The Stranglers are an English rock band. Scoring 23 UK top 40 singles and 20 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene.
"Peaches" is the second single by the Stranglers, taken from their debut studio album Rattus Norvegicus (1977). Notable for its distinctive bassline, the track peaked at No. 8 in the UK Singles Chart.
The Raven is the fourth studio album by English new wave band the Stranglers, released on 21 September 1979, through record label United Artists.
Mayday is a live album by Hugh Cornwell. It was a live show recorded at Sankey's Soap in Manchester on 1 May 1998, hence the title.
Hugh Alan Cornwell is an English musician, singer-songwriter and writer, best known for being the lead vocalist and lead guitarist for the punk rock and new wave band the Stranglers from 1974 to 1990. Since leaving the Stranglers, Cornwell has recorded a further ten solo studio albums and continues to record and perform live.
Feline is the seventh studio album by the Stranglers and was released on 14 January 1983 on the Epic record label, their first for the label. The first edition came with a free one-sided 7" single "Aural Sculpture Manifesto". Feline drew heavily on two of the dominant musical influences in Europe of the time, by using primarily acoustic guitars and electronic drums as well as synthesizers. The American edition of the album included the British hit single "Golden Brown" as the closing track on side one of the original vinyl.
10 is the tenth studio album by English rock band the Stranglers, released in March 1990 by Epic Records. It was the last to feature guitarist/lead singer Hugh Cornwell. 10 peaked at No. 15 and spent four weeks in the UK Albums Chart.
David Paul Greenfield was an English keyboardist, singer and songwriter who was a member of rock band the Stranglers. He joined the band in 1975, within a year of its formation, and played with them for 45 years until his death.
Lite Me Up is a pop album with a strong disco-funk feel by Herbie Hancock. It was Hancock's twenty-eighth album and first release without producer David Rubinson since 1969. On this album, Hancock was influenced by his long-time friend, producer Quincy Jones and sessions included many musicians associated with Jones including Steve Lukather and Jeff Porcaro of Toto. The album was the first on which Hancock played the Synclavier, a digital polyphonic synthesizer.
Sabotage/Live is a live album by John Cale. It was recorded at CBGB, New York on 13–16 June 1979, and released by SPY Records in December 1979.
Toto XX: 1977–1997 is a compilation album by Toto to celebrate their 20th anniversary. The album features rare original demos, outtakes, previously unreleased recordings and live tracks from the band's 20-year career. Despite its being labeled as a compilation album, Steve Lukather in 2014 defined the album as the tenth studio album overall.
Commodores 13 is the tenth studio album by the Commodores, released in 1983 on Motown Records. It's also the first album by the band after the departure of Lionel Richie, who began his solo career in 1982.
IV is a compilation album by the Stranglers, released on 24 September 1980 on I.R.S. Records and only available in the US and Canada.
Robert Williams is a drummer and solo artist who has worked with Captain Beefheart, Hugh Cornwell, John Lydon, the Spo-it's, Tex and the Horseheads, Elvira, Mistress of the Dark, and Zoogz Rift, and also performed on recordings for the Pee-wee Herman Show original cast recording.
Wired is the second solo studio album by Hugh Cornwell, released on 21 June 1993 on the Transmission label. It follows the collaboration album with Robert Williams, Nosferatu (1979), and first proper solo outing, Wolf (1988). Wired was produced by Gary Langan, with the exception of "Ain't It Strange", which was produced by Cornwell. It was recorded in 1992 at Metropolis Studios in London and Soundlab Studios in Wiltshire. The album's progress was affected by contractual disputes. Cornwell was initially signed to Phoenix Records, but the label started to fall into difficulties and Cornwell cited them for breach of contract. A new deal was struck with NTV (Transmission) to finish the album. Phoenix then maintained that NTV had no right to release the album with arguments over the matter continuing until February 1994. As a result, the album was initially only released in Europe. Two singles were released from the album, "The Story of He & She" in 1993, and "My Kind of Loving" in 1994.
Wolf is the debut solo album by English musician Hugh Cornwell, released in June 1988 on Virgin Records and produced by Cornwell and Ian Ritchie, with additional production on two tracks by Clive Langer and Alan Winstanley. The other musicians involved included drummers Graham Broad and Manny Elias, keyboardists Jools Holland and Simon Clark, brass players Don Weller, Pete Thoms, Steve Dawson and Alex Gifford, singer Haywoode, and guitarist Gus Isadore.
People, Places, Pieces is a 3-CD live album by English musician Hugh Cornwell, released through Invisible Hands Music in October 2006. It was recorded at the London Carling Academy over three nights between 12 and 14 April 2005. Containing 45 tracks, the set spans the whole of Cornwell's career and includes tracks from his time with the Stranglers and from the majority of his solo albums. It was available by mail-order only, and accompanied by a 12-track "highlights" CD entitled Dirty Dozen, which was available in stores.
"Grip", or "(Get A) Grip ", is a single by the Stranglers from the album Rattus Norvegicus. It was the Stranglers' first single, released as a double A-side with "London Lady" in January 1977, and reached number 44 on the UK Singles Chart.
"Hanging Around" is a song by English rock band the Stranglers, released on their 1977 debut album Rattus Norvegicus. The song was written by the band's guitarist, Hugh Cornwell, and is notable for its driving bassline and its lyrics about urban alienation.
"Goodbye Toulouse" is a song by The Stranglers. It was the second song on their 1977 debut album, Rattus Norvegicus. The lyrics were written by Jean-Jacques Burnel and the music by Hugh Cornwell, although the song was credited to the band as a whole.
