural return loss (SRL). SRL is a measure of a cables' adherence to its nominal impedance but it is not a direct correspondence, errors further from the generator have less effect on SRL than those close to it. The measurement must also be carried out at all in-band frequencies to be significant. The reason for this is that equally spaced errors introduced by the manufacturing process will cancel and be invisible, or at least much reduced, at certain frequencies due to quarter wave impedance transformer action. [16] [17]

Audio systems

For the most part, audio systems both professional and domestic, have their components interconnected with low impedance outputs connected to high impedance inputs. These impedances are poorly defined and nominal impedances are not usually assigned for this kind of connection. The exact impedances make little difference to performance as long as the latter is many times larger than the former. [18] This is a common interconnection scheme, not just for audio, but for electronic units in general which form part of a larger equipment or are only connected over a short distance. Where audio needs to be transmitted over large distances, which is often the case in broadcast engineering, considerations of matching and reflections dictate that a telecommunications standard is used, which would normally mean using 600 Ω nominal impedance (although other standards are sometimes encountered, such as sending at 75 Ω and receiving at 600 Ω which has bandwidth advantages). The nominal impedance of the transmission line and of the amplifiers and equalisers in the transmission chain will all be the same value. [6]

Nominal impedance is used, however, to characterise the transducers of an audio system, such as its microphones and loudspeakers. It is important that these are connected to a circuit capable of dealing with impedances in the appropriate range and assigning a nominal impedance is a convenient way of quickly determining likely incompatibilities. Loudspeakers and microphones are dealt with in separate sections below.

Loudspeakers

Diagram showing the variation in impedance of a typical mid-range loudspeaker. Nominal impedance is usually determined at the lowest point after resonance. However, it is possible for the low-frequency impedance to be still lower than this. Speaker impedance.svg
Diagram showing the variation in impedance of a typical mid-range loudspeaker. Nominal impedance is usually determined at the lowest point after resonance. However, it is possible for the low-frequency impedance to be still lower than this.

Loudspeaker impedances are kept relatively low compared with other audio components so that the required audio power can be transmitted without using inconveniently (and dangerously) high voltages. The most common nominal impedance for loudspeakers is 8 Ω. Also used are 4 Ω and 16 Ω. [20] The once common 16 Ω is now mostly reserved for high frequency compression drivers since the high frequency end of the audio spectrum does not usually require so much power to reproduce. [21]

The impedance of a loudspeaker is not constant across all frequencies. In a typical loudspeaker the impedance will rise with increasing frequency from its DC value, as shown in the diagram, until it reaches a point of its mechanical resonance. Following resonance, the impedance falls to a minimum and then begins to rise again. [22] Speakers are usually designed to operate at frequencies above their resonance, and for this reason it is the usual practice to define nominal impedance at this minimum and then round to the nearest standard value. [23] [24] The ratio of the peak resonant frequency to the nominal impedance can be as much as 4:1. [25] It is, however, still perfectly possible for the low frequency impedance to actually be lower than the nominal impedance. [19] A given audio amplifier may not be capable of driving this low frequency impedance even though it is capable of driving the nominal impedance, a problem that can be solved either with the use of crossover filters or underrating the amplifier supplied. [26]

In the days of valves (vacuum tubes), most loudspeakers had a nominal impedance of 16 Ω. Valve outputs require an output transformer to match the very high output impedance and voltage of the output valves to this lower impedance. These transformers were commonly tapped to allow matching of the output to a multiple loudspeaker setup. For example, two 16 Ω loudspeakers in parallel will give an impedance of 8 Ω. Since the advent of solid-state amplifiers whose outputs require no transformer, the once-common multiple-impedance outputs have become rare, and lower impedance loudspeakers more common. The most common nominal impedance for a single loudspeaker is now 8 Ω. Most solid-state amplifiers are designed to work with loudspeaker combinations of anything from 4 Ω to 8 Ω. [27]

Microphones

There are a large number of different types of microphone and there are correspondingly large differences in impedance between them. They range from the very low impedance of ribbon microphones (can be less than one ohm) to the very large impedance of piezoelectric microphones which are measured in megohms. The Electronic Industries Alliance (EIA) has defined [28] a number of standard microphone nominal impedances to aid categorisation of microphones. [29]

Range (Ω)EIA nominal impedance (Ω)
20–8038
80–300150
300–1250600
1250–45002400
4500-20,0009600
20,000–70,00040,000

The International Electrotechnical Commission defines a similar set of nominal impedances, but also has a coarser classification of low (less than 600 Ω), medium (600 Ω to 10 kΩ) and high (more than 10 kΩ) impedances. [30] [ failed verification ]

Oscilloscopes

Oscilloscope inputs are usually high impedance so that they only minimally affect the circuit being measured when connected. However, the input impedance is made a specific nominal value, rather than arbitrarily high, because of the common use of X10 probes. A common value for oscilloscope nominal impedance is 1 MΩ resistance and 20 pF capacitance. [31] With a known input impedance to the oscilloscope, the probe designer can ensure that the probe input impedance is exactly ten times this figure (actually oscilloscope plus probe cable impedance). Since the impedance included the input capacitance and the probe is an impedance divider circuit, the result is that the waveform being measured is not distorted by the RC circuit formed by the probe resistance and the capacitance of the input (or the cable capacitance which is generally higher). [32] [33]

Related Research Articles

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In telecommunications and professional audio, a balanced line or balanced signal pair is a circuit consisting of two conductors of the same type, each of which have equal impedances along their lengths and equal impedances to ground and to other circuits. The chief advantage of the balanced line format is good rejection of common-mode noise and interference when fed to a differential device such as a transformer or differential amplifier. Common forms of balanced line are twin-lead, used for radio frequency signals and twisted pair, used for lower frequencies. They are to be contrasted to unbalanced lines, such as coaxial cable, which is designed to have its return conductor connected to ground, or circuits whose return conductor actually is ground. Balanced and unbalanced circuits can be interfaced using a device called a balun.

In signal processing, distortion is the alteration of the original shape of a signal. In communications and electronics it means the alteration of the waveform of an information-bearing signal, such as an audio signal representing sound or a video signal representing images, in an electronic device or communication channel.

In signal processing, group delay and phase delay are delay times experienced by a signal's various frequency components when the signal passes through a system that is linear time-invariant (LTI), such as a microphone, coaxial cable, amplifier, loudspeaker, telecommunications system or ethernet cable. These delays are generally frequency dependent. This means that different frequency components experience different delays, which cause distortion of the signal's waveform as it passes through the system. This distortion can cause problems such as poor fidelity in analog video and analog audio, or a high bit-error rate in a digital bit stream. For a modulation signal, the signal intelligence is carried exclusively in the wave envelope. Group delay therefore operates only with the frequency components derived from the envelope.

Transmission line Cable or other structure for carrying radio waves

In electrical engineering, a transmission line is a specialized cable or other structure designed to conduct electromagnetic waves in a contained manner. The term applies when the conductors are long enough that the wave nature of the transmission must be taken into account. This applies especially to radio-frequency engineering because the short wavelengths mean that wave phenomena arise over very short distances. However, the theory of transmission lines was historically developed to explain phenomena on very long telegraph lines, especially submarine telegraph cables.

Coaxial cable Electrical cable type with concentric inner conductor, insulator, and conducting shield

Coaxial cable, or coax is a type of electrical cable consisting of an inner conductor surrounded by a concentric conducting shield, with the two separated by a dielectric ; many coaxial cables also have a protective outer sheath or jacket. The term coaxial refers to the inner conductor and the outer shield sharing a geometric axis.

Microphone Device that converts sound into an electrical signal

A microphone, colloquially called a mic or mike, is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones, hearing aids, public address systems for concert halls and public events, motion picture production, live and recorded audio engineering, sound recording, two-way radios, megaphones, and radio and television broadcasting. They are also used in computers for recording voice, speech recognition, VoIP, and for other purposes such as ultrasonic sensors or knock sensors.

Balanced audio is a method of interconnecting audio equipment using balanced interfaces. This type of connection is very important in sound recording and production because it allows the use of long cables while reducing susceptibility to external noise caused by electromagnetic interference. The balanced interface guarantees that induced noise appears as common-mode voltages at the receiver which can be rejected by a differential device.

Balun

A balun is an electrical device that allows balanced and unbalanced lines to be interfaced without disturbing the impedance arrangement of either line. A balun can take many forms and may include devices that also transform impedances but need not do so. Sometimes, in the case of transformer baluns, they use magnetic coupling but need not do so. Common-mode chokes are also used as baluns and work by eliminating, rather than rejecting, common mode signals.

Impedance matching Practice in electronics

In electronics, impedance matching is the practice of designing the input impedance of an electrical load or the output impedance of its corresponding signal source to maximize the power transfer or minimize signal reflection from the load. For example, a radio transmitter can most efficiently transfer power to an antenna if the antenna and interconnecting transmission line have the same impedance as the transmitter. Digital signals on a transmission line will be transmitted without reflections and distortion if the transmission line is terminated with a matching impedance.

Antenna tuner Telecommunications device

An antenna tuner is a device that is inserted between a radio transmitter and its antenna; when properly adjusted (tuned) it improves power transfer by matching the impedance of the radio to the impedance of the antenna, or the feedline which connects the antenna to the transmitter.

Damping factor

In an audio system, the damping factor gives the ratio of the rated impedance of the loudspeaker to the source impedance. Only the magnitude of the loudspeaker impedance is used. The amplifier output impedance is also assumed to be totally resistive.

Input impedance

The input impedance of an electrical network is the measure of the opposition to current (impedance), both static (resistance) and dynamic (reactance), into the load network that is external to the electrical source. The input admittance (1/impedance) is a measure of the load's propensity to draw current. The source network is the portion of the network that transmits power, and the load network is the portion of the network that consumes power.

Line level is the specified strength of an audio signal used to transmit analog audio between components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles.

Stub (electronics) Short electrical transmission line

In microwave and radio-frequency engineering, a stub or resonant stub is a length of transmission line or waveguide that is connected at one end only. The free end of the stub is either left open-circuit, or short-circuited. Neglecting transmission line losses, the input impedance of the stub is purely reactive; either capacitive or inductive, depending on the electrical length of the stub, and on whether it is open or short circuit. Stubs may thus function as capacitors, inductors and resonant circuits at radio frequencies.

Test probe

A test probe is a physical device used to connect electronic test equipment to a device under test (DUT). Test probes range from very simple, robust devices to complex probes that are sophisticated, expensive, and fragile. Specific types include test prods, oscilloscope probes and current probes. A test probe is often supplied as a test lead, which includes the probe, cable and terminating connector.

A bias tee is a three-port network used for setting the DC bias point of some electronic components without disturbing other components. The bias tee is a diplexer. The low-frequency port is used to set the bias; the high-frequency port passes the radio-frequency signals but blocks the biasing levels; the combined port connects to the device, which sees both the bias and RF. It is called a tee because the 3 ports are often arranged in the shape of a T.

Transformer types Overview of electrical transformer types

A variety of types of electrical transformer are made for different purposes. Despite their design differences, the various types employ the same basic principle as discovered in 1831 by Michael Faraday, and share several key functional parts.

Zobel network

Zobel networks are a type of filter section based on the image-impedance design principle. They are named after Otto Zobel of Bell Labs, who published a much-referenced paper on image filters in 1923. The distinguishing feature of Zobel networks is that the input impedance is fixed in the design independently of the transfer function. This characteristic is achieved at the expense of a much higher component count compared to other types of filter sections. The impedance would normally be specified to be constant and purely resistive. For this reason, Zobel networks are also known as constant resistance networks. However, any impedance achievable with discrete components is possible.

Tube sound Characteristic quality of sounds from vacuum tube amplifiers

Tube sound is the characteristic sound associated with a vacuum tube amplifier, a vacuum tube-based audio amplifier. At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable methods were not known or used. After introduction of solid state amplifiers, tube sound appeared as the logical complement of transistor sound, which had some negative connotations due to crossover distortion in early transistor amplifiers. However, solid state amplifiers have been developed to be flawless and the sound is later regarded neutral compared to tube amplifiers. Thus the tube sound now means 'euphonic distortion.' The audible significance of tube amplification on audio signals is a subject of continuing debate among audio enthusiasts.

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  8. 1 2 3 Breed, pp.6–7.
  9. Harmon Banning (W. L. Gore & Associates, Inc.), "The History of 50 Ω", RF Cafe
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  27. van der Veen, p.27.
  28. Electronic Industries Standard SE-105, August 1949.
  29. Ballou, p.419.
  30. International standard IEC 60268-4 Sound system equipment – Part 4: Microphones.
  31. pp.97–98.
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Bibliography